Huainanzi 12, Titled “Dao Ying” 道應, Or “Responses of the Way,”1 Is
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Acupuncture and 'Traditional Chinese Medicine'
EQUINE VETERINARY EDUCATION / AE / AUGUST 2004 275 Tutorial Article Acupuncture and ‘traditional Chinese medicine’ in the horse. Part 1: A historical overview D. W. RAMEY* AND P. D . BUELL† PO Box 5231, Glendale, California 91221 and †6206 25th Avenue, NE Seattle, Washington 98115, USA. Keywords: horse; acupuncture; Chinese medicine Introduction practised in the USA and Europe is not the same as the healing systems being practised in East Asia. Furthermore, the systems The last 3 decades have brought a wave of interest in a variety being practised in either locale are removed from the practice of unrelated therapeutic approaches commonly referred to as of Chinese medicine prior to the 20th century. Indeed, ‘alternative’, ‘complementary’ or ‘integrative’. Among Unschuld (1998a) wrote: “What is very much now an the most curious of those approaches is acupuncture, a ‘alternative’ Chinese medicine is only a minimal vestige of ideas minor tradition in the historical medical practice of China. and practices…extracted from a highly impressive variety of Investigations into acupuncture in human medicine have medical thought, and supplemented with modern elements of increased since interest began approximately 30 years ago and Western rationality…”. Chinese medicine, in the sense of a veterinary investigations have also been conducted. However, homogeneous system of ideas and therapeutic practices - even historical and scientific information about acupuncture, as a series of empirical observations codified over time - did not particularly pertaining to the horse, is rather scattered, exist prior to its promotion as such in the 20th century and somewhat incoherent and often inaccurately cited. This does not exist today. article, the first of a 2 part series, attempts a brief Neither is Chinese medicine a homogeneous or ‘complete’ overview of the history of equine acupuncture and treatment approach. -
Is Shuma the Chinese Analog of Soma/Haoma? a Study of Early Contacts Between Indo-Iranians and Chinese
SINO-PLATONIC PAPERS Number 216 October, 2011 Is Shuma the Chinese Analog of Soma/Haoma? A Study of Early Contacts between Indo-Iranians and Chinese by ZHANG He Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
Dissertation Section 1
Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ! 2013 Gregory M. Patterson All rights reserved ABSTRACT Elegies for Empire: The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson This dissertation explores highly influential constructions of the past at a key turning point in Chinese history by mapping out what I term a poetics of memory in the more than four hundred poems written by Du Fu !" (712-770) during his two-year stay in the remote town of Kuizhou (modern Fengjie County #$%). A survivor of the catastrophic An Lushan rebellion (756-763), which transformed Tang Dynasty (618-906) politics and culture, Du Fu was among the first to write in the twilight of the Chinese medieval period. His most prescient anticipation of mid-Tang concerns was his restless preoccupation with memory and its mediations, which drove his prolific output in Kuizhou. For Du Fu, memory held the promise of salvaging and creatively reimagining personal, social, and cultural identities under conditions of displacement and sweeping social change. The poetics of his late work is characterized by an acute attentiveness to the material supports—monuments, rituals, images, and texts—that enabled and structured connections to the past. The organization of the study attempts to capture the range of Du Fu’s engagement with memory’s frameworks and media. It begins by examining commemorative poems that read Kuizhou’s historical memory in local landmarks, decoding and rhetorically emulating great deeds of classical exemplars. -
THE INDIVIDUAL and the STATE: STORIES of ASSASSINS in EARLY IMPERIAL CHINA by Fangzhi Xu
THE INDIVIDUAL AND THE STATE: STORIES OF ASSASSINS IN EARLY IMPERIAL CHINA by Fangzhi Xu ____________________________ Copyright © Fangzhi Xu 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 Xu 2 Xu 3 Contents Abstract ...................................................................................................................................... 4 Introduction ................................................................................................................................ 5 Chapter 1: Concepts Related to Assassins ............................................................................... 12 Chapter 2: Zhuan Zhu .............................................................................................................. 17 Chapter 3: Jing Ke ................................................................................................................... 42 Chapter 4: Assassins as Exempla ............................................................................................. 88 Conclusion ............................................................................................................................... 96 Bibliography .......................................................................................................................... 100 Xu 4 Abstract In my thesis I try to give a new reading about the stories of assassins in the -
Chapter Three
526 Chapter Three 經學昌明時代 The Period of Advancement of Classical Scholarship [3/1 SVA Introductory Comments: In the opening section of Chapter Three, Pi Xirui quotes extensively from the "Rulin zhuan" chapter of the Shi ji so as to support his position that during the reign of Emperor Wu (141-87 B.C.), Classical Scholarship was in its purest and most orthodox form. He also uses the lack of information in the "Rulin zhuan" regarding the Old Script Documents, Zhouli, Mao Shi, and Zuozhuan to argue that Sima Qian did not have access to these texts, which are texts of the "Old Script" school.] 3/11 The "Rulin zhuan" chapter of the Shi ji states, "When the present emperor2 ascended the throne, there were men such as Zhao Wan 趙綰 and Wang Zang 王臧3 who clearly understood Confucian learning and the 1[SVA: Section 3/1 corresponds to pp.69-72 of the Zhonghua ed. and to pp.60-64 of the Yiwen ed.] 2(3/1, n.1) Zhou Yutong comments: In the Chinese jinshang 今上, "the present emperor," refers to Emperor Wu of the Han. 3(3/1, n.2) Zhou Yutong comments: Zhao Wan 趙綰 was a native of Dai 代 and Wang Zang 王臧 was a native of Lanling 蘭陵. They both studied the Lu 527 emperor himself was also inclined toward it.4 He thereupon issued an order recruiting scholar-officials in the recommendation categories of Straightforward and Upright, Worthy and Excellent, and Learned.5 After this, as for giving instruction in the Songs, in Lu it was Master Shen Pei 申 培公, in Qi it was Master Yuan Gu 轅固生, and in Yan, it was Grand Tutor Han Ying 韓(嬰)太傅. -
Year of the Horse Happenings Our Blog Horse Will Enjoy Success in Their Careers This Horse Year Sees a Winter Olympics Chincommunications.Com.Au/Blog in 2014
From the Horse’s Mouth 2 Horse Happenings 2 January 2014 January fierce competitors. For entrepreneurs who are planning to start a business, 2014 is a lucky year in particular for restaurants and the telecommunications industry – maybe not the NBN though! Wild Horses Can’t Keep Them Away! Horses tend to be very popular, fun loving and entertaining. They love to party and find people and crowds exciting. Elegant and charming, they like being the centre of attention. Eloquent speakers, they are persuasive, able to assimilate information quickly, but with a bit of a temper they often speak without thinking and regret later. Horses get involved in many activities but sometimes lose interest and fail to finish tasks. Prone to getting sucked in to the latest ‘craze’, they don’t take failure well and will need time to recover. Failure is humiliation. Horses like to try different things and are always on the hunt for a better opportunity. The arts can be prominent in Horse Years – horses having inspired artists in China for thousands of years from ancient frescoes to terracotta statues. Don’t Flog a Dead Horse Horses cannot bear to be held back. They are independent and rarely listen to advice. Chin Communications of the horse. Genghis Khan (also a horse) They tend to interfere in many things and A Galloping Year conquered Eastern Europe on horseback frequently fail to finish projects of their (马上治天下 mǎshàng zhì tiānxià), consequently own. So try not to get off the track. The of High Energy Chinese have high expectations of the Horse Year ends on 18 February 2015 horse – leaving the heavy lifting to the ox giving way to the Goat (or Sheep if you and Continuous and getting on their high horse – sitting on prefer). -
Sun Tzu the Art Of
SUN TZU’S BILINGUAL CHINESE AND ENGLISH TEXT Art of war_part1.indd i 28/4/16 1:33 pm To my brother Captain Valentine Giles, R. C., in the hope that a work 2400 years old may yet contain lessons worth consideration to the soldier of today, this translation is affectionately dedicated SUN TZU BILINGUAL CHINESE AND ENGLISH TEXT With a new foreword by John Minford Translated by Lionel Giles TUTTLE Publishing Tokyo Rutland, Vermont Singapore ABOUT TUTTLE “Books to Span the East and West” Our core mission at Tuttle Publishing is to create books which bring people together one page at a time. Tuttle was founded in 1832 in the small New England town of Rutland, Vermont (USA). Our fundamental values remain as strong today as they were then—to publish best-in-class books informing the English-speaking world about the countries and peoples of Asia. The world has become a smaller place today and Asia’s economic, cultural and political infl uence has expanded, yet the need for meaning- ful dialogue and information about this diverse region has never been greater. Since 1948, Tuttle has been a leader in publishing books on the cultures, arts, cuisines, lan- guages and literatures of Asia. Our authors and photographers have won numerous awards and Tuttle has published thousands of books on subjects ranging from martial arts to paper crafts. We welcome you to explore the wealth of information available on Asia at www.tuttlepublishing.com. Published by Tuttle Publishing, an imprint of Distributed by Periplus Editions (HK) Ltd. North America, Latin America & Europe www.tuttlepublishing.com Tuttle Publishing 364 Innovation Drive, North Clarendon Copyright © 2008 Periplus Editions (HK) Ltd. -
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Advances in Social Science, Education and Humanities Research, volume 284 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018) Song Dynasty Gate Structure and Its Typology Reflected in the Paintings of Chinese Artists of 10th– 13th Centuries* Marianna Shevchenko Moscow Institute of Architecture (State Academy) Scientific Research Institute of Theory and History of Architecture and Urban Planning Moscow, Russia E-mail: [email protected] Abstract—In Chinese architecture, gate structures have ranking system for government officials in Imperial China, always served as an indicator of the status of the owner and the different requirements to the forms of the gate structures of rank of the entire complex. Unfortunately, since the time of the their residences have emerged. According to the rank system Song Dynasty very few gates have been preserved up to the of the Tang dynasty (618-907 A.D.), government officials of present day, and mostly they belong to the monastery gates. rank three or higher were allowed to build a three-bay gate However, Song dynasty paintings and frescoes show a well- structures covered with two-slope roofs of xuanshan (悬山) developed typology of the gates and diversity in form. Besides type [3]. A special room for the gatekeepers could be different constructive and decorative elements, used in the arranged behind the gates of particularly large residences. Song dynasty gates structures are presented in detail in Song One family could have several high rank court officials. In paintings. The analysis of the depiction of the entrance this case behind the residence’s main gates the additional buildings on the scrolls and the frescoes of the 10 th –13th centuries allows us to expand existing understanding about the gates with a name of the official and his insignia were placed. -
Lecture Notes, by James Cahill
Lecture Notes, by James Cahill Note: The image numbers in these lecture notes do not exactly coincide with the images onscreen but are meant to be reference points in the lectures’ progression. Lecture 9B: Political and Poetic Themes in Southern Song Painting As we move into a period from which more reliable work survives, we can begin to address big concerns such as political themes in court painting, and poetic painting. The latter, poetic painting, means different things to different people; I myself gave a series of lectures that turned into a book titled The Lyric Journey: Poetic Painting in China and Japan (Harvard University Press, 1996). As I acknowledge in that book, there are a number of ways one can define poetic painting in China; I certainly donʹt claim that mine is the only right one, or even that itʹs the best way. In a broad sense, a lot of Southern Song Academy and academy‐style painting can be called poetic, either because it was done in response to couplets and quatrains of poetry presented to the artists by the emperor or others in the court, or simply because they knew that their imperial patrons preferred paintings that could be called poetic. I will develop that theme more as we move further into Southern Song painting; but I want to keep it always problematic, not a quality that one can define clearly or identify easily in paintings. Political Themes and Dynastic Restoration 9.13.1: The Virtuous Brothers Po‐I and Shu‐chʹi in the Wilderness Picking Herbs, early copy after Li Tang, handscroll, Palace Museum, Beijing. -
Spring and Autumn China (771-453)
Indiana University, History G380 – class text readings – Spring 2010 – R. Eno 1.7 SPRING AND AUTUMN CHINA (771-453) The history of the Spring and Autumn period was traditionally pictured as a narrative in which the major actors were states, their rulers, and certain high ministers and colorful figures. The narrative generally was shaped by writers to convey ethical points. It was, on the largest scale, a “true” story, but its drama was guided by a moral rationale. In these pages, we will survey the events of this long period. Our narrative will combine a selective recounting of major events with an attempt to illustrate the political variety that developed among the patrician states of the time. It embeds also certain stories from traditional sources, which are intended to help you picture more vividly and so recall more easily major turning points. These tales (which appear in italics) are retold here in a way that eliminates the profusion of personal and place names that characterize the original accounts. There are four such stories and each focuses on a single individual (although the last and longest has a larger cast of characters). The first two stories, those of Duke Huan of Qi and Duke Wen of Jin, highlight certain central features of Spring and Autumn political structures. The third tale, concerning King Ling of Chu, illustrates the nature of many early historical accounts as cautionary tales. The last, the story of Wu Zixu, is one of the great “historical romances” of the traditional annals. It is important to bear in mind that the tales recounted here are parts of a “master narrative” of early China, crafted by literary historians. -
Authority in the Zuozhuan William E
AUTHORITY IN THE ZUOZHUAN .,, by WILLIAM E. DUNCAN A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts August 1996 ii "Authority in the Zuozhuan," a thesis prepared by William E. Duncan in partial fulfillment of the requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This the'sis has been approved and accepted by: Dr. Durrant, Chair of the Examining Committee Date Committee in charge: Dr. Stephen W. Durrant, Chair Dr. Scott C. Delancey Dr. Robert Felsing Vice Provost and Dean of the Graduate School 111 An Abstract of the Thesis of William E. Duncan for the degree of Master of Arts ifi the Interdisciplinary Studies Program: Asian Studies to be taken August 1996 Title, AUTH03LE ZUOZHUAN Approved: Dr. Stephen w. Durrant The Zuozhuan £1' (Zuo Commentaries); a narrative history of China's Spring and Autumn period .(722-479 BCE), has been included among the thirteen classics of Confucianism since the Tang dynasty. Yet its pages contain numerous references to Shang and early Zhou divination practices. It seems paradoxical that a text identified with Confucian humanism would be full of references to the supernatural. I suggest that the Zuozhuan builds upon the foundations of the authority of Shang and Zhou ritual to establish the authority of Confucian doctrine. This phenomenon has been mentioned by other scholars, though no study has addressed this directly. It is the goal of this thesis to use passages in the zuozhuan to demonstrate how authority moved from an external source to an internal source during the Eastern Zhou and to show that Zuozhuan makes use of iv something that Lakoff and Johnson have called idealized cognitive models. -
十六shí Liù Sixteen / 16 二八èr Bā 16 / Sixteen 和hé Old Variant of 和/ [He2
十六 shí liù sixteen / 16 二八 èr bā 16 / sixteen 和 hé old variant of 和 / [he2] / harmonious 子 zǐ son / child / seed / egg / small thing / 1st earthly branch: 11 p.m.-1 a.m., midnight, 11th solar month (7th December to 5th January), year of the Rat / Viscount, fourth of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] 动 dòng to use / to act / to move / to change / abbr. for 動 / 詞 / |动 / 词 / [dong4 ci2], verb 公 gōng public / collectively owned / common / international (e.g. high seas, metric system, calendar) / make public / fair / just / Duke, highest of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] / honorable (gentlemen) / father-in 两 liǎng two / both / some / a few / tael, unit of weight equal to 50 grams (modern) or 1&frasl / 16 of a catty 斤 / [jin1] (old) 化 huà to make into / to change into / -ization / to ... -ize / to transform / abbr. for 化 / 學 / |化 / 学 / [hua4 xue2] 位 wèi position / location / place / seat / classifier for people (honorific) / classifier for binary bits (e.g. 十 / 六 / 位 / 16-bit or 2 bytes) 乎 hū (classical particle similar to 於 / |于 / [yu2]) in / at / from / because / than / (classical final particle similar to 嗎 / |吗 / [ma5], 吧 / [ba5], 呢 / [ne5], expressing question, doubt or astonishment) 男 nán male / Baron, lowest of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] / CL:個 / |个 / [ge4] 弟 tì variant of 悌 / [ti4] 伯 bó father's elder brother / senior / paternal elder uncle / eldest of brothers / respectful form of address / Count, third of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] 呼 hū variant of 呼 / [hu1] / to shout / to call out 郑 Zhèng Zheng state during the Warring States period / surname Zheng / abbr.