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Elements of the Ubranscape in Tokyo
Teka Kom. Arch. Urb. Stud. Krajobr. – OL PAN, 2012, VIII/1, 75-92 ELEMENTS OF THE UBRANSCAPE IN TOKYO Ewa Maria Kido CTI Engineering Co., Ltd. Consulting Engineers, 2-15-1 Nihonbashi Ningyocho, Chuo-ku, Tokyo, Japan e-mail: [email protected] Abstract. Tokyo Metropolis (Tōkyō-to) of 13 mln people, crowded, colored, noisy, made of very freely designed buildings, with railway loop line separating the inner center from the outer center – from one side is similar to other large metropolises in Japan, and from another – being a capitol and having the Imperial Palace as its symbolical center, is unique. This article discusses elements of urbanscape, such as transportation infrastructure – roads and railways; junctions and city centers – neighborhoods; urban interiors – streets and squares; border lines and belts – rivers, parks; do- minant urban structures, outstanding elements – landmarks, and characteristic sights, that contrib- ute to aesthetic appeal of the landscape of Tokyo. The conclusion is that although both European cities and Tokyo have well-functioning centers, as well as sub-centers of the polycentric metropo- lises, their forms are differing because they reflect local urban planning, aesthetics, and culture. Key words: urbanscape, urban planning, Tokyo, elements of urbanscape, urban landscape INTRODUCTION Urban landscape is a combination of a city’s form and contents that includes natural and built environment. As an outcome of urban and landscape design, it involves arrangement and functioning of cities, with particular focus on architec- ture, infrastructure and green zones. Design of urban space has become increas- ingly important for the long-term development and well-being of urban commu- nities, and can provide cities with a unique identity. -
Downloaded from the Online Library of the International Society for Soil Mechanics and Geotechnical Engineering (ISSMGE)
INTERNATIONAL SOCIETY FOR SOIL MECHANICS AND GEOTECHNICAL ENGINEERING This paper was downloaded from the Online Library of the International Society for Soil Mechanics and Geotechnical Engineering (ISSMGE). The library is available here: https://www.issmge.org/publications/online-library This is an open-access database that archives thousands of papers published under the Auspices of the ISSMGE and maintained by the Innovation and Development Committee of ISSMGE. The paper was published in the proceedings of the 7th International Conference on Earthquake Geotechnical Engineering and was edited by Francesco Silvestri, Nicola Moraci and Susanna Antonielli. The conference was held in Rome, Italy, 17 – 20 June 2019. Earthquake Geotechnical Engineering for Protection and Development of Environment and Constructions – Silvestri & Moraci (Eds) © 2019 Associazione Geotecnica Italiana, Rome, Italy, ISBN 978-0-367-14328-2 Accurate seismic zoning of the Kita-Senju area of Tokyo using small mesh-size soil profile models K. Ishikawa & S. Yasuda Tokyo University Denki, Hatoyama, Saitama, Japan S. Komiya Graduate School of Tokyo Denki University, Hatoyama, Saitama, Japan ABSTRACT: In this study about seismic responses, the Kita-Senju region of Tokyo, which is a narrow area surrounded by Arakawa River and Sumida River, is the area of interest. In addition to the considerable movement due to strong earthquake, there is a risk of soil lique- faction in a few areas. First, two representative soil-profile models (RSPMs) were constructed from existing ground survey data: one using a 250-m and the other using a 50-m mesh. Second, a seismic response analysis based on a wave generated by a local metropolitan earth- quake was conducted using the RSPMs, and the influence of the mesh size and accompanying micro-topography resolution were evaluated. -
Approach for International Exchange of River Restoration Technology
Approach for International Exchange of River Restoration Technology Ito, Kazumasa Head of planning office, Research Center for Sustainable Communities, CTI Engineering Co., Ltd, Tokyo, Japan Senior Councilor, Technical Coordination and Cooperation Division, Foundation for River Improvement and Restoration Tokyo, Japan Lecturer Musashi Institute of Technology Dept. of Civil Engineering Faculty of Engineering, Tokyo, Japan Abstract : About 50% of the population and 75% of the properties concentrate on the flood plain in Japan. The rivers have intimate relationship with our lives. Those conditions have been seen after modern river improvement projects that began about a century ago. The technology which was introduced from foreign countries was improved in conformity with geographical features and the climate condition of our nation, and has redeveloped as a Japanese original technology. In 1940's, Japan had serious natural disasters that were caused by large- scale typhoons. Those typhoons wiped out everything completely. Even though the government realized the importance of flood control and management after those natural disasters, civil work still aimed to economic development. Those construction works have become the one of factors for concentrating population and degrading natural environment in urban areas. Deterioration of river environment has become serious issue in urban development and main cause of pollution. The approaches for environmental restorations which were started about 30 years ago aimed to harmonize with nature environment and cities and human lives. There have been going on many projects called “river environmental improvement projects”, the “nature friendly river works” and “natural restoration projects.” The society has tried to find a way to live in harmony with nature. -
“Kidai Shoran”
“Kidai Shoran” What is the picture scroll Kidai Shoran? Kidai Shoran is a work that depicts a bird’s-eye view of the Nihonbashi street in Edo from the east side. It shows the main street between Nihonbashi and Imagawabashi (now, Chuo street) in 1805, over 200 years ago. e original is possessed by Museum für Asiatische Kunst, Staatliche Museen zu Berlin. Although this excellent work is characterized by a warm sight and delicate touch, regrettably the name of the painter is unknown. e work vividly depicts 88 wholesale and retail stores, 1,671 people with various positions and jobs, 20 dogs, 13 horses, 4 cows, 1 monkey, 2 falcons, etc. Interesting scenes unfold one after another. e title Kidai Shoran seems to mean “an excellent scene of the great city of Edo in a glorious era.” It is just as if we slipped back in time to the Edo period. GUIDE TO THE EXHIBITIONS Regarding Kidai Shoran as a valuable work that will hand down the history and culture of Nihonbashi-street to future generations, the Nihonbashi-bridge Preservation Society and Committee for the 100-Year Renaissance Plan for Nihonbashi and Environs created and exhibited an about 17-meter copy of the picture scroll with the permission of Museum für Asiatische Kunst, Staatliche Museen zu Berlin and under the general supervision of the Edo-Tokyo Museum. e picture part of the copy is 40% larger than that of the original. e copy has been printed on Japanese paper. e panel surrounding the picture shows explanations about the townspeople’s culture in the Edo period. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
Asakusa & Sumida River
©Lonely Planet Publications Pty Ltd 159 Asakusa & Sumida River ASAKUSA | OSHIAGE | RYŌGOKU | KIYOSUMI & FUKAGAWA | ASAKUSA & OSHIAGE | RYŌGOKU, KIYOSUMI & SHIRAKAWA £# 1 1 1 1 K i r Neighbourhood o K ō 1 1 1 ot k o d u t - o oi - s 1 1 d o N ō Top Five a ri n i UENO y i - h w d ASAKUSA s Sumida- ō xp o 1 r Y kōen Sensō-ji (p161) Brows- E i K o o t Tsukuba Express Asakusa to ing the craft stalls of u 1#Ú to h NISHI- £# Tōbu i-b S Asakusa- as Nakamise-dōri and soaking ASAKUSA kōen Asakusa hi Tokyo £# y Sky Tree up the atmosphere (and the KAMINARI-MON pw As x Station incense) at Asakusa’s akusa Tawaramachi E -dōr o 6 £# i ¦# t o #á Asakusa u N 4# centuries-old temple K ¦# h Honjo- om S ¦# complex. a Azumabashi ga KOMAGATA ba ta Kasu sh - SUMIDA-KU 2 Ryōgoku Kokugikan ga-dōri i TAITŌ-KU ¦# Kuramae HIGASHI- (p168) Catching the salt- KURAMAE KOMAGATA slinging, belly-slapping Kuramae ¦# Kasuga-dōri M ritual of sumo at one of the i t Asakusabashi ¦# K s city’s four annual tourna- ura u m YOKOAMI m b ae- hi-dōri ments. ASAKUSABASHI ash Kuramaebas e i - ¦# Asakusabashi dō 3 Edo-Tokyo Museum Yokoami-kōen r ¦# i £# (p164) Learning about life in Kand 2##ý ¦# a-gaw Asakusabashi #â# Ryōgoku a £# 3 old Edo at this excellent his- tory museum with full-scale Ryō Ryōgoku Keiyō-dōri goku- bashi reconstructions of famous RYŌGOKU SUMIDA-KU Shuto Expwy No 7 buildings. -
Nihonbashi: Edo's Contested Center Marcia Yonemoto
, East Asian History NUMBERS 17/18· JUNE/DECEMBER 1999 Institute of Advanced Studies Australian National University 1 Editor Geremie R. Barme Assistant Editor Helen Lo Editorial Board Mark Elvin (Convenor) John Clark Andrew Fraser Helen Hardacre Colin Jeffcott W. ]. F. Jenner Lo Hui-min Gavan McCormack David Marr Tessa Morris-Suzuki Michael Underdown Design and Production Helen Lo Business Manager Marion Weeks Printed by Goanna Print, Fyshwick, ACT This double issue of East Asian History, 17/18, was printed in FebrualY 2000. Contributions to The Editor, East Asian History Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra ACT 0200, Australia Phone +61 26249 3140 Fax +61 26249 5525 email [email protected] Subscription Enquiries to Subscriptions, East Asian History, at the above address Annual Subscription Australia A$45 Overseas US$45 (for two issues) iii CONTENTS 1 Whose Strange Stories? P'u Sung-ling (1640-1715), Herbert Giles (1845- 1935), and the Liao-chai chih-yi John Minford and To ng Man 49 Nihonbashi: Edo's Contested Center Marcia Yonemoto 71 Was Toregene Qatun Ogodei's "Sixth Empress"? 1. de Rachewiltz 77 Photography and Portraiture in Nineteenth-Century China Regine Thiriez 103 Sapajou Richard Rigby 131 Overcoming Risk: a Chinese Mining Company during the Nanjing Decade Ti m Wright 169 Garden and Museum: Shadows of Memory at Peking University Vera Schwarcz iv Cover calligraphy Yan Zhenqing M.c�J�n, Tang calligrapher and statesman Cover illustration Talisman-"Passport for wandering souls on the way to Hades," from Henri Dore, Researches into Chinese superstitions (Shanghai: T'usewei Printing Press, 1914-38) NIHONBASHI: EDO'S CONTESTED CENTER � Marcia Yonemoto As the Tokugawa 11&)II regime consolidated its military and political conquest Izushi [Pictorial sources from the Edo period] of Japan around the turn of the seventeenth century, it began the enormous (Tokyo: Chikuma Shobo, 1975), vol.4; project of remaking Edo rI p as its capital city. -
Illustration and the Visual Imagination in Modern Japanese Literature By
Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature By Pedro Thiago Ramos Bassoe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Japanese Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Daniel O’Neill, Chair Professor Alan Tansman Professor Beate Fricke Summer 2018 © 2018 Pedro Thiago Ramos Bassoe All Rights Reserved Abstract Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature by Pedro Thiago Ramos Bassoe Doctor of Philosophy in Japanese Literature University of California, Berkeley Professor Daniel O’Neill, Chair My dissertation investigates the role of images in shaping literary production in Japan from the 1880’s to the 1930’s as writers negotiated shifting relationships of text and image in the literary and visual arts. Throughout the Edo period (1603-1868), works of fiction were liberally illustrated with woodblock printed images, which, especially towards the mid-19th century, had become an essential component of most popular literature in Japan. With the opening of Japan’s borders in the Meiji period (1868-1912), writers who had grown up reading illustrated fiction were exposed to foreign works of literature that largely eschewed the use of illustration as a medium for storytelling, in turn leading them to reevaluate the role of image in their own literary tradition. As authors endeavored to produce a purely text-based form of fiction, modeled in part on the European novel, they began to reject the inclusion of images in their own work. -
Restoration of Sumida River
Restoration of Sumida River Postwar Sumida River waterfront was occupied by factories and warehouses, was deteriorated like a ditch, and was shunned by people. At the same time, industrial and logistical structure changes sap the area’s vitality as a production base. But increasing interest in environment headed for the semi-ruined city waterfront and a possibility of its restoration emerged and city-and-river development started, thus attractive urban area was gradually created. In Asian nations with worsening river environments, Sumida River, improving after experiencing 50-year deterioration is a leading example in Asia. Key to Restoration ¾ Water quality improvement ¾ Waterfront space restoration and waterfront development (river-walk) Overview of the River Sumida River branches from Ara River at Iwabuchi, Kita Ward. It unites with many streams such as Shingashi River, Shakujii River, and Kanda River, and flows in Tokyo Bay. It flows south to north in the seven wards in lower-level eastern areas in Tokyo (Kita Ward, Adachi Ward, Arakawa Ward, Sumida Ward, Taitou Ward, Chuo Ward, and Koutou Ward). Its total length is 23.5 km, its width is about 150 m, and the basin dimension is 690.3 km2 including upstream Shingashi River. The basin population almost reaches 6.2 million. Sumida River’s water quality, though quite polluted in the high-growth period, has substantially improved by the efforts such as water Sumida River purification projects for Sumida River restoration (e.g., construction of a filtering plant in Ukima). The variety and the number of fish, water birds, and water plants have also started to increase. -
Changing Waterbus Routes and Increasingly Diverse Boat Designs in the Tokyo Rinkai (Waterfront) Area
European Journal of Geography Volume 5, Number 4:47 – 55, November 2014 ©Association of European Geographers CHANGING WATERBUS ROUTES AND INCREASINGLY DIVERSE BOAT DESIGNS IN THE TOKYO RINKAI (WATERFRONT) AREA Kei OTA Tokyo Metropolitan University, Department of Tourism Science, Research Fellow of the Japan Society for the Promotion of Science, 1–1 Minami-ohsawa, Hachioji-shi, Tokyo 192–0397 Japan [email protected] http://www.ues.tmu.ac.jp/tourism Abstract Recent years have witnessed a growing interest in the Tokyo waterfront, which includes the Sumida River and Tokyo Rinkai areas. This research investigates the changing waterbus routes and increasingly diverse boats operating in the Tokyo Rinkai area. The history of waterbuses in Tokyo began during the Meiji Period; business declined during the period of rapid economic growth because of deteriorating water quality. New waterbus operators were inspired to enter the market when water quality improved during the waterfront boom of the 1980s. In the 1990s, there were wide-area routes on the Arakawa and Kyu-Edogawa rivers, but these were replaced by routes on the Sumida River and near Odaiba in the 2000s. In recent years, the variety of different boats has increased due to the introduction of small boats that travel on small and medium-sized rivers, as well as new model boats with unique designs. This has enhanced the role of waterbuses as tourist attractions. Keywords: Tokyo Rinkai area, waterbus, route, urban tourism, tourist attraction 1. INTRODUCTION 1.1 Research background and objective In recent years, interest in the Tokyo waterfront, including the Sumida River and Tokyo Rinkai area, has been growing due to factors such as the construction of the Tokyo Skytree (May 2012) and Tokyo’s successful bid to hold the 2020 Olympic Games (September 2013). -
UNIVERSITY of CALIFORNIA Los Angeles Teito Tokyo
UNIVERSITY OF CALIFORNIA Los Angeles Teito Tokyo: Empire, Modernity, and the Metropolitan Imagination A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Timothy Unverzagt Goddard 2013 © Copyright by Timothy Unverzagt Goddard 2013 ABSTRACT OF THE DISSERTATION Teito Tokyo: Empire, Modernity, and the Metropolitan Imagination by Timothy Unverzagt Goddard Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2013 Professor Seiji Mizuta Lippit, Chair What did it mean for Tokyo to become an imperial capital (teito 帝都)? Beginning in the late nineteenth century, the city rose to a position of global prominence alongside other cosmopolitan urban centers such as London, Paris, and New York. A variety of factors contributed to the modernization of Tokyo and its political and cultural ascendancy, including the adaptation of Western bureaucratic structures by the Japanese state, Japanese colonial expansion in East Asia, a dramatic increase in the urban population, the proliferation of popular media, and new forms of transportation, inhabitation, and consumption. These material changes also produced changes of the imagination, radically reshaping the urban experience and necessitating new modes of representation. ii In its assemblage of people and capital, the metropolis produced an image of prosperity, modernity, and order that was integral to Tokyo’s identity as an imperial capital. Through my reading of Japanese, Korean, and Chinese-language texts from the mid-1910s to the mid-1930s, I probe the limitations of this image, examining the ways in which authors contested the boundaries imposed by empire and modernity. -
Japanese Geography Quiz What Prefecture Is Located in the Northernmost Part in Japan?
Japanese Geography Quiz What prefecture is located in the northernmost part in Japan? ① Hokkaido ② Aomori ③ Akita ④ Ishikawa What prefecture is located in the northernmost part in Japan? ① Hokkaido ② Aomori ③ Akita ④ Ishikawa What prefecture is located in the westernmost part in Japan? ① Okinawa ② Nagasaki ③ Osaka ④ Kagoshima What prefecture is located in the westernmost part in Japan? ① Okinawa ② Nagasaki ③ Osaka ④ Kagoshima What is the name of the island located in the southernmost part of Japan? ① Yaku Island ② Marcus Island ③ Okinawa Island ④ Okinotori Islands What is the name of the island located in the southernmost part of Japan? ① Yaku Island ② Marcus Island ③ Okinawa Island ④ Okinotori Islands What is the name of the island located in the easternmost part of Japan? ① Father Island ② Okinotori Islands ③ Marcus Island ④ Mother Island What is the name of the island located in the easternmost part of Japan? ① Father Island ② Okinotori Islands ③ Marcus Island ④ Mother Island What mountain is the second highest in Japan following Mt. Fuji? ① Yatsugatake Mountains ② Mt. Hotaka ③ Monte Yari ④ Mt. Kita (Shirane) What mountain is the second highest in Japan following Mt. Fuji? ① Yatsugatake Mountains ② Mt. Hotaka ③ Monte Yari ④ Mt. Kita (Shirane) How high is Mt.Fuji, the highest mountain in Japan? ① 1,776 meters ② 2,776 meters ③ 3,776 meters ④ 4,776 meters How high is Mt.Fuji, the highest mountain in Japan? ① 1,776 meters ② 2,776 meters ③ 3,776 meters ④ 4,776 meters What is the longest river in Japan? ① Shinano River ② Tone River ③ Ishikari