DOCSLIB.ORG

Price DG.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Modelling the antecedents of mobile gaming brand loyalty amongst Generation Y students DG Price orcid.org/0000-0003-4669-8072 Thesis accepted in fulfilment of the requirements for the degree Doctor of Philosophy in Marketing Management at the North-West University Promoter: Dr C Synodinos Co-promoter: Prof AL Bevan-Dye Graduation: April 2019 Student number: 23403802 DECLARATION I, DG Price, declare that MODELLING THE ANTECEDENTS OF MOBILE GAMING BRAND LOYALTY AMONGST GENERATION Y students is my own work and that all the sources I have used or quoted have been indicated and acknowledged by means of complete references and that this thesis has not previously been submitted for a degree at any other university. Signature: Date: i ETHICAL CLEARANCE ii LETTER FROM THE LANGUAGE EDITOR iii ACKNOWLEDGEMENTS The first word of acknowledgement is to Jesus Christ, my Lord and Saviour who blesses me with love, strength and guidance. Without whom none of this would have been possible. A special word of thanks to the following persons who have supported and assisted me in completing this study: • To my wife, Kirstin Price, for her unconditional love, always encouraging me to exceed expectations, and constantly supporting me in everything that I do. • To my angel in heaven, Carol de la Rey, who shaped me into the man I am today and for always encouraging me to dream big. • To my parents, Kim Breed and James Price, and my parents-in-law, Mike and Linda Theron, for their ongoing guidance, love and encouragement. • To my immediate family, Attie de la Rey, Dorothy Espin, Erin Price, Ruhan Breed and Jackie Price for their love, encouragement and patience. • To my closest friends, David and Candice Looyen, for their continuous support. • To my promoters, Dr Costa Synodinos and Prof Ayesha Bevan-Dye, for their hard work, unwavering support, constant motivation, guidance and expertise in assisting me to complete the study. • To Angeliki Albanis for her professionalism in the language editing of this study. • To the Generation Y students (and the lecturers who assisted me) who participated in the pilot test, as well as the main survey questionnaire of the final study. • To the rest of my family, friends and colleagues who gave additional support and advice in assisting me to complete this study. • To the ProGenY research group at North-West University (Vaal Triangle Campus) for their support and on-going commitment to profiling the consumer behaviour of the Generation Y cohort. iv ABSTRACT Keywords: Mobile gaming, satisfaction, challenge, game identification, flow, psychological commitment, brand loyalty, Generation Y, South Africa The rapid dissemination of smartphones amongst consumers over the past decade has led to a plethora of mobile services being available. Of all mobile services available, mobile application games (hereafter referred to as mobile games) have experienced the most success. Mobile gaming has become a major success in the South African market, with mobile gaming surpassing console video gaming in terms of revenue generated in 2016. A mobile game, as a type of video game, is described as an interactive entertainment that can be played on a mobile device such as a smartphone or tablet. The object of a video game, particularly a mobile game, is to create a pleasurable experience for a player, which is attained by accomplishing certain objectives set out in the game. Mobile games have become ubiquitous amongst smartphone users due to their portability, as well as them being interactive, challenging and fun to play. Internationally, mobile games have become a lucrative business, with consumer expenditure exceeding $35 billion. Players who enjoy the game will either purchase the full-version, make repeated in-game purchases (in-app purchases) to speed up their gameplay progress or download other mobile games from the same company. This type of consumer behaviour is typically linked to brand loyalty, and the success of these mobile gaming brands can be attributed to their ability to attract and retain brand loyal consumers. The primary objective of this study was to determine the antecedents of mobile gaming brand loyalty amongst Generation Y students within the South African context. The empirical objectives included determining Generation Y students’ psychological commitment and behavioural loyalty toward their favourite mobile game, together with their level of satisfaction, perceptions of challenge, level of flow experienced and level of identification with their favourite mobile game. The second empirical objective determined if mobile gaming brand loyalty is a six-factor model comprising mobile gaming satisfaction, challenge, game identification, flow, psychological commitment and behavioural loyalty. The third empirical objective tested a proposed model on the influence of mobile gaming satisfaction, challenge, game identification and flow on v Generation Y students’ psychological commitment and behavioural loyalty towards their favourite mobile game. The final empirical objective sought to determine if there are any gender differences in terms of Generation Y students’ mobile gaming satisfaction, challenge, game identification, flow, psychological commitment and behavioural loyalty towards their favourite mobile game. The sampling frame for this study comprised 26 public registered South African universities. From this initial sampling frame, non-probability judgement sampling was applied to select a campus from a traditional university, one from a university of technology and one from a comprehensive university. A non-probability convenience sample of 600 students was taken across these three campuses during 2017. The statistical techniques used to analyse the data collected from the 464 completed questionnaires returned included factor analysis, descriptive statistics, structural equation modelling and an independent samples t-test. The findings in this study indicate that South African Generation Y students experience satisfaction when playing their favourite mobile game, respond positively to challenges posed and identify with their favourite game in terms of in-game characters, social communities and the virtual worlds they present. Furthermore, Generation Y students respond strongest to games that evoke a state of flow. Moreover, they are brand loyal towards their favourite mobile game in terms of both psychological commitment and behavioural loyalty. The study also determined that mobile gaming brand loyalty amongst Generation Y students in South Africa is a six-factor model. The empirically-tested model indicates that satisfaction, challenge and game identification have a significant direct positive influence on Generation Y students’ flow, which, in turn, is a significant positive predictor of psychological commitment. In turn, Generation Y students’ psychological commitment towards their favourite mobile game was found to be a significant positive predictor of their behavioural loyalty towards that game. Game identification, in addition to having an indirect influence on psychological commitment via its direct influence on flow, also had a direct influence on psychological commitment. In terms of gender difference, female Generation Y students were found to experience a statistically significant higher level of satisfaction, challenge and sense of flow with their favourite mobile game than their male counterparts. vi This study contributes towards to the literature concerning brand loyalty toward mobile gaming in both the South African and global context. This study determined which antecedents contribute to making Generation Y students brand loyal when playing mobile games. In addition, the study demonstrates the underlying relationships between mobile gaming satisfaction, challenge, game identification, flow, psychological commitment and behavioural loyalty amongst Generation Y students. vii TABLE OF CONTENTS DECLARATION .............................................................................................................. I ETHICAL CLEARANCE................................................................................................. II LETTER FROM THE LANGUAGE EDITOR ................................................................. III ACKNOWLEDGEMENTS ............................................................................................. IV ABSTRACT V TABLE OF CONTENTS .............................................................................................. VIII LIST OF TABLES ...................................................................................................... XVI LIST OF FIGURES .................................................................................................... XVII CHAPTER 1 INTRODUCTION AND BACKGROUND TO THE STUDY ........................ 1 1.1 INTRODUCTION ....................................................................................... 1 1.2 PROBLEM STATEMENT .......................................................................... 3 1.3 OBJECTIVES OF THE STUDY................................................................. 5 1.3.1 Primary objective ....................................................................................... 5 1.3.2 Theoretical objectives ................................................................................ 5 1.3.3 Empirical objectives ................................................................................... 6 1.4 HYPOTHESES .........................................................................................
Recommended publications
  • Film Rating Release Year a League of Their Own

    Film Rating Release Year a League of Their Own

    Film Rating Release Year A League Of Their Own PG 1992 Abominable PG 2019 Anchorman PG-13 2004 Apollo 11 G 2019 Apollo 13 PG 1995 Bee Movie PG 2007 Bernie The Dolphin G 2018 Bill And Ted's Excellent Adventure PG 1989 Bumblebee PG-13 2018 Casper PG 1995 Despicable Me PG 2010 Despicable Me 2 PG 2013 Despicable Me 3 PG 2017 Dirty Dancing PG-13 1987 Dora And The Lost City Of Gold PG 2019 Dr. Seuss' The Lorax PG 2012 Fast And Furious Presents Hobbs And Shaw PG-13 2019 Ferris Bueller's Day Off PG-13 1986 Field Of Dreams PG 1989 Five Feet Apart PG-13 2019 Footloose (1984) PG 1984 Forrest Gump PG-13 1994 Goosebumps PG 2015 Goosebumps 2 - Haunted Halloween PG 2018 Grease PG 1978 Groundhog Day PG 1993 Home (2015) PG 2015 Hook PG 1991 Hop PG 2011 How To Train Your Dragon PG 2010 How To Train Your Dragon The Hidden World PG 2019 How To Train Your Dragon 2 PG 2014 I Can Only Imagine PG 2018 Indiana Jones And The Last Crusade PG-13 1989 Instant Family PG-13 2018 Jurassic Park PG-13 1993 Knives Out (2019) PG-13 2019 Kung Fu Panda PG 2008 La La Land PG-13 2016 Labyrinth PG 1986 Madagascar PG 2005 Madagascar 3: Europe's Most Wanted PG 2012 Mamma Mia PG-13 2008 Mamma Mia Here We Go Again PG-13 2018 Matilda (1996) PG 1996 Megamind PG 2010 Men In Black (1997) PG-13 1997 Men In Black International PG-13 2019 Monster House PG 2006 Monsters Vs.
  • Entertainment Business Supplemental Information Three Months Ended September 30, 2015

    Entertainment Business Supplemental Information Three Months Ended September 30, 2015

    Entertainment Business Supplemental Information Three months ended September 30, 2015 October 29, 2015 Sony Corporation Pictures Segment 1 ■ Pictures Segment Aggregated U.S. Dollar Information 1 ■ Motion Pictures 1 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. - Top 10 DVD and Blu-rayTM titles released - Select DVD and Blu-rayTM titles to be released ■ Television Productions 3 - Television Series with an original broadcast on a U.S. network - Television Series with a new season to premiere on a U.S. network - Select Television Series in U.S. off-network syndication - Television Series with an original broadcast on a non-U.S. network ■ Media Networks 5 - Television and Digital Channels Music Segment 7 ■ Recorded Music 7 - Top 10 best-selling recorded music releases - Upcoming releases ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered as of March 31, 2015 Cautionary Statement Statements made in this supplemental information with respect to Sony’s current plans, estimates, strategies and beliefs and other statements that are not historical facts are forward-looking statements. Forward-looking statements include, but are not limited to, those statements using such words as “may,” “will,” “should,” “plan,” “expect,” “anticipate,” “estimate” and similar words, although some forward- looking statements are expressed differently. Sony cautions investors that a number of important risks and uncertainties could cause actual results to differ materially from those discussed in the forward-looking statements, and therefore investors should not place undue reliance on them. Investors also should not rely on any obligation of Sony to update or revise any forward-looking statements, whether as a result of new information, future events or otherwise.
  • 27 Animated Features Submitted for 2016 OSCAR Race

    27 Animated Features Submitted for 2016 OSCAR Race

    Beat: Entertainment 27 Animated Features Submitted For 2016 OSCAR Race Submitted for consideration PARIS - HOLLYWOOD - LOS ANGELES, 11.11.2016, 06:47 Time USPA NEWS - A record 27 features have been submitted for consideration in the Animated Feature Film category for the 89th Academy Awards. The submitted features, listed in alphabetical order, are : - 'The Angry Birds Movie' - 'April and the Extraordinary World' - 'Bilal' - 'Finding Dory' A record 27 features have been submitted for consideration in the Animated Feature Film category for the 89th Academy Awards. The submitted features, listed in alphabetical order, are : - 'The Angry Birds Movie' - 'April and the Extraordinary World' - 'Bilal' - 'Finding Dory' - 'Ice Age: Collision Course' - 'Kingsglaive Final Fantasy XV' - 'Kubo and the Two Strings' - Kung Fu Panda 3' - 'The Little Prince' - 'Long Way North' - 'Miss Hokusai' - 'Moana' - 'Monkey King: Hero Is Back' - 'Mune' - 'Mustafa & the Magician' - 'My Life as a Zucchini' - 'Phantom Boy' - 'The Red Turtle' - 'Sausage Party' - 'The Secret Life of Pets' - 'Sing' - 'Snowtime!' - 'Storks' - 'Trolls' - '25 April' - 'Your Name.' - 'Zootopia' Several of the films have not yet had their required Los Angeles qualifying run. Submitted features must fulfill the theatrical release requirements and comply with all of the category´s other qualifying rules before they can advance in the voting process. Depending on the number of films that qualify, two to five nominees may be voted. Sixteen or more films must qualify for the maximum of five nominees to be voted. Films submitted in the Animated Feature Film category also may qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.
  • Annual Report 2018 1002 Year 2018 Ceo’S Review Operating Environment Rovio As an Investment Strategy Business Model Responsibility Governance Financial Statements

    Annual Report 2018 1002 Year 2018 Ceo’S Review Operating Environment Rovio As an Investment Strategy Business Model Responsibility Governance Financial Statements

    2018ANNUAL REPORT YEAR 2018 CEO’S REVIEW OPERATING ENVIRONMENT ROVIO AS AN INVESTMENT STRATEGY BUSINESS MODEL RESPONSIBILITY GOVERNANCE FINANCIAL STATEMENTS CONTENT Rovio in brief .................................................. 1 Highlights of the year ..................................... 2 CEO’s review ................................................... 3 Operating enviroment ..................................... 6 Rovio as an investment ................................. 10 Rovio’s strategy ............................................ 12 Business model ............................................ 15 Games business unit ..................................... 19 Brand Licensing business unit ...................... 30 Rovians ......................................................... 34 Responsibility ............................................... 36 Board of Directors ........................................ 39 Leadership team ........................................... 42 Corporate Governance statement ................. 46 Remuneration report .................................... 55 Financial statements .................................... 60 Report of the Board of Directors ................... 61 For shareholders ........................................ 150 ANNUAL REPORT 2018 1002 YEAR 2018 CEO’S REVIEW OPERATING ENVIRONMENT ROVIO AS AN INVESTMENT STRATEGY BUSINESS MODEL RESPONSIBILITY GOVERNANCE FINANCIAL STATEMENTS RevenueRevenue, , RevenueRevenue, , Revenue per segment, AdjustedAdjusted EBITDA EBITDA, , AdjustedAdjusted EBIT EBIT,,
  • Angry Birds Go Hackeado Angry Birds Xmas Hacked

    Angry Birds Go Hackeado Angry Birds Xmas Hacked

    angry birds go hackeado Angry Birds Xmas Hacked. Game Information During Christmas, the birds decided to collect gifts to children. There are many levels to challenge you, you select the appropriate angle of attack to obtain one more gift. The more gifts, the higher your score. Currently 2.5 /5. Games being played by others. Level Editor 4. Cheats: Hackbar: Press [1] Toggle Godmode - [2] Blocks - [3] Win Lev. Hacked By: leverage419. Shekateka. Cheats: Keyhacks: Press [1] Toggle Lives. Hacked By: leverage419. Edge Of Space. Cheats: Keyhacks: Press [1] Toggle Hp - [2] Normal/Small Gun - [3] H. Hacked By: leverage419. Zombie Resist. Cheats: Keyhacks: Press [1] Toggle godmode - [2] Money - [3] Timer -. Hacked By: selectLOL. Comments. stupid dumb ugly dumb weird misleading stupid waste of time never.play.this.ever.again.because it sucks and it shouldn't exist on ARCADEPREHACKS. how change profile pic. Santa is not real. our parents are giving us the presents that is why in December has a discount for every store in the USA i am so mad that our parents have to pay for the presents and rapping paper and a Christmas tree and the cleaning. The game sucks because its a really crappy fake version up it though :/ EH atleast theres the real one still :D. MERRY CHRISTMAS EVERYONE 3. Jingle bells Batman smells Robin laid an egg The batmobile lost a wheel And Joker got away. Cool Game! I love Xmas! this game is very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very veryvery very ver yvery very very very very very very very very boring.
  • Rovio Entertainment Reports 2013 Financial Results

    Rovio Entertainment Reports 2013 Financial Results

    ROVIO ENTERTAINMENT REPORTS 2013 FINANCIAL RESULTS Espoo, Finland -- April 28th 2014 -- Rovio Entertainment Ltd, the creator of the globally loved Angry Birds brand, announced today its financial results for the full 2013 calendar year. Rovio´s total consolidated full-year revenue amounted to €156 million (2010: €6.5 million, 2011: €75.6 million, 2012: €152.2 million). Earnings before interest and taxes (EBIT) were €36.5 million (2010: €3.1 million, 2011: €46.9 million, 2012: €76.8 million), and net profit after tax was €26.9 million (2010: €3 million, 2011: €35.4 million, 2012: €55,5 million). “After three years of very strong growth, 2013 was a foundation-building year. We invested in new business areas, such as animation and video distribution, ventured into new business models in games, and consolidated our strong market position in consumer products licensing. With these investments we have been gearing up for the future growing markets”, said Rovio CFO Herkko Soininen. “Building on top of our games business, where we moved into free-to-play, Rovio set its foot strongly into the entertainment business. In 2013 we formed a world-class movie animation production team in Los Angeles that is already working on the first Angry Birds feature film, to be globally premiered in July 2016. In addition we built the biggest animation studio in the Nordics for the production of animated TV content, bringing to market 42 Angry Birds Toons episodes in its first year. In launching ToonsTV, we introduced new means of content delivery, with 2 billion views already. On the licensing side, we continued to push digital and physical integration”, said Mikael Hed, CEO of Rovio.
  • Docuware Generated

    Docuware Generated

    DIPLOMARBEIT Titel der Diplomarbeit „Von ,Tennis for Two’ zu ,Angry Birds’. Ein medienhistorischer Überblick des Social Gaming.“ verfasst von Astrid Löffler angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2015 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Diplomstudium Theater-, Film- und Medienwissenschaft Betreut von: Mag. Dr. habil. Ramón Reichert INHALTSVERZEICHNIS: I. Einleitung und Begriffsklärung 1 II. Definition(-en) des Spiels im Allgemeinen 2 1) Understanding Media – The extensions of man 2 2) Homo ludens 4 3) Maske und Rausch, die Spiele und die Menschen 10 a) Agôn 11 b) Alea 12 c) Mimicry 13 d) Illinx 14 III. Eine kurze Geschichte der ersten Computer 17 IV. Genrekategorisierung des Computerspiels 20 1) Action 20 2) Adventure 23 3) Strategie 27 V. Begriffsklärung Social Gaming 29 VI. Das gemeinsame Spiel am gleichen Ort 31 1) Die ersten spielerischen Begegnungen zwischen Mensch und Maschine 31 2) Die Arcades erobern das Wohnzimmer – Spielkonsolen 35 a) Der Famicom und Super Mario 38 b) Weitere Konsolen 39 c) Erschließung neuer Konsumentengruppen –Guitar Hero, Buzz!, Wii Balance-Board 42 i) Guitar Hero 45 ii) Buzz! 47 iii) Wii Balance-Board 49 3) Portable Geräte – Handhelds 51 a) Pokémon 54 b) Weitere Entwicklung des Handhelds 57 4) LAN-Partys und e-Sports 59 a) Ein kurzer Überblick über die Geschichte des Heimcomputers 59 b) LAN-Partys 67 c) e-Sports 68 VII. Das gemeinsame Spiel an verschiedenen Orten 72 1) Social Network Games – von AOL bis Facebook 72 a) Q-Link und AOL 73 i) Habitat 74 ii) ICQ und Warsheep 77 b) Facebook 78 i) Zynga 79 ii) King.com 87 2) Spielespezifische Social Networks 90 a) Von MUD1 zu WoW 91 i) MUDs am Beispiel von MUD1 92 ii) MMORPGs am Beispiel von WoW 93 b) Second Life 98 3) Smartphone-Games 99 VIII.
  • 2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.Com TABLE of CONTENTS

    2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.Com TABLE of CONTENTS

    2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.com TABLE OF CONTENTS ABOUT THIS REPORT 2 FILMING LOCATIONS 3 GEORGIA IN FOCUS 5 CALIFORNIA IN FOCUS 5 FILM PRODUCTION: ECONOMIC IMPACTS 8 6255 W. Sunset Blvd. FILM PRODUCTION: BUDGETS AND SPENDING 10 12th Floor FILM PRODUCTION: JOBS 12 Hollywood, CA 90028 FILM PRODUCTION: VISUAL EFFECTS 14 FILM PRODUCTION: MUSIC SCORING 15 filmla.com FILM INCENTIVE PROGRAMS 16 CONCLUSION 18 @FilmLA STUDY METHODOLOGY 19 FilmLA SOURCES 20 FilmLAinc MOVIES OF 2016: APPENDIX A (TABLE) 21 MOVIES OF 2016: APPENDIX B (MAP) 24 CREDITS: QUESTIONS? CONTACT US! Research Analyst: Adrian McDonald Adrian McDonald Research Analyst (213) 977-8636 Graphic Design: [email protected] Shane Hirschman Photography: Shutterstock Lionsgate© Disney / Marvel© EPK.TV Cover Photograph: Dale Robinette ABOUT THIS REPORT For the last four years, FilmL.A. Research has tracked the movies released theatrically in the U.S. to determine where they were filmed, why they filmed in the locations they did and how much was spent to produce them. We do this to help businesspeople and policymakers, particularly those with investments in California, better understand the state’s place in the competitive business environment that is feature film production. For reasons described later in this report’s methodology section, FilmL.A. adopted a different film project sampling method for 2016. This year, our sample is based on the top 100 feature films at the domestic box office released theatrically within the U.S. during the 2016 calendar
  • Movie Inventory - Dvd 11/20/2020 Movie Title Rating

    Movie Inventory - Dvd 11/20/2020 Movie Title Rating

    MOVIE INVENTORY - DVD 11/20/2020 MOVIE TITLE RATING 12 STRONG R THE 15:17 PARIS PG-13 1917 R 21 BRIDGES R 47 METERS DOWN PG-13 47 METERS DOWN UNCAGED PG-13 6 DAYS R 7 DAYS IN ENTEBBE PG-13 ABOMINABLE PG ACTS OF VIOLENCE R AD ASTRA PG-13 ADDAMS FAMILY PG ADRIFT PG-13 AFTER PG-13 AFTERMATH R AIR STRIKE R ALADDIN PG ALEX & ME G ALICE THROUGH THE LOOKING GLASS PG ALITA: BATTLE ANGEL PG-13 ALL THE MONEY IN THE WORLD R ALMOST CHRISTMAS PG13 ALPHA PG-13 AMERICAN ANIMALS R AMERICAN ASSASSIN R AMERICAN MADE R AMITYVILLE: THE AWAKENING PG-13 ANGEL HAS FALLEN R THE ANGRY BIRDS MOVIE PG-13 THE ANGRY BIRDS MOVIE 2 PG ANNA R ANNABELLE: COMES HOME R ANNABELLE: CREATION R ANNIHILATION R ANT-MAN PG-13 ANT-MAN: THE WASP PG-13 ANTEBELLUM R PAGE 1 of 17 MOVIE INVENTORY - DVD 11/20/2020 MOVIE TITLE RATING AQUAMAN PG-13 ARCTIC PG-13 ARSENAL R THE ART OF RACING IN THE RAIN PG ASSASIN'S CREED PG-13 ASSASSINATION NATION R ATOMIC BLONDE R AVA UNRATED AVENGERS: AGE OF ULTRON PG-13 AVENGERS: ENDGAME PG-13 AVENGERS: INFINITY WAR PG-13 BAD BOYS FOR LIFE R BAD MOMS R A BAD MOMS CHRISTMAS R BAD SANTA 2 R BAD TIMES AT THE EL ROYALE R BAMBIE G BARBIE & MARIPOSA THE FAIRY PRINCESS UNRATED BARBIE & THE DIAMOND CASTLE UNRATED BARBIE & THE 3 MUSKETEERS UNRATED BARBIE IN A MERMAID TALE 2 UNRATED BARBIE IN PRINCESS POWER UNRATED THE BEACH BUM R BEATRIZ AT DINNER R A BEAUTIFUL DAY IN THE NEIGHBORHOOD PG BEAUTY & THE BEAST PG BEFORE I FALL PG-13 THE BEGUILED R BEIRUT DVD BLU RAY R BEN IS BACK R THE BEST OF ENEMIES PG-13 BILL & TED FACE THE MUSIC PG-13 BLACK AND BLUE R BLACK CHRISTMAS
  • Angry Birds Stella Launcher by Jolla Gives a Boost to Your Android Smartphone – Available Now

    Angry Birds Stella Launcher by Jolla Gives a Boost to Your Android Smartphone – Available Now

    * For immediate release* Angry Birds Stella Launcher by Jolla gives a boost to your Android smartphone – available now Helsinki, Finland / Hangzhou, China – October 17, 2014 – Jolla, the mobile company from Finland, today announced the world premier of the long-awaited Jolla Launcher proudly in collaboration with Rovio Entertainment featuring an exclusive Angry Birds Stella experience. Titled ‘Angry Birds Stella Launcher by Jolla’, the new mobile application gives you quick access to exclusive Angry Birds content on Android smartphones using the intuitive multitasking user experience of Jolla’s own mobile operating system Sailfish OS. The launcher is first made available for free to download at popular Chinese Taobao and UC application stores. Further stores will be added very soon. In addition to the Jolla Launcher’s multitasking user experience, the Angry Birds Stella Launcher includes an exclusive Stella wallpaper, unique themed ringtones and unlimited, quick access to ToonsTV with a simple swipe from the home screen. Peter Vesterbacka, Mighty Eagle of Rovio comments: “Our Toons.tv has racked up more than 3 billion views and with the Angry Birds Stella Launcher all this fantastic content is just one swipe away. With Angry Birds Toons Season 2 and the Angry Birds Stella animated series just around the corner, we are delighted to offer the Angry Birds Stella Launcher to all our fans with Android devices together with Jolla, the mobile company from Finland.” Sami Pienimäki, Co-founder and Chief Marketing Officer of Jolla comments: “The Angry Birds Stella Launcher is a fantastic example of the capabilities of Jolla’s launcher as a platform for high value brands such as Rovio's Angry Birds.
  • Miptv 2020 Producers to Watch Contents

    Miptv 2020 Producers to Watch Contents

    MIPTV 2020 PRODUCERS TO WATCH CONTENTS DOC & FACTUAL 3 DRAMA / FICTION 36 FORMATS 112 KIDS & TEENS 149 DOC & FACTUAL DOC & FACTUAL PRODUCERS LISTED BY COUNTRY AUSTRIA FINLAND HUNGARY SOUTH AFRICA COLLABORATE: IDEAS & IMAGES GS FILM FILM-& FERNSEHPRODUKTION AITO MEDIA SPEAKEASY PROJECT HOMEBREW FILMS Lauren Anders Brown E.U. Erna AAlto László Józsa Jaco Loubser EMPORIUM PRODUCTIONS Gernot Stadler GIMMEYAWALLET PRODUCTIONS OKUHLE MEDIA Emma Read Phuong Chu Suominen IRELAND Pulane Boesak IMPOSSIBLE DOC & FACTUAL BELGIUM RAGGARI FILMS FELINE FILMS Adam Luria CLIN D’ŒIL Minna Dufton Jessie Fisk SPAIN WOODCUT MEDIA Hanne Phlypo BRUTAL MEDIA Matthew Gordon FRANCE JAPAN Raimon Masllorens BELGIUM COLLABORATION INC 4TH DOC & FACTUAL TAMBOURA FILMS UNITED STATES EKLEKTIK PRODUCTION Bettina Hatami Toshikazu Suzuki Xaime Barreiro CREATIVE HEIGHTS ENTERTAINMENT Tatjana Kozar Jaswant Dev Shrestha BLEU KOBALT KOREA ZONA MIXTA CANADA Florence Sala GINA DREAMS PRODUCTION Robert Fonollosa GALAXIE Sunah Kim DBCOM MEDIA SWITZERLAND Nicolas Boucher Thierry Caillibot GEDEON PROGRAMMES PERU SLASH PRODUCTION TORTUGA Jean-Christophe Liechti Adam Pajot Gendron Maya Lussier Seguin PACHA FILMS URBANIA MÉDIAS HAUTEVILLE PRODUCTIONS Luis Del Valle UNITED KINGDOM Philippe Lamarre Karina Si Ahmed POLAND ALLEYCATS ILLEGITIME DEFENSE Desmond Henderson CHINA Arnaud Xainte KIJORA FILM Anna Gawlita BIG DEAL FILMS - UNSCRIPTED DA NENG CULTURE MEDIA YUZU PRODUCTIONS Thomas Stogdon Hengyi Zhi Christian Popp PORTUGAL CHALKBOARD TV ENCOUNTER MEDIA Simon Cooper Qi Zhao PANAVIDEO Diana Nunes SHUTTER BUG STUIO（BEIJING) Hongmiao Yu GS FILM FILM-& FERNSEHPRODUKTION E.U. AUSTRIA My previous works & partners : We have produced over 70 documentaries/docu-dramas and documentary series on various topics such as human interest, history, culture and nature.
  • Angry Birds Star Wars II App Tops Download Charts 19 September 2013

    Angry Birds Star Wars II App Tops Download Charts 19 September 2013

    Angry Birds Star Wars II app tops download charts 19 September 2013 parks, 3D film making and educational tools. Some analysts have cast doubts over the company's expansion beyond video games. However Koopee Hiltunen at Finnish game industry organisation Neogames said this latest success was proof that the strategy was working. "Rovio has shown that they are following a strategy that succeeds," he said. Angry Birds Star Wars II is the seventh release in the series. As with the previous games, players use catapults to fire birds onto pigs who have stolen their eggs. Rovio CEO Mikael Hed poses with two "Angry Bird" characters at the company premises in Espoo on In this latest instalment of the game, based on the January 21, 2011. Star Wars sci-fi films, players are invited to "join the pork side" of the force. © 2013 AFP The latest instalment of the Angry Birds video game series from Finnish game maker Rovio topped download rankings Thursday on its release in several Western countries. "Angry Birds Star Wars II" was the most downloaded application from AppStores in several countries, including the US, France and Germany, according to download market analysts App Annie. In China, where Rovio has announced plans for a major expansion, the game was the fourth most popular. Earlier in September Rovio also launched a line of toys made by US toy giant Hasbro, which allow players to "teleport" characters into the video game world using web cameras on mobile phones and tablets. Since launching the game in 2009 the Finnish company has enjoyed spectacular growth with its Angry Birds franchise, diversifying into theme 1 / 2 APA citation: Angry Birds Star Wars II app tops download charts (2013, September 19) retrieved 29 September 2021 from https://phys.org/news/2013-09-angry-birds-star-wars-ii.html This document is subject to copyright.