2020 Oregon Administrative Rules Compilation
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Lost in Coos
LOST IN COOS “Heroic Deeds and Thilling Adventures” of Searches and Rescues on Coos River Coos County, Oregon 1871 to 2000 by Lionel Youst Golden Falls Publishing LOST IN COOS Other books by Lionel Youst Above the Falls, 1992 She’s Tricky Like Coyote, 1997 with William R. Seaburg, Coquelle Thompson, Athabaskan Witness, 2002 She’s Tricky Like Coyote, (paper) 2002 Above the Falls, revised second edition, 2003 Sawdust in the Western Woods, 2009 Cover photo, Army C-46D aircraft crashed near Pheasant Creek, Douglas County – above the Golden and Silver Falls, Coos County, November 26, 1945. Photo furnished by Alice Allen. Colorized at South Coast Printing, Coos Bay. Full story in Chapter 4, pp 35-57. Quoted phrase in the subtitle is from the subtitle of Pioneer History of Coos and Curry Counties, by Orville Dodge (Salem, OR: Capital Printing Co., 1898). LOST IN COOS “Heroic Deeds and Thrilling Adventures” of Searches and Rescues on Coos River, Coos County, Oregon 1871 to 2000 by Lionel Youst Including material by Ondine Eaton, Sharren Dalke, and Simon Bolivar Cathcart Golden Falls Publishing Allegany, Oregon Golden Falls Publishing, Allegany, Oregon © 2011 by Lionel Youst 2nd impression Printed in the United States of America ISBN 0-9726226-3-2 (pbk) Frontier and Pioneer Life – Oregon – Coos County – Douglas County Wilderness Survival, case studies Library of Congress cataloging data HV6762 Dewey Decimal cataloging data 363 Youst, Lionel D., 1934 - Lost in Coos Includes index, maps, bibliography, & photographs To contact the publisher Printed at Portland State Bookstore’s Lionel Youst Odin Ink 12445 Hwy 241 1715 SW 5th Ave Coos Bay, OR 97420 Portland, OR 97201 www.youst.com for copies: [email protected] (503) 226-2631 ext 230 To Desmond and Everett How selfish soever man may be supposed, there are evidently some principles in his nature, which interest him in the fortune of others, and render their happiness necessary to him, though he derives nothing from it except the pleasure of seeing it. -
CHARLES E. HEANEY: MEMORY, IMAGINATION, and PLACE Hallie Ford Museum of Art at Willamette University January 22 Through March 19, 2005
CHARLES E. HEANEY: MEMORY, IMAGINATION, AND PLACE Hallie Ford Museum of Art at Willamette University January 22 through March 19, 2005 Teachers Guide This guide is to help teachers prepare students for a field trip to the exhibition, Charles Heaney: Memory, Imagination, and Place; offer ways to lead their own tours; and propose ideas to reinforce the gallery experience and broaden curriculum concepts. Teachers, however, will need to consider the level and needs of their students in adapting these materials and lessons. Preparing for the tour: • If possible, visit the exhibition on your own beforehand. • Using the images (print out sets for students, create a bulletin board, etc.) and information in the teacher packet, create a pre-tour lesson plan for the classroom to support and complement the gallery experience. If you are unable to use images in the classroom, the suggested discussions can be used for the Museum tour. • Create a tour Build on the concepts students have discussed in the classroom Have a specific focus, i.e. the theme Memory, Imagination and Place; subject matter; art elements; etc. Be selective – don’t try to look at or talk about everything in the exhibition. Include a simple task to keep students focused. Plan transitions and closure for the tour. • Make sure students are aware of gallery etiquette. At the Museum: • Review with students what is expected – their task and museum behavior. • Focus on the works of art. Emphasize looking and discovery through visual scanning (a guide is included in this packet). If you are unsure where to begin, a good way to start is by asking, “What is happening in this picture?” Follow with questions that will help students back up their observations: “What do you see that makes you say that?” or “Show us what you have found.” • Balance telling about a work and letting students react to a work. -
Hour by Hour!
Volume 13 Issue 158 HIPFiSHmonthlyHIPFiSHmonthly March 2012 thethe columbiacolumbia pacificpacific region’sregion’s freefree alternativealternative ERIN HOFSETH A new form of Feminism PG. 4 pg. 8 on A NATURALIZEDWOMAN by William Ham InvestLOWER Your hourTime!COLUMBIA by hour! TIME BANK A NEW community RESOURCE by Lynn Hadley PG. 14 I’LL TRADE ACCOUNTNG ! ! A TALE OF TWO Watt TRIBALChildress CANOES& David Stowe PG. 12 CSA TIME pg. 10 SECOND SATURDAY ARTWALK OPEN MARCH 10. COME IN 10–7 DAILY Showcasing one-of-a-kind vintage finn kimonos. Drop in for styling tips on ware how to incorporate these wearable works-of-art into your wardrobe. A LADIES’ Come See CLOTHING BOUTIQUE What’s Fresh For Spring! In Historic Downtown Astoria @ 1144 COMMERCIAL ST. 503-325-8200 Open Sundays year around 11-4pm finnware.com • 503.325.5720 1116 Commercial St., Astoria Hrs: M-Th 10-5pm/ F 10-5:30pm/Sat 10-5pm Why Suffer? call us today! [ KAREN KAUFMAN • Auto Accidents L.Ac. • Ph.D. •Musculoskeletal • Work Related Injuries pain and strain • Nutritional Evaluations “Stockings and Stripes” by Annette Palmer •Headaches/Allergies • Second Opinions 503.298.8815 •Gynecological Issues [email protected] NUDES DOWNTOWN covered by most insurance • Stress/emotional Issues through April 4 ASTORIA CHIROPRACTIC Original Art • Fine Craft Now Offering Acupuncture Laser Therapy! Dr. Ann Goldeen, D.C. Exceptional Jewelry 503-325-3311 &Traditional OPEN DAILY 2935 Marine Drive • Astoria 1160 Commercial Street Astoria, Oregon Chinese Medicine 503.325.1270 riverseagalleryastoria.com -
Oregon's Percent for Art Program
connections | percent for art | september Oregon’s Percent for Art Program: A Public Legacy Contents Oregon’s Commitment to Art in Public Spaces 2 Process and Impact of the State Art Collection 3 Art Melds with Engineering at Portland State University 4 2 0 0 6 A Timeless Mosaic at SOU’s Hannon Library 5 A Landmark Sculpture for the State of Oregon 6 Developing Public Art in Oregon’s Smaller Communities 7 Artist Profile: Henk Pander 8 photo: bruce forster Introduction Oregon Realizes its Commitment to Art in Public Spaces Living up to its pioneering reputation, Oregon was one of the first states in the nation to pass “I can never assume that I am in the studio Percent for Art legislation. Enacted in 1975, the state statute guides the acquisition of Oregon’s State Art alone. For I am in a partnership as I work. I am Collection, which includes more than 2,500 original art a partner with the site and the community. I am works. From Astoria to Agness, Baker City to Milton- Freewater, Bend to Klamath Falls, state buildings a partner with the city and its bureaus, with its and public spaces host permanent reminders of the citizens and with the future of place. And my breadth, variety and aesthetics of our history, environ- ment, people, and changing concerns. goal in these partnerships is to create a work How the Percent for Art Program Developed which will provide a personal experience within the public setting, and keep on ticking.” The Percent for Art statute (ors 276.075) sets aside “not less than 1% of the direct construction funds of – Tad Savinar new or remodeled state buildings with construction Artist, Portland budgets of $100,000 or greater for the acquisition of art work which may be an integral part of the building, attached thereto, or capable of display in other State Buildings.” • A commitment to helping artists attain public Since its inception, the Percent for Art program has recognition and visibility through Percent for Art maintained: opportunities. -
The Politics of Urban Cultural Policy Global
THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12. -
Front Cover: Foster + Partners, Kamakura House, Kamakura, Japan, 2004
44 Interior Atmospheres Architectural Design May/June 2008 Interior Atmospheres 4 Guest-edited by Julieanna Preston ISBN-978 0470 51254 8 Profile No 193 Vol 78 No 3 CONTENTS 4 Editorial Offices Requests to the Publisher should be addressed to: International House Permissions Department, 4 30 Ealing Broadway Centre John Wiley & Sons Ltd, Editorial Olafur Eliasson and the London W5 5DB The Atrium Southern Gate Helen Castle Circulation of Affects and T: +44 (0)20 8326 3800 Chichester, Percepts: In Conversation F: +44 (0)20 8326 3801 West Sussex PO19 8SQ E: [email protected] England 6 Hélène Frichot Introduction Editor F: +44 (0)1243 770620 Helen Castle E: [email protected] In the Mi(d)st Of 36 Julieanna Preston Affecting Data Production Editor Subscription Offices UK Elizabeth Gongde John Wiley & Sons Ltd Julieanna Preston Project Management Journals Administration Department 12 Caroline Ellerby 1 Oldlands Way, Bognor Regis West Sussex, PO22 9SA This is Not Entertainment: 46 Design and Prepress T: +44 (0)1243 843272 Experiencing the Dream House Multivalent Performance in the Artmedia Press, London F: +44 (0)1243 843232 E: [email protected] Ted Krueger Work of Lewis.Tsurumaki.Lewis Printed in Italy by Conti Tipocolor Paul Lewis, Marc Tsurumaki [ISSN: 0003-8504] Advertisement Sales 16 and David J Lewis Faith Pidduck/Wayne Frost 4 is published bimonthly and is available to Making Sense: The MIX House T: +44 (0)1243 770254 purchase on both a subscription basis and as E: [email protected] individual volumes at the following prices. Joel Sanders and Karen Van 54 Lengen Condensation: Editorial Board Single Issues Will Alsop, Denise Bratton, Mark Burry, André Single issues UK: £22.99 Regionalism and the Room in Chaszar, Nigel Coates, Peter Cook, Teddy Cruz, Single issues outside UK: US$45.00 20 John Yeon’s Watzek House Max Fordham, Massimiliano Fuksas, Edwin Details of postage and packing charges Heathcote, Michael Hensel, Anthony Hunt, available on request. -
Muralist Roster
Muralist Roster Updated January 2020 Introduction The Regional Arts & Culture Council (RACC) established the Muralist Roster as an on-line resource that can be used by anyone seeking an artist for a mural project – community groups, business or property owners, schools, architecture firms, private developers or other public art programs. The artists on the roster were selected by RACC’s Public Art Murals Program Committee* and have demonstrated skills, experience and interest in designing and painting large scale paintings and/or murals. The intent of the roster is to provide users a range of artistic styles from which to select an artist that fits the needs of a particular project. All artists live and work in either Oregon or Washington and have previous experience working large scale. As you review this roster, read about each of the artists in their own words and view details of up to three past projects to get a feel for their work. Links to websites and social media outlets allow you to further explore their practice. Questions? Salvador Mayoral, Public Art Associate, 503.823.5865, [email protected] Arts and culture help spark conversations, spur social change and make our community strong. RACC is committed to ensuring that everyone in our region has equal access to arts and the fundamental right to express their culture through the arts. *Public Art Murals Committee members: Brigid Blackburn, Mehran Heard, Jason Powers, Wendy Red Star, Tomas Valladares Cover artists clockwise from left: Jennifer Kuhns, Ellen Picken, Michael Feliz, Plastic Birdie DAVEY BARNWELL Portland, Oregon daveybarnwell.com Instagram My paintings are grounded in cartography, landscape, architecture, as well as the human interactions that happen in these physical spaces. -
Elliott State Forest: Next Step Considerations for Decoupling From
ELLIOTT STATE FOREST Next Step Considerations for Decoupling from Oregon’s Common School Fund October 2018 An Oregon Consensus Assessment Report to the Oregon Department of State Lands and Oregon State Land Board 1 Assessment Team Peter Harkema, Oregon Consensus Director Brett Brownscombe, Senior Project Manager Amy Delahanty, Project Associate Acknowledgements Oregon Consensus deeply appreciates all those who generously gave their time to inform this assessment and report. About Oregon Consensus Oregon Consensus (OC) was established by state statute as the State of Oregon's program for public policy conflict resolution and collaborative governance. The program provides mediation and other collaborative services to public bodies and stakeholders who are seeking new approaches to challenging public issues. OC conducts assessments and designs and facilitates impartial and transparent collaborative processes that foster balanced participation and durable agreements. OC is housed in the National Policy Consensus Center in the Hatfield School of Government at Portland State University. Contact Oregon Consensus National Policy Consensus Center Hatfield School of Government Portland State University 506 SW Mill Street, Room 720 PO Box 751 Portland, OR 97207-0751 (503) 725-9077 [email protected] www.oregonconsensus.org 2 Contents 1. Introduction .................................................................................................................................................................. 5 1.1. Purpose of report .............................................................................................................................................. -
Download Chapter
Table Of Contents Conservation Toolbox............................................................................................................................... 3 Outreach, Education, and Engagement................................................................................................... 4 Voluntary Conservation Programs......................................................................................................... 16 Conservation in Urban Areas.................................................................................................................. 23 Planning and Regulatory Framework..................................................................................................... 30 General References.................................................................................................................................. 50 Conservation Toolbox Everyone has a role in the successful implementation of the Oregon Conservation Strategy. The Conservation Toolbox provides recommendations to support implementation and suggestions for additional information and assistance. Key components of the Conservation Toolbox include: Outreach, Education, and Engagement Conservation in Urban Areas Oregon’s Existing Planning and Regulatory Framework Voluntary Conservation Programs General References: additional resources outside of the references provided in each section Outreach, Education, and Engagement Connecting people to nature is an important element of successful Conservation Strategy implementation. Acquiring -
2019-21 Budget Highlights
2019-21 BUDGET HIGHLIGHTS Legislative Fiscal Office September 2019 State of Oregon Ken Rocco Legislative Fiscal Office Legislative Fiscal Officer 900 Court St. NE, Rm. H-178 Paul Siebert Salem, OR 97301 Deputy Legislative Fiscal Officer 503-986-1828 September 9, 2019 To the Members of the Eightieth Oregon Legislative Assembly: Following is the 2019-21 Budget Highlights, which provides summary information on the legislatively adopted budget; legislative actions affecting the budget; program areas and agencies; state bonding and capital construction; budget notes; information technology; fiscal impact statements; substantive bills with a budget effect; and appendices containing detailed data. We hope you find this resource useful and invite you to call the Legislative Fiscal Office if you have any questions. Ken Rocco Legislative Fiscal Officer Table of Contents Summary of the 2019-21 Legislatively Adopted Budget ............................................................. 1 Summary of Legislative Actions Affecting the Budget ............................................................... 33 Program Area Summaries .......................................................................................................... 58 State Bonding and Capital Construction .................................................................................. 117 Budget Notes ........................................................................................................................... 120 Information Technology.......................................................................................................... -
A. CALL to ORDER B. APPROVAL of MINUTES of October 8, 2013 C
MEETING NOTICE TUALATIN PARK ADVISORY COMMITTEE November 12, 2013 - 6:00 PM Van Raden Community Center 8535 SW Tualatin Road (Inside Tualatin Community Park) A. CALL TO ORDER B. APPROVAL OF MINUTES OF October 8, 2013 C. COMMUNICATIONS 1. Chair 2. Council Liaison 3. Staff a. Pumpkin Regatta recap b. Starry Nights and Holiday Lights on December 6, 2013 c. Centennial Time Capsule Ceremony Thursday, December 19, 2013 at noon at the Tualatin Heritage Center 4. Public D. OLD BUSINESS 1. None E. NEW BUSINESS 1. Tualatin Capital Improvement Program Kaaren Hofmann will present the 2015-2019 Capital Improvement Plan 2. Oregon Statewide Outdoor Comprehensive Recreation Plan TPARK will review and discuss the 2013-2017 SCORP http://www.oregon.gov/oprd/PLANS/Pages/planning_SCORP.aspx F. FUTURE AGENDA ITEMS 1. TPARK Annual Report 2. Park and Recreation Master Plan G. COMMUNICATIONS FROM COMMITTEE MEMBERS H. ADJOURNMENT City of Tualatin DRAFT TUALATIN PARK ADVISORY COMMITTEE MINUTES October 8, 2013 MEMBERS PRESENT: Dennis Wells, Valerie Pratt, Kay Dix, Stephen Ricker, Connie Ledbetter MEMBERS ABSENT: Bruce Andrus-Hughes, Dana Paulino, STAFF PRESENT: Carl Switzer, Parks and Recreation Manager PUBLIC PRESENT: None OTHER: None A. CALL TO ORDER Meeting called to order at 6:06. B. APPROVAL OF MINUTES The August 13, 2013 minutes were unanimously approved. C. COMMUNICATIONS 1. Public – None 2. Chairperson – None 3. Staff – Staff presented an update to the 10th Annual West Coast Giant Pumpkin Regatta. Stephen said he would like to race again. TPARK was invited to attend the special advisory committee meeting about Seneca Street extension. TPARK was informed that the CDBG grant application for a new fire sprinkler system for the Juanita Pohl Center was submitted. -
Elliott State Forest Alternatives Project
Department of State Lands Oregon 775 Summer Street NE, Suite 100 John A. Kitzhaber, MD, Governor Salem, OR 97301-1279 (503) 986-5200 FAX (503) 378-4844 www.oregonstatelands.us State Land Board STATE LAND BOARD John A. Kitzhaber, MD Governor December 9, 2014 Department of State Lands Kate Brown 775 Summer Street NE Secretary of State Salem, OR 97301-1279 9:00 am – Noon Ted Wheeler State Treasurer AGENDA 1. Request for approval of the minutes for the October 8, 2014 special meeting in Coos Bay and the October 14, 2014 regular meeting. 2. Annual report on the management of Common School Forest Lands. 3. Annual report on land management activities. 4. Report and possible related to the Elliott State Forest Alternatives Project. 5. Other. How to Provide Comments Comments may be presented to the Land Board at the meeting either orally or in writing. If you want to present your input orally, you will need to sign in when you arrive. A maximum of 3 minutes will be given to each speaker. However, because of the 3- hour length of the meeting, it is possible that a shorter time will be allotted in order to accommodate more speakers. Due to time limitations, not everyone who wants to speak will be able to do so. Therefore, you are encouraged to bring written copies of your comments and they will be made part of the official record. This meeting will be held in a facility that is accessible for persons with disabilities. If you need assistance to participate in this meeting due to a disability, please notify Lorna Stafford at (503) 986-5224 or [email protected] at least two working days prior to the meeting.