DOCSLIB.ORG

Onerpm Signs Mr Hudson, Acclaimed Artist, Producer & DJ

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Onerpm Signs Mr Hudson, Acclaimed Artist, Producer & DJ ONErpm Signs Mr Hudson, Acclaimed Artist, Producer & DJ New York, NY April 9, 2019 -- Global distribution, label services, and rights management company ONErpm has inked a deal with acclaimed artist, writer, and producer Mr Hudson. Under this deal, ONErpm will support Mr Hudson’s first solo releases since his 2009 album Straight No Chaser and 2017 singles “Coldplay” feat. Vic Mensa and “Can’t Forget You” with its powerful network of distribution partners around the world, integrated business intelligence and digital marketing services, and rapidly growing global team in 11 offices across six different countries, with more to come. Photo credit Mathieu Cesar Based between Los Angeles and London and originally from Birmingham, UK, Mr Hudson boasts a diverse repertoire of artist features and collaborations, including Kanye West, Kid Cudi, Janelle Monáe, Idris Elba, and Frank Ocean to name a few. Mr Hudson has found success as a writer and producer, having co-written hits like JP Cooper’s “September Song” and “She’s On My Mind,” which have 400 million and 50 million streams on Spotify respectively. He is also featured and/or written songs such as DJ Snake’s “Here Comes The Night,” Future’s “Real & True” with Miley Cyrus, Duran Duran’s Paper Gods album, Jay Z’s top 10 single “Young Forever,” and Kanye West’s “Paranoid” from the critically acclaimed 808s & Heartbreak album. “I’ve been a fan of Mr Hudson’s work for a long time, so I’m incredibly excited to have him on the ONErpm roster,” said Emmanuel Zunz, Founder and CEO of ONErpm. “His expertise spans the entire music-making field, from solo releases, to hit collaborations, to big-name production credits, to in- demand DJ sets. We’re proud to become a part of his legacy as he continues to make waves as one of the industry’s top artists and producers.” “ONErpm is a revolutionary company with new and aggressive global ideas. Charles [Hendricks, Director of Partner Relationships at ONErpm] is passionate about music, desperate to hear my new songs, and laughs at my jokes. All of these factors combined to make getting into bed with ONErpm a no brainer,” said Mr Hudson. For more information on ONErpm, visit www.onerpm.com. About ONErpm ONErpm is a redefining force in the new music economy and one of today’s fastest growing music companies in the global marketplace. Home to over 2,500 YouTube channels that collectively generate over 7 billion views a month, ONErpm is one of the world’s largest YouTube Multi Channel Networks (MCN) specializing in music. With offices and studios in New York City, Nashville, Miami, Sao Paulo, Rio de Janeiro, Buenos Aires, Bogota, Mexico City, and Kingston, ONErpm occupies a unique space between traditional record label and distribution company, leveraging proprietary technology, marketing, analytics, and localized support to deliver business solutions to over 100,000 artists, music labels, and video creators worldwide. For more information, visit www.onerpm.com. Media Contacts Laurie Jakobsen, Jaybird Communications, 646-484-6764, [email protected] Bill Greenwood, Jaybird Communications, 609-221-2374, [email protected] .
Load more

Recommended publications
  • Congressional Record-House. March 20
    '1718 CONGRESSIONAL RECORD-HOUSE. MARCH 20, By Mr. HILL: The petitions of W. Wrede and 100 others, of F. CHANGES OF REFERENCES. Duok and 100 others, of John Mason and others, of J. W. Berry and Changes of references of petitions were made, under the rule, as 100 others, citizens of Defiance and Williams Counties, and of Cas­ follows: per Kahl and 100 others, citizens of the sixth district of Ohio, soldiers The petition of W. B. Wellgwood, vice-chancellor of the National of the United States Army, engaged in the late war, for the early University-from the Committee on Appropriations to the Commit­ passage of a law providing for the payment of the difference between tee on Education and Labor. the value of the greenbacks, in which they were paid for their serv­ The petitions of Eban B. Grant and others; of Bernard McCormick ices, and the value of gold at the time of payment-to the Commit­ and 6 other~ of C. J. Poore and 122 others, citizens of Michigan; of tee on Military Affairs. citizens of l.Jolville, Washington Territory, and of citizens of Wash­ 1 By Mr. JOSEPH J. MARTIN: The petition of the publisher of the ington Territory-from the Committee on Appropriations to the Com­ Falcon, Elizabeth City, North Carolina, that materials used in mak­ mittee on ~tary Affairs. ing paper be placed on the free µst, and for the reduction of the duty on printing-paper-to the Committee on Ways and Means. By Mr. McKENZIE: The petitions of J.M. Nicholls and Charles W.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • Daily Life for the Common People of China, 1850 to 1950
    Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski.
    [Show full text]
  • On the Efficacy of Adversarial Data Collection for Question Answering: Results from a Large-Scale Randomized Study
    On the Efficacy of Adversarial Data Collection for Question Answering: Results from a Large-Scale Randomized Study Divyansh Kaushiky, Douwe Kielaz, Zachary C. Liptony, Wen-tau Yihz y Carnegie Mellon University; z Facebook AI Research fdkaushik,[email protected], fdkiela,[email protected] Abstract investigated adversarial data collection (ADC), a scheme in which a worker interacts with a model In adversarial data collection (ADC), a hu- man workforce interacts with a model in real (in real time), attempting to produce examples that time, attempting to produce examples that elicit incorrect predictions (e.g., Dua et al., 2019; elicit incorrect predictions. Researchers hope Nie et al., 2020). The hope is that by identifying that models trained on these more challeng- parts of the input domain where the model fails one ing datasets will rely less on superficial pat- might make the model more robust. Researchers terns, and thus be less brittle. However, de- have shown that models trained on ADC perform spite ADC’s intuitive appeal, it remains un- better on such adversarially collected data and that clear when training on adversarial datasets pro- with successive rounds of ADC, crowdworkers are duces more robust models. In this paper, we conduct a large-scale controlled study focused less able to fool the models (Dinan et al., 2019). on question answering, assigning workers at While adversarial data may indeed provide more random to compose questions either (i) adver- challenging benchmarks, the process and its actual sarially (with a model in the loop); or (ii) in benefits vis-a-vis tasks of interest remain poorly the standard fashion (without a model).
    [Show full text]
  • No Time for Losers
    Dietrich Helms, Thomas Phleps (Hg.) No Time for Losers 2008-08-05 10-26-05 --- Projekt: transcript.titeleien / Dokument: FAX ID 0291185826883360|(S. 1 ) T00_01 schmutztitel - 983.p 185826883368 Beiträge zur Popularmusikforschung 36 Herausgegeben von Dietrich Helms und Thomas Phleps Editorial Board: Dr. Martin Cloonan (Glasgow) | Prof. Dr. Ekkehard Jost (Gießen) Prof. Dr. Rajko Mursˇicˇ (Ljubljana) | Prof. Dr. Winfried Pape (Gießen) Prof. Dr. Helmut Rösing (Hamburg) | Prof. Dr. Mechthild von Schoenebeck (Dortmund) | Prof. Dr. Alfred Smudits (Wien) 2008-08-05 10-26-05 --- Projekt: transcript.titeleien / Dokument: FAX ID 0291185826883360|(S. 2 ) T00_02 seite 2 - 983.p 185826883376 Dietrich Helms, Thomas Phleps (Hg.) No Time for Losers. Charts, Listen und andere Kanonisierungen in der populären Musik 2008-08-05 10-26-05 --- Projekt: transcript.titeleien / Dokument: FAX ID 0291185826883360|(S. 3 ) T00_03 titel - 983.p 185826883392 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Umschlaggestaltung: Kordula Röckenhaus, Bielefeld Umschlagabbildung: Sandra Wendeborn: »GlamGLowGLitter«, © Photocase 2008 Lektorat: Ralf von Appen und André Doehring Satz: Ralf von Appen Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-983-1 Gedruckt auf alterungsbeständigem Papier mit chlorfrei gebleichtem Zellstoff. Besuchen Sie uns im Internet: http://www.transcript-verlag.de Bitte fordern Sie unser Gesamtverzeichnis und andere Broschüren an unter: [email protected] 2008-08-05 10-26-06 --- Projekt: transcript.titeleien / Dokument: FAX ID 0291185826883360|(S.
    [Show full text]
  • Two New Orleans Stories
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-16-2003 My Kind of Music: Two New Orleans Stories Mary-Louise Ruth University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Ruth, Mary-Louise, "My Kind of Music: Two New Orleans Stories" (2003). University of New Orleans Theses and Dissertations. 16. https://scholarworks.uno.edu/td/16 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. MY KIND OF MUSIC: TWO NEW ORLEANS STORIES A Thesis Submitted to the Graduate faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing by Mary-Louise Ruth B.A., University of New Orleans, 1970 Education Credential, St. Mary’s College, 1987 May 2003 Copyright 2003, Mary-Louise Ruth ii ACKNOWLEDGMENTS I wish to thank all of my teachers and fellow students for their perceptive comments, criticisms and support which will inspire me for the rest of my life.
    [Show full text]
  • DURAN DURAN Løfter Endeligt Sløret for Albumdetaljer Og Bekræfter Vedvarende Rygter Om Dansk Medvirken
    2015-06-29 15:02 CEST DURAN DURAN løfter endeligt sløret for albumdetaljer og bekræfter vedvarende rygter om dansk medvirken. I paraden af medvirkende stjerner på DURAN DURANs ”PAPER GODS” findes Jonas Bjerre fra MEW. ”PAPER GODS” udkommer 11. september. Pressure Off (feat. Janelle Monáe and Nile Rodgers) UDE NU! Se indlejret materiale her Multi-platinum superstars Duran Duran have announced more details about their upcoming new studio album, Paper Gods, which will be released in the U.S. on September 18th and in the rest of the world on September 11th through Warner Bros. Records. Paper Gods features special guests Janelle Monáe (on the first single "Pressure Off"), CHIC co-founder Nile Rodgers (also on “Pressure Off”), former Red Hot Chili Peppers guitarist John Frusciante (on “What Are The Chances,” “Butterfly Girl,” “The Universe Alone,” and “Northern Lights,”), Canadian Juno- Award winning singer Kiesza (on “Last Night in the City”), British singer/songwriter/producer Mr Hudson (on “Paper Gods”), Mew vocalist Jonas Bjerre (on “Change The Skyline”), violinist Davidé Rossi (on “Face For Today” and “Pressure Off”), and actress Lindsay Lohan, who provides a spoken-word vocal on “Danceophobia.” More announcements will be made about Paper Gods in the coming weeks. Paper Gods will be released in four configurations: as a standard 12-track CD and its digital equivalent, as a Deluxe 15-track CD and its digital equivalent (with three bonus tracks), as a standard 12-track vinyl double LP, and as a limited edition, high end Vinyl Factory Deluxe LP box set. Alongside this, limited edition fan bundles are available at the Duran Duran Music Store which include an exclusive CD with deluxe track listing, special packaging, and a paper fortune teller.
    [Show full text]
  • Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
    DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language.
    [Show full text]
  • Corporate Report 2019
    Fill the world with emotion, through the power of creativity and technology. Dreams & Curiosity Pioneer the future with dreams and curiosity. Diversity Pursue the creation of the very best by harnessing diversity and varying viewpoints. Integrity & Sincerity Earn the trust for the Sony brand through ethical and responsible conduct. Sustainability Fulfill our stakeholder responsibilities through disciplined business practices. 02 Message from the CEO A Creative Entertainment Company with a Solid Foundation of Technology Born out of our founders’ dream of enriching people’s lives through the power of technology, today Sony is a corporate group that operates entertainment businesses, including games, music, motion pictures, animation and other content intellectual property (IP); electronics businesses; and direct to consumer (DTC) services businesses including PlayStation™Network (PSN) and financial services. People are at the core of all of these businesses. Based on our Purpose to “fill the world with emotion, through the power of creativity and technology,” we at Sony will continue our efforts to grow and deliver even greater value by “getting closer to people.” Kenichiro Yoshida President and CEO, Representative Corporate Executive Officer 03 Sony’s Value Creation are underpinned by technology and by our highly Let me explain the three focus areas of our mid- diverse and talented employees. range plan, the progress we have made in the first Sony’s founders had a strong desire to enhance Based on our unique purpose, identity and year of the plan (the fiscal year ended March 31, 2019), people’s lives through the power of technology. direction, we will harness our diversity and realize the and our future direction.
    [Show full text]
  • Live Baby Live
    Duran Duran: Live Baby Live © 2017 - 2020 Ansgar Thomann | Last Updated November 14, 2020 live b aby l ive Recent changes to this document are indicated by a star mark (*). Duran Duran was founded in 1978 by Nick Rhodes and John Taylor. Starting with cautious live attempts in April of 1979, they soon became an established live group with quite a few line-up changes in the very early days. Simon Le Bon joined the band in May of 1980, and the 'classic line-up' - including Nick Rhodes, John Taylor, Roger Taylor, Andy Taylor and Simon Le Bon - did their first gig at the Rum Runner in Birmingham in July of 1980. While on tour with Hazel O'Connor from November until early December in 1980, A&R man Dave Ambrose signed the band to EMI Records. Since then, the group toured every album, but Liberty, and until today, they played nearly 1400 gigs around the globe! Several shows have been broadcast by radio and on TV, but this list features only the live performances, which have been released, either by the band or their record company. But note, most recordings doesn't include the full show of what the band performed that night! CARELESS MEMORIES TOUR December 17, 1981 - Hammersmith Odeon, London, UK Recorded by the BBC for radio broadcast. HUNGRY LIKE THE WOLF Released in May 1982 as 7" and 12" single. Includes: 4:11 Careless Memories BBC IN CONCERT: HAMMERSMITH ODEON 17TH DECEMBER 1981 Released in March 2010 as a digital album. 4:16 Anyone Out There 4:50 Planet Earth 3:56 To The Shore 3:08 Late Bar 4:53 Last Chance On The Stairway 4:37 Khanada 5:26 Night Boat 4:12 Sound Of Thunder 5:10 Faster Than Light 4:06 My Own Way 4:49 Careless Memories 6:08 Girls On Film 6:53 Planet Earth (Night Version) Although recorded by the BBC, the Night Version of Planet Earth has not been broadcast back in 1982.
    [Show full text]
  • Duran Duran Paper Gods Mp3, Flac, Wma
    Duran Duran Paper Gods mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Paper Gods Country: US Released: 2015 Style: Dance-pop, Electro, Eurodance, Synth-pop, Pop Rock MP3 version RAR size: 1518 mb FLAC version RAR size: 1879 mb WMA version RAR size: 1463 mb Rating: 4.4 Votes: 813 Other Formats: MIDI APE MP2 MPC ASF AAC VOX Tracklist Hide Credits Paper Gods 1 Drum Programming [Additional] – David EmeryFeaturing – Mr HudsonProducer – Duran 7:01 Duran Duran, Mr HudsonWritten-By – Taylor*, Mr Hudson, Rhodes*, Taylor*, Le Bon* Last Night In The City 2 Featuring – KieszaProducer – Duran Duran, Josh Blair*, Mr HudsonWritten-By – Taylor*, 4:44 Kiesza, Mr Hudson, Rhodes*, Taylor*, Le Bon* You Kill Me With Silence 3 Producer – Duran Duran, Mr HudsonWritten-By – Taylor*, Mr Hudson, Rhodes*, Taylor*, Le 4:28 Bon* Pressure Off Arranged By [Strings], Performer [Strings] – Davide RossiEdited By [Pro Tools Operator] – Riccardo DamianEngineer [Janelle Session Assistant] – Jake ValentineEngineer [Janelle 4 Session] – Ghian Wright, Graham Russell Featuring – Janelle Monáe, Nile RodgersProducer 4:19 – Duran Duran, Mark Ronson, Mr Hudson, Nile RodgersProducer [Lead Vocal] – Josh Blair*Written-By – Janelle*, Taylor*, Ronson*, Mr Hudson, Rhodes*, Rogers*, Taylor*, Le Bon* Face For Today 5 Arranged By [Strings] – Davide Rossi, Josh Blair*Performer [Strings] – Davide*Producer – 3:51 Duran Duran, Josh Blair*Written-By – Brown*, Taylor*, Rhodes*, Taylor*, Le Bon* Dancephobia Producer – Duran Duran, Josh Blair*Producer [Additional
    [Show full text]
  • No Ordinary World Duran Duran’S Simon Le Bon Hungry to Keep Audiences Dancing Zoe-Ruth Photography
    VOLUME 10, NUMBER 5 NUMBER 10, VOLUME NO ORDINARY WORLD DURAN DURAN’S SIMON LE BON HUNGRY TO KEEP AUDIENCES DANCING ZOE-RUTH PHOTOGRAPHY 418 Sheridan Road Highland Park, IL 60035 847-266-5000 www.ravinia.org Welz Kauffman President and CEO Nick Pullia Communications Director, Executive Editor Nick Panfl Publications Manager, Editor Alexandra Pikeas Graphic Designer IN THIS ISSUE FEATURES DEPARTMENTS Since 1991 12 Practice Room with a View 9 Message from the Chairman 3453 Commercial Ave., Northbrook, IL 60062 Te Juilliard Quartet’s Joseph Lin and and President www.performancemedia.us | 847-770-4620 Astrid Schween prepare musicians for 31 Rewind Gail McGrath - Publisher & President more than the concert stage. Sheldon Levin - Publisher & Director of Finance By Wynne Delacoma 50 Ravinia’s Steans Music Institute 18 Grateful Eternal Account Managers 52 Reach*Teach*Play Jerry Garcia and the Grateful Dead Rand Brichta - Arnie Hoffman - Greg Pigott made music for all time. 57 Salute to Sponsors Southwest By Davis Schneiderman Betsy Gugick & Associates 972-387-1347 24 No Ordinary World 73 Annual Fund Donors Duran Duran’s Simon Le Bon is hungry Sales & Marketing Consultant 80 Corporate Partners to keep audiences dancing. Mike Hedge 847-770-4643 81 Corporate Matching Gifs David L. Strouse, Ltd. 847-835-5197 By Miriam Di Nunzio 34 ‘Home Schooled’ 82 Special Gifs Cathy Kiepura - Graphic Designer Jonathan Biss and Pamela Frank recall Lory Richards - Graphic Designer their master classes in growing up as 83 Event Sponsors A.J. Levin - Director of Operations (and with) musicians. 84 Board of Trustees Josie Negron - Accounting By Mark Tomas Ketterson 85 Women’s Board Joy Morawez - Accounting 40 Unplugged, Unbound Willie Smith - Supervisor Operations Chris Cornell fnds ‘higher truth’ 86 Associates Board Earl Love - Operations in his music by going acoustic.
    [Show full text]