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Two Boys with a Bladder by Joseph Wright of Derby
RCEWA – Two Boys with a Bladder by Joseph Wright of Derby Statement of the Expert Adviser to the Secretary of State that the painting meets Waverley criteria two and three. Further Information The ‘Applicant’s statement’ and the ‘Note of Case History’ are available on the Arts Council Website: www.artscouncil.org.uk/reviewing-committee-case-hearings Please note that images and appendices referenced are not reproduced. EXECUTIVE SUMMARY 1. Brief Description of item(s) • What is it? A painting by Joseph Wright of Derby representing two boys in fancy dress and illuminated by candlelight, one of the boys is blowing a bladder as the other watches. • What is it made of? Oil paint on canvas • What are its measurements? 927 x 730 mm • Who is the artist/maker and what are their dates? Joseph Wright of Derby (1734-1797) • What date is the item? Probably 1768-70 • What condition is it in? Based upon a viewing of the work by the advisors and conservators, the face and costumes of the two boys are in good condition. However, dark paint throughout the background exhibits widespread retouched drying cracking and there are additional areas of clumsy reconstruction indicating underlying paint losses. 2. Context • Provenance In private ownership by the 1890s; thence by descent The early ownership of the picture, prior to the 1890s, is speculative and requires further investigation. The applicant has suggested one possible line of provenance, as detailed below. It has been mooted that this may be the painting referred to under a list of sold candlelight pictures in Wright’s account book as ‘Boys with a Bladder and its Companion to Ld. -
Joseph Wright
Made in Derby 2018 Profile Joseph Wright Derby’s most celebrated artist is known the world over. Derby Museums is home to the world’s largest collection of works by the 18th century artist. Joseph Wright of Derby is acknowledged officially as an “English landscape and portrait painter”. But his fame lies in being acclaimed as "the first professional painter to express the spirit of the Industrial Revolution", by experts. Candlelight, the contrast of light and dark, known as the chiaroscuro effect, and the birth of science out of the previously held beliefs of alchemy all feature in his works. The inspiration for Wright’s work owes much to meetings of the Lunar Society, a group of scientists and industrialists living in the Midlands, which sought to reconcile science and religion during the Age of Enlightenment. Wright was born in Iron Gate – where a commemorative obelisk now stands –in 1734, the son of Derby’s town clerk John Wright. He headed to London in 1751 to study to become a painter under Thomas Hudson but returned in 1753 to Derby. Wright went back to London again for a further period of training before returning to set up his own business in 1757. He married, had six children – one of whom died in infancy, son John, died aged 17 but the others survived to live full lives. In 1773, he took a trip to Italy for almost two years and this became the inspiration for some of his work featuring Mount Vesuvius. Stopping off to work for a while in Bath as a portrait painter, he finally returned to Derby in 1777, where he remained until his death at 28 Queen Street in 1797. -
Warwickshire Industrial Archaeology Society
WARWICKSHIRE IndustrialW ArchaeologyI SociASety NUMBER 31 June 2008 PUBLISHED QUARTERLY NEWSLETTER THIS ISSUE it was felt would do nothing to web site, and Internet access further these aims and might becoming more commonplace ¢ Meeting Reports detract from them, as if the amongst the Society membership, current four page layout were what might be the feelings of ¢ From The Editor retained, images would reduce the members be towards stopping the space available for text and practice of posting copies to possibly compromise the meeting those unable to collect them? ¢ Bridges Under Threat reports. Does this represent a conflict This does not mean that with the main stated aim of ¢ Meetings Programme images will never appear in the publishing a Newsletter, namely Newsletter. If all goes to plan, that of making all members feel this edition will be something of a included in the activities of the FROM THE EDITOR milestone since it will be the first Society? y editorial in the to contain an illustration; a Mark Abbott March 2008 edition of diagram appending the report of Mthis Newsletter the May meeting. Hopefully, PROGRAMME concerning possible changes to its similar illustrations will be format brought an unexpected possible in future editions, where Programme. number of offers of practical appropriate and available, as the The programme through to help. These included the offer of technology required to reproduce December 2008 is as follows: a second hand A3 laser printer at them is now quite September 11th a very attractive price; so straightforward. The inclusion of Mr. Lawrence Ince: attractive as to be almost too photographs is not entirely ruled Engine-Building at Boulton and good an opportunity to ignore. -
A Steam Issue-48Pp HWM
FROM WATER POWER TO WATT THE ENERGY REVOLUTION OF THE EIGHTEENTH CENTURY Jim Andrew In the seventeenth century, there were no steam engines, no electricity or vehicle fuel from petrol pumps. Power came from human and animal energy, enhanced by wind and water. Changes in water and steam technology in the late-seventeenth and eighteenth centuries contributed to the Industrial Revolution. © Birmingham Museums Trust Sarehole Mill. One of the two remaining water mills in the Birmingham area. 4 www.historywm.com FROM WATER POWER TO WATT ind power, as now, was limited by variations in the strength of the wind, making water the preferred reliable Wsource of significant power for regular activity. The Romans developed water wheels and used them for a variety of activities but the first definitive survey of water power in England was in the Doomsday Book c.1086. At that time, well over five-thousand mills were identified – most were the Norse design with a vertical shaft and horizontal disc of blades. Water-Wheel Technology Traditional water mills, with vertical wheels on horizontal shafts, were well established by the eighteenth century. Many were underpass designs where the water flowed under a wheel with paddles being pushed round by the flow. Over time, many mills adopted designs which had buckets, filled with water at various levels from quite low to the very top of the wheel. The power was extracted by the falling of the water from its entry point to where it was discharged. There was little systematic study of the efficiency of mill-wheel design in extracting energy from the water before the eighteenth century. -
Bicentenary Programme Celebrating the Life and Legacy of James Watt
Bicentenary programme celebrating the life and legacy of James Watt 2019 marks the 200th anniversary of the death of the steam engineer James Watt (1736-1819), one of the most important historic figures connected with Birmingham and the Midlands. Born in Greenock in Scotland in 1736, Watt moved to Birmingham in 1774 to enter into a partnership with the metalware manufacturer Matthew Boulton. The Boulton & Watt steam engine was to become, quite literally, one of the drivers of the Industrial Revolution in Britain and around the world. Although best known for his steam engine work, Watt was a man of many other talents. At the start of his career he worked as both a mathematical instrument maker and a civil engineer. In 1780 he invented the first reliable document copier. He was also a talented chemist who was jointly responsible for proving that water is a compound rather than an element. He was a member of the famous Lunar Portrait of James Watt by Sir Thomas Lawrence, 1812 Society of Birmingham, along with other Photo by Birmingham Museums Trust leading thinkers such as Matthew Boulton, Erasmus Darwin, Joseph Priestley and The 2019 James Watt Bicentenary Josiah Wedgwood. commemorative programme is The Boulton & Watt steam engine business coordinated by the Lunar Society. was highly successful and Watt became a We are delighted to be able to offer wealthy man. In 1790 he built a new house, a wide-ranging programme of events Heathfield Hall in Handsworth (demolished and activities in partnership with a in 1927). host of other Birmingham organisations. Following his retirement in 1800 he continued to develop new inventions For more information about the in his workshop at Heathfield. -
Matthew Boutlon and Francis Eginton's Mechanical
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository MATTHEW BOULTON AND FRANCIS EGINTON’S MECHANICAL PAINTINGS: PRODUCTION AND CONSUMPTION 1777 TO 1781 by BARBARA FOGARTY A thesis submitted to The University of Birmingham For the degree of MASTER OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham June 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The mechanical paintings of Matthew Boulton and Francis Eginton have been the subject of few scholarly publications since their invention in the 1770s. Such interest as there has been has focussed on the unknown process, and the lack of scientific material analysis has resulted in several confusing theories of production. This thesis’s use of the Archives of Soho, containing Boulton’s business papers, has cast light on the production and consumption of mechanical paintings, while collaboration with the British Museum, and their new scientific evidence, have both supported and challenged the archival evidence. This thesis seeks to prove various propositions about authenticity, the role of class and taste in the selection of artists and subjects for mechanical painting reproduction, and the role played by the reproductive process’s ingenuity in marketing the finished product. -
Dr Malcolm Dick School/Dept: History and Cultures/ Department of History Project Title: James Watt 2019 Project Summary
SHAC12 CAL Undergraduate Research Scholarships Scheme 2017 Project Proposal Form Project Proposer/s: Dr Malcolm Dick School/Dept: History and Cultures/ Department of History Project Title: James Watt 2019 Project Summary The School of History and Cultures is running a project on the life, times and significance of the inventor, industrialist and Enlightenment thinker, James Watt (1736-1819), who worked in the Birmingham area with his business partner Matthew Boulton for most of his adult life. The project is linked to the 200th anniversary of Watt’s death in 2019. Though Watt provides the focus, the project moves beyond the celebration of a ‘great man’ to look broadly at his context, impact and legacy. Led by Malcolm Dick, it is intended that the project will form part of History’s contribution to the next Research Evaluation Framework in 2020. The website: www.jameswatt2019.org provides an introduction to activity so far. Much of the work involves activity with heritage organisations including Birmingham Museums Trust (BMT) and the Library of Birmingham (LoB). The research conducted by the successful applicant will also connect to a new Arts Council funded BMT project, ‘Birmingham Manufactures’ http://www.birminghammuseums.org.uk/blog/posts/birmingham-museums-trust-shines-a-spotlight- on-birmingham-manufacturers?category=press-release which is exploring and cataloguing objects to illuminate Birmingham’s industrial history. Hence the research not only contributes to important university research, but also links to widening public knowledge of Watt and his times through the Museum. Two of the important areas on which we lack knowledge are the nature of the workforce which constructed the Boulton and Watt steam engines and the type of work they pursued. -
Newsletter and Proceedings of the LINNEAN SOCIETY of LONDON Burlington House, Piccadilly, London W1J 0BF
THE LINNEAN Newsletter and Proceedings of THE LINNEAN SOCIETY OF LONDON Burlington House, Piccadilly, London W1J 0BF VOLUME 20 • NUMBER 1 • JANUARY 2004 THE LINNEAN SOCIETY OF LONDON Burlington House, Piccadilly, London W1J 0BF Tel. (+44) (0)20 7434 4479; Fax: (+44) (0)20 7287 9364 e-mail: [email protected]; internet: www.linnean.org President Secretaries Council Professor G McG Reid BOTANICAL The Officers and Dr J R Edmondson Prof S Blackmore Vice-Presidents Dr J S Churchfield Professor D F Cutler ZOOLOGICAL Dr J C David Dr V R Southgate Dr V R Southgate Dr A Farjon Dr J M Edmonds Dr M F Fay Dr J R Edmondson EDITORIAL Mr M D Griffiths Professor D F Cutler Dr P Kenrick Dr S D Knapp Librarian & Archivist Dr A M Lister Miss Gina Douglas Dr E C Nelson Treasurer Dr A D Rogers Professor G Ll Lucas OBE Assistant Librarian Dr B R Rosen Ms Cathy Broad Dr D A Simpson Executive Secretary Dr R A Sweeting Dr John Marsden Catalogue Coordinator Ms Lynn Crothall Assistant Secretary Ms Janet Ashdown Membership & House Manager Mr David Pescod Finance Mr Priya Nithianandan Information Technology Mr David Fox THE LINNEAN Newsletter and Proceedings of the Linnean Society of London Edited by B. G. Gardiner Editorial .............................................................................................................. 1 Society News ............................................................................................................ 3 Library ............................................................................................................. -
July 2017 - July May
Artefacts JULY 2017 JULY - MAY The Bullring at Sunrise © Verity E. Milligan Photography MEMBER OF THE ASSOCIATION MAy - JULY 2017 ARTEFACTS 1 OF FRIENDS OF MUSEUMS Friends of Birmingham Museums Magazine 2 ARTEFACTS MAY - JULY 2017 CONTENTs Associate Feature: A bReath of fresh: air CONTACTS David Foster Chair Email: [email protected] Lynda Perrin Membership Email: [email protected] Tel: 0121 348 8330 PAGE 26 Melissa hughes Administrator and Artefacts Editor Email: [email protected] CHAIR´S REPORT 04 Tel: 0121 348 8330 Barbara Preece FRIENDS´ EVENTS 06 Events Coordinator Email: [email protected] [email protected] news from the volunteers 13 Tel: 0121 348 8332 Mary Whetnall NEWS FROM THE office 14 Finance and Events Administration Email: [email protected] Tel: 0121 348 8333 director´s report 15 Margaret Boniface feature: Archivist 16 Document copying and a famous engineer Email: [email protected] exhibition preview: 18 Friends´ Office thresholds ˜ an exhibition by mat collishaw Birmingham Museum & Art Gallery, Chamberlain Square, Birmingham. B3 3DH friends´ crossword 19 Tel: 0121 348 8330 Events: 0121 348 8332 Website: www.fbmt.org.uk birmingham museums ˜ what´s on 20 Reg. Charity No. 528895 FEATURE: 25 the smethwick engine Designed and Produced by Associate Feature: PW Media & Publishing Ltd 26 fresh: Contemporary Art Fair Graphic Design Paul Blyth in the area 28 Printed By exhibition focus: Stephens & George 34 the verity milligan photography exhibition Advertising Sales focus on local cultural organisations: Diane Stinton 36 Email: [email protected] erasmus darwin museum Tel: 01905 727903 friends´ diary 38 MAy - JULY 2017 ARTEFACTS 3 CHAIR’S REPORT history, art & science BY david Foster By the time you are reading this, the second of the shows which partners Birmingham Museums Trust with the Arts Council Collection will have opened. -
Feast Your Pies on This It's a Pastry Party As We Choose
BUSINESS WITH PERSONALITY HOW ENTERPRISING! THE FEAST YOUR PIES ON THIS TAX INCENTIVES THAT ARE IT’S A PASTRY PARTY AS WE GIVING A BOOST TO THE CHOOSE LONDON’S BEST P26 STARTUP ECONOMY P19–23 WEDNESDAY 26 FEBRUARY 2020 ISSUE 3,563 CITYAM.COM FREE FROM ONE BOB TO ANOTHER WATCHDOG Chapek to replace Iger at Disney IN THE DATA JAMESD WARRINGTONOGHOUSEInformation Act request. Among the again, and said it was apologising to AND JAMES BOOTH complaints made about the watchdog those affected. were its lack of communication and The watchdog was also hit yesterday @j_a_warrington @jamesdbooth1 level of fees. by the release of a report into a string THE FINANCIAL Conduct Authority The breach — which occurred while of recent City scandals which former admitted yesterday to revealing confi- incoming Bank of England governor business secretary Sir Vince Cable dential consumer information on its Andrew Bailey was head of the organ- described as a “damning indictment website in a data breach last year. isation — will come as an embar- of failure by the FCA to exercise The City watchdog pub- rassment to the watchdog, proper regulatory oversight over lished details of roughly which handed down a conduct within the banking and 1,600 people who filed £16.4m fine to Tesco Bank wider financial services system”. complaints against the in 2018 over its handling The report, published by anti-Brexit FCA between January campaigner and asset manager Gina POPPY WOOD an end to a closely-watched 2018 and July 2019. Former FCA boss and Miller and her husband and SCM Di- corporate succession battle. -
Decision of the Competition and Markets Authority Online
Decision of the Competition and Markets Authority Online resale price maintenance in the digital piano and digital keyboard sector Case 50565-2 1 August 2019 © Crown copyright 2019 You may reuse this information (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit nationalarchives.gov.uk or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected]. Confidential information in the original version of this Decision has been redacted from the published version on the public register. Redacted confidential information in the text of the published version of the Decision is denoted by ["]. The names of individuals mentioned in the description of the infringement in the original version of this Decision have been removed from the published version on the public register. Names have been replaced by a general descriptor of the individual’s role. 1 Contents Page 1. Introduction and Executive Summary ................................................................... 4 A. Glossary ........................................................................................................ 6 2. Investigation .......................................................................................................... 8 3. Facts ................................................................................................................... 14 A. Addressees ................................................................................................. -
Fiction Based on Well-Authenticated Facts Documenting the Birth of the American Novelpdf Icon
Fiction Based on "Well-Authenticated Facts" Documenting the Birth of the American Novel by Warren F. Broderick Imagination is the queen of darkness: the night the season of her despotism. Daylight, by presenting a thousand objects to the eye, the hearing, and the touch, restores the empire of the senses, and, from being the sport of fancy, we become the slave of realities. - James Kirk Paulding, Westward Hoi, 1832 he novel arrived late on the American literary scene. Poetry, drama, diaries, sermons and other forms of liter ature long antedated fiction. During America's formative T years, fiction was distrusted by Puritans and pragmatists alike; both found fault with its necessary detachment from reality. Before the novel could truly be accepted as a serious literary form in America, its writers needed to prove that their works were "moral tales," and "founded on fact." In spite of these preconditions, which may have delayed the advent of American fiction, the literary form The Hudson Valley Regional Review, September 1987, Volume 4, Number 2 I flourished in the nineteenth and twentieth centuries. Gothic fiction, powerfully written and very appealing to readers, has remained ascendant since Charles Brockden Brown developed it into a serious litet:ary genre in the 1790s. Brown's Wieland (1798) and Edgar Huntly, (1799) were America's first m<tior novels and are classics of the "American Gothic." They introduced readers to subjects like spontaneous combustion, ventril oquism, insanity, and sleepwalking, as we ll as the powerful forces at