Signs of the Wali
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Sufism and Sufi Practices in Pakistan: a Case Study of 'Notan Wali Sarkar'
South Asian Studies A Research Journal of South Asian Studies Vol. 30, No.1, January – June 2015, pp. 7 – 14. Sufism and Sufi Practices in Pakistan: A Case Study of ‘Notan Wali Sarkar’(1917- 1994) Muhammad Iqbal Chawla University of the Punjab, Lahore. Introduction Literature is agog with stories about the life, thoughts and practices of several Syeds and Qalandars but not many words have been spent on the life of Mian Abdul Rashid Panipati, popularly known as ‘Notan Wali Sarkar’. A man of simple tastes and great spirituality, Mian Abdul Rashid is considered by his followers as one of the greatest Qalandars. This paper delves into the life of the mystic who is known little beyond Sargodha, Pakistan, and has even been cold-shouldered by historians. Call it divine design or sheer coincidence, Mian Abdul Rashid was born in Panipat (India), the land of Qalandars, (Eaton, 2003) and finally settled in the city of Sargodha which is known for its mystics, pirs, Syeds, and most importantly, for the Gaddis of Pir of Sial Sharif and Pir Karam Ali Shah. Even two decades after his death (he was killed by his nephew), Sargodha still resonates with the tales of Mian Sahib who was always dressed in dhoti, kurta; the man who loved the betel leaf, tea and smoke from the hookah (water pipe) after every meal, a routine that he stuck to until the last breath. He had very simple food habits and would often be found meditating by fire or cleaning the enclosure with water. He always advised his visitors to recite the holy Quran, stay clean, and observe fasting. -
Marcia Hermansen, and Elif Medeni
CURRICULUM VITAE Marcia K. Hermansen October 2020 Theology Dept. Loyola University Crown Center 301 Tel. (773)-508-2345 (work) 1032 W. Sheridan Rd., Chicago Il 60660 E-mail [email protected] I. EDUCATION A. Institution Dates Degree Field University of Chicago 1974-1982 Ph.D. Near East Languages and Civilization (Arabic & Islamic Studies) University of Toronto 1973-1974 Special Student University of Waterloo 1970-1972 B.A. General Arts B. Dissertation Topic: The Theory of Religion of Shah Wali Allah of Delhi (1702-1762) C. Language Competency: Arabic, Persian, Urdu, French, Spanish, Italian, German, Dutch, Turkish II. EMPLOYMENT HISTORY A. Teaching and Other Positions Held 2006- Director, Islamic World Studies Program, Loyola 1997- Professor, Theology Dept., Loyola University, Chicago 2003 Visiting Professor, Summer School, Catholic University, Leuven, Belgium 1982-1997 Professor, Religious Studies, San Diego State University 1985-1986 Visiting Professor, Institute of Islamic Studies McGill University, Montreal, Canada 1980-1981 Foreign Service, Canadian Department of External Affairs: Postings to the United Nations General Assembly, Canadian Delegation; Vice-Consul, Canadian Embassy, Caracas, Venezuela 1979-1980 Lecturer, Religion Department, Queen's University, Kingston, Ontario M. K. Hermansen—2 B.Courses Taught Religious Studies World Religions: Major concepts from eastern and western religious traditions. Religions of India Myth and Symbol: Psychological, anthropological, and religious approaches Religion and Psychology Sacred Biography Dynamics of Religious Experience Comparative Spiritualities Scripture in Comparative Perspective Ways of Understanding Religion (Theory and Methodology in the Study of Religion) Comparative Mysticism Introduction to Religious Studies Myth, Magic, and Mysticism Islamic Studies Introduction to Islam. Islamic Mysticism: A seminar based on discussion of readings from Sufi texts. -
The Wayangand the Islamic Encounter in Java
25 THE WAYANG AND THE ISLAMIC ENCOUNTER IN JAVA Roma Ulinnuha A Lecture in Faculty of Ushuluddin, Study of Religion and Islamic Thoughts, UIN Sunan Kalijaga Yogyakarta. Email: [email protected] Abstrak Penelitian ini membahas hubungan antara wayang dan proses penyebaran Islam. Wayang adalah fenomena budaya Jawa yang digunakan oleh para wali pada sekitar abad ke-15 dan ke-16 sebagai media dakwah Islam. Tulisan ini fokus pada Serat Erang-Erang Nata Pandawa yang mengulas tentang karakter Pandawa dalam hubungannya dengan Islam. ﻣﺴﺘﺨﻠﺺ – (Wayang ) ) . ( . (Serat Erang-Erang Nata Pandawa ) - ( ) . Keywords: Wayang, Serat Erang-Erang, Javanese, Wali A. Introduction It has been an interesting stance to discuss the relationship between religion and community in terms of the variety of possibilities of some unique emergences in the process. While people regards religious realms a total guidance that relates the 26 Millah Vol. X, No. 1, Agustus 2010 weakness of human being to the powerful—the Covenant, Javanese people, views religion providing a set of beliefs, symbols and rituals which have been faced a rigorous encounter along with the development of communities in the past, in the present and in the future. The dawn of Islam in Java shared the experience of this relationship, found in why and how the wali used the wayang in supporting their religious types of activities under the authority of the Court of Demak. The research discusses the relationship between the wayang and the role of wali ‘Saint’ in spreading Islam under the patron of the Court of Demak from the fifteenth to the sixteenth centuries. There have been some research conducted on the same field, but this aims at discussing the wayang as the phenomena of cultural heritage of the Javanese descendents and inhabitants, while the wali ‘Saint’ is framed as the element of religious representation in Java at the time. -
Embodied Encounters: Identities in Experiential, Informal Dance, and Movement in Central Java Lise Lavelle, Lund University, Sweden Contact: [email protected]
Embodied encounters: Identities in experiential, informal dance, and movement in Central Java Lise Lavelle, Lund University, Sweden Contact: [email protected] Abstract The performance presented in this paper, entitled “Perempuan,” or “Women” in English, is the result of an intercultural meeting between three dancers, two from Java, Indonesia, and one from Denmark (me). Our performance took place in the cultural city of Solo, Central Java, during the international festival, “Ritual Art and Cultural Environment” in 1995. I first met the two Javanese dancers at the Indonesian National Arts Institute in Solo (ISI), where I was carrying out fieldwork for my PhD, centering on the Amerta Movement from Java. Amerta Movement, created by Javanese movement-instructor and performing artist Suprapto Suryodarmo (Prapto) in the 1980s, is a free, non-stylized motion based on everyday movements and on working with awareness and attitudes to life (not an ethnic dance). Amerta Movement has attracted thousands of people, especially Westerners, from all walks of life and of all ages. The practitioners study identity, self-expression, movement-vocabulary, communication, and improvised performance. The research method is practice-based/artistic research. My aim of working with the Javanese dancers for Perempuan was to apply the Amerta improvisational movement to a dance performance with professional dancers, and to exchange our dance skills. It was also based on my wish to get to know Javanese women a little better. Thus, the Perempuan dance project and dance performance became an encounter between non-form Amerta Movement, represented by me, a Westerner; and form, Javanese dance, represented by the two Javanese dancers. -
The Islamic Traditions of Cirebon
the islamic traditions of cirebon Ibadat and adat among javanese muslims A. G. Muhaimin Department of Anthropology Division of Society and Environment Research School of Pacific and Asian Studies July 1995 Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Muhaimin, Abdul Ghoffir. The Islamic traditions of Cirebon : ibadat and adat among Javanese muslims. Bibliography. ISBN 1 920942 30 0 (pbk.) ISBN 1 920942 31 9 (online) 1. Islam - Indonesia - Cirebon - Rituals. 2. Muslims - Indonesia - Cirebon. 3. Rites and ceremonies - Indonesia - Cirebon. I. Title. 297.5095982 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse Printed by University Printing Services, ANU This edition © 2006 ANU E Press the islamic traditions of cirebon Ibadat and adat among javanese muslims Islam in Southeast Asia Series Theses at The Australian National University are assessed by external examiners and students are expected to take into account the advice of their examiners before they submit to the University Library the final versions of their theses. For this series, this final version of the thesis has been used as the basis for publication, taking into account other changes that the author may have decided to undertake. In some cases, a few minor editorial revisions have made to the work. The acknowledgements in each of these publications provide information on the supervisors of the thesis and those who contributed to its development. -
The Value of Yogyakarta Palace Dances : Relevance to the Nation Character Nurturing
The Value ofYogyakarta Palace Dances... 377 THE VALUE OF YOGYAKARTA PALACE DANCES : RELEVANCE TO THE NATION CHARACTER NURTURING Sunaryadi Institut Seni Indonesia Email: [email protected] Abstrak Tan Keraton Yogyakarta bukan sekedar tontonan tetapi adalah sebuah media yang mengandung tuntunan. Bukan hanya bagi semuayang terlibat dalam pementasan tari, tetapi juga tuntunan bagi yang menonton Patokan bak.u dalam tari keraton yang hersumber pada nilai tata krama keraton merupakan etika moralitas, sebagai sarana penanaman karakter. Nilai-nilai tersebut terumuskan dalam empat prinsip yang wajib dimiliki penari yaitu sawiji, greget, sengguh, dan ora mingkub (falsafah Joged Mataram). D ikaji dari aspek aksiologis, tari keraton mengandung ajaran yang menempatkan \rasa sebagai rub’ dan 'pengendalian diri sebagai in ti’. Aspek rasa sertapengendalian diri ini labyang memiliki relev ansi bagi pembangunan karakter bangsa saat ini. .wjELlujI j 6J_aLi*u> ^ (jjSjLivXI .lr>a 9 lSengguh t g reg et^ sawiji 05&J ^.iEs <xjjI J (^jjl j^ai y * Joged mingkuh (Ijjlj L i us LftjLltlj ii i II ,k> t*b _j •S^JU ftJLa aju& ^ Keywords, tari keraton, Joged Mataram, penanaman karakter. 378 Millah Vol. XU, No. 2, Februari 2013 A. Introduction Indonesian society now days has many colored multiple conflicts, demonstrations, religious conflict, the position seizure, and the seizure of property rights indigenous territories. Regrettably, all of them tend to be wild and brutal. Violence happens everywhere, attitudes of tepa slira are scarce, sincere attitude has been hard to find. Many cultural roots reflected in Pancasila has been abandoned, as if the nation has lost the identity and lost the spirit of the cultural life of the nation adhesive. -
Body of Tradition: Becoming a Woman Dalang in Bali
Body of Tradition: Becoming a Woman Dalang in Bali A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Jennifer L. Goodlander August 2010 © 2010 Jennifer L. Goodlander. All Rights Reserved. 2 This dissertation titled Body of Tradition: Becoming a Woman Dalang in Bali by JENNIFER L. GOODLANDER has been approved for the Interdisciplinary Arts and the College of Fine Arts by William F. Condee Professor of Theater Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GOODLANDER, JENNIFER L., Ph.D., August 2010, Interdisciplinary Arts Body of Tradition: Becoming a Woman Dalang in Bali (248 pp.) Director of Dissertation: William F. Condee The role of women in Bali must be understood in relationship to tradition, because “tradition” is an important concept for analyzing Balinese culture, social hierarchy, religious expression, and politics. Wayang kulit, or shadow puppetry, is considered an important Balinese tradition because it connects a mythic past to a political present through public, and often religiously significant ritual performance. The dalang, or puppeteer, is the central figure in this performance genre and is revered in Balinese society as a teacher and priest. Until recently, the dalang has always been male, but now women are studying and performing as dalangs. In order to determine what women in these “non-traditional” roles means for gender hierarchy and the status of these arts as “traditional,” I argue that “tradition” must be understood in relation to three different, yet overlapping, fields: the construction of Bali as a “traditional” society, the role of women in Bali as being governed by “tradition,” and the performing arts as both “traditional” and as a conduit for “tradition.” This dissertation is divided into three sections, beginning in chapters two and three, with a general focus on the “tradition” of wayang kulit through an analysis of the objects and practices of performance. -
KONSEP AL-NAFS DALAM KAJIAN TASAWUF AL-GHAZᾹLĪ Paisol
PAISOL BURLIAN: Konsep Al-Nafs... KONSEP AL-NAFS DALAM KAJIAN TASAWUF AL-GHAZᾹLĪ Paisol Burlian Fakultas Dakwah dan Komunikasi IAIN Raden Fatah Palembang e-mail: [email protected] Abstract: This article will elaborate on al-nafs (soul) which is an essential part of human nature. The Sufis divide understanding al-nafs in three senses. First, al-nafs is a substance that distinguishes human qualities with other creatures. Second, al- nafs is the cause of man to be creative and dynamic, through the process of inspiration and contemplation. Therefore, the level of quality of the nafs is different. In the literature of Sufism, the nafs can be transformed from a trend that is closest to the bad action to the level of closeness to the divine tenderness. Third, the nafs is the impulse of anger and lust, and urge all reprehensible nature, and immoral in mind. Sufi Sunni, al-Ghazālī calls nafs as the center of the potential upset, and the base of the despicable nature. Therefore, al-nafs need to be purified so that the properties of self perverted man disappeared. Road purification al-nafs is riyāḍah and mujahadah who constantly so al-nafs is ultimately up to the level of the nafs al-muṭmainnah. Abstrak: Artikel ini akan mengelaborasi tentang al-nafs (jiwa) yang merupakan bagian yang penting dari hakikat manusia. Para sufi membagi pengertian al-nafs ini dalam tiga pengertian. Pertama, al-nafs merupakan substansi yang membedakan kualitas manusia dengan makhluk yang lain. Kedua, al-nafs merupakan penyebab manusia menjadi kreatif dan dinamik, melalui proses inspirasi dan tafakur. -
Peran Mubalig Pedagang Dalam Islamisasi Di Indonesia
Peran Mubalig Pedagang dalam Islamisasi di Indonesia Siti Fauziyah (Dosen Fak. Tarbiyah dan Adab LAIN SMH Banten) Abstrak : Secara besar garis poses penyebaran Islam dapat melalui berbagai saluran seperti perdagangan, perkawinan, birokrasi pemerintahan, pendidikan (pesantren), tasawuf, kesenian, politk, dan lain-lain. Semuanya saling berkaitan lain satu sama Jang mempengarubi prose Konversi dan Islamisasi masyarakat Indonesia dari semenjak Islam hanya sebagai dianut oleh agama yang sekelompok kecil orang sampat menjadi kekuasaan politik. daerab-daerah Hubungan di Indonesia memiliki hubungan sejarah dilacak yang panjang, yang dapat sampai ke masayang sangat tua (antiquity). Kontak paling awal antara kedua wilayah ini, Rhususnya berkaitan dengan perdagangan, bermula bahkan sejak masa Punisia dan Saba. Oleh karena itu Perdagangan diangeap menjadi saluran memiliki dalam yang peran penting proses Islamisasi yang dibawa oleh para pedagang Arab yang datang ke Indonesia. Peran mubalig pedagang menjadi penting bukan hanya pada awal penyebaran Islam, tetapijuga ketika lenjadinya peningkatan arus ekonomi kegiatan yang yang ditandai dengan tumbuhnya kota emporium (pusat dagang) dan entrepot (tempat menimbun barang di bawah penguasaan duane) yang dikuti kelabiran kerajaan Islam di bawah kesultanan di sepanjang pantai Kepulanan. Para mubahg pedagang selain berjasa dalam menyebarkan Islam, mereka agama juga berperan besar dalam penyebaran Islam kebudayaan ke berbagai wilayah di Indonesia sehingga muncul Saya hidup yang cosmopolitan, dinamis dan egaliter. Kata kunci: mubalig pedagang, Islamisasi, Indonesia PERAN MUBALIG PEDAGANG 65 SIT FAUZIYAH Pendahuluan Pada taraf permulaan, di antara saluran Islamisasi yang pernah berkembang di Indonesia adalah perdagangan. Hal itu sejalan dengan kesibukan lalu lintas perdagangan abad ke-7 hingga abad ke-16. Pada saat itu pedagang- pedagang Muslim (Arab, Persia, India) turut serta ambil bagian dalam perdagangan dengan pedagang-pedagang dari negeri- negeri bagian barat, tenggara, dan timur benua Asia. -
Shāh Walī Allāh's Theory of the Subtle Spiritual Centers (Laṭāʾif): a Sufi Model of Personhood and Self-Transformation Author(S): Marcia K
Shāh Walī Allāh's Theory of the Subtle Spiritual Centers (Laṭāʾif): A Sufi Model of Personhood and Self-Transformation Author(s): Marcia K. Hermansen Source: Journal of Near Eastern Studies, Vol. 47, No. 1, (Jan., 1988), pp. 1-25 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/3693678 Accessed: 06/07/2008 15:16 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org SHAH WALI ALLAH'S THEORY OF THE SUBTLE SPIRITUAL CENTERS (LATA'IF): A SUFI MODEL OF PERSONHOOD AND SELF-TRANSFORMATION* MARCIA K. -
INDO 15 0 1107128614 21 79.Pdf (2.048Mb)
"IT'S NOT AN ALL NIGHT FAIR’1 ("BUKAN PASAR MALAMM by Pramoedya Ananta Toer) Translated and with an Introduction by William Watson* INTRODUCTION The generation of writers which emerged after the Second World War is known as the Angkatan f45 (The Generation of '45). Among students of Indonesian literature it is a commonplace that the Angkatan *45 de veloped a style of writing and a critical focus which differed consid erably from that of their predecessors, the writers who clustered round the magazine Pudjangga Baru. Among the distinctive traits of post-war writing which are usually mentioned are the predominance of realism in the short story and the novel, as opposed to the romanticism and thesis novels of the earlier generation, and the development of a prose style which is noticeable for its terseness and the absence of lyricism. One also notices the use of cynicism and irony to convey oblique com ments on the political situation, and an interest in sordid, squalid detail for its own sake, a nostalgie de la boue. Clearly the experience of the Japanese occupation and the revolu tion account in large measure for the difference in outlook between the two generations, but the difference in educational and class back ground is also relevant. The Pudjangga Baru group consisted of those to whom the whole Dutch perspective had been open. They had a thorough Dutch education and were largely divorced from their own native society, whereas the Angkatan f45 consisted of those who had not had the oppor tunity of university or tertiary education of any sort and in some cases were brought up in the traditional educational milieux or in the Taman Siswa schools that had been established specifically to counter Dutch educational influence. -
The Islamic Traditions of Cirebon
Chapter 1: Introduction POINTS OF DEPARTURE: REVIEW OF PREVIOUS STUDIES ¼syncretism is very conspicuous in the religion of Java. This perhaps results from the flexibility of the Javanese people in accepting various incoming religions from the outside world. In historical times, upon their underlying animistic beliefs, Javanese had successively accepted Hinduism, Buddhism, Islam and Christianity, and ªJavanizedº them all. And as can be seen¼worship of various spirits strongly exists in the deep stratum of folk psychology. It is said ¼ among the Javanese: ªSedaya agami sami kemawonº ¼ Although 90% of the inhabitants ¼profess Islam, they all belong to ¼ªwong abanganº, whose Islamic beliefs seem to cover the surface of their traditional concepts. This is well proved by the continuing existence of the various salamatans ¼1 This quotation reflects a view adopted by some Indonesianists who hold as an axiom that Javanese Islam is syncretic. Its basis is a conviction that animism, Hinduism, Buddhism and Islam have formed layers of Javanese culture. From this conviction derives an approach of seeing Javanese Islam as founded on multi-layered syncretism. Everything is then analysed and explained in terms of this `multi layered' schemata. One version of this syncretic argument is championed by Clifford Geertz who developed an abangan-santri-priyayi trichotomy for seeing the socio-religious pattern and development of Java.2 His approach has enjoyed currency among many Indonesianists for the last few decades. Subsequent work on Javanese socio-religious discourse cannot proceed without reference to him. For this reason, I wish to take his work as the focus of my initial discussion.