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CHIN 2302IGENT 0421 Chinese Cinema Course Convenor: Dr Jon Eugene Von Kowallis Session I '

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CHIN 2302IGENT 0421 Chinese Cinema Course Convenor: Dr Jon Eugene Von Kowallis Session I ' CHIN 2302IGENT 0421 Chinese Cinema Course Convenor: Dr Jon Eugene von Kowallis Session I ' Week 1 - Film in the 1930s: Urban Shanghai 1 KOWALLIS, Jon Eugene von, Malu tianshi (Street Angel) (( E5 E5 I ii) p1 -6 (1935) -- Summary. p1-6. 2 XIAO, Zhiwei, "Chinese Cinema", in Encyclopedia of Chinese Film, ed., p7-35 ZHANG, Yingjin and Zhiwei XIAO et al. (London & New York: Routledge, 1998) p3-30. Week 2 - Film in the 1940s: The End of the Civil War 3 KOWALLIS, Jon Eugene von, Wuya yu maque (Crows and Sparrows) (( -"=3; E5 p36-39 5 $ E) (1949) -- Summary. p1-4. 4 KOWALLIS, Jon Eugene von, Review Article (for Encyclopedia of Chinese p40-45 Film), in Journal ofthe Oriental Society ofAustralia vol. 31 (1999): 104-110. Week 3 - Film in the 1950s: Representing Lu Xun 5 KOWALLIS, Jon Eugene von, Zhufu (lit. Benediction; usu. trans. "The New p46—49 Year Sacrifice") (( 1=R¥E‘-3)) (1956) -- Summary. p1-4. 6 LU Xun, Zhufu (The New Year Sacrifice) (( iifi #5)) in Selected Works of Lu p50-61 Xun, trans. YANG Xianyi and Gladys YANG, vol. 1 (Beijing: Foreign Languages Press, 1980) p168-188. Week 4 - Film in the 1960s: Reassessing the Revolution 7 KOWALLIS, Jon Eugene von, Zaochun eryue (Early Spring in the Second p62-64 [Lunar] Month; usu. trans. "February") (( 5 % I FD) (1963) -- Summary. p1-3. Week 5 - Film in the 1960s: Resituating Chinese Cinema 8 KOWALLIS, Jon Eugene von, Wutaijiemei (Stage Sisters) (( % ta‘ ilfl 9%)) p65-66 (1965) -- Summary. p1-2. 9 MARCHETTl, Gina, "Wutai Jiemei" (Two Stage Sisters) in international p67-68 Dictionary of Films and Filmakers vol. 1 (2nd edition, Chicago & London: St James Press, 1990) p989-990. Week 6 - Films from the Cultural Revolution Period and its Aftermath 10 KOWALLIS, Jon Eugene von, Qing gong yuan (injustice in the Qing Palace) p69 ((5% ‘B’ E) (1962) - Summary. p1 11 KOWALLIS, Jon Eugene von, Dongfang hong (The East is Red) (( 3]? 75 ZI>> p70 (1965) - Summary. p1. 12 KOWALLlS, Jon Eugene von, Baimao nu (The White Haired Girl) (( E-I % p71 it) (1972) -- Summary. p1. 13 KOWALLIS, Jon Eugene von, Jue Lie (Breaking with Old ideas) (( JR -9%)) p72-73 (1975) -- Summary. p1-2. 14 KOWALLIS, Jon Eugene von, Muma ren (The Herdsman) K ii E5 L) p74-75 (1982) -- Summary. p1 -2. Week 7 - Film in the 1980s: Reassessing the Cultural Revolution 15 KOWALLIS, Jon Eugene von, Furong zhen (lit. Hibiscus Town; also trans. as: p76-77 A Small Town Called Hibiscus) (( 9'5 % ii» (1986) -- Summary. p1-2. Week 8 - Chinese Film Enters the World Stage 16 KOWALLIS, Jon Eugene von, Huang tu di (Yellow Earth) (E :t till» (1984) p78-80 -- Summary. p1-3. 17 BARME, Geremie & John MINFORD, ed., "Yellow Earth: an Unweicome p81 -93 Guest" in Seeds ofFire: Chinese Voices of Conscience (Newcastle upon Tyne: Bloodaxe Books, 1989) p251-269. Week 9 - Chinese Science Fiction 18 KOWALLIS, Jon Eugene von, Cuowei (Displacement; also trans. as p94-96 Dislocation) ((€’§ iii) (1987) -- Summary. p1-3. Week 10 - The Roots Movement 19 KOWALLIS, Jon Eugene von, Hong gaoliang (Red Sorghum) (( ZI E fit p97-98 (1987) -- Summary. p1-2. 20 KOWALLIS, Jon Eugene von, Ju Dou (( § E) (1989) -- Summary. p1-2. p99-100 Week 11 - Gender, Revolution and 1989 _ 21 KOWALLIS, Jon Eugene von, Da hong denglong gaogao gua (Raise the Red p101-103 Lantern) (( it £1 l1T % E %' El) (1991) -- Summary. p1-3. 22 LU Xun, Nahan zixu (Preface to Call to Arms) (( l1|1] lllili 5 l$)) in Selected p104-108 Works of Lu Xun, trans. YANG Xianyi and Gladys YANG, vol. 1 (Beijing: Foreign Languages Press, 1980) p33-38. 23 CHOW, Rey, "The Force of Surfaces: Defiance in Zhang Yimou's Films" in p109-125 Primitive Passions, ed., BELTON, John (New York: Columbia University Press, 1995) p142-172. 24 BERRY, Chris, "Writing as a Foreigner" UTS Review vol. 2, no.2 (Nov, 1996): p126-132 181-190. ~ Week 12 - Taiwan and the Diaspora 25 KOWALLIS, Jon Eugene von, An lian tao hua yuan (Secret Love: The Peach p133 Blossom Land) (( H15 liili T5 5%)) (1993) -- Summary. p1. 26 KOWALLlS, Jon Eugene von, "The Diaspora in Postmodem Taiwan and p134-153 Hong Kong Film Framing Stan Lai's The Peach Blossom Land with Allen Fong's Ah Ying" in Transnational Chinese Cinema, ed., LU, Hsiao-peng Sheldon (Hawaii: University of Hawaii Press, 1996) p169-186. Week 13 - Whither China? 27 KOWALLIS, Jon Eugene von, Huo zhe (To Live) (( ii fill (1994) -- p154-155 Summary. p1-2. 28 CHOW, Rey, "We Endure, Therefore We Are: Survival, Governance, and p156-167 Zhang Yimou's To Live" in Ethics After Idealism (Bloomington & Indianapolis: lndiana University Press, 1998) p1 15-132. 29 ZHANG, Yingjin, "Screening China: Recent Studies of Chinese Cinema in p168-176 English" Bulletin of Concerned Asian Scholars vol. 29, no. 3 (Jul-Sep, 1997): 59-66. Additional Sources 30 ZHANG, Yingjin, and Jean J. SU, "Bibliography" in Encyclopedia of Chinese p177-184 Film, ed., ZHANG, Yingjin and Zhiwei XIAO et al. (London & New York: Routledge, 1998) p397-411 31 SU, Jean J., "Select Internet Web Sites on Chinese Cinema" in Encyclopedia p185 of Chinese Film, ed., ZHANG, Yingjin and Zhiwei XIAO et al. (London & New York: Routledge, 1998) p412 32 "T\rv\Q3§\ot\Qle_ cs": \"\o&-<5”-'\ Q,\'\'§/\¢See '\\Cr\~or~.‘ V. \?>(r \°lZ.
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