Book Groups @ B Lue Mou Ntain S Library the Finkler Question
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The Finkler Question Howard Jacobson Author Background • Birth— August 25, 1942 • Where—Manchester, England, UK • Education—Cambridge University • Awards—Man Booker Prize; Howard Jacobson is a British author and journalist, best known for his comic novels that often revolve around the dilemmas of British Jewish characters. Book Groups @ Blue Mountains Library Born in Manchester, Jacobson was brought up in Prestwich and was educated at Stand Grammar School in Whitefield, before going on to study English at Downing College, Cambridge under F. R. Leavis. He lectured for three years at the University of Sydney before returning to England to teach at Selwyn College, Cambridge. His later teaching posts included a stint at Wolverhampton Polytechnic in the 1970s. Although Jacobson has described himself as "a Jewish Jane Austen" (in response to being described as "the English Phillip Roth"), he also states, "I'm not by any means conventionally Jewish. I don't go to shul. What I feel is that I have a Jewish mind, I have a Jewish intelligence. I feel linked to previous Jewish minds of the past. I don't know what kind of trouble this gets somebody into, a disputatious mind. What a Jew is has been made by the experience of 5,000 years, that's what shapes the Jewish sense of humour, that's what shaped Jewish pugnacity or tenaciousness." He maintains that "comedy is a very important part of what I do." His time at Wolverhampton was to form the basis of his first novel, Coming from Behind, a campus comedy about a failing polytechnic that plans to merge facilities with a local football club. The episode of teaching in a football stadium in the novel is, according to Jacobson in a 1985 BBC interview, the only portion of the novel based on a true incident. He also wrote a travel book in 1987, titled In the Land of Oz, which was researched during his time as a visiting academic in Sydney. His fiction, particularly in the six novels he has published since 1998, is characterised chiefly by a discursive and humorous style. Recurring subjects in his work include male–female relations and the Jewish experience in Britain in the mid- to late-20th century. He has been compared to prominent Jewish-American novelists such as Philip Roth, in particular for his habit of creating doppelgängers of himself in his fiction. Jacobson has been called "the English Philip Roth", although he calls himself the "Jewish Jane Austen". His 1999 novel The Mighty Walzer, about a teenage table tennis champion, won the Bollinger Everyman Wodehouse Prize for comic writing. It is set in the Manchester of the 1950s and Jacobson, himself a table tennis fan in his teenage years, admits that there is more than an element of autobiography in it. His 2002 novel Who's Sorry Now?—the central character of which is a Jewish luggage baron of South London—and his 2006 novel Kalooki Nights were longlisted for the Man Booker Prize. Jacobson described Kalooki Nights as "the most Jewish novel that has ever been written by anybody, anywhere". As well as writing fiction, he also contributes a weekly column for The Independent newspaper as an op-ed writer. In recent times, he has, on several occasions, attacked anti-Israel boycotts, and for this reason has been labelled a "liberal Zionist". In October 2010 Jacobson won the Man Booker Prize for his novel The Finkler Question, which was the first comic novel to win the prize since Kingsley Amis's The Old Devils in 1986. The book, published by Bloomsbury, explores what it means to be Jewish today and is also about "love, loss and male friendship." Andrew Motion, the chair of the judges, said: "The Finkler Question is a marvellous book: very funny, of course, but also very clever, very sad and very subtle. It is all that it seems to be and much more than it seems to be. A completely worthy winner of this great prize." Jacobson—at the age of 68—was the oldest winner since William Golding in 1980. (From Wikipedia.) The Finkler Question Howard Jacobson Book Summary The Finkler Question Howard Jacobson, 2010 Bloomsbury Group 307 pp. ISBN-13: 9781608196111 Book Groups @ Blue Mountains Library He should have seen it coming. His life had been one mishap after another. So he should have been prepared for this one… Julian Treslove, a professionally unspectacular former BBC radio producer, and Sam Finkler, a popular Jewish philosopher, writer and television personality, are old school friends. Despite a prickly relationship and very different lives, they've never quite lost touch with each other—or with their former teacher, Libor Sevcik, a Czech always more concerned with the wider world than with exam results. Now, both Libor and Finkler are recently widowed, and with Treslove, his chequered and unsuccessful record with women rendering him an honorary third widower, they dine at Libor's grand, central London apartment. It's a sweetly painful evening of reminiscence in which all three remove themselves to a time before they had loved and lost; a time before they had fathered children, before the devastation of separations, before they had prized anything greatly enough to fear the loss of it. Better, perhaps, to go through life without knowing happiness at all because that way you have less to mourn? Treslove finds he has tears enough for the unbearable sadness of both his friends' losses. And it's that very evening, at exactly 11:30 pm, as Treslove, walking home, hesitates a moment outside the window of the oldest violin dealer in the country, that he is attacked. And after this, his whole sense of who and what he is will slowly and ineluctably change. The Finkler Question is a scorching story of friendship and loss, exclusion and belonging, and of the wisdom and humanity of maturity. Funny, furious, unflinching, this extraordinary novel shows one of our finest writers at his brilliant best. (From the publisher.) The Finkler Question Howard Jacobson Discussion Questions 1. Treslove’s romantic history begins with a fortune-teller’s reading in Barcelona. She says of his future, “I see a Juno --- do you know a Juno?” (4) What impact does this prediction have on Treslove’s life? Where does he find “Juno,” and where is he led astray in his search for love? 2. After the mugging, “Treslove was not willing to accept that he had encountered a person with a screw loose, or that he had just happened to be in the wrong place at the wrong time.” (109) Why can’t Treslove believe that the mugging was random? Why is he so convinced that the incident has meaning? How does it leave him “like a man on the edge of a discovery”? (57) 3. Consider the rivalry between Treslove and Finkler, from school days to adulthood. How did their Book Groups @ Blue Mountains Library unspoken competition begin? What “yardsticks of success” (44) do they use to measure each other’s lives? Who seems to be leading in their rivalry at the beginning of the novel? What about at the end? 4. Treslove realizes that after the mugging, he is becoming “an unreliable witness to his own life.” (82) How reliable is Treslove’s point of view ? Can the reader trust his perceptions? Why or why not? 5. What kind of “Finkler” is Sam Finkler? Is he representative of the Jewish people, as Treslove assumed when he was a boy? Why or why not? 6. Treslove, Finkler, and Libor have all had winding career paths. Trace each man’s job history from his youth to adulthood. Why do you think all three friends have lived such varied lives? 7. Consider the meaning of parenthood in the novel. How did Treslove and Finkler feel about their fathers? How do they treat their own children? What alternatives to family do childless characters like Libor and Hephzibah seek out? 8. Describe Finkler’s rise and fall as the leader of the Ashamed Jews. Why does Finkler insist on publicizing his distaste for Israeli politics? Why does he eventually leave the group? 9. Consider the seder that Treslove attends at Libor’s house. How is this seder unique? How does this scene serve as a turning point in the novel, linking part one and part two? What changes for Treslove during his first Jewish holiday? 10. According to Hephzibah, “You could divide the world into those who wanted to kill Jews and those who wanted to be Jews.” (224) Where do Treslove, Finkler, and Libor fit within Hephzibah’s categories? Is it possible to belong to neither or both categories? In contrast, Libor tells Treslove, “We’re all anti-Semites. We have no choice. You. Me. Everyone.” (249) Which assessment of Jews and anti-Semites is more accurate: Hephzibah’s, Libor’s, or neither? 11. Discuss the role of women in novel. What insights do the women in the novel have about their husbands, boyfriends, and ex-boyfriends? What do Treslove, Finkler, and Libor learn from women, and what relationship lessons do they never learn? 12. Why does Treslove tell Libor about his affair with Tyler Finkler? Libor says that it was “more wrong of you to tell me than to do it.” (247) Which is more unforgivable: the affair or the confession? What are the repercussions of each of these indiscretions? 13. Consider Libor’s mental state throughout the novel. How does he express his grief over losing Malkie? Why does he attempt to date women while in mourning? What, in the end, drives Libor to suicide? Is his suicide an act of love, of defeat, or something else? 14.