March 2019 Issue

Total Page:16

File Type:pdf, Size:1020Kb

March 2019 Issue Society of the Silurians EXCELLENCE IN JOURNALISM AWARDS GALA The National Arts Club 15 Gramercy Park South Wednesday, May 15, 2019 Drinks: 6 P.M. • Dinner: 7:15 P.M. Published by The Society of the Silurians., an organization Meet old friends and award winners of veteran New York City journalists founded in 1924 [email protected] MARCH 2019 Feminism: Now and Then A WOODSTOCK MEMOIR BY JACK DEACY bridge on Chappaquiddick Island and killed Mary Joe Kopeckne. During that n the sunny morning of memorable year, the Vietnam War raged Friday Aug. 15, 1969, motel on, Nixon was sworn in and Sy Hersh Oowner Jack Besterman and broke the My Lai massacre story. The I walked up the driveway of the Pine Black Panthers brought a militant new Motel in White Lake, New York where phase to the Civil Rights movement, the it meets Route 17B. What we saw Manson murders shook Los Angeles, amazed us. As far as our eyes could see, New York’s Stonewall riots started a gay the roadway was a vast sea of cars. All revolution, and the Beatles broke up. abandoned. The only things moving on And on August 15 upwards of Anne Roiphe (inset) and Katie Roiphe the road were the drivers and passengers who had abandoned them, “I never seen nothing like this BY ANNE AND KATIE ROIPHE York University. She is the author of The all walking slowly west Morning After: Sex, Fear, and Feminism, toward their destination before,” he said to me. “All this ilurian Anne Roiphe was one The Violet Hour, and the forthcoming The five miles away: the for a concert? Who’s playing, of the most powerful and best- Power Notebooks. She has also written Woodstock Music and known feminist writers of the for The New York Times, Harper’s, Slate, Art Fair. In this pastoral Frank Sinatra?” S The Paris Review, and other publications. last century. Her daughter Katie Roiphe setting, for at least a few is one of the most prominent of this one. days, the human foot Silurian News editor Michael Serrill Katie Roiphe: would overtake the combustion engine. 400,000 young people descended asked them to have a conversation about I wrote a piece for The Guardian on Besterman, an elderly Jewish on Max Yasgur’s dairy farm for the what has become known as the MeToo finding out that my male colleagues man who once ran a grocery store Woodstock festival. The country seemed movement, a vigorous debate about the were paid more than me. When they got in Brooklyn, kept staring at the to be spinning out of control. But it was discrimination and sexual harassment their job offers from the university they monumental scene. “I never seen a newspaper reporter’s dream. that continues to plague society here and negotiated and asked for more money nothing like this before,” he said to me. At the time I was writing a Daily News around the world. The format is Katie and when I got mine my instinct was “All this for a concert? Who’s playing, column three times a week that covered interviewing her mother about how things just to say thank you. Since then I have Frank Sinatra?” music, politics, sports, government and have, and haven’t, changed. resolved to ask for more money for my So began my five-day odyssey city characters. I was 25 years old and Anne, a former member of the Silurian work. Have you ever asked for more covering the 1969 Woodstock Festival my cup runneth over. Board of Governors, is the author of Up money for your work? Do you think this for the New York Daily News. I had In late May I began receiving releases the Sandbox, 1185 park Avenue, Epilogue is a feminist issue? come to cover a music festival. But and materials from promoters of a three- and 15 other novels and non-fiction it would morph into an absolutely day concert in upstate New York. It was books. She has written for New York Mag- Anne Roiphe: incredible weekend and one of the going to feature some of the biggest azine, The New York Times, Ms., Elle, I do think this is a feminist issue or major stories not only of 1969 but of names in rock and folk music: the Vogue, Cosmopolitan and a variety of at least a problem for feminists. I would the Sixties. Grateful Dead, Creedence Clearwater other publications. never dream of asking for more money And what a year 1969 was for news. Revival, Jimi Hendrix, Crosby Stills Katie is the director of the Cultural and I am sorry to say that I probably American astronauts walked on the Nash and Young, The Band, Janis Reporting and Criticism program at New Continued on Page 5 moon, Ted Kennedy ran his car off a Continued on Page 3 PAGE 2 SILURIAN NEWS MARCH 2019 President’s Report Greetings, Silurians KEEPING IT CLEAN IN TOKYO Right from the get-go, let me lay all BY CLYDE HABERMAN which carried plenty of photos of women accept the magazine, but only if the of- your fears (and questions) to rest. We who were fully and frontally nude. That fending body parts were first blacked out. will very soon become, officially, The he #MeToo movement has had prepared me for another early lesson, this Intrigued by this cross-cultural Silurians Press Club. We just have a me thinking about my own mis- one in Japanese attitudes on what was moment, I went with (c). And that few hoops to jump through, manned Tconduct back in 1983, when I obscene and what was not. provided yet another early lesson about by government agencies, banks and arrived in Tokyo to head The New Japan: Private property is held in the like. But we’re on it. York Times bureau there. I’m not high regard. It was my magazine. Which leads me to the fun parts of talking about transgressions on The authorities couldn’t do the my letter. We are very much en route the order of a Matt Lauer or Les blackening; I had to do it myself. to another smash Silurians Awards Moonves. My sin was to have Thus, not only did I become a contest. There’s still time left, though, entered the country as a pornogra- pornographer of sorts but also a so by all means enter yourselves or get pher – in the eyes of the Japanese censor. your news organization to enter you authorities anyway. A week or so later, I happened and scads of others, especially since We need first to back up to to be in Yokohama on a story, and there are still a few categories where 1979. I was in New York co- suggested to my esteemed bureau we are very light. writing the Notes on People colleague, Kanji Takamasu, that We’ve had a stellar debut to the first column for the Times with a we swing by the customs office. Fall and (often bitter-cold) Winter of veteran colleague, Albin Krebs The folks there had been ready my presidency. Our September kicked (who died in 2002). Ours was a for many days. They had pasted off with Linda Greenhouse, who trav- collection of mini-stories on the Post-Its on every page with a ful- eled to our luncheon from her post at famous and not-so-famous, half ly exposed woman, maybe 10 of Yale and told some tales from her long a dozen of them on a typical day. them. A customs officer took us to career covering the Supreme Court. The column resembled the work an airless room, where he pulled We followed with her former boss of Cindy Adams or Liz Smith out a black Magic Marker or a at The New York Times, Arthur O. about as much as Donald Trump Japanese equivalent, turned to the Sulzberger. Then we designated The resembles a real president. It turned out I qualified as a pornog- first objectionable photo and – apparently New Yorker’s Ken Auletta as winner One item of mine spun off a Playboy rapher. in a belief that a foreigner needed proper of our Lifetime Achievement Award, interview with Dennis Kucinich, known Despite having provided the world instruction in such delicate matters – welcomed a brilliant conversation then as “the boy mayor of Cleveland,” with its share of erotic art, in 1983 Japan showed me how to cover up the woman’s between Craig Newmark (yes, Darth before he went on to Congress and his had strict rules governing what exactly pubic area. Vader himself of Craigslist!) and Sarah failed presidential races. After the column could be depicted. Shots of genitalia, In for a penny, and all that. Though Bartlett, dean of the CUNY graduate ran, I tossed the Playboy onto a stack of female or male, were taboo. Even a I felt foolish, I now had no choice but school of journalism, now named for magazines in my apartment and forgot glimpse of pubic hair was not allowed. to take a seat and do the deed, page Newmark after a lavish donation. They about it. I was not a Playboy reader. In 1970, for example, 90 Picasso prints after page. At one point, the officer said were followed by Rupert Murdoch’s (“Yeah, yeah,” I now hear you saying were dropped from an exhibit in Tokyo something to Takamasu-san. I needed it longtime right-hand man Les Hinton, disbelievingly. But it’s true.) as being criminally obscene, even though explained to me later because my Japa- then Tony Schwartz, the real author Fast forward to early spring 1983.
Recommended publications
  • FP 24.2 Summer2004.Pdf (5.341Mb)
    The Un vers ty of W scons n System Feminist Periodicals A current listing of contents WOMEN'S STUDIES Volume 24, Number 2 Summer 2004 Published by Phyllis Holman Weisbard LIBRARIAN Women's Studies Librarian Feminist Periodicals A current listing of contents Volume 24, Number 2 (Summer 2004) Periodical literature is the culling edge ofwomen'sscholarship, feminist theory, and much ofwomen's culture. Feminist Periodicals: A Current Listing ofContents is pUblished by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to ajournal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table ofcontents pages from current issues ofmajor feministjournals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. Year of first pUblication. 2. Frequency of publication. 3. U.S. subscription price(s). 4. SUbscription address. 5. Current editor. 6.
    [Show full text]
  • Gary Wright's New Album Disappoints Gary Wright/Extraction A&M Records SP4277 BARRY WHITNEY Better
    April 16, 1971 Page 5 JESSICA ZUEHLKE Fine Arts Editor MUSICAL MADMAN couldn't help it with an exciting personality like On Monday, April 7, Don Ellis and his 20- Don Ellis for a leader. Let's get them to Concordia. piece band appeared at Bemidji State College. * The audience was more than receptive to this DIRT BAND RETURNS rock-jazz outfit which has been making it big Most of you are aware that the Nitty Gritty since the 1967 Monterey Jazz Festival. Dirt Band will be back for another concert, April The band performs what might be called acid 28. Just recently released by the Dirt Band is or psychedelic jazz. They play exciting concerto- "House at Pooh Corner." Along with the NGDB like things in a dizzying number of different will be Brewer and Shipley. The light, country- meters: 9/4, 11/4, 9/8. Don said, "It's difficult for folk music of this duo is their selling point. High- the band to play in 4/4. So we play in 5/4 and re- lights from their latest album are: "One Toke member to leave off the last beat." The instru- Over the Line," "The Light," "Oh, Mommy," and mentation of this group is rather unique: a string "Seems Like a Long Time." quartet, trumpets, french horn, trombone, bass, * saxes, flutes, electric piano, bass guitar, conga, Beginning next Tuesday evening will be a drummer, and percussionist. series of one-act plays as part of the Fine Arts The most talented member of the group is week.
    [Show full text]
  • PRESS and FESTIVAL INQUIRIES: [email protected]
    FOR DISTRIBUTION, PRESS AND FESTIVAL INQUIRIES: [email protected] Promo photos available here NAUGHTY BOOKS A Documentary by Austen Eleanore Rachlis Sex sells…until it doesn’t Naughty Books is a feature-length documentary about the boom of self-published romance novels in the wake of Fifty Shades of Grey. It follows three authors who became millionaires in under a year using pen names to sell erotica online for $1.99. Along the way, they upended the book industry, challenged ideas of female sexuality, and re-imagined the American Dream for the 21st century. *** In 2011, British television producer E.L. James published the erotic novel Fifty Shades of Grey. It became a cultural phenomenon, selling 100 million copies worldwide and taking erotica mainstream. Once a genre consumed in secret, explicit romances were now being read on the subway, by the pool, and on the treadmill. As it turned out, women weren’t only reading erotica in large numbers; they were also writing it. Thanks to Amazon’s Kindle store, which allowed writers to upload directly to the marketplace, women were able to publish independently, bypassing traditional gatekeepers like agents and editors. Readers were hungry for books like Fifty Shades, but the major publishers responded slowly. Self-published authors filled the void, flooding the market with $1.99 books about innocent women and bad-boy billionaires falling in love and having steamy sex. Readers devoured them. The authors became a force, challenging conventional feminist ideas and disrupting publishing. Naughty Books follows three writers who experienced overnight success, gaining tens of thousands of fans and securing lucrative deals with major publishers.
    [Show full text]
  • 1+1 National Library
    National Library Bibliothèque nationale 1+1 of Canada du Canada Acquis:tions and Direction des acquisitions et Bibliographic services Branch des services bibliographiques 395 Welhnglon Sueet 395. rue Welllnglon OUawa. Onlario On:lwa (Onlario) K'AON4 K1AON4 NOTICE AVIS The quality of this microform is La qualité de cette microforme heavily dependent upon the dépend grandement de la qualité quality of the original thesis de la thèse soumise au submitted for microfilming. microfilmage. Nous avons tout Every effort has been made to fait pour assurer une qualité ensure the highest quality of supérieure de reproduction. reproduction possible. If pages are missing, contact the S'il manque des pages, veuillez university which granted the communiquer avec· l'université degree. qui a conféré le grade. Sorne pages may have indistinct La qualité d'impression de print especial1y if the original certaines pages peut laisser à pages were typed with a poor désirer, surtout si les pages typewriter ribbon or if the originales ont été university sent us an inferior dactylographiées à l'aide d'un photocopy. ruban usé ou si l'université nous a fait parvenir une photocopie de qualité inférieure. Reproduction in ful1 or in part of La reproduction, même partiel1e, this microform is governed by de cette microforme est soumise the Canadian Copyright Act, à la Loi canadienne sur le droit R.S.C. 1970, c. C-30, and d'auteur, SRC 1970, c. C-30, et subsequent amendments. ses amendements subséquents. " Canada • Qf Shadowboxinq and Straw-Women: Postfeminist Texts and Contexts Aurora wallace Graduate Program in Communications McGill university Montréal, Québec August, 1994 A Thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree of Master of Arts.
    [Show full text]
  • 2. Informed: “I Don't Know. I Gotta Get the Best One”
    Reading the Comments • Reading the Comments 2. Informed: “I Don’t Know. I Gotta Get the Best One” Joseph Reagle Published on: Apr 08, 2019 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) Reading the Comments • Reading the Comments 2. Informed: “I Don’t Know. I Gotta Get the Best One” Being a consumer is like a job. You have to make sure you get the best one. If you get a Blu-ray player, you gotta do research.… You gotta go on Amazon and read a really long review written by an insane person who’s been dead for months … because he shot his wife and then himself after explaining to you that the remote is counter-intuitive. “It’s got really small buttons on the remote,” he said … before he murder-suicided his whole family. And now you’re reading it and going, “I don’t know. I don’t know which one to get, I don’t know. I gotta get the best one.” Who are you, the King of Siam, that you should get the best one ever? Who cares? They’re all the same, these machines. They’re all made from the same Asian suffering. There’s no difference. —Louis C.K., “Late Show: Part 1,” Louie, season 3, episode 10, August 30, 2012 Despite the name, Boston’s Micro Center isn’t small—nor is it in Boston. It is, instead, an electronics supermarket on the Cambridge shore of the Charles River. It attracts customers from all over eastern Massachusetts, but I live a few minutes away.
    [Show full text]
  • CNHI Woodstock 20190814
    A half-century later, the mother of all music festivals still resonates ifty years after the fact, it still resonates with us. Tucked up in the Catskill Mountains, the Woodstock Music & Art Fair — promoted as “An Aquarian Exposition, Three Days of Peace and Music,” but known to one and all as simply Woodstock — took place in 1969 over three-plus days. From Friday, Aug. 15, through the morning of Monday, Aug. 18, dairy farmer Max Yasgur’s 600- acre parcel of land in Bethel, New York — forever immortalized in Joni Mitchell’s “Woodstock” (ironically, she wasn’t at the event itself) — became the epicenter of the music and cultural universe, a haven for 400,000-plus hippies, bohemians, music lovers and mem- bers of the counterculture. It began when folkie Richie Havens began strumming his gui- tar, kicking off the festival with Paul Gerry/Bethel Woods Collection “From the Prison.” Thirty-two more acts, about 66 hours and several rainstorms later, it ended when guitar god Jimi Hendrix capped off a stellar set with his rendition of “Hey Joe.” Thousands of cars were left stranded for miles and miles en route to the venue as concertgo- ers walked to their destination. Tickets for the festival were $18, but many attendees got in for free when the crowd more than tripled what organizers had anticipated. Dallas Taylor, the drummer for supergroup Crosby, Stills, Nash & Young (playing just its second-ever show), asked the helicopter pilot James Sarles/Bethel Woods Collection James Sarles/Bethel Woods Collection flying him to the event what body of More than 400,000 people descended on a dairy farm in Bethel, N.Y., for the concert held 50 years ago.
    [Show full text]
  • Sisters at Odds
    REVIEW Sisters at odds DIANA SCHAUB hadUST itsas Jacobinsthe movement, so too forthe"Libertyfeminist, Equality,movement, Fraternity"with its parallel call for women's liberation, the equality of the sexes, and politically conceived sisterhood. According to Christina Hoff Sommers, it is the final term of the triad that has in- spired dangerous radicalism in the feminist camp and led to something on the order of feminism's own Reign of Terror. Liberty and equality, yes--those are the hallmarks of what Sommers terms "equity" or "First Wave" feminism: "the tradi- tional, classically liberal, humanistic feminism that was initi- ated more than 150 years ago." Original feminism demanded and won fundamental political rights for women and opened up educational and economic opportunity. Sommers considers herself and most Americans to be feminists of this sort--heirs to the Enlightenment and its principles of individual justice. Her quarrel is with the "Second Wave" or "gender" feminists who have abandoned universalism for gynocentrism and traded enfranchisement for seemingly permanent victim status. Soli- darity with women has come to mean hostility to men, and particularly to that alleged system of male dominance: the "heteropatriarchy." Who Stole Feminism? How Women Have Betrayed Women _ is an attempt to reclaim feminism from these female Jacobins (prominent among them, Catherine MacKinnon, Naomi Wolf, Andrea Dworkin, Alison Jaggar, Susan Faludi, and Catherine Stimpson). In her Girondist dissent, Sommers joins a growing number of women, from Katie Roiphe to Camille Paglia, trying to wrest power from the radical Montagnards. Sommers claims that "misandrism [man-hating] ... was not a notable feature of the women's movement until our own times"; indeed, she finds that "the idea that women are in a gender _Simon and Schuster.
    [Show full text]
  • Place and Persona in the Essays of Joan Didion And
    CALIFORNIA DREAMING: PLACE AND PERSONA IN THE ESSAYS OF JOAN DIDION AND EVE BABITZ Claire Elizabeth Christoff Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of English, Indiana University December 2019 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee ______________________________ Robert Rebein, MFA, PhD, Chair ______________________________ Karen Kovacik, PhD ______________________________ Kyle Minor, MFA ii ACKNOWLEDGMENTS Firstly, thank you to Dr. Robert Rebein, without whom this project would not have been possible. I am grateful not just for your time, patience, and thoughtful honesty, but for teaching me, way back in the fall of 2015, about the boundless possibilities of creative nonfiction. Thanks to Dr. Karen Kovacik for the invaluable guidance, patience, editorial help, and psychic hand-holding—I will forever want to be you when I grow up. Last but not least, thanks to Kyle Minor for all the advice and all the crazy ideas. I am totally indebted to each of you for your mentorship and support over the years. Thank you also to Dan Wakefield for the stories, the pep talks, so many cups of coffee, and the idea for the title of this thesis. iii Claire Elizabeth Christoff CALIFORNIA DREAMING: PLACE AND PERSONA IN THE ESSAYS OF JOAN DIDION AND EVE BABITZ Joan Didion, a native of Sacramento, California, is the author of many acclaimed collections of journalism and memoir, the first of which were Slouching Towards Bethlehem (1968) and The White Album (1979).
    [Show full text]
  • The Grizzly, February 2, 1979 Jack Hauler Ursinus College
    Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 2-2-1979 The Grizzly, February 2, 1979 Jack Hauler Ursinus College Carol J. Kennedy Ursinus College David McPhillips Ursinus College Ruth R. Harris Ursinus College Rick Morris Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Hauler, Jack; Kennedy, Carol J.; McPhillips, David; Harris, Ruth R.; Morris, Rick; Lazar, Joey; Woodland, Mark; Dougherty, Raymond; O'Neill, John; Armbrust, Lori; Plunkett, Jeffrey; Aaronson, Gary; and McSharry, Kathy, "The Grizzly, February 2, 1979" (1979). Ursinus College Grizzly Newspaper. 12. https://digitalcommons.ursinus.edu/grizzlynews/12 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus College Grizzly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Jack Hauler, Carol J. Kennedy, David McPhillips, Ruth R. Harris, Rick Morris, Joey Lazar, Mark Woodland, Raymond Dougherty, John O'Neill, Lori Armbrust, Jeffrey Plunkett, Gary Aaronson, and Kathy McSharry This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/grizzlynews/12 , VOLUME 1, NO. 12 URSINUS COLLEGE, COLLEGEVILLE, PA. 19426 FRIDAY, FEBRUARY 2, 1979 Frat Beating Draws · Administrat-ve F-re An incident that occurred near­ campus .
    [Show full text]
  • Diss Title Page
    Touch Me, I’m Sick: Hysterical Intimacies | Sick Theories by Margeaux Feldman A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of English University of Toronto © Copyright by Margeaux Feldman 2021 ! Touch Me, I’m Sick: Hysterical Intimacies | Sick Theories Margeaux Feldman Doctorate of Philosophy Department of English University of Toronto 2021 Abstract This dissertation develops what I call a “sick theories” approach to the long history of labeling girls, women, and femmes – and their desires – as hysterical, sick, pathological, and in need of a cure. My approach builds on the insight that repressed trauma can lead to chronic illness, which was discovered in the early twentieth century with the emergence of the figure of the hysteric: a girl or woman experiencing inexplicable symptoms, from a persistent cough to full body seizures. Drawing on recent work in trauma studies, I offer a new lens to disability studies by reclaiming the figure of the hysteric, who has been largely neglected in this field. By examining a range of literary and cultural texts, I trace new connections between those who are living with trauma, chronic illness, and pathologized desire, and develop a language for imagining new forms of community and care, which I call “hysterical intimacies.” Each chapter builds on my sick theories approach, outlined in Chapter One, to analyze a different sick girl. Chapter Two looks at Jesmyn Ward’s novel Salvage the Bones to challenge the state’s narrative that the pregnant Black teen is part of an epidemic and reveal new dimensions of state sponsored anti-Black violence.
    [Show full text]
  • Redefining Female Success and Empowerment in a Post-Feminist Landscape
    University of New Hampshire University of New Hampshire Scholars' Repository Honors Theses and Capstones Student Scholarship Fall 2013 The Personal, Political, and the Virtual? Redefining emaleF Success and Empowerment in a Post-feminist Landscape Linda Elizabeth Chardon University of New Hampshire - Main Campus Follow this and additional works at: https://scholars.unh.edu/honors Part of the Business and Corporate Communications Commons, Communication Technology and New Media Commons, Film and Media Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Mass Communication Commons, Social Media Commons, and the Women's Studies Commons Recommended Citation Chardon, Linda Elizabeth, "The Personal, Political, and the Virtual? Redefining emaleF Success and Empowerment in a Post-feminist Landscape" (2013). Honors Theses and Capstones. 202. https://scholars.unh.edu/honors/202 This Senior Honors Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Honors Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Linda Chardon The Personal, Political and the Virtual? Redefining Female Success and Empowerment in a Post-feminist Landscape Choice. Consumerism. Success. These are what define modern women’s liberation. This is the feminism of today. It is broken. The private and professional spheres are so immeasurably separated that women are left empty and unsatisfied. They don’t understand. They feel that women have progressed and moved forward, but the modern woman doesn’t see why progress doesn’t feel more progressive.
    [Show full text]
  • Chapter One INTRODUCTION
    Chapter One INTRODUCTION A TWENTY-THREE-YEAR OLD, unemployed single mother in West Virginia became pregnant as a result ofdate rape. Due to recent cuts in federal funding, “Meg” had trouble locating an abortion clinic but finally found one four hours away in Charleston. She was told that she was 17 weeks pregnant, and that the clinic performed abortions only up to 16 weeks, so she was referred to a clinic in Cincinnati which would perform an abortion up to 19 1/2 weeks for a cost of $850. When she went there 1 1/2 weeks later, however, she was told that she was actually 21 weeks pregnant and referred to a clinic in Dayton that would perform the abor- tion for $1,675. She refinanced her car, sold her VCR, borrowed money, and went to Dayton. There she learned that she was a high-risk patient because ofan earlier cesarean delivery and would thereforehave to go to Wichita, where the procedure would cost $2,500. “I just didn’t think I could manage that,” she says. “Now that I know I have to have it, I’m trying to get used to the idea....I’mnotthinking about adoption, be- cause I’ve never understood people having a baby just to give it away. So I’ve been thinking a lot about trying to love this baby the way I love my daughter.”1 Can we say that this woman has freely chosen her role as mother? Susan is beaten by her husband and is admitted to a hospital.
    [Show full text]