VERONICA VILLARROEL & VLADIMIR CHERNOV Pianist

Total Page:16

File Type:pdf, Size:1020Kb

VERONICA VILLARROEL & VLADIMIR CHERNOV Pianist The Organizing Committee would like to express special appreciation to Bishop Timothy Dolan, Archbishop of New York and Rev. Monsignor Robert Ritchie, Rector of St. Patrick's Cathedral with whose Help Rebuild Chile After 8.8 Earthquake support and generosity this concert has been made possible. Benefit concert All the proceeds of this concert will benefit “María Reina de la Paz” Parish located in one of the poorest areas of Santiago, Chile. The Parish was virtually destroyed by the February 27, 2010 8.8 magnitude earthquake. The Parish not only offers religious services but it also serves as the Community Center for the people of this most needy area. VERONICA VILLARROEL & VLADIMIR CHERNOV Pianist: Anthony Manoli ©Jorge Tacla Organizing Comitee Tim Chambers, Msgr. Fernando Chomali, Gloria Garafulich-Grabois, Valentina Garcia-Mekis, Jorge Tacla and Veronica Villarroel June 6, 2010 / Saint Patrick’s Catheral Program VERONICA VILLARROEL – SOPRANO Repertoire* Is a Chilean born soprano who has been acclaimed at major international opera houses throughout the world such as Verónica Villarroel the Metropolitan Opera, Royal Opera House Covent Selections from Siete Canciones populares Españolas by Manuel de Falla Garden, Teatro Colón in Buenos Aires, La Scala, Hamburg El Paño Moruno State Opera, Bavarian State Opera, Deutsche Opera Berlin, Sequidilla Murciana San Francisco Opera, Chicago Lyric Opera, Dallas Opera, Nana Houston Grand Opera, Los Angeles Opera, Washington Canción Opera, Teatro Real Madrid, Gran Teatro del Liceu, Orange Polo Festival, Toulousse France,Chatelette du Paris, Japan, Taiwan and many others. Ms. Vladimir Chernov Villarroel has given many of benefit concerts for different causes including one in New What Are Words of Love to You? by Modest Mussorgsky York after 9/11 and also in Chile where she recently gave one in the city Talcahuano, To Her by: Mikhail Glinka Chile at the epicenter of the earthquake. Persian Song by: Anton Rubinstein VLADIMIR CHERNOV – BARITONE Verónica Villarroel Is a Russian baritone who has sung over 40 leading roles Io Son L'umile Ancella by Francesco Cílea and has appeared at nearly every major international From the Opera: Adriana Lecouvreur theater including the Metropolitan Opera, Covent Garden, La Scala, Teatro Colón, Paris Opera, Chicago, Vladimir Chernov San Francisco, Japan, Taiwan and Vienna State Opera, Sings the first act aria from: under many of today's great conductors such as Claudio Eugene Onegìn by Peter Ilyich Tschaikowsky Abbado, Valery Gergiev, James Levine and Seiji Ozawa. His American debut was at the Los Angeles Opera in the Verónica & Vladimir Sing the ACT 2 scene and duet from: 1989-90 season as the Posa in Verdi's Don Carlo, La Traviata by Giuseppe Verdi opposite Plácido Domingo. Mr. Chernov’s most requested roles include: Alfredo in La Traviata, Simon Boccanegra, Eugene Onegin, Vladimir Chernov Miller in Luisa Milaer, Enrico in Lucia di Lammermoor, Figaro in Il Barbiere di Siviglia and Notturno Senza Luna by G. D'Anzi Prince Yeletsky in Pique Dame. Parlami D'amore, Mariu' by C.A. Bixio Dicitencello vuie by Rodolfo Falvo ANTHONY MANOLI – PIANIST & COACH Has worked with some of the leading opera companies Verónica Villarroel throughout the world including the Theatre Des Champs- Sings Selection of Latin American songs: Elysees, Gran Teatre del Liceu, Opera Lausanne and Bolero.....te quiero dijiste by María Grever L’Opera Du Rhin as assistant conductor and coach. In Eu sei che eu vo te amar by: Antonio Carlos Jobim y Venicius de Moraes addition, the Spoleto Festival in both Italy and the United Miedo, Poem by Gabriela Mistral; Music by Karina Glasinovic States, The Los Angeles Opera, The Washington Opera, Opera Company of Boston, Opera New England, Lake Verónica & Vladimir Sing the scene and duet from ACT 4 of: George Opera Festival and L’Opera Français de New York Il Trovatore by Giuseppe Verdi have engaged him as both conductor, pianist and coach. *This Repertoire is subject to change .
Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • PRESENTS Table of Contents
    PRESENTS Table of Contents Welcome................................................................................................................. 3 Staff and Board of Directors..........................................................................6 About Pittsburgh Festival Opera.................................................................7 Cornetti’s Candid Concert and After-Party | July 10................................8 Marianne: Unstaged | July 11, 18, and 25.................................................10 Pit Crew: Singer-Free Sundays | July 12, 19, and 26..............................13 Leitmotif: Walking through Wagner | July 16..........................................17 I, Too, Sing | July 17...........................................................................................18 Composer Spotlight: Mark Adamo | July 23.............................................20 Putting it Together: Online Young Artists Program | July 24..........21 2020 OYAP Faculty........................................................................................... 26 Rusalka: A Mermaid’s Tale | July 25............................................................27 Contributions, Gifts, and Institutional Support................................. 29 Welcome from the President We need 20-20 vision to view the events of 2020. Much of what we took for granted, including the highest ever level of our economy and the lowest ever level of unemployment, suggested a bright future for the performing arts. We at Pittsburgh Festival Opera were especially
    [Show full text]
  • Verdi's Rigoletto
    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
    [Show full text]
  • Newsletter • Bulletin
    NATIONAL CAPITAL OPERA SOCIETY • SOCIETE D'OPERA DE LA CAPITALE NATIONALE Newsletter • Bulletin Summer 2000 L’Été A WINTER OPERA BREAK IN NEW YORK by Shelagh Williams The Sunday afternoon programme at Alice Tully Having seen their ads and talked to Helen Glover, their Hall was a remarkable collaboration of poetry and words new Ottawa representative, we were eager participants and music combining the poetry of Emily Dickinson in the February “Musical Treasures of New York” ar- recited by Julie Harris and seventeen songs by ten dif- ranged by Pro Musica Tours. ferent composers, sung by Renee Fleming. A lecture We left Ottawa early Saturday morning in our bright preceded the concert and it was followed by having most pink (and easily spotted!) 417 Line Bus and had a safe of the composers, including Andre Previn, join the per- and swift trip to the Belvedere Hotel on 48th St. Greeted formers on stage for the applause. An unusual and en- by Larry Edelson, owner/director and tour leader, we joyable afternoon. met our fellow opera-lovers (six from Ottawa, one from Monday evening was the Met’s block-buster pre- Toronto, five Americans and three ladies from Japan) at miere production of Lehar’s The Merry Widow, with a welcoming wine and cheese party. Frederica von Stade and Placido Domingo, under Sir Saturday evening the opera was Offenbach’s Tales Andrew Davis, in a new English translation. The oper- of Hoffmann. This was a lavish (though not new) pro- etta was, understandably, sold out, and so the only tick- duction with sumptuous costumes, sets descending to ets available were seats in the Family Circle (at the very reappear later, and magical special effects.
    [Show full text]
  • Rigoletto En La Biblioteca Pública “Azorín” Octubre 2012
    Rigoletto en la Biblioteca Pública “Azorín” Octubre 2012 ■ INTRODUCCIÓN Rigoletto es un melodrama en tres actos con música de Giuseppe Verdi y libreto en italiano de Francesco Maria Piave, basado en la obra teatral Le Roi s'amuse, de Víctor Hugo. Fue estrenada el 11 de marzo de 1851 en el teatro La Fenice de Venecia. Está considerada por muchos una de las primeras obras maestras operísticas de mediados de la carrera de Verdi. Se trata de un drama de pasión, engaño, amor filial y venganza que tiene como protagonista a Rigoletto, el bufón jorobado de la corte del Ducado de Mantua. Historia Composición A principios de 1851, el teatro de La Fenice de Venecia invitó a Verdi a componer una nueva ópera para ser estrenada allí, en una época en que ya era un compositor bien conocido con un grado de libertad a la hora de elegir las obras que prefería musicar. Pidió entonces a Piave (con quien ya había trabajado en Ernani, I due Foscari, Macbeth, Il corsaro y Stiffelio) que examinara la obra Kean de Alejandro Dumas, padre, pero sentía que necesitaba un tema más enérgico con el que trabajar. Verdi pronto dio con el drama francés Le roi s’amuse (El rey se divierte), del escritor Víctor Hugo. Más tarde explicó que "Contiene posiciones extremadamente poderosas... El tema es grande, inmenso, y tiene un personaje que es una de las más importantes creaciones del teatro de todos los países y todas las épocas". Era un tema muy controvertido y el propio Hugo había tenido problemas con la censura en Francia, que había prohibido producciones de esta obra después de su primera representación casi veinte años antes (y continuaría prohibida durante otros treinta años).
    [Show full text]
  • Album Booklet
    AMERICAN CLASSICS Ian KROUSE Nocturnes Invocation Jessica Rivera, Soprano Vladimir Chernov, Baritone Movses Pogossian, Guillaume Sutre, Violin Richard O’Neill, Viola Antonio Lysy, Cello Christopher Hanulik, Double Bass Maryanne Kim, Piano Ian Ian Krouse (b. 1956) Nocturnes, Op. 60 • Invocation, Op. 54 KR(bO. 19U56) SE Nocturnes, Op. 60 (2010) third and fourth songs find the singer turning towards the East, and dawn, for redemption and solace). Our careful Nocturnes , a song cycle for baritone and string quintet listener may notice that the last song is not only a Nocturnes, Op. 60 (2010) 28:35 1 (two violins, viola, cello, and double bass) was composed transformation of the Schubert, now in the warm key of B No. 1. Twilight 9:24 for Vladimir Chernov and the Dilijan Ensemble in July major, but a recapitulation of the beginning as well; this is 2010, primarily over a two-week period the composer only a hint of the many symphonic aspirations of the work. (Text: Misak Metzarents, 1886–1908) spent in Japan. Composed of four poems by well-known It ends pianissimo with the profoundly hopeful lines: “I will 2 Armenian poets who flourished in the early decades of the hold your hand, I will grasp your grief, I will spark new No. 2. Love Song 4:54 20th century, the cycle takes the form of a proto-narrative lights in your soul!” (Text: Misak Metzarents) psychological odyssey through the inner mind of a man at 3 mid-life. Though set at Twilight , the first song reveals a Invocation, Op. 54 (2006) No.
    [Show full text]
  • 2005 Distinguished Faculty, John Hall
    The Complete Recitalist June 9-23 n Singing On Stage June 18-July 3 n Distinguished faculty John Harbison, Jake Heggie, Martin Katz, and others 2005 Distinguished Faculty, John Hall Welcome to Songfest 2005! “Search and see whether there is not some place where you may invest your humanity.” – Albert Schweitzer 1996 Young Artist program with co-founder John Hall. Songfest 2005 is supported, in part, by grants from the Aaron Copland Fund for Music and the Virgil Thomson Foundation. Songfest photography courtesy of Luisa Gulley. Songfest is a 501(c)3 corporation. All donations are 100% tax-deductible to the full extent permitted by law. Dear Friends, It is a great honor and joy for me to present Songfest 2005 at Pepperdine University once again this summer. In our third year of residence at this beautiful ocean-side Malibu campus, Songfest has grown to encompass an ever-widening circle of inspiration and achievement. Always focusing on the special relationship between singer and pianist, we have moved on from our unique emphasis on recognized masterworks of art song to exploring the varied and rich American Song. We are once again privileged to have John Harbison with us this summer. He has generously donated a commission to Songfest – Vocalism – to be premiered on the June 19 concert. Our singers and pianists will be previewing his new song cycle on poems by Milosz. Each time I read these beautiful poems, I am reminded why we love this music and how our lives are enriched. What an honor and unique opportunity this is for Songfest.
    [Show full text]
  • Symphony Sounds
    Symphony Sounds April, 2017 50th Season, Number 4 Terri Zinkiewicz The Peninsula Symphony’s 50th Peninsula Symphony Concert Anniversary Season Continues Sunday, April 30, 2017, at 7:00 PM We are now approaching the third symphony th Redondo Union High School Auditorium concert of our 50 anniversary season. We 222 North Pacific Coast Highway began the season with a gala in Rolling Hills Redondo Beach, CA 90277 and then proceeded to the 50th Anniversary concert in October followed by our February SATISFYING A “SUITE” TOOTH concert. Vladimir Chernov, baritone The April 30 concert features many smaller pieces woven together into suites. Some of Grieg Peer Gynt Suite No. 1, Opus 46 them are gems that you will not want to miss. Prokofiev Lieutenant Kijé Suite, Opus 60 Vaughan Williams English Folk Song Suite It is not too late to renew or upgrade your Ravel Mother Goose Suite Peninsula Symphony Association membership. You may visit the membership table at any of our concerts or call our office at 310-544-0320. Concert Details This edition of Symphony Sounds includes Doors open at 6:00 PM. Center-section seating photos from the previous concert, short is reserved for members at the Patron level and previews of the pieces and composers that will above. Pre-concert lecture by Maestro Berkson be performed at our next concert and other begins at 6:15 PM for all Symphony Association articles. We look forward to greeting you at our members. April 30th concert. General public admitted at approx. 6:50 PM. Maestro Gary Berkson presents a pre-concert lecture before every Post-concert — Meet the Conductor concert to introduce the music and composers.
    [Show full text]
  • Berkeley RADICAL Calendar of Events
    Wednesday, September BC–Saturday, September BF, B@AE THE JAN SHREM & MARIA MANETTI SHREM B@AE ORCHESTRA RESIDENCY Berkeley RADICAL Calendar of Events WEDNESDAY, SEPTEMBER BC, B@AE A@:@@am–A:@@pm Classroom Visits: Simón Bolívar Symphony Orchestra of Venezuela Building on Cal Performances’ long and productive relationship with the Berkeley Unified School District, small ensembles from the SBSOV will present concerts in three Berkeley middle schools. D:@@–F:@@pm Open Rehearsal: Simón Bolívar Symphony Orchestra of Venezuela Zellerbach Hall Gustavo Dudamel, Music Director THURSDAY, SEPTEMBER BD, B@AE A@:@@am–A:@@pm Classroom Visits: Simón Bolívar Symphony Orchestra of Venezuela See above for description. H:@@pm Performance: Simón Bolívar Symphony Orchestra of Venezuela Zellerbach Hall Gustavo Dudamel, Music Director Beethoven: Overture to Egmont, Symphony No. 7, Symphony No. 8 This is a ticketed event. FRIDAY, SEPTEMBER BE, B@AE AA:@@am–E:@@pm Symposium: Beyond the Valley of the Ninth: The Afterlives of Hertz Hall Beethoven’s “Choral” Symphony Organized by Nicholas Mathew, UC Berkeley Associate Professor of Music, and featuring Andrea Bohlman (UNC Chapel Hill), Stephen Hinton (Stanford University), Alexander Rehding (Harvard University), Christopher Reynolds (UC Davis), Anicia Timberlake (Williams College), and Mina Yang. PLAYBILL BERKELY RADICAL G:C@pm Performance: Simón Bolívar Symphony Orchestra of Venezuela Hearst Greek Theatre Gustavo Dudamel, Music Director Beethoven: Symphony No. 9, “Choral” This is a ticketed event. SATURDAY, SEPTEMBER BF, B@AE AA:@@am–AB:@@pm Performance: Simón Bolívar Symphony Orchestra of Venezuela Zellerbach Hall Family Concert Conducted by Joshua Dos Santos; introduced by Gustavo Dudamel. Program to be announced. This is a ticketed event.
    [Show full text]
  • Profile: International Opera Star Vladimir Chernov Brings Lifetime Of
    Profile: International Opera Star Vladimir Chernov Brings Lifetime of Experience to Signature Role of Eugene Onegin Dream Orchestra Concert on May 20 Is Rare Chance for Los Angeles Audiences to Hear Him Sing Selections from Tchaikovsky Opera SANTA MONICA (April 27, 2016) – On May 20, Los Angeles audiences will enjoy a rare opportunity to hear world-renowned Russian baritone Vladimir Chernov sing selections from his signature leading role of the Tchaikovsky’s opera Eugene Onegin. He has performed the role more than 100 times and will join the Dream Orchestra for its “Russian Dreams” performance on Friday, May 20, at St. Monica Catholic Church in Santa Monica. The concert includes Tchaikovsyky’s Symphony No. 5. Russian tenor Vladimir Dmitruk will sing the role of Onegin’s best friend Lensky and award-winning teen soprano Golda Berkman will sing the role of the love-struck Tatiana. As Chernov grew up in a village near the city of Krasnodar in southern Russia, Alexander Pushkin’s novel in verse, Eugene Onegin, became an important part of his education. “All children grew up reading this poem. In school you couldn’t miss it, the poem about Tatiana and Onegin was the most, most important for our school time,” he recalled. Little did young Vladimir suspect how the character Eugene Onegin would take him around the world singing the lead role in Tchaikovsky’s opera Eugene Onegin. Knowing from a very young age that he would dedicate his life to music, Chernov first trained with Mikhail Chugenov in Stavropol before being admitted to the Tchaikovsky Conservatory in Moscow.
    [Show full text]
  • Chapman Chamber Orchestra 39Th Season Chapman Chamber Orchestra
    Chapman University Chapman University Digital Commons Printed Performance Programs (PDF Format) Music Performances 10-17-2009 Chapman Chamber Orchestra 39th Season Chapman Chamber Orchestra Vladimir Chernov Chapman University Follow this and additional works at: http://digitalcommons.chapman.edu/music_programs Recommended Citation Chapman Chamber Orchestra and Chernov, Vladimir, "Chapman Chamber Orchestra 39th Season" (2009). Printed Performance Programs (PDF Format). Paper 1383. http://digitalcommons.chapman.edu/music_programs/1383 This Other Concert or Performance is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. It has been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. CHAPMAN UNIVERSITY COLLEGE OF Conservatory of Music PERFORMING ARTS presents the Fall 2009 Event Highlights ART: In Love with Night ......................................................................... Sept 8 - Oct 9 Chapman Chamber Orchestra Because the Night ........................................................................ Oct 19 - Nov 13 39th Season BA/BFA Exhibition ..................................................................... Nov 16 - Nov 21 Departmental Exhibition ...................................................................... Dec 7 - 11 DANIEL ALFRED WACHS THEATRE: Mime Director & Conductor Lend me a Tenor, by Ken Ludwig ............................................
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 124, 2004-2005
    Invite the entire string section for cocktails. With floor plans from 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty & harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,725,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill. ext. 410. LONGYEAR at Jisfier Jiill BROOKLINE EBI SOTHEBY'S 8 Ps.f ill! lIlTlli CORTLAND 1 11ED PROPERTIES INC. International Realty REAL ESTATE REASON #16 the better to see you with There are several reasons to consider Beth Israel Deaconess Medical Center for your major medical care. Like innovative radiology services that lead to more accurate diagnosis. From advancements in cardiology and gastroenterology, to organ transplantion and cancer care, see for yourself how we're advancing the art of healing. Visit www.bidmc.harvard.edu or call 800-667-5356. Beth Israel Deaconess A teaching hospital of Harvard Medical School Medical Center of Red S Affiliated with Joslin Clinic | A Research Partner of the Dana-Farber/Harvard Cancer Center | Official Hospital the Boston II IhW James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 124th Season, 2004-2005 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice- Chairman Nina L.
    [Show full text]