A Craft Makes a Comeback
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Youth Handicraft - 20
YOUTH HANDICRAFT - 20 Committee: Danielle Brannon, April Davis, Barry Davis, Kailey Hubert Premiums: $3.00, $2.00, $1.00 Premiums Offered: $645.00 4TH THROUGH 8TH GRADES 20-01-01-00 .............................................................................. Paper Craft 20-01-02-00 ..............................................................................Plaster Craft 20-01-03-00 .....................................................................Bread Dough Craft 20-01-04-00 ......................................................................... Sculpture, clay 20-01-05-00 .................................................................Wall Hangings, fabric 20-01-06-00 ..........................................................................Handmade Doll 20-01-07-00 .......................................Candle, molded, poured, hand-formed 20-01-08-00 ...........................................................................Candle Holder 20-01-09-00 .................................................................... Handmade Basket 20-01-10-00 ................................................................................. String Art 20-01-11-00 ............................................................................. Plastic Craft 20-01-12-00 ................................................................................Metal Craft 20-01-13-00 .............................................................................Leather Craft 20-01-14-00 ................................................................................. -
Knitting Needles Plus Bonus Knitting Needle Conversion Chart
FREE GUIDE TO Knitting Needles Plus Bonus Knitting Needle Conversion Chart ® ©Interweave | Not to be reprinted | All rights reserved | interweaveknits.com Free Guide to Knitting Needles PLUS BONUS KNITTING NEEDLE CONVERSION CHART When a project and knitter find their perfect needle match, stitches slip by effortlessly. Like knitters, needles come in all shapes and sizes, and somewhere on that wall of needles at your local yarn store, there’s FREE GUIDE TO KNITTING a set perfect for you. But is it wood? Metal? Plastic? NEEDLES PLUS BONUS KNITTING Straight or circular? Fixed or interchangeable? Short NEEDLE CONVERSION CHART An Interweave Knits eBook edited by of buying every pair and trying them all out, how do the Interweave Knits Staff you find your needles, the ones that create a seamless EDITORIAL STAFF transition between your hands and your project? EDITOR, INTERWEAVE KNITS Eunny Jang We tested dozens of needles to help you find your EDITOR, KNITTING DAILY Kathleen Cubley knitting soulmate. CREATIVE SERVICES DESIGNER Charlene Tiedemann PHOTOGRAPHY Amanda Williams PRODUCTION Dean Howes Cheers, Eunny Jang Editor, Interweave Knits ©Interweave | Not to be reprinted | All rights reserved | interweaveknits.com i b e without exception, a pleasure to hold and c f to behold. a Pros: Good-looking, warm to the touch, d g quiet, light (especially bamboo) Cons: Can be delicate; smaller sizes vulner- able to breaking or warping under stress Good for: Lace knitters and beginning knitters, who will appreciate the way Wood Needles stitches stay put; -
Job Description: Handicraft Director
Job Description: Handicraft Director Essential Functions: The Handicraft Director is responsible to the Program Director for the effective instruction of specialized craft skills and of any merit badges assigned by the Program Director. The Handicraft Director must possess organizational and managerial skills, creativity and originality, and a desire to work with youth of Boy Scout age. Setting up an area to which Scouts and Leaders may come for instruction in the following skills and their related merit badges: Training and supervising the work of the Handicraft Staff. Helping the Business Manager keep track of handicraft inventories in the Trading Post. When supplies of various craft items are running low in relation to expected need, the Director should bring this to the Business Managers attention. Making available and encouraging troops, patrols, and older Scouts to participate in special activities at the Handicraft area. Helping unit leaders to become aware of the Handicraft program possibilities available both in and out of Camp. Maintaining up-to-date and accurate inventories of all equipment used in the Handicraft program Ensuring the counselors-in-training assigned to the Handicraft area receive meaningful and relevant experiences. Turning in records of merit badge participation and badge completion to the Program Director. Assisting in the general Camp program in anyway possible, and completing any assignments given by the Program Director or the Camp Director. Working to maintain the morale of other Staff members assigned to the Handicraft area. Writing a report on the Handicraft Program, and turning it in to the Program Director before leaving Camp. This report should document the extent of use of the program and suggestions for improvements. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
FIVE by FIVE a Ribbed Infinity Cowl // by Felicia Lo KNITTING PATTERN
FIVE BY FIVE a ribbed infinity cowl // by Felicia Lo KNITTING PATTERN Blend and indulge in the colours and textures of beautiful hand-dyed yarns. This super easy- to-knit cowl takes three yarns knit together to make a lush, cozy and bouncy infinity loop that can be worn wrapped once as a cowl or unwrapped as a scarf. Find your perfect blend! SKILL LEVEL NEEDLES & NOTIONS Beginner US 10 ¾ / 7 mm needles Adjust needle size if necessary to obtain the correct gauge. FINISHED MEASUREMENTS Spare knitting needle, yarn needle, crochet hook and waste yarn for 52" / 122 cm circumference, 7" / 18 cm wide provisional cast-on YARN GAUGE 1 skein SweetGeorgia Yarns Silk Mist in Wisteria (325 yd / 297 m 14 sts and 18 rows = 4" / 10 cm in Five by Five Rib, after blocking. per 0.88 oz / 25 g skein; 60% Fine Kid Mohair, 40% Cultivated Silk). Please note that changes in gauge will affect yardage used and 2 skeins SweetGeorgia Yarns CashLuxe Fine, 1 each in Magician final measurements. and Mulberry (400 yd / 365 m per 4 oz / 115 g skein; 70% Superwash Merino, 20% Cashmere, 10% Nylon). All three yarns are held together throughout. Version 1.1 // © SweetGeorgia Yarns 2020 unapologetic colour + craft since 2005 | sweetgeorgiayarns.com 2 Version 1.1 // © SweetGeorgia Yarns 2020 FIVE BY FIVE // by Felicia Lo ABBREVIATIONS SPECIAL TECHNIQUES approx approximately Note: to work Kitchener St over ribbing, CO cast on flip your work to the other side each time k knit you reach the purl stitches. This way, you mult multiple are always working Kitchener St over what p purl appears to be stockinette. -
KNITTING Definition Statement Relationship Between Large Subject
D04B KNITTING Definition statement This subclass/group covers: weft knitting machines are covered by D04B 7/00 to D04B 13/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 15/00 and articles made by such machines are covered by D04B 1/00 warp knitting machines are covered by D04B 23/00 to D04B 25/00, details of, or auxiliary devices incorporated in such machines are covered by D04B 27/00 and articles made by such machines are covered by D04B 21/00 details of, or auxiliary devices incorporated in knitting machines not limited to a specific kind of knitting machine are covered by D04B 35/00 miscellaneous knitting machines and articles made by such machines are covered by D04B 39/00 hand knitting equipment is covered by D04B 3/00, D04B 5/00 and D04B 33/00 auxiliary apparatuses or devices for use with knitting machines are covered by D04B 37/00 or for hand knitting equipment are covered by D04B 17/00, D04B 19/00 and D04B 31/00 Relationship between large subject matter areas The difference between the subclass D04B and B32B5 is as follows:layered products including knitted products as such should be classified in B32B5 only; layered products formed by a knitting process featuring specified patterns or information on the composition of the knit article should be classified in D04B. Note that such products may comprise additional coated faces. References relevant to classification in this subclass This subclass/group does not cover: Layered products (i.e. laminates) B32B 5/00 including knitted articles 1 Knitted products of unspecified A41A61F structure or composition, e.g. -
Textile Design: a Suggested Program Guide
DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching -
Tension Attention! Dancing Embroidery
Tension Attention! Dancing Embroidery Lilý Erla Adamsdóttir 2 Degree work number: 2017.6.1 Degree Project: Master in Fine Arts in Fashion and Textile Design with Specialization in Textile Design Title: Tension Attention! Dancing Embroidery Author: Lilý Erla Adamsdóttir Tutor: Karin Landahl Opponent: Gabi Schillig Examiner: Delia Dumitrescu The Swedish School of Textiles University of Borås Sweden 3 Table of contents 1.2 Abstract 16 1.3 Keywords 16 2.1 Introduction to the field 17 2.1.1 Playscapes 18 2.2 The Magic of The Unexpected 20 2.3 Motive and Idea discussion 24 2.5 Aim 25 3.1 Design method & Design of experiments 26 3.1.1 Conceptual work 26 3.1.2 Experimental work 27 3.1.3 Analyzing 27 3.2 Development and Analyzing of experiments 28 3.2.1 Functional and technical development and analyzing of experiments. 28 3.2.2 Development of the final examples 34 3.2.3 The thread 37 3.2.4 Aesthetics 39 3.2.4.1 Tufting as a painting method 41 3.2.4.2 Composition 43 4.1 Result 45 Family 45 Vulnerable World 46 Dance with us! 47 Pull me up 48 Cliff 49 4.2 Presentation 50 4.3 Discussion & Reflection 51 5 .1 References 52 Photos and Illustrations 54 4 Figure 1 5 Figure 2 6 Figure 3 7 Figure 4 8 Figure 5 9 Figure 6 10 Figure 7 11 Figure 8 12 Figure 9 13 Figure 10 14 Figure 11 15 1.2 Abstract This Master’s degree project explores the design possibilities of thread tension, to create a transformation in an interactive, 3D embroidered, wooden surface. -
Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience
Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience Jennifer L. Lindsay Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2010 ©2010 Jennifer Laurel Lindsay All Rights Reserved TABLE OF CONTENTS LIST OF ILLUSTRATIONS.............................................................................................iii PREFACE........................................................................................................................... x ACKNOWLDGEMENTS ............................................................................................... xiv INTRODUCTION .............................................................................................................. 1 CHAPTER 1. CRANBROOK: “[A] RESEARCH INSTITUTION OF CREATIVE ART”............................................................................................................ 11 Part 1. Founding the Cranbrook Academy of Art............................................................. 11 Section 1. Origins of the Academy....................................................................... 11 Section 2. A Curriculum for Modern Artists in Modern Times ........................... 16 Section 3. Cranbrook’s Landscape and Architecture: “A Total Work of Art”.... 20 Part 2. History of Weaving and Textiles at Cranbrook..................................................... 23 -
Blocking of Hand Knits by Binka Schwan
ON YOUR WAY TO THE MASTERS Blocking of Hand Knits by binka schwan Blocking is an important step in the knitting process. Unfortunately this very important step is often forgotten or neglected by the knitter. When knitters skip the blocking process they are often unhappy with their finished product. There are many definitions of blocking in knitting books, but most texts agree that the blocking process gives a knitted piece its permanent size and shape. The blocking process is an integral part of all three levels of the Master Hand Knitting Program. All knitted swatches and projects required for each level need to be blocked prior to submission. In addition, Level One requires a report on Blocking and Care of Hand Knits. 1 Either water or steam is used in the blocking process. Once the knitting of a garment is completed, blocking is done on each knitted piece prior to sewing together. Blocking will help adjust and reshape both length and width of pieces that are supposed to be identical. It will also even out the edges of individual pieces so that seaming together is easier. Seamless knitting (knitting in the round) can also be blocked to shape the stitches and smooth the rounds. Blocking after washing a garment will reshape it to the correct proportions. The blocking process allows the knitter to make certain that measurements stated in a pattern match the actual knitted pieces. This ensures a proper size and fit to the finished garment. A few tools are required for the blocking process. A method for getting the swatch/garment wet, a surface to block on, the original pattern, and a tape measure or yardstick to ensure correct 2 measurements are all necessary. -
Origins of Fair Isle Knitting
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America Spring 2004 Traveling Stitches: Origins of Fair Isle Knitting Deborah Pulliam [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Pulliam, Deborah, "Traveling Stitches: Origins of Fair Isle Knitting" (2004). Textile Society of America Symposium Proceedings. 467. https://digitalcommons.unl.edu/tsaconf/467 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Traveling Stitches: Origins of Fair Isle Knitting Deborah Pulliam Box 667, Castine ME 04421 207 326 9582 [email protected] The tradition of Fair Isle knitting seems to have been emerged too well developed to have actually started in the islands north of Scotland. This paper suggests a source in the Baltic region of Eastern Europe. Like much of the “history” of knitting, much published information on the history of Fair Isle-type knitting is folklore. The long-standing story is that a ship, El Gran Grifon, from the Spanish Armada, was wrecked on Fair Isle in 1588. The 17 households on the island took the sailors in. That much is true, and documented. The knitting story is that, in return, the Spaniards taught the islanders the brightly colored patterned knitting now known as Fair Isle. Not surprisingly, there appears to have been no multi-colored knitting tradition in Spain in the sixteenth century. -
WEBS Annual Knitting Retreat September 13-16, 2018
WEBS Annual Knitting Retreat September 13-16, 2018 We’ll be welcoming knitters to the beautiful Pioneer Valley of western Massachusetts for a weekend of classes, late-night knitting, after-hours shopping sprees and more. If you’ve been waiting to make a pilgrimage to America’s biggest yarn store, now’s the time to make your move. CLASSES We’ve got some of the most talented instructors sharing their expertise this weekend! Franklin Habit Laura Bryant Enjoy cozy comfort and deluxe accommoda- Edie Eckman Alasdair Post-Quinn tions at Hotel UMass, our home base for the weekend. Fabulous, fresh meals and snacks, Shopping Spree at WEBS Carson Demers Michelle Hunter nooks for knitting and a ‘late-night lounge’ with Steve and Kathy Elkins with desserts, drinks, and a chance to knit and talk knitting with those who understand your After-hours exclusives fiber passion. with trunk shows, yarn reps and Free Shipping for all your purchases! WEBS Fall Knitting Retreat is a weekend of fiber, friends, food & foliage Your registration fee covers all your meals from Thursday’s Welcome Dinner through Sun- day brunch with Keynote Speaker Trisha Malcolm, Editor In Chief of Vogue Knitting, two full days of classes on Friday and Saturday, and transportation to WEBS for an After-Hours Shopping Spree with owners Steve and Kathy Elkins. There will be late-night knitting get- togethers with snacks, desserts, and cocktails, plenty of time to meet up with friends or make new knitting buddies, creative meals, and lots of yarn to see, feel, and buy. Make sure you leave extra time before you travel home on Sunday to explore the beautiful downtown Northampton area.