Internet TV in Western Europe
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
UMG V Veoh 9Th Opening Brief.Pdf
Case: 09-56777 04/20/2010 Page: 1 of 100 ID: 7308924 DktEntry: 11-1 No. 09-56777 ____________ IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ___________________ UMG RECORDINGS, INC.; UNIVERSAL MUSIC CORP.; SONGS OF UNIVERSAL, INC.; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.; RONDOR MUSIC INTERNATIONAL, INC.; UNIVERSAL MUSIC—MGB NA LLC; UNIVERSAL MUSIC—Z TUNES LLC; UNIVERSAL MUSIC—MBG MUSIC PUBLISHING LTD., Plaintiffs-Appellants v. VEOH NETWORKS, INC., Defendant-Appellee. _______________________________ On Appeal from the United States District Court for the Central District of California, Western Division—Los Angeles Honorable A. Howard Matz, District Judge __________________________________ APPELLANTS’ BRIEF _____________________________________ Steven Marenberg, Esq. State Bar No. 101033 Brian Ledahl, Esq. State Bar No. 186579 Carter Batsell State Bar No. 254396 IRELL & MANELLA, LLP 1800 Avenue of the Stars Suite 900 Los Angeles, California 90067 Telephone: (310) 277-1010 Facsimile: (310) 203-7199 ATTORNEYS FOR APPELLANTS 2221905 Case: 09-56777 04/20/2010 Page: 2 of 100 ID: 7308924 DktEntry: 11-1 TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT................................................ 2 JURISDICTIONAL STATEMENT ................................................................. 3 ISSUES PRESENTED ..................................................................................... 4 STATEMENT OF THE CASE ........................................................................ 6 FACTS ........................................................................................................... -
HD Digital Box GFSAT200HD/A Instruction Manual Welcome to Your
HD Digital Box GFSAT200HD/A Instruction Manual Welcome to your new freesat+ HD digital TV recorder Now you can pause, rewind and record both HD and SD television, and so much more Goodmans GFSAT200HD-A_IB_Rev2_120710.indd 1 12/07/2010 14:11:18 Welcome Thank you for choosing this Goodmans freesat HD Digital Box. Not only can it receive over 140 subscription free channels, but if you have a broadband service with a minimum speed of 1Mb you can access IP TV services, which you can watch back at a time to suit you. It’s really simple to use; it’s all done using the clear, easy to understand on screen menus which are operated from the remote control. It even has a reminder function so that you won’t miss your favourite programmes. For a one off payment, you can buy a digital A digital box lets you access digital channels box, satellite dish and installation giving you that are broadcast in the UK. It uses a digital over 140 channels covering the best of TV signal, received through your satellite dish and more. and lets you watch it through your existing television. This product is capable of receiving and This product has a HDMI connector so that decoding Dolby Digital Plus. you can watch high definition TV via a HDMI lead when connected to a HD Ready TV. Manufactured under license from Dolby HDMI, the HDMI logo and High-Definition Laboratories. Dolby and the double-D symbol Multimedia Interface are trademarks or are trademarks of Dolby Laboratories. -
Foxtel Partners with Brightcove to Live Stream Mayweather-Mcgregor Main Event
August 25, 2017 Foxtel Partners With Brightcove to Live Stream Mayweather-McGregor Main Event Biggest boxing bout of the year to be available to non-Foxtel subscribers SYDNEY--(BUSINESS WIRE)-- Ahead of the biggest boxing bout of the year and one of the most anticipated fights in the history of the sport, Foxtel has partnered with Brightcove Inc. (NASDAQ: BCOV), the leading provider of cloud services for video, to livestream the Floyd Mayweather vs. Conor McGregor fight on August 27 (AEST). In addition to being able to watch the Pay-Per-View event at home, or at licensed venues, all Australian viewers can also subscribe to and stream the fight online. The offering will complement Foxtel's existing Main Event service available over cable/satellite and in licensed venues. The announcement follows a soft launch of the online offering last month, with Foxtel live streaming Jeff Horn's victory match over Manny Pacquiao to thousands of Australians. Ed Follows, Director of Product Technology Development at Foxtel, commented, "In recent years, we've focused our efforts on finding new ways to increase customer choices, and effortlessly give customers access to our content. This is another way we're doing just that. Previously, Main Event content like this has only been available to Foxtel customers. But with the dedicated online experience, anyone can sign up, buy a ticket and immediately watch the fight, with no ongoing subscription required. It means more Australians can subscribe to ground-breaking bouts like this than ever before." "Brightcove has been a fantastic partner, managing the entire process and bringing some key partners into the mix that make this all possible," Follows said. -
Clickscapes Trends 2021 Weekly Variables
ClickScapes Trends 2021 Weekly VariableS Connection Type Variable Type Tier 1 Interest Category Variable Home Internet Website Arts & Entertainment 1075koolfm.com Home Internet Website Arts & Entertainment 8tracks.com Home Internet Website Arts & Entertainment 9gag.com Home Internet Website Arts & Entertainment abs-cbn.com Home Internet Website Arts & Entertainment aetv.com Home Internet Website Arts & Entertainment ago.ca Home Internet Website Arts & Entertainment allmusic.com Home Internet Website Arts & Entertainment amazonvideo.com Home Internet Website Arts & Entertainment amphitheatrecogeco.com Home Internet Website Arts & Entertainment ancestry.ca Home Internet Website Arts & Entertainment ancestry.com Home Internet Website Arts & Entertainment applemusic.com Home Internet Website Arts & Entertainment archambault.ca Home Internet Website Arts & Entertainment archive.org Home Internet Website Arts & Entertainment artnet.com Home Internet Website Arts & Entertainment atomtickets.com Home Internet Website Arts & Entertainment audible.ca Home Internet Website Arts & Entertainment audible.com Home Internet Website Arts & Entertainment audiobooks.com Home Internet Website Arts & Entertainment audioboom.com Home Internet Website Arts & Entertainment bandcamp.com Home Internet Website Arts & Entertainment bandsintown.com Home Internet Website Arts & Entertainment barnesandnoble.com Home Internet Website Arts & Entertainment bellmedia.ca Home Internet Website Arts & Entertainment bgr.com Home Internet Website Arts & Entertainment bibliocommons.com -
D5.1 Mass Market App - Evaluation
ViSTA-TV: Video Stream Analytics for Viewers in the TV Industry FP7 STREP ICT-296126 | 296126 co-funded by the European Commission ICT-2011-SME-DCL | SME Initiative on Digital Content and Languages D5.1 Mass Market App - Evaluation Marco Cadetg (Zattoo), Stefan Lietsch (Zattoo), Project start date: June 1st, 2012 Project duration: 24 months Document identifier: ViSTA-TV/2013/D5.1 Version: v1.1 Date due: 31 May 2013 Status: Final Submission date: 25 May 2013 Distribution: CO|RE|PU www.vista-tv.eu ViSTA-TV Consortium This document is part of a collaborative research project funded by the FP7 ICT Programme of the Commission of the European Communities, grant number 296126. The following partners are involved in the project: University of Zurich (UZH) - Coordinator Dynamic and Distributed Information Systems Group (DDIS) Binzmühlstrasse 14 8050 Zürich, Switzerland Contact person: Abraham Bernstein E-mail: bernstein@ifi.uzh.ch Techniche Universität Dortmund (TUDo) Computer Science VIII: Artificial Intelligence Unit D-44221 Dortmund, Germany Contact person: Katharina Morik E-mail: [email protected] Rapid-I GmbH (RAPID-I) Stockumer Strasse 475 44227 Dortmund, Germany Contact person: Ingo Mierswa E-mail: [email protected] Zattoo Europa AG (Zattoo) Eggbühlstrasse 28 CH-8050 Zürich, Switzerland Contact person: Bea Knecht E-mail: [email protected] Vrije Universiteit Amsterdam (VUA) Web & Media Group, Department of Computer Science, Faculty of Sciences (FEW) De Boelelaan 1081a NL-1081 HV Amsterdam, The Netherlands Contact person: Guus -
Zattoo Appoints Alex Guest to Build Online TV in the UK Submitted By: Zattoo Thursday, 13 November 2008
Zattoo appoints Alex Guest to build online TV in the UK Submitted by: Zattoo Thursday, 13 November 2008 London, 13 November 2008.- Zattoo, the online TV (http://zattoo.com) platform, has appointed Alex Guest as new General Manager UK. Alex takes responsibility for the UK market with immediate effect. He has been working for Zattoo in London since the beginning of 2008 to bring new channels on board. His prior experience is in affinity partnerships and marketing. Benoit Henry, Regional VP, said: “We are looking for Alex to put Zattoo at the heart of internet TV in the UK and to make the country a core part of Zattoo.” Alex Guest said: “Unlike other online TV players, Zattoo believes people like their programmes scheduled, so they can make a Friday night date with Gordon Ramsay over on Channel 4. Our success in other European countries sets a high bar for us in the UK. I’m up for the challenge.” ENDS What is Zattoo? Zattoo is an online TV player. Users download the player from www.zattoo.com and can watch live TV on their computers within minutes. The Zattoo player is available for all current operating systems (Windows XP and Vista, Mac OS X, and Linux). Just add broadband. In the UK, Zattoo transmits 36 channels, including all BBC channels, ITV1, Channel 4 and Five. So viewers can join Zattoo to catch Eastenders, Match of the Day or the X Factor. www.zattoo.com For further information, please contact: Alex Guest Tel: 07715 119 645 Email: [email protected] Page 1 Distributed via Press Release Wire (https://pressreleases.responsesource.com/) on behalf of Zattoo Copyright © 1999-2021 ResponseSource, The Johnson Building, 79 Hatton Garden, London, EC1N 8AW, UK e: [email protected] t: 020 3426 4051 f: 0345 370 7776 w: https://www.responsesource.com. -
Investigating the Network Characteristics of Two Popular Web-Based Video Streaming Sites
European Scientific Journal November 2017 edition Vol.13, No.33 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Investigating the Network Characteristics of Two Popular Web-Based Video Streaming Sites Dr. Feras Mohammed Almatarneh University of Tabuk Department of Computer Science, College Duba Saudi Arabia Doi: 10.19044/esj.2017.v13n33p305 URL:http://dx.doi.org/10.19044/esj.2017.v13n33p305 Abstract The determinants of the strategies to be employed by video streaming sites are application (mobile devices or web browsers) and container of the video application. They affect video streaming network characteristics, which is often the traffic flow, and its quality. It is against this background that studies on streaming strategies suggested the need to investigate and identify the relationship between buffer time, video stream protocol, packet speed and size, upload time, and waiting period, specifically to aid network administrative support in case of network traffic bottlenecks. In view of this, this study investigates the network characteristics of YouTube and Vimeo, using experimental methodology, and involving WireShark as network analyzer. Google Chrome and Firefox are the web browsers employed, while packet size, protocols, packet interval, TCP window size and accumulation ratio are the metrics. Short ON-OFF, Long ON-OFF, and No ON-OFF cycles are the three streaming strategies identified. It is further shown that both Vimeo and YouTube employ these strategies but the choice depends on the container of the video streamed. Keywords: Network characteristics, streaming strategies, video streaming sites, traffic flow Introduction Video streaming is one of the techniques for video distribution over the internet. It helps in lecture and news broadcast, and allows users’ access, without any geographical constraints (Karki, Seenivasan, Claypool, & Kinicki, 2010; Tan & Zakhor, 1999). -
Digitization: DO Or DIE!
Digitization: DO or DIE! Arthur D. Little EU5 Media Flow of Funds 2014 Content Executive summary 3 Key figures 6 Introduction 7 1. The years of the double squeeze, 2007–2013: Financial crisis and digitization 8 2. Challenges and strategic imperatives for individual value chain steps 19 3. Highlights by Country 32 4. 15.1bn€ of online growth are expected until 2017: grab them! 42 Annex 46 Authors: Clemens Schwaiger Javier Serra Principal, Global Head Digital Media Principal [email protected] Arthur D. Little Spain [email protected] Acknowledgement for their support and valuable input: Carlos Abad, Martin Born, Elisabetta Cafforio, Damien De Vroey, Enrique Flores, Vikram Gupta, Eytan Koren, Tanneguy Laudren, Didier Levy, Francesco Sabatini, Richard Swinford, Karim Taga Executive summary Plotting the transformation The media industry is going through a massive digital transformation. New online competitors and business models are challenging traditional media players. At the same time, through the digitization of the industry, consumers are gaining access to sheer endless opportunities to consume media. This creates a complex and volatile environment for media companies and it is ever more important to understand how this transformation affects value flows. With this report, Arthur D. Little will provide insight into the speed and main beneficiaries of this transformation of the media industry. The objective of this report is to enable: n Media corporations to identify opportunities for vertical or horizontal integration, as well as to guide portfolio optimizations and go to market strategy n Financial investors to identify the most attractive market segments and acquisition targets n Policy makers to identify areas where excessive value capture is leading to economic imbalances during the transformation n Academia to build on a strong base of data and a framework, which can be used to deepen research into the transformation of individual segments of the media industry “Flow of Funds” Methodology Arthur D. -
The Impact of the Veoh Litigations on Viacom V. Youtube, 10 N.C
NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY Volume 10 Article 7 Issue 2 Spring 2009 3-1-2009 Click Here to Share - The mpI act of the Veoh Litigations on Viacom v. YouTube Phong Dinh Follow this and additional works at: http://scholarship.law.unc.edu/ncjolt Part of the Law Commons Recommended Citation Phong Dinh, Click Here to Share - The Impact of the Veoh Litigations on Viacom v. YouTube, 10 N.C. J.L. & Tech. 447 (2009). Available at: http://scholarship.law.unc.edu/ncjolt/vol10/iss2/7 This Notes is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of Law & Technology by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY VOLUME 10, ISSUE 2: SPRING 2009 CLICK HERE TO SHARE! THE IMPACT OF THE VEOH LITIGATIONS ON VIACOM V. YOUTUBE Phong Dinh' In the high-bandwidth Internet age, video sharing websites such as YouTube and Yahoo! Video are growing in popularity. The ease with which such sharing is accomplished has aided users in illegally uploading copyrighted movies, TV shows, and music. In a recent lawsuit, Viacom and its copyright-owning affiliates sought one billion dollars in damages against YouTube, one of the Web's most popular video-sharing websites, for copyright infringement. In response, YouTube invoked the affirmative defense of the Digital Millennium Copyright Act's safe harbor provisions, codified at § 512. The Act states that a service provider is not liable for hosting copyrighted information on its own system for a prolonged period of time as long the service provider has met the threshold requirementsfor these provisions and the specific requirements for at least one of the four safe harbors. -
Analyzing the Video Popularity Characteristics of Large-Scale User Generated Content Systems Meeyoung Cha, Haewoon Kwak, Pablo Rodriguez, Yong-Yeol Ahn, and Sue Moon
IEEE/ACM TRANSACTIONS ON NETWORKING, VOL. 17, NO. 5, OCTOBER 2009 1357 Analyzing the Video Popularity Characteristics of Large-Scale User Generated Content Systems Meeyoung Cha, Haewoon Kwak, Pablo Rodriguez, Yong-Yeol Ahn, and Sue Moon Abstract—User generated content (UGC), now with millions not only content consumers, but also publishers. The length of of video producers and consumers, is re-shaping the way people UGC videos is shortened by two orders of magnitude than tra- watch video and TV. In particular, UGC sites are creating new ditional videos and so is the production time. Wired magazine viewing patterns and social interactions, empowering users to be more creative, and generating new business opportunities. refers to this small-sized content pop culture as “bite-size bits Compared to traditional video-on-demand (VoD) systems, UGC for high-speed munching” [1]. services allow users to request videos from a potentially unlimited The scale, dynamics, and decentralization of UGC videos selection in an asynchronous fashion. To better understand the make their content popularity more ephemeral and unpre- impact of UGC services, we have analyzed the world’s largest dictable. As opposed to the early days of TV when everyone UGC VoD system, YouTube, and a popular similar system in Korea, Daum Videos. In this paper, we first empirically show watched the same program at the same time—for instance, the how UGC services are fundamentally different from traditional biggest hit of 1953, “I Love Lucy”, was watched by 70% of VoD services. We then analyze the intrinsic statistical properties TV households—such strong reinforcement of popularity (or of UGC popularity distributions and discuss opportunities to unpopularity) is absent in UGC.