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Richard Louth
NEW ORLEANS IN WORDS Richard Louth Every summer since 2001, the Southeastern Louisiana Writing Project (SLWP), a National Writing Project site housed at Southeastern Louisiana University, has been hosting “writing marathons” in New Orleans where writers spend from one to three days eating, drinking, and writing their way across the city. Writers traditionally gather at Le Richelieu Hotel for a brief introduction, and then depart in small groups to experience the city as writers. The writing marathon embodies the concepts of freedom, discovery, and community: writers may write whatever they wish and wander wherever they want with whomever they choose as partners. The only restriction is that after individuals write for a period of time (usually 10-15 minutes), they share their writing with their small group (3-4 others) by reading it aloud while members of the group reply with a simple “thank you.” No criticism is allowed. After everyone in the group writes and shares their writing in a particular spot such as a pub or coffeehouse, they enjoy refreshments, talk a bit, and then move on to another spot to write, read aloud, eat, drink, and socialize again. The focus is on writers enjoying themselves by having time to write in good company. The power of the writing marathon is in its ability to free writers by allowing them to write intensively, without criticism, in a variety of new and familiar places with a community of new and familiar companions. While it thrives upon spontaneity and serendipity, there is a cumulative effect over the course of a day as writers in each small group observe their surroundings, delve deep within themselves, and share their writings and their company with each other. -
De Amerikaanse Reis Van Jan De Bie Leuveling Tjeenk in 1912
'European comes here for ideas' De Amerikaans Leuveline Bi e d n geJa rein sva Tjeenk in 1912 Kaspe Ommen rva n In zijn essay 'The Metho f Ariadnedo : tracin e Lineth g f o s cell een bezoek aan Amerika. Daar volgde een persoonlijke Influence between Some American Source theid an s r Dutch ontmoeting met Louis H. Sullivan (1856-1924), de leermees- Recipients'' vergelijk A.P . Leeuwen T t va . t speurenhe n naar ter van Purcell. Verder bezocht Berlage vele bouwwerken feiten en ontwikkelingen door de architectuurhistoricus met van ondermeer Sullivan, Henry H. Richardson (1838-1886) het volgen van de draad van Ariadne door Theseus in het la- en Frank Lloyd Wright (1867-1959).? byrin Knossosn e Amerikaans-Neder va t d geva n he n va lI . - Wright bezocht op zijn beurt rond 1910 het Europese con- landse wisselwerking, betoogt Van Leeuwen, is het van het tinent p uitnodiginO . e germanisd n va g n cultuurfilosooe t f grootste belang dat alle mogelijke lijnen gevolgd worden. Kuno Francke4 bracht hij een bezoek aan Duitsland. In Ber- Aan de reeds bestaande getuigenissen van Nederlandse archi- lijn werkte Wright op verzoek van de uitgever Ernst Was- n nieuwee u n tecteet ' Hofn bro s Berlagn ka nal fn Va n e muth aan de publikatie van een portfolio van zijn werk met toegevoegd worden. In een reisdagboek van de architect Jan de titel Ausgeführte Bouten und Entwürfe. Naast deze in- Leuveline Bi e d g Tjeenknieg no t t eerde openbaare da ,d n i r - vloedrijke publikatie vervulde Berlag n sleutelro- eee be t me 5 l heid gewees , wordis t n zeeee t r informatief beeld geschetst trekkin introductie d t t wer gto Wrighn he kva n eva Nedern i t - van de Amerikaanse architectuur in het begin van deze eeuw.2 'De werel' dom t behaleDireche n a zijn va tn ingenieursdiplome d n aa a Technische Hogeschoo Delfe t l t vertro e 27-jarigkd e d n Ja e Bie Leuveling Tjeenk (1885-1940) voor een reis om de we- reld. -
TIWARI-DISSERTATION-2014.Pdf
Copyright by Bhavya Tiwari 2014 The Dissertation Committee for Bhavya Tiwari Certifies that this is the approved version of the following dissertation: Beyond English: Translating Modernism in the Global South Committee: Elizabeth Richmond-Garza, Supervisor David Damrosch Martha Ann Selby Cesar Salgado Hannah Wojciehowski Beyond English: Translating Modernism in the Global South by Bhavya Tiwari, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Dedication ~ For my mother ~ Acknowledgements Nothing is ever accomplished alone. This project would not have been possible without the organic support of my committee. I am specifically thankful to my supervisor, Elizabeth Richmond-Garza, for giving me the freedom to explore ideas at my own pace, and for reminding me to pause when my thoughts would become restless. A pause is as important as movement in the journey of a thought. I am thankful to Martha Ann Selby for suggesting me to subhead sections in the dissertation. What a world of difference subheadings make! I am grateful for all the conversations I had with Cesar Salgado in our classes on Transcolonial Joyce, Literary Theory, and beyond. I am also very thankful to Michael Johnson and Hannah Chapelle Wojciehowski for patiently listening to me in Boston and Austin over luncheons and dinners respectively. I am forever indebted to David Damrosch for continuing to read all my drafts since February 2007. I am very glad that our paths crossed in Kali’s Kolkata. -
OTHER PRAIRIE SCHOOL ARCHITECTS George Washington
OTHER PRAIRIE SCHOOL ARCHITECTS George Washington Maher (1864–1926) Maher, at the age of 18, began working for the architectural firm of Bauer & Hill in Chicago before entering Silsbee’s office with Wright and Elmslie. Between late 1889 and early 1890, Maher formed a brief partnership with Charles Corwin. He then practiced independently until his son Philip joined him in the early 1920s. Maher developed his “motif-rhythm” design theory, which involved using a decorative symbol throughout a building. In Pleasant Home, the Farson-Mills House (Oak Park, 1897), he used a lion and a circle and tray motif. Maher enjoyed considerable social success, designing many houses on Chicago’s North Shore and several buildings for Northwestern University, including the gymnasium (1908–1909) and the Swift Hall of Engineering. In Winona, Minnesota, Maher designed the J. R. Watkins Administration Building (1911 – 1913), and the Winona Savings Bank (1913). Like Wright, Maher hoped to create an American style, but as his career progressed his designs became less original and relied more on past foreign styles. Maher’s frustration with his career may have led to his suicide in 1926. Dwight Heald Perkins (1867–1941) Perkins moved to Chicago from Memphis at age 12. He worked in the Stockyards and then in the architectural firm of Wheelock & Clay. A family friend financed sending Perkins to the Massachusetts Institute of Technology, where he studied architecture for two years and then taught for a year. He returned to Chicago in 1888 after working briefly for Henry Hobson Richardson. Between 1888 and 1894 Perkins worked for Burnham & Root. -
John Galen Howard Collection, 1884-1931, (Bulk 1891-1927)
http://oac.cdlib.org/findaid/ark:/13030/tf1b69n5kh Online items available Inventory of the John Galen Howard Collection, 1884-1931, (bulk 1891-1927) Processed by Elizabeth Konzak; machine-readable finding aid created by Michael C. Conkin Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] http://www.ced.berkeley.edu/cedarchives/ © 2001 The Regents of the University of California. All rights reserved. Note Arts and Humanities--ArchitectureHistory--California History--Bay Area HistoryHistory--California HistoryGeographical (By Place)--CaliforniaGeographical (By Place)--California--Bay AreaHistory--University of California HistoryHistory--University of California History--UC Davis HistoryHistory--University of California History--UC Berkeley HistoryGeographical (By Place)--University of California--UC DavisGeographical (By Place)--University of California--UC Berkeley Inventory of the John Galen 1955-4 1 Howard Collection, 1884-1931, (bulk 1891-1927) Inventory of the John Galen Howard Collection, 1884-1931, (bulk 1891-1927) Collection number: 1955-4 Environmental Design Archives University of California, Berkeley Berkeley, California Contact Information: Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] URL: http://www.ced.berkeley.edu/cedarchives/ Processed by: Elizabeth Konzak Date Completed: March 2000 Encoded by: Michael C. Conkin © 2001 The Regents of the University of California. All rights reserved. Descriptive Summary Title: John Galen Howard Collection, Date (inclusive): 1884-1931, (bulk 1891-1927) Collection number: 1955-4 Creator: Howard, John Galen (1864-1931) Extent: 11 boxes, 20 flat file drawers, 13 tubes, 2 flat boxes, 5 folios Repository: Environmental Design Archives. -
Midmid30may2018
MIDWEST – MIDWEEK Brothers of Holy Cross – Midwest Province - P.O. Box 460 – Notre Dame, Indiana 46556-0460 May 30, 2018 Brother John Ptaszek, C.S.C. Eulolgy Welcome to all. Thank you for coming on behalf of the Holy Cross Community. My name is Brother Shaun Gray. I have been a member of the Community for 51 years. I’m here to celebrate the life of Brother John Ptaszek. It was a good day when our paths crossed. A meeting that would lead to a great friendship for many years. Actually, to the end of Brother John’s life on earth and the legacy he left with us. I first met Brother John at our Cathedral High School in Indianapolis, Indiana, where he was teaching in 1968. Our paths did not cross again until he was assigned to Le Mans Academy in Rolling Prairie, Indiana in 1973. At Le Mans he served as Librarian and Resident Supervisor. From the beginning, he established good relationships, displayed a meaningful spiritual life and became a great role model for all who knew him. Brother John always took pride in everything he did. For example, his leadership was evident when his dorm won many awards for excellence. You could definitely rely on his willingness to help out when he was needed. When a dorm supervisor was not available Brother John was. As he would reply when I asked for his help, “OK. Brat.” (Brother in Polish!) His outstanding library skills showed good organization to the point of constant updating in the digital age. After 30 years of hard work and dedication his career ended there when Le Mans closed in 2003. -
John Galen Howard Papers, 1874-1954 (Bulk 1888-1931)
http://oac.cdlib.org/findaid/ark:/13030/tf2x0n99n1 Online items available Finding Aid the the John Galen Howard Papers, 1874-1954 (bulk 1888-1931) Processed by Elizabeth Konzak The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2001 The Regents of the University of California. All rights reserved. Finding Aid the the John Galen BANC MSS 67/35 c 1 Howard Papers, 1874-1954 (bulk 1888-1931) Finding Aid the the John Galen Howard Papers, 1874-1954 (bulk 1888-1931) Collection number: BANC MSS 67/35 c The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Processed by Elizabeth Konzak Finding Aid Encoded By: GenX © 2014 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: John Galen Howard Papers Date (inclusive): 1874-1954 Date (bulk): 1888-1931 Collection Number: BANC MSS 67/35 c Extent: 21 boxes, 5 cartons, 1 volume, 4 oversize folders, 5 tubes2 digital objects (3 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Languages Represented: Collection materials are in English Physical Location: For current information on the location of these materials, please consult the Library's online catalog. Access Collection is open for research, with the following exception: Panama-Pacific International Exposition drawings are RESTRICTED (Extremely fragile). -
Sixteen of Tfoe\$Everiteen Items Comprising This Multiple Resources Nomination Are Structures; One Item, Founders' Rock, Is a Natural Feature of the Campus
Check one Check one JL ©KCfsllent __ deteriorated X unaltered X original site JL gooft __ ruins -X altered __ moved date _ fair __ unexposed the present and original (if known) physical appearance Sixteen of tfoe\$everiteen items comprising this Multiple Resources Nomination are structures; one item, Founders' Rock, is a natural feature of the campus. The manmade structures are located on the central campus of the University of California (see appended maps). By their location, orientation toward major and mirldr axes, and Neo-Classic architectural style, they define the formal, turn-of-the-century concept of the University. Although a few of the structures have received exterior and interior alterations, their general architectural integrity is high. The items are divided into the following categories and described in sequence on the continuation pages. a. Individual Buildings or Structures 1) Hearst Greek Theatre, John Galen Howard, Architect; 1903 2) North Gate Hall, John Galen Howard, Architect; 1906 3) Hearst Memorial Mining Building, John Galen Howard, Architect; 1907 4) Sather Gate and Bridge, John Galen Howard, Architect; 1910 5) Hearst Gymnasium for Women, Bernard Maybeck and Julia Morgan, Architects; 1927 b. Buildings or Groups of Buildings and Their Landscaped Settings 1) Faculty Club a) (Men's) Faculty Club and Faculty Glade, Bernard Maybeck, Architect; 1902 2) Campanile Way and Esplanade a) Sather Tower (Campanile) and the Esplanade, John Galen Howard, Architect; 1914 b) South Hall, David Farquharson, Architect; 1873 c) Wheeler -
Radical Berkeley Supported Radio Station
J. Stitt Wilson: the 1st Savio Hauled off the Stage, Oak Grove Tree-Sit, Dec. 2, 2006–Sept. 9, 2008 The Fight for Accessibility, 1972 (and last) Socialist Mayor Dec. 7, 1964 Activists took to the trees when plans for a new sports complex included the destruction of When Ed Roberts applied to UC Berkeley he of Berkeley, April 1, 1911 After 2 months of FSM protests, a long-standing grove.The protestors likened the tree removal to a hate crime. Ultimately faced resistance, not because of his qualifica- Wilson ran for Berkeley mayor strikes, and sit-ins, UC President theactivists—and the trees—came down, but not before they had accomplished the longest tions, but because he was quadriplegic. Ulti- on a platform of city ownership Clark Kerr called a meeting at urbantree-sit in history. Student Athlete High Performance Center, SAHPC (formerly the mately he was admitted, and he and several of utilities. After election, his the Greek Theatre where he oak grove) other disabled students formed a group called socialistagenda was stymied by addressed 16,000 students and the“Rolling Quads,” which was instrumental in a conservative city council, and faculty members. After Kerr openingup the campus to the severely disabled. he declined to run for a second spoke, Savio took the stage, but The Naked Guy Emerges, 1992 Roberts is considered by many to be the father of term. 1745 Highland Place was hauled off by police before thedisability rights movement. Berkeley sophomore Andrew Marti CowellHospital (Wilson’s house) he could speak. GreekTheatre Strikes for Ethnic Studies, Jan. -
Hooterville Liner Notes PDF 9/24/20
1 ON MY WAY TO HOOTERVILLE - CHRISTINE LAVIN TABLE OF CONTENTS Page 1 Table of Contents 2 Album art/who’s who 3-7 Liner notes by Ira Mayer 8 Track #1: “On My Way To Hooterville, Part 1” 20 Track #2: “Wut?” 25 Track #3: “My Sister Mary & My Mother” 31 Track #4: “Ode To Clint Eastwood” 40 Track #5: “On My Way To Hooterville, Part 2” 43 Track #6: “The Quiet Car” 50 Track #7: “Until That Day” 56 Track #8: “Ramblin’ Waltz” 63 Track #9: “Ray’s Copy Shop” 76 Track #10: “First Dance/Last Dance” (song for David Ippolito) 80 Track #11: “On My Way To Hooterville, Part 3” 86-88 Thank you/photo collage Caffe Lena/Dave Van Ronk: p.59-62 Don’t ever use this pickup line p.55 Mary E p.31-40 Kerry Harter & Doug Taylor: p.29-31 Jean Claude Larrivee/Grit Laskin p.63 Ira Mayer p. 3-7 Dr. Joe Montano (audiologist) p.22-25 Joe Namath p.55 Rolling Thunder Revue p.56-62 Hillary Rollins p.71 The Webster Apts p.35-37 Mason William p.61-62 Yaddo p.38, 84 2 L-R top: Christine Lavin, Brian, Ashley, and Madelyn Bauers, Daniel Glass & Jōji the Wonder Dog, Debi Smith, and Phil Klum middle: Jody Crawford Lavin & Mary Slothower Lavin, Amelia Krinke, and David Ippolito bottom: Steve Doyle, Robin Batteau, Mary E, Brandon O’Sullivan, and Dr. Joe Montano 3 And Now, Hooterville is Pleased to Present . Christiiiiiiine Lavin! by Ira Mayer If you are already familiar with Christine Lavin, you probably know the avenue by which you got to her music. -
ACCOUNTABILITY PROFILE University of California, Berkeley
ACCOUNTABILITY PROFILE University of California, Berkeley California’s Investment in Berkeley GRAND ASPIRATIONS built this university more than 140 years ago when Berkeley, the flagship institution of the University of California system, was established. The goal was to create an institution with attributes “equal to those of Eastern Colleges,” what today are called the Ivy League schools. This new university not only would educate students but also serve and assist the people of California. As a public research university, Berkeley was charged with seeking new knowledge and discovery to serve the public interest, and providing Californians access to its excellent educational opportunities. Public research universities are pivotal in realizing society’s potential for opportunity, innovation, social justice, and prosperity — extending the public good for the benefit of all. Today, Berkeley is recognized as a leader among the world’s universities in offering true breadth, access, and comprehensive excellence. As UC’s oldest campus, Berkeley is home to many historic sites, including South Hall [the first UC building, constructed in 1873], Hearst Greek Theatre [1903], California Hall [1905], Hearst Memorial Mining Building [1907], the Campanile [1914], Doe Library [1917], and Wheeler Hall [1917]. The campus has many world- class research museums, field stations, and other research centers, along with a library collection that ranks as one of the “Berkeley — the university — seems to best in the nation. In 2007 the Association of Research Libraries ranked me, more and more, to be California’s Berkeley’s library among the top five university research libraries in North America. Its rare and specialized collections, such as the Bancroft Library’s highest, most articulate idea of itself.” Mark Twain Papers and Project [the world’s largest collection of Twain — JOAN DIDION ’56 materials], serve educators and scholars from around the state and the Author world. -
DRAFT Helfand Letter Re Campanile Way 3-27-18
ATTACHMENT 6 LPC 04-05-18 Page 1 of 4 Land Use Planning Received March 27, 2018 Harvey Helfand 1057 Curtis Street • Albany, California 94706 510-524-6003 • [email protected] 27 March 2018 Members of the Landmarks Preservation Commission City of Berkeley 2120 Milvia Street Berkeley, California 94704 Re: Campanile Way Landmark Application I am writing again as an expert on the planning and architectural history of the Berkeley Campus of the University of California to emphasize my points previously made for the preservation of the view corridor from Campanile Way to the Golden Gate. My expertise draws from fifteen years as Campus Planner at Berkeley from 1978 to 1993, during which time I managed the preparation of a new Long Range Development Plan. I later conducted extensive research on the history of the campus that culminated in the publication of my book, University of California, Berkeley: The Campus Guide (Princeton Architectural Press, 2002), an authoritative work that is still regularly referred to by campus librarians and researchers today. I hope that this letter will convince you that the preservation of the view corridor from Campanile Way to the Golden Gate is not only a significant historic issue, but also a physical exemplification of the democratic principle of the Common Good. One of the nation’s best examples of American Beaux-Arts planning exists on the campus of the University of California in the heart of Berkeley. This early 20th century plan exemplifies the principles of that movement, with its ensemble of buildings and open spaces organized geometrically and axially and with careful alignment to natural features, vistas, and focal points that extend beyond the campus grounds.