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2013-14 Arts Report (Pdf)
2013-14 Arts Explosion Rocks Stanford 1 A Private Art Collection Becomes a Stanford Collection 2-3 Curricular Innovation 4-5 Interdisciplinary Dexterity 6-7 Anatomy of an Exhibition 8 Visual Thinkers 9 Renaissance Man 10-11 Festival Jérôme Bel 12 The Next Bing Thing 13 Sound Pioneer 14 Politicians, Producers & Directors 15 Theater Innovators 16 Museums & Performance Organizations 17 Looking Ahead 17 Academic Arts Departments & Programs 18-19 “Arts Explosion Rocks Stanford.” Arts Centers, Institutes & Resources 20-21 Student Arts Groups 22-23 That was the headline of a May 2014 article in the San Francisco Chronicle – and it’s a great descrip- Fashion at Stanford 24 tion of the experience of the arts at Stanford in 2013-14. Honors in the Arts: The Inaugural Year 25 Support for Stanford Arts 26 It was a year of firsts: the first full season in Bing Concert Hall, the first year of two innovative curric- 2013-14 Arts Advisory Council 27 ular programs – ITALIC and Honors in the Arts - and the first year of the new “Creative Expression” Faculty & Staff 27 breadth requirement (see p. 4). Stanford Arts District 28 BING CONCERT HALL’S It was also – perhaps most prominently – a year of planning and breathless anticipation of the opening GUNN ATRIUM of the Anderson Collection at Stanford University, which took place to great fanfare in September 2014. In the midst of it all there were exciting multidisciplinary exhibitions at the Cantor Arts Center, amaz- ing student projects and performances throughout campus, and a host of visits by artists including Carrie Mae Weems, Tony Kushner, and Annie Leibovitz. -
Stanford Tape Collection ARS.0112
http://oac.cdlib.org/findaid/ark:/13030/kt8x0nf8dx No online items Guide to the Stanford Tape Collection ARS.0112 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Stanford Tape ARS.0112 1 Collection ARS.0112 Descriptive Summary Title: Stanford Tape Collection Dates: 1940-2007 Date (bulk): Bulk, 1960-1980 Collection number: ARS.0112 Repository: Archive of Recorded Sound Collection size: 14 boxes: 317 open reel tapes (37 5" reels ; 200 7" reels ; 80 10.5" reels) ; 5 videocassettes ; 7 video reels ; 1 film (8mm) ; 2 compact discs ; one binder Abstract: Historic music and speech recordings on open reel tape, made on the campus of Stanford University. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Stanford Tape Collection, ARS-0112. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The Stanford Tape Collection consists of historic music and speech recordings made on the campus of Stanford University. -
College and University Art Museums Reciprocal Program Participants
College and University Art Museums Reciprocal Program Participants ALABAMA Hammer Museum FLORIDA Abroms-Engel Institute for the Visual Arts University of California, Los Angeles Cornell Fine Arts Museum (AEIVA) hammer.ucla.edu Rollins College University of Alabama at Birmingham rollins.edu/cfam uab.edu/cas/aeiva University Art Museum California State University, Long Beach Harn Museum of Art Jule Collins Smith Museum of Fine Art csulb.edu/org/uam University of Florida Auburn University harn.ufl.edu jcsm.auburn.edu COLORADO Center for Visual Art Leepa-Rattner Museum of Art ARIZONA Metropolitan State University of Denver St. Petersburg College Arizona State University Art Museum msudenver.edu/cva leeparattner.org Arizona State University asuartmuseum.asu.edu Colorado Springs Fine Arts Center Ruth Funk Center for Textile Arts at Colorado College Florida Institute of Technology Center for Creative Photography Colorado College textiles.fit.edu University of Arizona coloradocollege.edu/fac ccp.arizona.edu GEORGIA CONNECTICUT Bernard A. Zuckerman Museum of Art University of Arizona Museum of Art Fairfield University Museum of Art Kennesaw State University University of Arizona Fairfield University zuckerman.kennesaw.edu artmuseum.arizona.edu fairfield.edu/museum Georgia Museum of Art CALIFORNIA Housatonic Museum of Art University of Georgia Anderson Collection at Stanford University Housatonic Community College georgiamuseum.org Stanford University hcc.commnet.edu/artmuseum anderson.stanford.edu Michael C. Carlos Museum William Benton Museum -
Download Download
— OLIVER PEEBLES JENKINS Bantam, Ohio. Palo Alto, California. November 3, 1850. January 9, 1935. Perhaps few of us recall Dr. Jenkins—what a splendid teacher he was! An active mind—original, enthusiastic, and inspirational and a fund of humor were out- standing characteristics. Who could not profit from his instruction? To those of us who were much with J him he was a delightful companion and a lovable friend, in addition to his being a great naturalist. He was born at Bantam, Ohio, November 3, 1850, and died at Stanford University January 9, 1935 in his eighty-fifth year. He was buried at Palo Alto, California. He married Elizabeth R. Hester, formerly of Brookville, Indiana, where the writer and his wife, Mary Reynolds, attended Brookville College with her. His widow and two sons survive. He graduated from Moores OLIVER PEEBLES JENKINS Hill (now Evansville) College in 1869 and, after serving as teacher, high school principal, and superintendent in the public schools of Indiana, Wisconsin, and California, he returned, in 1876, to Moores Hill College as professor, where he remained for twelve years. That institution con- ferred upon him advanced and honorary degrees; he was also honored with a degree from Indiana University. He became a member of the faculty of the Indiana State Normal School, at Terre Haute in 1883, and left there to become Professor of Biology at DePauw University in 1886. He remained at DePauw until 1891, when he became a member of the faculty of Leland Stanford Jr. University at the time of its founding. He remained in this position until he retired as Professor Emeritus of Physiology in 1916. -
Stanford University, Cantor Arts Center, Videorecordings
http://oac.cdlib.org/findaid/ark:/13030/kt038nd9vz No online items Guide to the Stanford University, Cantor Arts Center, Videorecordings Daniel Hartwig Stanford University. Libraries.Department of Special Collections and University Archives Stanford, California November 2010 Copyright © 2015 The Board of Trustees of the Leland Stanford Junior University. All rights reserved. Note This encoded finding aid is compliant with Stanford EAD Best Practice Guidelines, Version 1.0. Guide to the Stanford University, V0194 1 Cantor Arts Center, Videorecordings Overview Call Number: V0194 Creator: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University Title: Stanford University, Cantor Arts Center, videorecordings Dates: 1999 Physical Description: 0.01 Linear feet 1 video disc Summary: Videorecording (and DVD copy) on the repair and renovation of the museum, with an emphasis on the final six months; persons interviewed are Richard M. Olcott, principal architect, Mindy Cameron, exhibition designer, Thomas K. Seligman, director, and Hilarie Faberman, curator. Language(s): The materials are in English. Repository: Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, CA 94305-6064 Email: [email protected] Phone: (650) 725-1022 URL: http://library.stanford.edu/spc Gift of Jack Hubbard, 1999. Information about Access This collection is open for research. Ownership & Copyright All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94304-6064. Consent is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission from the copyright owner. -
S E a S O N F Ive Bin G C on Cer T Hall Subs Cribe St Anford
Stanford University NONPROFIT Bing Concert Hall Ticket Office ORGANIZATION U.S. POSTAGE PLAN YOUR VISIT 327 Lasuen Street, MC 2550 IVE Stanford, CA 94305 PAID PALO ALTO, CA PERMIT NO. 28 Want the best seats in the house? DININGVENUES Bing Concert Hall Priority is given to Bing Members and Bing Concert Hall Enjoy pre-concert and intermission snacks Stanford Live Donors. Seating is by pricing TERRACE CENTER 3 TERRACE and drinks at Interlude 2 1 SEASON F zone. Seating map SUBSCRIBE Café in Bing Concert • Bing Members (donors of $7,500 and shown at left. STANFORD LIVE CENTER 2 Hall’s expansive lobby. above) are guaranteed premium seats SEASON FIVE Pre-performance dining to all subscription performances and priority Bing Concert Hall 2016–17 TERRACE TERRACE is also available at the CENTER 1 Studio seating access throughout the season. 3 8 café at the Arrillaga STANFORD LIVE STANFORD Seating in the Bing Alumni Center, just • Stanford Live Donors of $500 and STAGE Studio is by general a five-minute walk to above enjoy early access to subscription admission. Bing Concert Hall. TERRACE TERRACE seating, according to level of gift. 4 7 Memorial Auditorium Visit live.stanford. Orders begin April 28. Seating is by pricing edu/dining for your zone. Seating map complete dining • Renewing Subscribers and Donors of CHORAL Complete Schedule, TERRACE TERRACE TERRACE shown at left. options. $150–$499 enjoy access to subscription 5 6 Subscription & Donation seating before the general public. Orders Memorial Church Information Inside PARKING & begin June 5 in person and June 6 by Memorial Auditorium Seating at Memorial DIRECTIONS phone and online. -
Stanford University Alumni Collection SC1278
http://oac.cdlib.org/findaid/ark:/13030/c8qz2ggh No online items Guide to the Stanford University Alumni Collection SC1278 Jenny Johnson & Presley Hubschmitt The Stanford Alumni Collection was created as part of the Stanford Alumni Legacy Project, which was initially funded by the Stanford Associates Grant (awarded by the Stanford Alumni Association in 2014). Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Stanford University SC1278 1 Alumni Collection SC1278 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Stanford University Alumni Collection Identifier/Call Number: SC1278 Physical Description: 23.75 Linear Feet(38 boxes) Date (inclusive): 1889-2016 Scope and Contents The Stanford Alumni Collection consists of letters, email, texts, student scrapbooks, photographs, websites, audio and video recordings, posters, flyers, records of student organizations, and more. Materials have been donated to the Stanford University Archives for permanent retention, or loaned for selective scanning, and returned to donors. This collection was created as part of the Stanford Alumni Legacy Project (SALP) initiative. SALP focuses on collecting, preserving, and providing long-term access to student materials created by Stanford alumni during their time on the farm. Preferred Citation [identification of item], Stanford Alumni Collection (SC1278). Dept. of Special Collections, Stanford University Libraries, Stanford, Calif. Arrangement Collection materials are described alphabetically in the finding aid by last name of donor. Boxes are listed by accession numbers (ARCH-YYYY-###), which are provided in the finding aid. Alumni class graduation years are indicated as provided. -
A Look at Upcoming Exhibits and Performances Page 34
Vol. XXXIV, Number 50 N September 13, 2013 Moonlight Run & Walk SPECIAL SECTION page 20 www.PaloAltoOnline.com A look at upcoming exhibits and performances page 34 Transitions 17 Spectrum 18 Eating 29 Shop Talk 30 Movies 31 Puzzles 74 NNews Council takes aim at solo drivers Page 3 NHome Perfectly passionate for pickling Page 40 NSports Stanford receiving corps is in good hands Page 78 2.5% Broker Fee on Duet Homes!* Live DREAM BIG! Big Home. Big Lifestyle. Big Value. Monroe Place offers Stunning New Homes in an established Palo Alto Neighborhood. 4 Bedroom Duet & Single Family Homes in Palo Alto Starting at $1,538,888 410 Cole Court <eZllb\lFhgkh^IeZ\^'\hf (at El Camino Real & Monroe Drive) Palo Alto, CA 94306 100&,,+&)01, Copyright ©2013 Classic Communities. In an effort to constantly improve our homes, Classic Communities reserves the right to change floor plans, specifications, prices and other information without prior notice or obliga- tion. Special wall and window treatments, custom-designed walks and patio treatments and other items featured in and around the model homes are decorator-selected and not included in the purchase price. Maps are artist’s conceptions and not to scale. Floor plans not to scale. All square footages are approximate. *The single family homes are a detached, single-family style but the ownership interest is condominium. Broker # 01197434. Open House | Sat. & Sun. | 1:30 – 4:30 27950 Roble Alto Drive, Los Altos Hills $4,250,000 Beds 5 | Baths 5.5 | Offices 2 | Garage 3 Car | Palo Alto Schools Home ~ 4,565 sq. -
Home + Garden Design Menlo Park's Biggest Employer Reveals 59-Acre
THE HOMETOWN NEWSPAPER FOR MENLO PARK, ATHERTON, PORTOLA VALLEY AND WOODSIDE JULY 12, 2017 | VOL. 52 NO. 45 WWW.ALMANACNEWS.COM Dumbarton rail corridor Parking Offices Visitors’ WelcomeCenter to Facebookland Menlo Park’s biggest employer Willow Road reveals 59-acre expansion plan Page 5 Housing & Shops New Road Inside this issue Home + Garden Design THE ADDRESS IS THE PENINSU THE EXPERIENCE IS AIN PINEL WOODSIDE $8,599,000 WOODSIDE $6,995,000 280 Family Farm Road | 4bd/4.5ba 320 Jane Drive | 5bd/4.5ba Helen & Brad Miller | 650.400.1317 M. Lockwood/R. Flores | 650.400.2528 BURLINGAME $5,700,000 SAN MATEO $2,395,000 2652 Summit Drive | 5bd/5.5ba 24 Mounds Road, #A | 2bd/2ba Holly Stockman | 650.464.6080 B. Bianchini/M. Andrighetto | 650.888.6379 WOODSIDE $1,995,000 MENLO PARK $1,849,000 730 Patrol Road | 3bd/3ba 130 Stone Pine Lane | 3bd/2.5ba Heidi Johnson | 650.868.3714 Holly Stockman | 650.464.6080 APR.COM Over 30 Real Estate Offices Serving The Bay Area Including Woodside 650.529.1111 Square footage, acreage, and other information herein, has been received from one or more of a variety of different sources. Such information has not been verified by Alain Pinel Realtors®. If important to buyers, buyers should conduct their own investigation. 2 Q The AlmanacQAlmanacNews.comQJuly 12, 2017 165 Patricia Drive, Atherton Gorgeous Garden Estate in West Atherton Splendid gated grounds of approx. 1.05 acres (per county) showcase this lavish yet inviting 5 bedroom, 7.5 bath mansion of approx. 6,400 sq. -
Spring 2020 Magazine
SPRING 2020 INSIDE TEN YEARS OF COLLECTING • MARK DION • NEW CURATOR OF PHOTOGRAPHY & NEW MEDIA “This brightly colored, monumental piece has something to say—and not just because it’s a play on words. One thing we hope it conveys to students and visitors n is a good-natured ‘Come in! You a m r e k c a are welcome here.’ ” D an Sus Susan Dackerman John & Jill Freidenrich Director of the Cantor Arts Center Yo, Cantor! The museum’s newest large-scale sculpture, in Japanese. “The fact that this particular work Deborah Kass’s OY/YO, speaks in multicultural resonates so beautifully in so many languages to tongues: Oy, as in “oy vey,” is a Yiddish term so many communities is why I wanted to make it of fatigue, resignation, or woe. Yo is a greeting monumental,” artist Kass told the New York Times. associated with American teenagers; it also means “I” in Spanish and is used for emphasis Learn more at museum.stanford.edu/oyyo CONTENTS SPRING 2020 QUICK TOUR 4 News, Acquisitions & Museum Highlights FACULTY PERSPECTIVE 6 Sara Houghteling on Literature and Art CURATORIAL PERSPECTIVE 7 Crossing the Caspian with Alexandria Brown-Hejazi FEATURE 8 Paper Chase: Ten Years of Collecting 3 THINGS TO KNOW 13 About Artist and Alumnus Richard Diebenkorn EXHIBITION GRAPHIC 14 A Cabinet of Cantor Curiosities: PAGE 8 Paper Chase: the Cantor’s major spring exhibition Mark Dion Transforms Two Galleries includes prints from Pakistani-born artist Ambreen Butt, whose work contemplates issues of power and autonomy in the lives of young women. -
SJMA Members at the $75 Level and Above Can Enjoy Benefits at the Following Museums: Western Museum Group (WMG)
Reciprocal Membership Privileges: Museum members at the Dual/Family ($75) level and above receive reciprocal privileges at museums affiliated with the Western Museum Group (WMG). Those at the Advocate ($150) level and above also receive reciprocal privileges at museums in both the Museum Alliance Reciprocal Program (MARP), Reciprocal Organization of Associated Museums (ROAM) and also the North American Reciprocal Membership (NARM) programs. Please check with institution for their reciprocity policy. SJMA Members at the $75 level and above can enjoy benefits at the following museums: Western Museum Group (WMG) California Museum of Craft and Folk Art, SF Santa Barbara Museum of Art Other Western States Carnegie Art Museum, Oxnard Museum of Photographic Arts, San Diego Seymour Marine Discovery Center Bellevue Art Museum, WA Fresno Art Museum National Steinbeck Center The Museum of Art & History, Santa Cruz Missoula Art Museum, Montana Fresno Metropolitan Museum Orange County Museum of Art UCR California Museum of Photography Phoenix Art Museum, AZ Long Beach Museum of Art Pacific Asia Museum, Pasadena University Art Museum, Santa Barbara Tucson Museum of Art and Historic Block, AZ Museum of Contemporary Art, San Diego & LaJolla San Jose Museum of Quilts and Textiles The Contemporary Museum, Honolulu SJMA Members at the $150 level and above can also enjoy benefits at the following museums: Museum Alliance Reciprocal Program (MARP) North American Reciprocal Membership (NARM) Reciprocal Organization of Associated Museums (ROAM) Alaska San Diego -
Stanford Memorial Church University Public Worship 23 July 2017 10:00 A.M
Stanford Memorial Church University Public Worship 23 July 2017 10:00 a.m. OPENING VOLUNTARY Prelude in A minor Johann Sebastian Bach (BWV 543) (1685 – 1750) WELCOME The Rev. Professor Jane Shaw Please stand. HYMN Come Ye Thankful People Come p. 3 THE LITURGY OF THE WORD OPENING WORDS Rabbi Patricia Karlin-Neumann Responses of the people are in bold. This is the day that God has made; Let us rejoice and be glad in it. PRAYER OF THE DAY May God be with you. And also with you. Let us pray: Through dreams and visions, through texts and song, O God, you open the eyes of your people to your creation that they may discover the meaning of your covenant, even in the midst of trial and exile. As your people joyfully respond to your call with hope, may they share in your promises. Amen. Please be seated. READING Psalm 86: 11 - 17 Sairus Patel VOLUNTARY Allein zu dir, Herr Jesu Christ Bach (BWV 1100) Please stand. READING Romans 8: 12 - 25 Anne Hill Please be seated. SERMON Creating with God The Rev. Professor Jane Shaw Please stand. HYMN Almighty God, Your Word is Cast p. 4 PRAYERS ANNOUNCEMENTS Please stand. HYMN Praise to the Lord the Almighty p. 5 BENEDICTION You are invited to be seated to enjoy the closing voluntary after the clergy have departed. CLOSING VOLUNTARY Fugue in A minor Bach (BWV 543) 2 Come Ye Thankful People Come (The Hymnal 1982, #290) All rights reserved. Reprinted under OneLicense.net #A-712649. 3 Almighty God, Your Word is Cast (New Century #318) All rights reserved.