DOCSLIB.ORG

'Opu Ma 'Akkala Kennetto /We Are Waking up Our Story Together

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
'Opu Ma 'Akkala Kennetto /We Are Waking up Our Story Together Ma Tallepo ‘Opu Ma ‘Akkala Kennetto /We Are Waking Up Our Story Together: Arts-Based Indigenous Methodology by Michelle Napoli A Culminating Project and Dissertation submitted to the Faculty of the Graduate School, Mount Mary University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Art Therapy Milwaukee, Wisconsin May 2018 ii © Copyright by Michelle Napoli ALL RIGHTS RESERVED 2018 iii Ma Tallepo ‘Opu Ma ‘Akkala Kennetto / We Are Waking Up Our Story Together: Arts-Based Indigenous Methodology Approved by ________________________________________ __________________ Lynn Kapitan, PhD, ATR-BC (Chair of Committee) Date ________________________________________ __________________ Christopher M. Belkofer, PhD, ATR, LPC (Second Core Faculty) Date ________________________________________ __________________ Cedric Woods, PhD (Committee Member) Date ________________________________________ __________________ Paula Sherman, PhD (Committee Member) Date iv Abstract Ma Tallepo ‘Opu Ma ‘Akkala Kennetto / We Are Waking Up Our Story Together: Arts-Based Indigenous Methodology This dissertation documents an inquiry into an arts-based methodology to support knowledge construction with Indigenous worldviews, experiences, beliefs, values, and practices at the center. The author engaged in a research journey that co-constructed story, imagery, and her personal Native language with the collective knowledge of her community, resulting in a cultural reclamation process. The research purpose was to interrupt silence about the past and question the subordinate position Indigenous people often find themselves in today. This knowledge construction process critically examines, deconstructs, and responds to the legacy of historical, systematic efforts to eradicate Native identity in the United States. The author also addresses the need to decolonize historical mental health systems, research, theory, and practices through an American Indian perspective. Two main objectives for determining appropriate methodology were: (a) to reflexively consider the ethical relationship of this inquiry with the researcher’s Tribal community, and (b) to explore the process of respect within a continuous narrative that integrates collective knowledge. Through the inquiry the author came to understand how identity formation efforts involve trauma processing when one is linked with historical trauma exposure. A key outcome was that the author shared stories and artwork with all of her relations, including her ancestors and children, to continue “story loops” that honor and build relationships within her Native cultural meaning-making process. v Keywords: American Indian, appropriation, art therapy, collective knowledge, colonial amnesia, cultural genocide, cultural reclamation, ethics, historical trauma, Indigenous methodology, Native, silence, sovereignty, story vi Acknowledgements To the Federated Indians of Graton Rancheria (FIGR) Language Advisory Group Committee, David Carrio, Ted Carrio, Joanne Campbell, Kristen Debler, Isabelle James, Ed Silva, Melissa Elgin, Matthew Johnson, and Richard Applegate: Thank you for your dedication so that we maintain integrity and good hearts with our breath of life. Deep appreciation to my doctoral committee, Lynn Kapitan, Cedric Woods, Paula Sherman, and Christopher Belkofer. The balance of your critical analysis and open hearts fully supported me in my learning and identity formation as a researcher. Thank you Greg Sarris, Gene Buvelot, Lorelle Ross, Melissa Elgin, Angela Hardin, and the entire FIGR Tribal Council for your many forms of sharing, support, and leadership. Much gratitude for the FIGR scholarship. So helpful! To the Panak Kuleeyisko / Acorn Woodpecker Women, who created the ‘Inniiko ‘Akkala Huuli / Tribe Story Quilt over 10 years ago: You are all beautiful examples of strong women that keep us going. Special ka molis to Isabelle, my first language teacher and artist collaborator. Thank you Sarah Ballard for saving our language. Thank you Tom and William Smith for singing our spirit amidst so many changes. To my grandmothers Tcupi Yomi, Tsupu, Carmel KomShaTal, Walla Walla, Rosalie Charles Smith, Carmelita DeMelia, Katherine Frescia Smith, and Evelyn Smith: Thank you for continuing your singing and teaching me how to sing back. To my brothers, Steve and Nick, who have listened in with support for me on this journey. In memorial honoring for my sister Cindy, and her spirit that continues vii yomunnaka/beautiful. For her children Shara and Brandon, and Cindy’s granddaughter, Leah. With you all in my heart and in mind, I strive to earn your respect for this work of honoring family. My dear friends from many places and times in my life, Michaela Kirby, Susie Zanger, and Bridget Piziali: Thank you for staying connected through all these stories and years. To my Doctorate in Art Therapy cohort at Mount Mary University, Zoe Armstrong, Oihika Chakrabarti, Kelly Enger, Elizabeth Hlavek, and Lauren Leone: Your witnessing, humor, and arts-based integrity have been invaluable. Rachel, thank you for helping me to create a space to exist in and listening to my emerging voice. Ka molis: Tsupu hena, Suyyuko hena, Choyyekke hena, Kule hena, he panakko. Ka molis to all of our ancestors, first people, land, singing tree, and spirit that continues everywhere. viii Wuskipa / Dedication I dedicate this work to my children, ‘Awaaki he ‘Upuksu (Toles he Tonchi). Ka walli molis. I am so blessed to have your beautiful hearts in this world. ix Table of Contents Acknowledgements ........................................................................................................... vi Wuskipa/Dedication .......................................................................................................... vii List of Hochcha/Figures .................................................................................................. xiv CHAPTER 1: HOYTOTI / INTRODUCTION ....................................................................1 Background and Significance of the Problem .........................................................1 Conceptual/Theoretical Framework.........................................................................4 Author Location/Positioning ....................................................................................5 Notes on Language and Frame of Reference ...........................................................6 The Use of Us, We, and Our ........................................................................6 Group Identifiers ..........................................................................................7 Tamal Machchaw / Coast Miwok Language ...............................................7 Summary of the Dissertation ...................................................................................8 CHAPTER 2: PICHASNA / LITERATURE REVIEW .....................................................11 Introduction ............................................................................................................11 Description of the Problem ........................................................................11 Scope for This Literature Review ..............................................................13 Culturally Responsive Practice With American Indian Communities ..................14 Decolonizing Historical Art Therapy Theory and Practices From an American Indian Perspective ..................................................…………………..16 Modernism and Research-Based Colonization ..........................................16 Colonization of American Indian Spirituality and Worldviews ................26 Cultural and Spiritual Genocide and Colonial Amnesia ............................39 What Is Indigenous Methodology? ........................................................................41 Application of Indigenous Methodology: Ka Tamalko Pichasnako......................50 Hinak Pichasnatu ‘Opu Wuskipa / To make knowledge with respect.......52 Overall Core Pichasna: Wuskipa / Respect ...............................................54 Pichasna: Metakmi / Remember ................................................................56 Pichasna: Machchaw / Language ..............................................................59 Pichasna: ‘Akkalako / Stories ....................................................................62 Pichasna: ʼAllupu ʼis Wuski / Listening to the Heart .................................63 Pichasna: Molis, ‘Ayuk, he Yomunnaka / Gratitude, Hope, and Beauty ...65 Pichasna: Hunaa Maako Towis Hinak / So That We Do Good .................66 Pichasna: Wuskipa Muk’am ‘Inniiko / Respecting All Relations ..............67 x Pichasna: Na’uuti Mu’kam Kennetto / Returning All Together ................69 Pichasna: Tulum / Questioning and Critical Analysis ...............................72 Pichasna: Koyanni Sunu: Hinak Yomi / Singing Nest: Making a Home Space ...............................................................................................74 Pichasna: Maako ‘Opu ‘Allupu Wakaati Toktoola ʼAlwan Koyanni / We Listen Deeply to the Elderberry Tree Singing .....................................76 Pichasna: Pichchan ‘Api ‘Uni Weyatto / Student in Many Worlds ...........79 Pichasna: ‘Issa, ‘Issa, ‘Issa / Commitment ...............................................83 Pichasna: Wuskin Poole / Grieving ...........................................................85 Ka Tamalko Pichasnako: Concept Map ....................................................88
Load more

Recommended publications
  • Holiday 2013
    BEAR FACTS MAHANOY AREA HIGH SCHOOL HOLIDAY 2013 Bear HOLIDAY 2013 FACTS MAHANOY AREA HIGH SCHOOL FREE Blood Drive Scheduled There will be a blood drive in memory of Senator James J Rhoades on January 6, 2014 in the LGI room. The drive is scheduled from 12pm to 5pm. We hold three blood drives a year. For the past three years we were able to award a senior student with a $500 Scholarship from the Red Cross. Our goal for this year is to increase our donors and in- crease the amount of scholarship money we are Congratulations to Jennie Neifert who awarded from the Red Cross. Please consider do- was recently voted to be nating. Contact Nurse Merchlinsky if you are inter- ested in donating. Mahanoy Area’s 2014 Hugh O’Brian Youth Leadership Students to Attend Representative Young Men’s Future Congratulations to Calvin Talbott for being chosen as the winner in the Symposium Artist of the Month contest for May. The Young Men’s Futures Symposium is a one day His illustration will be printed in workshop of mentoring, motivation, and opportu- the Pottsville Republican newspaper nity for high school sophomores and juniors. The in May. young men who participate are given the chance to explore the opportunities available to them af- ter high school through their interaction with men in the career world. Topics to be covered include: Congratulations to the Elks Students of appropriate conduct and dress for interviews, good the Month for October communication skills, matching career choice with personal skills/interest, non-traditional career op- Jen Jackowiak and Greg Merchlinsky tions, managing and understanding personal fi- nance, techniques for goal setting, personal con- fidence and appreciation of one’s unique qualities.
    [Show full text]
  • Trafalgar Square Publishing Spring 2016 Don’T Miss Contents
    Trafalgar Square Publishing Spring 2016 Don’t Miss Contents Animals/Pets .....................................................................120, 122–124, 134–135 28 Planting Design Architecture .................................................................................... 4–7, 173–174 for Dry Gardens Art .......................................................8–9, 10, 12, 18, 25–26 132, 153, 278, 288 Autobiography/Biography ..............37–38, 41, 105–106, 108–113, 124, 162–169, 179–181, 183, 186, 191, 198, 214, 216, 218, 253, 258–259, 261, 263–264, 267, 289, 304 Body, Mind, Spirit ....................................................................................... 33–34 Business ................................................................................................... 254–256 Classics ....................................................................................43–45, 47–48, 292 Cooking ......................................................1, 11, 14–15, 222–227, 229–230–248 Crafts & Hobbies .............................................................................21–24, 26–27 85 The Looking Design ......................................................................................................... 19–20 Glass House Erotica .................................................................................................... 102–103 Essays .............................................................................................................. 292 Fiction ...............................................42,
    [Show full text]
  • Uwantme2killhim?
    Alliance Films and Bad Hat Harry present In associaton with Aegis Film Fund An Anonymous Content, Bad Hat Harry, Jumping Jack Films Producton A flm by ANDREW DOUGLAS uwantme2killhim? Starring JAMIE BLACKLEY TOBY REGBO JOANNE FROGATT LIZ WHITE JAIME WINSTONE MARK WOMACK LOUISE DELAMERE AMY WREN JAMES BURROWS STEPHANIE LEONIDAS Press Contacts Lisa DeBell - [email protected] Almar Hafidason - [email protected] Release date: September 2013 Certfcate and running tme: TBC / 93 minutes 1 SHORT SYNOPSIS When 16-year-old Mark, a handsome boy, popular with girls, meets local girl Rachel on the Internet, he quickly fnds himself in an intense online relatonship. Besoted, he will do anything for her - even befriend and defend - her awkward, loner brother, John, the perpetual target of school bullies. When Rachel, who is trapped in the grips of an abusive relatonship, is murdered, Mark and John are determined to avenge her death. Their actons draw the atenton of a female MI5 agent as they unwitngly stumble into an ongoing operaton. Soon, Mark is recruited to commit a devastatng crime, one that made Britsh legal history. Based on true events in the UK in 2003, uwantme2killhim? is the story of a friendship of opposites and the hidden evils that lurk deep within the Internet. LONG SYNOPSIS A suburban town centre, 2003. A hooded teenage boy walks purposefully through a modern shopping centre. His young face shows a mixture of excitement, adrenalin and fear. In his hand he holds a knife… Three months earlier. Mark (JAMIE BLACKLEY) is sixteen years old and lives in a very ordinary suburban town with his mum and dad who are too wrapped up in their own lives to give him much thought.
    [Show full text]
  • NEW RELEASE for the Week of January 8, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
    NEW RELEASE for the week of January 8, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! CLEAN "Mister Pop (re-issue 2009)” (MERGE) MRG325 LP January 29 street date. David Kilgour on "Mister Pop": ""Mister Pop" began in Brooklyn, NY, at Gary Olson's Marlborough Farms studio and was completed in the basement hall of First Church Dunedin. There is more synthesizer on this album than the others, mainly an old Juno synth. I do remember having a bath in Brooklyn while Robert was downstairs singing and writing. I thought he was singing "he's a factory man", so I dried off and went down and wrote "Factory Man" while thinking heavily of The Kinks". Robert Scott on "Mister Pop": "I remember thinking at the start of the NY sessions with Gary Olson, "is this the start of a new album?". We were coming up with quite a bit of new stuff, and of course, Gary is great to work with. We carried on at Burlington St in Dunedin with (engineer and Heavy 8) Tex Houston at the controls, good fun from what I remember, lots of mucking around with keyboards and synths. We were going for that Krautrock groove and we sure got it on "Tensile", one of my faves along with the pure pop of "Dreamlife". CLEAN "Unknown Country (re-issue 1996)” (MERGE) MRG739 LP January 29 street date. David Kilgour on "Unknown Country": "The Clean always wanna try something different, but on this LP, we were obsessed with the idea. I remember we generally left vocal ideas to last, after the tracks were recorded, so we never really knew where we were headed.
    [Show full text]
  • 20200203 Recensie De Standaard
    DE STANDAARD MAANDAG 3 FEBRUARI 2020 D7 Editors blikt bombastisch terug Concert Na vijftien jaar carrière een ‘greatest hits’­compilatie uitbrengen is een beetje zoals vroegtijdig het geld van je pensioenspaar­ rekening cashen. Leuk voor even, maar je verliest veel rendement op langere termijn. ompilatieplaat Black gold van Editors Editors verscheen eind vorig Gezien in Cjaar en bundelde singles en het Sportpaleis akoestische versies van niet­singles op 1 februari. van de zes studioalbums. Maar op ¨¨¨èè de bijbehorende tournee bleken de hits niet onverwacht vooral uit doorbraakplaat An end has a start (2007) te komen. Voor wie net als ik ongeveer zes­ tien jaar was toen de band in 2008 Er lag een sterke setlist op het podium, maar helaas werd die te steriel gebracht. © Koen Bauters de duizendste show ooit op Rock Werchter speelde, was het vast een nostalgisch weerzien. Dat jaar en ‘Thank you for spending your dionrockers als ‘A ton of love’ en bliek hengelden. stond de band ook op Pukkelpop, saturday night with us miserable ‘Formaldehyde’ en pompende Gelukkig waren er nog het op­ en alle nummers die toen op de bastards from the UK’ kregen we synthpop was er ook een veelheid ruiende ‘The racing rats’, een aan setlist stonden, passeerden in een niet. Geen Brexit­statements, geen aan bunkerballades. ‘The weight of het voorprogramma Whispering stampvol Sportpaleis de revue. Met eerbetoon aan Andy Gill van post­ the world’ en ‘Spiders’ werden door Sons opgedragen ‘Munich’ en een meeklapper ‘An end has a start’, punkpioniers Gang Of Four – noch­ een immer theatraal grimassende laatste epilepsieaanval/handjeklap­ debuutsingle ‘Bullets’ en de aan­ tans hoorde je zijn gitaarspel door­ frontman ingezet, voor ‘Ocean of salvo bij ‘Smokers outside the hos­ houdende gitaarnoten in ‘Bones’ schemeren in oude Editors­num­ night’ en ‘Walk the fleet road’ pital doors’ om iedereen weer wak­ scoorde de groep in de eerste tien mers als ‘Blood’ en ‘Fingers in the kroop hij achter zijn piano.
    [Show full text]
  • Sounding the Future.Pdf
    GAIL PRIEST SOUNDING THE FUTURE a ficto-critical exploration of art’s sonic futures an audio/hypertext ACKNOWLEDGMENTS Sounding the Future has been a three-year project. Over this time I have drawn upon the wit and wisdom of many generous people including but not limited to Thomas Burless, Michaela Coventry, Julien Pauthier, Peter Blamey, George Khut, Pia van Gelder, Tom Smith, Robin Fox, Michaela Davies, Guy Ben-Ary, Cat Hope, Jasmine Guffond, Peter Hollo, Matt Cornell, Hamish Innes-Brown, Mamoru, Jin Sangtae, Julie Vulcan, Lizzie Muller, Katerina Sakkas and Max Breedon. I left my job of 15 years at RealTime Magazine to undertake this project and I thank Keith Gallasch and Virginia Baxter for their support and encouragement in this venture and for teaching me everything I know about writing. I was able to take this leap of faith courtesy of an Australia Council Emerging & Experimental Arts Fellowship and I thank the peers that thought me worthy of this honour. The project began with a residency in Bourges, central France, hosted by Bandits- Mages and La Box, ENSA and I thank Sandra Emonet, Isabelle Carlier, Ewen Chardronnet, Marta Jonville, Chloé Nicholas, Jean-Michel Ponty and Roger Cochini for their support and hospitality. This project concludes with the exhibition at UTS Gallery and I thank Tania Creighton, Eleanor Zeichner and the UTS Art staff for the opportunity to present the work in Australia. Finally huge gratitude to my family who have always supported my endeavors and to Samuel James for providing sage advice ranging from the technical to the philosophical to the emotional.
    [Show full text]
  • Michigan, NY Artists Win Grand Prizes at Artprize Dark Voice Swings Between Bass and Treble
    LIFESTYLE37 SUNDAY, OCTOBER 11, 2015 Features This file picture taken on July 13, 2013 shows lead singer Tom Smith of the British alternative rock band Editors performing at the Optimus Alive music festival at Alges, on the outskirts of Lisbon. —AFP Elusive British band Editors go electro with ‘In Dream’ ith their fifth album “In Dream”, British band Editors continue to defy categorization, hav- Wing left behind the energetic guitar rock of their early releases with a journey to disco’s darker side. “It’s experimental and pop at the same time,” singer Tom Smith said of the album, which was made in just over six weeks in an artist’s small, isolated house in western Scotland. Since their debut in 2002, the band have sought to forge a distinct identity, defined by powerful guitars, dark subject matter and Smith’s deep voice that recalls Ian Curtis, singer of legendary 1980s Manchester band Joy Division. “We came out at a time with a new wave Amandine Drouet, left, and Jodi Fleck put the finishing touches on Embodied Energy Studio’s ArtPrize entry “Current Collections” at Calder Plaza in Grand of British bands, such as Bloc Party, Maximo Park, and Rapids. they all sounded similar,” bassist Russell Leetch told AFP of the 10 tracks, a fusion of organic sounds and haunt- ing strings. “The majority of pop singers don’t have a baritone voice, so it gets moodier, it gets heavier,” said Leetch, who cites The Cure and Radiohead as his inspirations. After their first two albums-”The Back Room” (2005) and “An End Has a Start” (2007) — charted respectively at numbers two and one in the British charts, Editors looked set to claim their place at the head of the trans- Atlantic pop-rock scene.
    [Show full text]
  • Grimdark-Magazine-Issue-12 PDF-1
    1 Contents From the Editor By Adrian Collins A Ring to Rule Them All by Luke Scull An Interview with Richard A. Knaak Tom Smith Peddler By William Stiteler Review: Faithless Author: Graham Austin-King Review by Malrubius An Interview with Richard Lee Byers Tom Smith Brainstorming and Plotting By Aliette de Bodard An Interview with Michael J. Sullivan Tom Smith Review: Swarm and Steel Author: Michael R. Fletcher Review by Matthew Cropley Red Glass by Anna Smith-Spark 2 The cover art for Grimdark Magazine issue #12 was created by Jason Deem based on Anna Smith-Spark’s story Red Glass. Jason Deem is an artist and designer residing in Dallas, Texas. More of his work can be found at: jdillustration.wordpress.com, on Twitter (@jason_deem ) and on Facebook (https://www.facebook.com/JasonDeemIllustration). 3 From the Editor ADRIAN COLLINS It’s been an exciting quarter with what feels like a million things rolling at once. This quarter we popped all the paperback and hardcover Kickstarter backer copies of Evil is a Matter of Perspective in the post, we got our cover art and design done on Secret Print Project #2, we worked with debut author Anna Smith- Spark (who is going to be epic), and, after almost three years of chasing one, finally got to publish a Luke Scull The Grim Company story. This issue also closes out three years of publishing Grimdark Magazine. Thank you, from the bottom of the pit where my soul is supposed to be, for continuing to back us to deliver the best in short grimdark fiction, articles, interviews, and reviews.
    [Show full text]
  • ACCOUNTABILITY the OZ Principle Getting Results Through Individual and Organizational Accountabil.Pdf
    THE OZ PRINCIPLE Getting Results Through Individual and Organizational Accountability Roger Connors • Tom Smith • Craig Hickman Prentice Hall Direct Library of Congress Cataloging-in-Publication Data Connors, Roger. The Oz principle : Getting Results Through Individual and Organizational Accountability / Roger Connors, Tom Smith, Craig Hickman. p. cm. ISBN 0-7865-8728-8 1. Management - United States. 2. Responsibility. 3. Success in business - United States. I. Smith, Tom (Thomas A.) II. Hickman, Craig R. III. Title. HD70.U5C59 1994 93-38720 658 - dc20 CIP © 1994 by Roger Connors, Tom Smith, Craig Hickman All rights reserved. No part of this book may be reproduced in any form or by any means, without permission in writing from the publisher. Partners in Leadership, LLC, has given permission to Prentice Hall to use the following materials in the book The Oz Principle: Steps to Accountability Chart, The Victim Cycle Chart, The Commitment Process diagram, A List of Clues That Indicate Accountable Attitudes and Behaviors, See It self assessment, Own It self assessment, Six Key Questions to Help You See Your Accountability, Solve It self assessment, Do It self assessment, List of Clues to Know When You’re in the Victim Cycle, Victim Cycle Self Examination, The Twenty Tired Excuses, Ways in Which You Can Demonstrate Your Accountability, List of Keys to Accounting for Progress, Differences Between Above and Below The Line Reporting, The Above The Line Leadership Checklist (Do’s and Don’ts), The Organizational Accountability Assessment, Ten More Above The Line Questions. Copyright on these materials is by Partners In Leadership, LLC, 1989-1993. Selected quotations were taken from the book The Wonderful Wizard Of Oz by Frank Baum.
    [Show full text]
  • Travels from Stark Mini- Manifesto with Sonic Embellishments by Laptop Malism Created by Pianist Brian Marsella’S Glistening Programmer Keepalive
    DOWNBEAT Money Jungle Revisited: Ellington, Mingus & Roach DAVE DOUGLAS The /// DARCY JAMES Tr avels of A RGUE /// JANE JANE M ONHEIT /// 36TH Darcy James A NNUAL Argue S TU D ENT Jane M USIC Monheit A WAR D S Charlie Haden Transcription 36th Annual Student Music Awards JUNE 2013 U.K. £3.50 JUNE 2013 JUNE DOWNBEAT.COM june 2013 VOLUME 80 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Maggie Glovatski Cuprisin 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • 2020'S BEST MUSIC MARKETING CAMPAIGNS
    DECEMBER 09 2020 sandbox ISSUE 266 | Music marketing for the digital era 2020’s BEST MUSIC MARKETING CAMPAIGNS SANDBOX CAMPAIGNS OF THE YEAR 2020 2020’s BEST MUSIC MARKETING CAMPAIGNS elcome to Sandbox’s shortlist we had a record number of entries, from labels of the best, most original, and of all sizes from around the world. W most impactful music marketing campaigns of 2020. It’s a celebration of We’re very grateful for everyone who submitted remarkably innovative and creative work across campaigns for consideration – and we hope that a vast array of genres, with many notable in these campaigns you find a wealth of brilliant achievements notched up along the way. As ideas, new technologies, and daring creativity to ever, these successes are down to collaboration inspire your own work in the future. and teamwork, and we’re celebrating the people and companies that worked hard to make it all As always, campaigns are listed in alphabetical happen, too. order, but there are spot prizes throughout for the campaigns that we felt achieved something This was, of course, an exceptional and difficult special in an outstanding year. year for everyone as the global pandemic hit. Here’s the best of 2020. :) The vast majority of campaigns included here Eamonn Forde, mention how their plans were badly affected, Editor ideas were scrapped and new strategies had to be developed on the fly. EDIT methodology & notes • Labels could submit multiple campaigns. It is a testament to the indomitable spirit of the • Campaigns were selected on the basis marketing community that campaigns were able of originality, creativity, and impact.
    [Show full text]
  • RACING SOUTH, March 1986 the Ninth Annual 10 Kilometer G3DPER RIVER BRIDGE RUN Saturday, April 5,1986 — 8:30 A.M
    March 1986 ic Dattle of New Orleans, South Carolina’s Geer and Branch dual at the 79th Jackson Day 9K That’s because there hasn’t been a running shoe serich is women runners could really fit into. 0 And through an extensive foot measurement study, we found out the reason. Women who average 30 miles' or more a week have a narrower heel, a higher arch, and a broader forefoot area. The results of our research? The new Athena from Converse. When we tested it against ordinary run­ ning shoes, serious women runners Elite women runners (301 wiin haveanarrowot heol.Q hltjluti. overwhelmingly chose the Athena. broader forelool aron And better fit wasn’t the only reason. It’s got a dual-density midsole that gives you r foot on I standing support and cushioning where you need ii most. Heel and midfoot over­ lays are sewn into the outside of theshoe tor Plus heel and midfoot overlays on the outside, that I iclp additional stability. keep your foot more stable when you run. And it’s slip- lasted, which means it’s got terrific flexibility. Step into the new Athena at your Converse dealer. It’s the first shoe that takes serious women run­ ners seriously. ^ * ------------ — ---------- COI1VERSE Reach for the st.u. M a * g a z ISSN 0164-5129 Vol. VIII, No. 9, March 1986 Racing South (ISSN 0164-5129) is pub­ lished monthly for $10.00 per year, $18.00 for two years, or $24.00 for three years by Running Things, Inc., 5504 Springwood Lane, Stone Mountain, GA 30087.
    [Show full text]