Alliteration Onomatopoeia Metaphor Simile Hyperbole Personification Idiom
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Waking up from «Conjecture» As Well As from «Dream»
DOSSIER WAKING UP FROM «CONJECTURE» AS WELL AS FROM «DREAM» A presentation of AIME Text: Bruno Latour GAD Distinguished Lecture, American Anthropology Association meeting, Chicago 21st of November 2013 1 Abstract As every ethnographer knows, in addition to the many blunders every one of us commits in the course of our feldwork, there exist also graver mistakes when we sense a mistaken regime of reality granted to an entity. It is at those moments, usually the most revealing in the course of our inquiries, when we try to repair broken relations by some innovative move to defne the status of the contrasting realities that have been open to misinterpretation. During the last quarter century I have attempted, quite systematically, to increase the number of templates by which the so-called Moderns account for themselves; not, to be sure, in their ofcial representation (they remain staunch adepts of the Object-Subject Operating System and will swear that they are obedient naturalists), but by looking for the many occasions where they express dissatisfaction with such an ofcial view of themselves. What I think I have documented are the protestations by many diferent people that a skewed template is being used to account for the mode of existence of the agencies that are most attached to them. Keywords: method; ontology; modernism; inquiry; physical anthropology; diplomacy «Thus there would be two natures, (the world is made of objects and subjects, period) with the one is the conJecture bewildering number of entities they have never ceased to and the other is the dream» encounter or to generate along their path. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
BISCUIT SOCKS Instructions for Double-Pointed Needles
1/5 BISCUIT SOCKS By Isabelle - Fluffy Fibers Instructions for double-pointed needles I love DK socks. They knit up fast, and they are so cosy and warm to wear when staying home – which most of us are doing a lot of right now… At the close of this challenging year, I wanted to give you a little nugget of warmth and love, from my heart(h) to yours. I hope you enjoy knitting the Biscuit Socks for yourself, or perhaps as a comforting gift for a loved one. The light texture make the rounds addictive – just like a little pile of biscuits that we might enjoy going through as we knit and sip on our favourite warm beverage. I would be most grateful if you tagged me @fl uffyfibers and used #BiscuitSocks if you share your Biscuit Socks and WIPs on Instagram. Biscuit DK Socks – Fluffy Fibers Designs 2020 – all rights reserved 2/5 MATERIALS - 100 (150) g of sport to DK yarn. I - 1 set of 3.5-mm DPNs used 230 metres of Lang Super Soxx - 1 wool needle 6 ply for the smaller size. Some of - 1 removable stitch marker my test knitters needed as much as 300 metres. - 1 set of 3-mm DPNs FINISHED CIRCUMFERENCE: 21 (23,5) cms. GAUGE: 24 st : 10 cm in biscuit pattern ABBREVIATIONS: BOR: beginning of round p2tog: purl 2 stitches together CO: cast on RS: right side DPN: double-pointed needle sl: slip k: knit ssk: slip, slip, knit k2tog: k 2 stitches together w/: with p: purl WS: wrong side. -
Mastering the Metaphor
Mastering the Metaphor ACBS World Conference IX Colleen Ehrnstrom, Ph.D. Boulder, Colorado, USA www.actskillsgroup.com Many thanks to Chad Emrick and Carl Baccellieri and the Boulder ACT consultation group for their advice and feedback regarding this workshop. We utter about one metaphor for every 10 to 25 words, or about six metaphors a minute (Geary, 2011). Metaphors are represented in this presentation in both written and visual form. Metaphor: Picture is worth a 1000 words (embedded in computer metaphor) 1. Learn where metaphors fit into the infrastructure of the ACT model 2. Understand the basic science of metaphors 3. Know and apply the guidelines for using metaphors in therapy 4. Watch therapists use metaphors in the therapeutic context 5. Practice using some ACT metaphors in the therapeutic context Mechanistic versus Contextual Metaphor: Bank of a stream– Where does the bank end and the water begin? Functional Contextualism – given the context, what is the function? Metaphor: Google maps v floorplan – do you want to drive there or live there? Suffering is related to language Metaphor: Your words slice through me like knives RFT is the science behind ACT Metaphor: Driving a car without knowing the mechanics of it Pliance (“plys”) – compliance with verbal rules that are socially supported. Plys are typically our first introduction to rules. Examples: Eat 5 servings of fruits and vegetables to stay healthy Wear a coat – it is cold outside Metaphor: Go the extra mile What are your plys about doing ACT in the therapy room?? Plys are more prevalent because they do not require direct experience. -
The Use of Metaphor in Poetry
THE USE OF METAPHOR IN POETRY structure 3.0 - Aims and Objectives 3.1 Introduction 3.2 Traditional definition of metaphor 3.3 Distinction between simile and metaphor 3.3.1 Changein the trditidndunof metaphor 3.3.2 Difference between traditional and modern uses of metaphor 3.4 Simile and metaphor in a chain 3.4.1 Comptex metaphors 3.4.2 Symbd and conceit 3.5 Varieties of metaphor 3.5.1 Contemporary concept ofmetaphor 3.5.2 USe of me!apbor in modern poetry 3.6 imageas metaphor 3.7 Analogical and contextual notions of metaphor 3.8 Summing up 3.9 Activities: aids to answers 3.10 Glossary 3.0 AIMS ANI) OBJECTIVES This Unit discusses the use of metaphor in poetry. After going through it, you wiU learn that metaphor, like simite, is based on comparison between two dissimjlar the; the language we use being metaphoric in origin, some of our expressions have lost their original metaphoric character and have become dead metaphors; the traditional definition of metaphor as shortened simile has become modified in that metaphors.are not &&ed tidm simple logical comparisons; 0 dilethe traditional use ofwetaphor is for bringing out the points of similarity between two things, the mderh use of it is to make it serve as a ceqtral concept of the poem; in many poems the simik and the metaphor are indeed combined as in a chain. This suggests that though a siml is at the root of every metaphor, it is metaphor that - makes the poem vivid and symbolical; if the suggestecf-resemblane of the things compared is far-fetched or arbitrary, the metaphor acquires the character of a symbol or a conceit; * poets no longer consider a wtaphor as a distinct rhetorical element but associate it with other stylistic elements as 'metaphors'; * metaphor has become a condition of poetry and a means for the evocathn of connota~imand assoeiationscentral to the poem; in mdmpoetry,metaphar implies a transaction between contexts and kelps the overt meanings of images toacquire metaphoric significance; and . -
The Image of Rebirth in Literature, Media, and Society: 2017 SASSI
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Society for the Academic Study of Social Imagery School of Communication 2017 The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings Thomas G. Endres University of Northern Colorado, [email protected] Follow this and additional works at: http://digscholarship.unco.edu/sassi Part of the Film and Media Studies Commons, History Commons, and the Rhetoric and Composition Commons Recommended Citation Endres, Thomas G., "The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings" (2017). Society for the Academic Study of Social Imagery. 1. http://digscholarship.unco.edu/sassi/1 This Conference Proceeding is brought to you for free and open access by the School of Communication at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Society for the Academic Study of Social Imagery by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. THE IMAGE OF REBIRTH in Literature, Media, and Society 2017 Conference Proceedings Society for the Academic Study of Social Imagery Edited by Thomas G. Endres Published by University of Northern Colorado ISSN 2572-4320 (online) THE IMAGE OF REBIRTH in Literature, Media, and Society Proceedings of the 2017 Conference of the Society for the Academic Study of Social Imagery March 2017 Greeley, Colorado Edited by Thomas G. Endres University of Northern Colorado Published -
Enhancing the Students' Rhetoric Attainments in Teaching of College
Sino-US English Teaching, July 2019, Vol. 16, No. 7, 300-305 doi:10.17265/1539-8072/2019.07.003 D DAVID PUBLISHING Enhancing the Students’ Rhetoric Attainments in Teaching of College English Intensive Reading ZHANG Rong-gen Shanghai Publishing and Printing College, Shanghai, China Beginning with various definitions of rhetoric, the paper gives a survey of some common English rhetoric figures found in College English intensive reading, such as metaphor, simile, transferred epithet, allusion, hyperbole, personification, metonymy, antithesis, onomatopoeia, double negative, inversion, rhetoric question, parady, transferred negation, and the like. By elaborating the functions of those rhetoric figures, the paper attempts to enhance the students’ rhetoric attainments and arouse their interest in learning English. Keywords: rhetoric attainments, rhetoric figures, College English teaching Introduction Some students often complain that the teaching of College English intensive reading course is so monotonous. It is really the case. How can a tasteless person feel his delicious food? And a certain rhetoric attainment is the prerequisite for the student to enjoy this “delicious food” of College English intensive reading course. The category of rhetoric is quite broad, one of which definitions is given by Aristotle as the art of public speaking by means of persuasion (Aristotle, 1954, pp. 2-12); and Hartwell extends the definition of rhetoric as the art of using words in speaking or writing (Hartwell & Bentley, 1982, pp. 1-15). That is to say, rhetoric contains both the art of public speaking and the method of composition. According to Chen Wangdao, a modern Chinese rhetorician, rhetoric includes both active rhetoric and passive rhetoric. -
A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The piE stemic Power of Metaphor: A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kennedy, Rodney, "The pE istemic Power of Metaphor: A Rhetorical Model for Homiletics." (1990). LSU Historical Dissertations and Theses. 5063. https://digitalcommons.lsu.edu/gradschool_disstheses/5063 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Workers in the Vineyard
Workers in the Vineyard This parable (Mt 20:1-16) is about several workers who are hired by a land owner, over different periods of time. In the evening, the workers who are hired first expect to be paid more than those hired later. But the owner pays all of the workers equally. Land Owner: Most of the productive land was held by large-scale elite owners. From the First Temple period through the Second, a pronounced shift in the patterns of land tenure took place, shifting from smallholders producing the Mediterranean triad of grain, grapes and olives for subsistence to large estates orientated to large-scale production and export crops. The owner in this parable is one of the wealthy sub-elites who owned large estates and converted the land to viticulture dedicated to the production of export crops. Laborers: The social order consisted of a patron-and-client society of unequal relationships with the estate owners assuming the role of patrons and those who have lost the land becoming their clients. In such a relationship the client’s wellbeing is determined by the closeness of rapport he maintains with the patron. The landless laborers in the parable did not belong to the ambit of such a relationship. They were outside of any assured protection and regular work opportunity and, hence, more vulnerable to be deprived of their basic wages even on rare occasions when they found a work to do. Early workers: The working hours of the Israelites were 12 and was counted from 6:00 A.M. -
Descriptive Writing.Pdf
Let's f)escribe Descriptive writing rto: of writing thar i i atempts ro share with the reader j": *n;; m u s, u s e w ord "; with*:i:,r.T* the color, #:j::: age, size, ::: s de a,i n g "::'":J::jshape, scent, sound,^:::rr9,i" materiar, ,""r".l,lttnllrlJTHrfi:ffi temperature' The use of descriptive words and phrases esting and gives rur.., the writing more inter- the reader a tetter understaniing of and settings' problems, characters, Descriptive writing makes the subjeJt.o.n.-utiu"."urnir, when this happens, easier for the readei to ;lffi"#:t become invotved with the characters unoit.i. Read the folrowing exampre of descriptive writing. Then answer the questions. My rittle brother Andrew had a very large, flrffy, brlc-k -{ white blaze dog. The dog,s name was decorated her forehead uno Murphy. onJorrr". r.gr.-uer shiny coat glistened. Murphy was^very smart. By the time she was one yelr_grd, Murphy was already weil things when instructed Her ravorit"iov ::il:lr:f;ffT;:;lrTjfl.iTf# 'u, a sort, red, Murphy tu'1very friendly doug' very quier and serdom tiiendliness' Murphy would lT :l barked or growred. In her t'n to uiyon" who came near. prayful pant leg or sleeve Murphy might tug on your if given the chance. rhor" who play' knew h", uno"rrtood that she just Strangers' however' were often wanted to frightened u, ,rr" ,igrr, ,r this.big, shaggy dog running at rrom this;;"d";:""t ffi'ilTl; lll;Ji3J,,??T::ifl**1iJ.",,l::?; '.'"; Murphy ivas l. -
Seasonal Swatch Book 2021 SS
Mississippi TanTec Leather, Inc. 101 TanTec Way, Vicksburg, MS 39183, USA Tel: +1 601 429 6081 Saigon TanTec Leather Ltd. Lot M2-M3, Viet Huong 2 Industrial Park, An Tay Village, Ben Cat District, Binh Duong Province, Vietnam Tel: +84 274 357 9101/357 9102 Heshan TanTec Leather Co., Ltd. No. 1 Xingli Road, Hecheng Town, Heshan City, Guangdong Province, 529727, China Tel: +86 750 831 3280 / 831 3294 2021 SPRING / SUMMER Scamosceria del Brenta srl Via Pre' 42, 36061 Bassano del Grappa (Vicenza), Italy COLLECTION Tel: +39 (0) 424 568124 r.a. Send us an email to [email protected] for inquiries. ISA INDUSTRIAL LTD. WWW.LITELEATHER.COM MACAU (CHINA) | USA | VIETNAM | CHINA | ITALY | HONG KONG (CHINA) ABOUT ISA SWATCHBOOK Growing The Brand Seasonal Swatchbooks are provided to our customers Behind The Brand twice per year showcasing our meticulously developed leathers according to current trends. Cuttings and color stories are provided for each featured leather. As an LWG Gold Rated tannery, we also compare the water and energy consumption from our production processes for each tannage. This shows our customers Consolidating suppliers is easy the environmental savings which can be achieved from with ISA. Due to our recent acquisitions and expansions, we buying ISA tanned leathers. are now able to offer different leather footwear component needs: Shoe leather, genuine Italian leather, cut parts, leather trims, labels, and laces. All are made in our sustainable facilities! As a tannery, ISA TanTec is committed to conserve the environment and resources. LOW IMPACT Sustainability is an important part of ISA’s identity. -
Literary Terms-Key
Malcolm Literary Terms ________________________ English 11 Name 1. Allegory – A story with 2 levels of meaning: literal and symbolic 2. Alliteration – Repetition of a consonant sound at beginning of words. 3. Allusion – Reference to well-known people, places, events, work of literature, etc. 4. Ambiguity – When a statement contains 2 or more possible meanings. (“I promise I’ll give you a ring tomorrow.”) 5. Ambivalence – The state of having 2 opposing feelings toward a person or thing at the same time. (“Can’t live with you, can’t live without you.”) 6. Analogy – The comparison of a new idea to a well-known idea to aid in comprehension 7. Anecdote – A brief story about an interesting, unusual, or humorous event 8. Antagonist – Character or force in conflict with the main character. (The Joker, The Green Goblin) 9. Antanaclasis – Stylistic repetition of a word utilizing different definitions of the word each time (“We must all hang together, or assuredly we will all hang together.”) 10.Antithesis – The use of phrases with opposite meanings in close conjunction. (“One small step for man; one giant leap for mankind.”) 11.Aphorism – A general truth or observation about life, often witty. (An apple a day keeps the doctor away.) 12.Apostrophe – figure of speech in which the writer directly addresses the reader or an absent/abstract idea. (Build thee more stately mansions, oh my soul.) 13.Aside – In drama, a short passage that an actor speaks to the audience and the other characters pretend they cannot hear. 14.Assonance – repetition of vowel sounds. (Ashley asked for applesauce after her anchovies.) 15.Autobiography – Work of nonfiction in which the author writes about his/her own life.