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Rabin has proven himself COMPOSER TREVOR RABIN MAKES SUCCESS LOOK SIMPLE. three times over. Before leav - ing his native South Africa, he played with the band Rabbit, whose regional popularity rivaled that of the Beatles. Soon after he started working in America and the U.K., his songwriting, pro - “Nowadays directors expect duction, and guitar virtuosity helped spur the veteran progressive-rock group Yes to its greatest commercial successes. And shortly after amicably exiting Yes, he established himself as one of you to mock up the score Hollywood’s most in-demand film composers. to an incredible “Y ES AnD I hAD A phEnOMEnAL RELATIOnShIp , AnD I’ M STILL itwillsoundlikewithorchestra.Infact,therehavebeen friendswiththeband,”insistsRabin.“Butafter15years timeswhendirectorshavebecomesousedtohearing degree via MIDI.” itstartedtofeelalittlelikethesameoldsameold. thedemothattheyoptedtouseitevenafterhaving Itwasgreat,butIwasreadyforanothersortofchal - spentsixtygrandonanorchestralsession.” lenge.”hesubsequentlyscoredsuchbig-screen ThecenterpieceofRabin’sstudioisasetofYamaha blockbustersas Con Air , The Deep Blue Sea , The One , digitalrecordingconsoles.“Ihavefour02RsbecauseI and Gone in 60 Seconds . needsomanychannels,andtheylinkupsophenom - Rabinfindsitironicthatsomeill-informedobservers enallywell,”explainsTrevor.“IalsohaveaYamaha01V seehimasarockinterloperfakingitinfilmscoring. mixerIuseasamonitorsystem.Everythingruns “It’sfunny,”hemuses.“WhenIwasinYesandRabbit, throughtheYamahas’24-bitA/Dconverters.The peoplewouldaccusemeofbeingaclassicalmusician soundqualityisphenomenallytransparent,andtheEQ pretendingtobearockstar.AndthenwhenIstarted isalotmoreforgivingthanonalotofvintageconsoles. doingmovies,theysaid,‘he’sarockstartryingtobea Infact,the02Rsarejustabouttheonlypartofthe composer!’” chainthatnevercausesproblems.” Infact,Rabinhasalwaysstraddledthetwoworlds. Rabinmakesfulluseoftheconsoles’abilitytostore hecreditspartofhiseclecticismtohisfather,aviolin - andrecallmixes.“ThatfeatureissoessentialtowhatI istwholedtheJohannesburgSymphonyformany do,”hesays.“Everycuehasadifferentpatch,withits years,whoalsohadasympatheticearforrock.“he ownEQ,compression,andreverbs,andtherearetyp - wasaphenomenallywell-educatedmusician,”says ically40to50cuespermovie.Ijustwritetheprogram Trevor.“ButI’dsometimescomehomeafteraRabbit changesintothesequencer,andittellsthe02Rtogo gigandfindhimlisteningtoJimihendrix’s Electric tothespecificprogramforthatcue.” Ladyland withheadphones.”Trevorhimselfstudied Trevor’slatestscoreshavebeencreatedin5.1 TR E V O R R A B I N: theory,composition,andconductingwithnoted surroundmode.“I’vealwaysenvisionedmusicinthose teacherWalterMony. terms,”hesays,“soit’sgreattobeabletoactually writethatway.It’sgoodfor keepingmusicfromclashing withsoundeffects,andwhen from big rock to big screen youhaveanessentialmelody thatoccursoverdialog,there’s now,Rabincreatesmuchofhismusicona theoptionofplacingitfarinthebacksoitgetsout computerinhisstudio,thoughblazingguitarsstillfigure oftheway.” stronglyinsomeofhisscores.“Idoallthewritinghere Rabinestablishedhimselfwithbrash,guitar-driven andrecordalmosteverythingexceptorchestras,”he actionscores,buthe’smadeapointtoexpand explains.“ButI’musuallygoingforanorchestralsound hisrepertoirewithsuchdeparturesastheall-orchestral longbeforewerecordtheorchestra,becausenowa - Remember the Titans ,theRoots-flavored Home daysdirectorsexpectyoutomockupthescoretoan Grown ,andtheAfrican-influenced Whispers .Trevor incredibledegreeviaMIDI.Ithastobefullyarranged revelsinthedisplayinghisrange.“Aslongasthere’s andrealizedsothatitsoundsalmostidenticaltowhat diversity,”hesays,“I’mhappy.” 10 yama ha all access spring 2 k2 11.

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Sandspur, Vol 90, No 05, November 22, 1983

University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-22-1983 Sandspur, Vol 90, No 05, November 22, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 90, No 05, November 22, 1983" (1983). The Rollins Sandspur. 1616. https://stars.library.ucf.edu/cfm-sandspur/1616 Volume 90 Number 5 photo: jerry Uelsmann (story, page 5) Rollins College Sandspur, November 22,1983 pg. 2 The Haagen-Dazs Collection Haagen-Dazs presents the two straw mi Ik Nlv Arte shake A frosty smooth shake so thick and rich, Fine Lingerie • Foundations vou'll probably want two straws to drink it! Swimwear • Loungewear 218 Park Avenue N. Winter Park, FL 32789 Haagen-Dazs Telephone: 647-5519 ^^ Park Avenue 116 E. New England Ave. • Winter Park • 644-1611 Solar Heated Water fit FAIRBANKS EASTERN POLYCLEfiN GfiS fiND BEVERAGE Just One Block North Your Complete Laundromat of Rollins Campus Just One Block North * Discount Prices On Our of Rollins Campus Large Assortment of Domestic and Imported Beer Soda and Snacks Daily Newspapers and Magazines SELF SERVICE (New York Times, Wall Street Journal Orlando Sentinel) Wash And Dry FULL SERVICE Dry Cleaning Don't Forget To Check Oat Oar Wash, Dry.
The Yes Catalogue ------1

THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13.
Big Generator Tour

. " " . "YES"" " ; Big Generator , / Tour BY RICHARD REITZ flashy stage , the group performecd StaffWriterStaff Writer "Hold" On ," and then put out theirr " " It's' hard to believe that it's' classic "Heart of the Sunrise. been over 4 years since the 90125 Yes continued to grind out Tour hit America (which, superb performances of new incidentally , started at songs , such ass their powerful " ," as Millersville ) , supporting that version of "Big Generator " ," blockbuster album which capped well as "Shoot High , Aim Low , " " - a reuniting of Yes after it seemed and "Holy Lamb.. Unfortunate - apparent they had split for good.. ly, Anderson experienced feed Well , here it is , 1988 , and Yes back trouble with his microphone " " is still making great music over in the beginning of "Holy Lamb , 18 years since their first record , but was able to slide through it supporting their latest album , Big: and perform it very well.. Generator. And once again, Yes Their show also included hit hits with a successful tour as songs from 90125 , such as " " well.. [This concert eliminated any "Owner of A Lonely Heart" and " " doubts that this band can still "Changes, as well as popular " play.. ] old Yes classics like "And You To start , the audience was And I"" and "Yours" is No " treated to two Popeye cartoons Disgrace . ("The" Jeep"" and "Gopnland""Goonland"" " for The highlight of the show came those interested) , which provided when Trevor Rabin creaked out a humorous entertainment before solo acoustica performance to the ' the concert... When these short likes of nothing I'd ever seen in features were over, music was concert..
2017 Rock and Roll Hall of Fame Inductees Yes Jon Anderson, Trevor Rabin, Rick Wakeman Are Set to Perform on the Verizon Hall Stage Sunday, October 1

Tweet it! .@YESfeaturingARW embarks on a global tour taking the @KimmelCenter stage on 10/1. More info @ KimmelCenter.org Press Contact: Monica Robinson (215) 790-5847 [email protected] 2017 ROCK AND ROLL HALL OF FAME INDUCTEES YES JON ANDERSON, TREVOR RABIN, RICK WAKEMAN ARE SET TO PERFORM ON THE VERIZON HALL STAGE SUNDAY, OCTOBER 1 FOR IMMEDIATE RELEASE (Philadelphia, PA, August 31, 2017) –– The wait is over. The legendary rock band YES is back after a 25 year hiatus, and it’s kicking off a global tour with a stop in Philadelphia. The Kimmel Center for the Performing Arts in association with BRE Presents & LME are proud to announce that the 2017 Rock and Roll Hall of Fame Inductees will take the Verizon Hall stage on October 1 at 7:30PM. Long-time YES fans can rejoice as Jon Anderson, Trevor Rabin, Rick Wakeman will reform the definitive YES line-up as Anderson, Rabin, Wakeman (ARW). “As one of the most influential and outstanding progressive rock bands in history, YES has transcended musical genres and accrued noteworthy accomplishment throughout its career,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “It is truly a surreal experience to be able to welcome these divine musicians to our campus, to put on what is sure to be a stunning performance for rock fans everywhere.” Since last playing together as YES in 1990 on the highly successful ‘Union Tour,’ there have been several hybrid versions of the English rock band, however, none that featured the iconic voice of founding member Jon Anderson, the outstanding talent of guitarist Trevor Rabin, and the keyboard wizardry of Rick Wakeman, until now.
Book Review with TTU Libraries Cover Page

BOOK REVIEW: BEYOND AND BEFORE: THE FORMATIVE YEARS OF YES BY PETER BANKS The Texas Tech community has made this publication openly available. Please share how this access benefits you. Your story matters to us. Citation Weiner, R.G. (2008). [Review of the book Beyond and Before: The Formative Years of Yes by Peter Banks]. Popular Music and Society, 31(1), 136-139. https://doi.org/10.1080/03007769908591748 Citable Link http://hdl.handle.net/2346/1546 Terms of Use CC-BY Title page template design credit to Harvard DASH. 136 Book Reviews Hammond’s myopic vision, his unrelenting determination, and his deep personal sorrows, but to his friends and supporters Hammond was a trying project. Perhaps, as Prial suggests, Hammond’s relationship to the Vanderbilts did him more good in his early years in music than his social skills. There are questions unanswered and undeveloped in this biography related to Hammond the man, such as his falling out with Aretha Franklin or his quick parting with Dylan. Each chapter of this book comes (another assault on your pocketbook) with a wonderful ‘‘discography’’ that should slow down the pace of reading but will contribute to a great start in building a library of American music of the 20th century. It is quite something how much music Hammond had a role in, and this portion of the book is an important reminder of the times and genres Hammond touched. As with all biographies there are problems and limitations. For those of us raised in the second half of the century, The Producer fails to deliver the same magic surrounding the discovery and signing of ‘‘our’’ heroes as it does around the early stars.
90125 by Yes

90125 by Yes Ebook 90125 currently available for review only, if you need complete ebook 90125 please fill out registration form to access in our databases Download here >> Audio CD:::+++Publisher:::: Japan Publications Trading Co. (August 6, 2013)+++Language:::: English+++ASIN:::: B00CIXE5BC+++Product Dimensions::::11.8 x 3.9 x 7.9 inches++++++ ISBN10 ISBN13 Download here >> Description: The early to mid-1980s was a most innovative period in rock and roll history, especially for bands that rode the so-called wave of producing new music and continued to be presence in the industry. Bands that helped to contribute to that wave had been predecessor to conceptual music in appearance and in sound during the late 1960s and 1970s, and the band Yes continued their presence through the following decade and on their album “90125”; the title originated from the band’s then record label ATCO and its catalog number that was misprinted. Aside from that, it was the most commercially produced albums in the band’s discography and of the decade, and it did not hurt that they became a major part of the MTV age in music and videos.By far, the single “Owner of a Lonely Heart” is the most memorable of the tracks on the album that is followed by “Leave It” and “It Can Happen.” Each song had a music video that played in heavy rotation on the music video channel. On the deluxe edition of the album and in addition to the initial album’s list of tracks, listeners have the chance to listen to alternate versions and extra tracks that are not on the original record,
A 50Th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – a Tribute to YES 1

A 50th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – A Tribute to YES 1. Machine Messiah (Featuring Nick D’Virgilio & Geoff Downes) 2. Yours Is No Disgrace (Featuring Marisol Koss & Tony Kaye) 3. Turn of the Century (Featuring Sally Minnear & Dave Bainbridge) 4. Sweetness (Featuring Pat Sansone) 5. Soon (Featuring Curved Air) 6. Cinema (Featuring Steve Hackett) 7. Changes (Featuring Robert Berry, Billy Sherwood & Tom Brislin) 8. I’m Running (Featuring Robin Schell, Billy Sherwood & Marco Minnemann) 9. Acoustic Medley (Featuring Jon Davison) i. Your Move ii. And You and I iii. Wonderous Stories 10. Yesterday and Today (Featuring Dr. Danny) 11. Long Distance Runaround (Featuring Leslie Hunt) 12. The Fish (Featuring Billy Sherwood) 13. Starship Trooper (Featuring Francis Dunnery) Produced by Dave Kerzner and Fernando Perdomo Executive Producer: Dave Kerzner FEATURING Jon Davison, Tony Kaye, Jay Schellen, Billy Sherwood Robert Berry, Francis Dunnery, Nick D’Virgilio, Geoff Downes, Steve Hackett, Marco Minnemann, Pat Sansone Dennis Atlas, Dave Bainbridge, Tom Brislin, Johnny Bruhns, Joe Cass, Derek Cintron, Dr. Danny, John Demarkis, Jay Gore, Marisol Koss, Roger Houdaille, Leslie Hunt, Walter Ino, Randy McStine, Sally Minnear, Mark Murdock, Hal Rosenfeld, Robin Schell, Jonathan Schang, Ken Sharp Curved Air: Sonja Kristina, Robert Norton, Paul Sax, Kit Morgan, Chris Harris, Andy Tween ℗ & © 2018 RecPlay, Inc. All rights reserved. All trademarks are the property of their respective owners. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited. A Tribute to YES People sometimes ask us what appeals to us about making The Beatles were my first love, then Yes became the logical a tribute album.
Jon Anderson Has One of the Most Recognizable Voices in Progressive

“Owner of A Lonely Heart” is one of Anderson’s biggest hits. JON anderson Jon Anderson has one of the most recognizable voices in progressive rock As the lead vocalist and which had previously included guitarist 1989, Anderson and other former Yes Peter Banks. Anderson fronted this band, members formed the group Anderson, creative force behind the band but ended up leaving again before the Bruford, Wakeman, Howe (ABWH), Yes, Jon Anderson was central summer was over. He remarks on his augmented by bassist Tony Levin who website that his time with the band had played with drummer Bill Bruford in to that band’s success. consisted of "too many drugs, not King Crimson. After the successful first enough fun!". ABWH album, a series of business deals Anderson was the author and a caused ABWH to reunite with the then- major creative influence behind the Anderson, Squire and Banks went on to form Yes, with drummer Bill current members of Yes, who had been series of epics produced by Yes and his out of the public eye while searching for role in creating such complex pieces as Bruford and keyboardist Tony Kaye. Their debut album was released in 1969. He a new lead singer. The resulting eight- "Close to the Edge", "Awaken", and man band assumed the name Yes, and especially "The Gates of Delirium.” stayed with the group until 1980, and this period is now known as the classic the album Union (1991) was assembled Additionally, Anderson co-authored the from various pieces of an in-progress group's biggest hits, including "I've Seen period of Yes.
February 1992

VOLUME 16, NUMBER 2 FEATURES FESTIVAL '91 BILLY PICTORIAL HIGGINS Highlights from MD's Festival LARS Weekend '91, featuring William They say that in jazz, nothing Kennedy, Deen Castronovo, Billy ULRICH speaks like experience. Well, few Cobham, Roy Haynes, Casey drummers have traveled all the Scheuerell, David Garibaldi, The maturing of a master metal roads Billy Higgins has: Coltrane, Tommy Aldridge, and monster: By stripping their music Monk, Rollins, Coleman...no won- Chuck Morris. to its basic elements, drummer der today's hottest players look to 30 Lars Ulrich and his Metallica Higgins for direction. mates have come up with their Find out why in this very fiercest statement yet. Learn special story. how Lars and company shatter 26 • by Lora Rosner cliches and lead the pack. • by Teri Saccone 20 MD's YAMAHA DRUM RIG GIVEAWAY Your last chance to win a Yamaha Drum Rig worth $12,400! 64 COVER PHOTO BY ROSS HALFIN COLUMNS Education 56 CLUB SCENE Beating The Breakdown Blues BY RICK VAN HORN Equipment 58 DRUM SOLOIST 40 PRODUCT Max Roach: "Blue 7" Departments TRANSCRIBED BY CLOSE-UP THOMAS P. BARRICK Pearl CZX Studio Kit BY RICK VAN HORN 4 EDITOR'S OVERVIEW 66 TRACKING 41 Pearl DR-100 News Drum Rack Getting Your Sight- BY RICK VAN HORN 6 READERS' reading Together 8 UPDATE BY EMIL RICHARDS 42 Unique Percussion PLATFORM Pro-Rizer Chad Wackerman, BY RICK VAN HORN Philthy Animal Taylor, 74 TEACHERS' 12 ASK A PRO the Violent Femmes' FORUM 43 Evans Genera EQ-3 Victor DeLorenzo, and Bass Drum System LA Guns' Steve Riley, Writing A Program BY RICK VAN HORN 16 IT'S Of Instruction plus News BY WOODY THOMPSON QUESTIONABLE 48 ELECTRONIC 121 INDUSTRY 76 BASICS REVIEW 62 LIAISON HAPPENINGS Professionalism: Yamaha DTS70 A Daily Dozen Triggering System BY MAT MARUCCI BY ED URIBE 98 CRITIQUE Profiles 78 STRICTLY 124 NEW AND 130 DRUM MARKET TECHNIQUE NOTABLE 54 PORTRAITS Developing The Drummers .
Legendary Yes Frontman Jon Anderson Announces New Album, 1,000 Hands, and a Spring U.S

Media Contacts: Michael Jensen President, Jensen Communications 626-585-9575 [email protected] Ryan Romenesko Vice President, Jensen Communications 626-585-9575 [email protected] For Immediate Release Legendary Yes Frontman Jon Anderson Announces New Album, 1,000 Hands, and a Spring U.S. Tour Coming to Milwaukee on April 19! The luminous new album features a stunning array of guest artists including Alan White, Chris Squire, Steve Howe, Jean-Luc Ponty, Ian Anderson, Billy Cobham and Chick Corea LOS ANGELES (February 19, 2019) – For music fans everywhere, a new album by legendary Yes singer Jon Anderson is ample reason to celebrate. But Anderson’s grand and glorious new solo album, 1,000 Hands, is quite unlike any other record – it’s an event, one which the singer’s loyal legion of fans across the globe have been wildly anticipating for three decades. The album, which will be released on March 31, can be previewed and pre- ordered here. Jon Anderson is making a stop in Milwaukee on Friday, April 19 at 8:00 pm to the Marcus Center’s Uihlein Hall. Tickets go on sale on Thursday, February 21 at 12:00 pm at the Marcus Center Box Office. Tickets can be purchased in person at 929 North Water Street, Downtown Milwaukee, online at MarcusCenter.org or Ticketmaster.com or call 414-273-7206. This is co- presentation with the Marcus Center and Alternative Concert Group. “I’ve spent long periods of time making some records, but I’ve never taken a journey quite like this one,” says the Rock and Roll Hall of Fame inductee.
Pre-Yes & Early Shows

Contact: [email protected] Pre-Yes & Early shows (1963/1969) ARTWORK SETLIST CD Yes Sessions - 1966-78 Studio recordings and radio broadcasts - B+ to A+, live recordings - C to B CD 1 : Created by Clive, Grounded, Flowerman, 14 hour technicolor dream (The Syn feat. Chris Squire & Peter Banks), Beyond and before, Images of you and me, Jeanetta (Mabel Greer's Toy Shop, BBC 1968), Looking around (Yes live 6/4/69, Johnny Walker Show), For everyone (Yes live 4/7/70, John Peel's Sunday Show), America (Yes live 10/20/70, Mike Harding Show), I've seen all good people, Astral traveller, everydays (Yes live in Gothenburg, 1/24/71) CD 2 : Bye bye goodbye baby (Yes live with Iron Butterfly, Copenhagen, 1/25/71), Yours is no disgrace, I've seen all good people (Beat Club, Bremen 1/28/71), 3 Starship trooper (Top of the pops, BBC 4/1/71), Clap, Perpetual change, America (Berlin, 6/5/71) CD 3 : Roundabout (demo 9/71), I've seen all good people (London, 8/23/71), The fish/Heart of the sunrise/Howe solo (BBC radio interview, 10/71), Your move/Perpetual change/Long distance runaround/Heart of the sunrise/Mood for a day/Yours is no disgrace (BBC program, excerpts from Hampstead, 10/3/71), The revealing science of God (BBC, 11/1/73), Don't kill the whale, Madrigal, On the silent wings of freedom ("Tormato" alternate versions) Moments - 1966-73 Studio recordings and TV broadcasts - A- to A+, live recordings - C- to B The revealing science of God (BBC, 01/11/73), Beyond and before, Images of you and me, Jeanetta (Mabel Greer's Toy Shop, BBC 1968), Dear father, Beyond and before, For everyone (BBC 1969-70), 1 Dear father, Eleanor Rigby, I see you (Live in Sheffield 21/12/1969), Witchi-Tai-Po (Larry Smith single feat.
Progressive Rock, “Close to the Edge, // and the Boundaries of Style

1 Progressive Rock, “Close to the Edge, // and the Boundaries of style JOHNCOVACH 1 “Progressive rock,” “classical rock,” “art rock,” “symphonic rock”- these labels have been used over the last twenty-five years by various authors to designate a style of popular music developed in the late 1960s and early 1970s, primarily by British rock musicians.’ During this time groups such as King Crimson, the Moody Blues, Procol Harum, the Nice (and later Emerson, Lake, and Palmer), Gentle Giant, Genesis, Yes, Jethro Tull, Van der Graaf Generator, and Deep Purple attempted to blend late-’60s and early-’70s rock and pop with elements drawn from the Western art-music tradi- tion.2 This attempt to develop a kind of “concert-hall rock‘‘-which was neverthe- less still often performed in stadiums and arenas-was the result of a tendency on the part of some rockers and their fans to view rock as“listening music” (as opposed to dance music), an aesthetic trend that Wilfrid Mellers3 attributes to the influence of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band of 1967.4 The early progressive rockers were not the first to employ musical elements gen- erally associated with the “classical” or art-music tradition in their arrangements. The mid- 1960s British-invasion groups, in an apparent attempt to surpass one another in eclecticism, began to use instruments and stylistic elements drawn from both the British music-hall and European art-music traditions. Music-hall elements are present, for instance, in Peter and Gordon’s “Lady Godiva” (1966) and Herman’s