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St. Paul's Music Presents Requiem in D Minor–Wolfgang Amadeus Mozart

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St. Paul's Music Presents Requiem in D Minor–Wolfgang Amadeus Mozart For the past thirty one years, St. Paul’s Episcopal Church has become a hospitable place where the human spirit speaks through the arts. St. Paul’s Music, a self-supporting 501(c)(3) not for profit organization, has a three-fold purpose. First, the organization supports mission projects such as recordings and tours. Second, St. Paul’s Music supports the Choral Scholar Program of St. Paul’s Choir School that underwrites private music lessons to deserving youth. Third, the organization continues to feature choral masterworks performed by St. Paul’s Choir with orchestra, as well as professional artists from the Indianapolis area and around the world. St. Paul’s Music is an organization dedicated to sharing the arts with all people in our community. St. Paul’s Music presents Requiem in D Minor–Wolfgang Amadeus Mozart (1756 – 1791) St. Paul’s Choir with Orchestra Indianapolis Sunday at 4:00 p.m. March 15, 2015 Lord, let me know mine end Maurice Greene (1696 –1755) Lord, let me know mine end, and the number of my days: that I may be certified how long I have to live. Behold, thou hast made my days as it were a span long, and mine age is ev'n as nothing in respect of thee; and verily ev'ry man living is altogether vanity. For man walketh in a vain shadow, and disquieteth himself in vain; he heapeth up riches, and cannot tell who shall gather them. And now, Lord, what is my hope? Truly my hope is ev'n in thee. Hear my prayer, O Lord, and with thine ears consider my calling. Hold not thy peace at my tears. O spare me a little, that I may recover my strength: before I go hence, and be no more seen. Psalm 39 Requiem, K.626 Wolfgang Amadeus Mozart (1756 – 1791) Introit Requiem Requiem aeternam dona eis, Domine, Grant them eternal rest, Lord et lux perpetua luceat eis. and let the perpetual light shine upon them. Te decet hymnus, Deus, in Sion, Thou shalt have praise, God, in Zion, et tibi redetur votum in Jerusalem. and homage will be paid to You in Jerusalem. Exaudi orationem meam, Hear my prayer, ad te omnis caro veniet. To You all flesh will come. Requiem aeternam dona eis, Domine, Grant them eternal rest, Lord, et lux perpetua luceat eis. and let the perpetual light shine on them. Kyrie Lord, have mercy on us; Kyrie eleison. Christ, have mercy on us. Christe eleison. Lord, have mercy on us. Kyrie eleison. Sequence Dies irae Dies irae, dies illa Day of wrath, day of anger Solvet saeclum in favilla, will dissolve the world in ashes, teste David cum Sibylla. as foretold by David and the Sibyl. Quantus tremor est futurus, Great trembling there will be quando judex est venturus, when the judge descends from heaven cuncta stricte discussurus! to examine all things closely Tuba mirum Sara Haisley, Soprano; Mark Stoner II, Alto; Michael Day, Tenor; Harry R. Mamlin III, Bass Tuba mirum spargens sonum The trumpet, will send its wondrous sound per sepulchra regionum Throughout earth’s sepulchres, coget omnes ante tronum. and gather all before the throne. Mors stupebit et natura, Death and nature will be astounded, cum resurget creatura when all creation arises again, judicanti responsura. to answer the judgement. Liber scriptus proferetur A book will be brought forth, in quo totum continetur, in which all will be written, unde mundus judicetur. by which the world will be judged. Judex ergo cum sedebit When the judge takes his place, quidquid latet apparebit, what is hidden will be revealed, nil inultum remanebit. nothing will remain unavenged. Quid sum miser tunc dicturus? What shall a wretch like me say? quem patronum rogaturus Who shall intercede for me, cum vix justus sit sicurus? when the just ones need mercy? Rex Tremendae Rex tremendae majestatis King of tremendous majesty, qui salvandos salvas gratis who freely saves those worthy ones, salva me, fons pietatis. save me, source of mercy. Recordare Recordare, Jesu pie, Remember, kind Jesus, quod sum causa tuae vitae, my salvation caused your suffering; ne me perdas illa die. do not forsake me on that day. Quaerens me sedisti lassus, Faint and weary you have sought me, redemisti crucem passus; redeemed me, suffering on the cross; tantus labor non sit cassus. may such great effort not be in vain. Juste judex ultionis, Righteous judge of vengeance, donum fac remissionis grant me the gift of absolution ante diem rationis. before the day of retribution. Ingemisco tamquam reus: I moan, as one who is guilty: culpa rubet vultus meus; owning my shame with a ed face; supplicanti parce, Deus. suppliant before you, Lord. Qui Mariam absolvisti You, who absolved Mary, et latronem exaudisti, and listened to the thief, mihi quoque spem dedisti. give me hope also. Preces meae non sunt dignae, My prayers are unworthy, sed tu bonus, fac benigne, but, good Lord, have mercy, ne perenni cremer igne. and rescue me from eternal fire. Inter oves locum praesta Provide me a place among the sheep, et ab hoedis me sequestra, and separate me from the goats, Statuens in parte dextra. guiding me to Your right hand. Confutatis Confutatis maledictis, When the confused are confounded, flammis acribus addictis, and doomed to flames of woe, voca me cum benedictus. call me among the blessed. Oro supplex et acclinis, I kneel with submissive heart, cor contritum quasi cinis, my contrition is like ashes, gere curam mei finis. help me in my final condition. Lacrymosa Lacrymosa dies illa That day of tears and mourning, qua resurget ex favilla when from the ashes shall arise, judicandus homo reus. all humanity to be judged. Huic ergo parce Deus. Spare us your mercy, Lord, pie Jesu, Domine, gentle Lord Jesus, dona eis requiem. grant them eternal rest Amen. Amen. Offertory Domine Jesu Domine Jesu Christe, rex gloriae, Lord Jesus Christ, King of glory, Libera animas omnium fidelium liberate the souls of the faithful, defunctorum de poenis inferni departed from the pains of hell et de profundo lacu. and from the bottomless pit. Libera eas de ore leonis, Deliver them from the lion’s mouth, ne absorbeat eas tartarus, lest hell swallow them up, ne cadant in obscurum. lest they be fall into darkness. Sed signifier sanctus Michael Let the standard-bearer, holy Michael, repraesentet eas in lucem sanctam. bring them into holy light. Quam olim Abrahae promisisti Which was promised to Abraham et semini ejus. and his descendants. Hostias Hostias et preces tibi, Domine, Sacrifices and prayers of praise, Lord, laudis offerimus. we offer to You. Tu suscipe pro animabus illis, Receive them in behalf of those souls quarum hodie memoriam facimus. we commemorate today. Fac eas, Domine, And let them, Lord, make them pass de morte transire ad vitam, pass from death to life, quam olim Abrahae promisisti Which was promised to Abraham et semini ejus. and his descendants. The people stand, as they are able, and sing the Hymn Hymn 672 Bangor Sanctus Sanctus, Sanctus, Sanctus, Holy, holy, holy, Lord Dominus Deus Sabaoth God of Sabaoth. Pleni sunt caeli et terra Gloria tua. Heaven and earth are full of Thy glory. Osanna in excelsis. Hosanna in the highest. Benedictus Sara Haisley, Soprano; Mark Stoner, Alto; Michael Day, Tenor; Patrick havens, Bass Benedictus qui venit in nomine Domini. Blessed is He who cometh in the name of the Lord. Osanna in excelsis. Hosanna in the highest. Agnus Dei Agnus Dei, qui tollis peccata mundi, Lamb of God, who takest away the sins of the world, dona eis requiem. grant them rest. Agnus Dei, qui tollis peccata mundi, Lamb of God, who takest away the sins of the world, dona eis requiem sempiternam. grant them everlasting rest. Lux Aeterna Lux aeterna luceat eis, Domine, Let eternal light shine on them Lord, cum sanctis tuis in aeternam, as with Your saints in eternity, quia pius es. because You are merciful. Requiem aeternam dona eis, Domine, Grant them eternal rest, Lord, et lux perpetua luceat eis. and let perpetual light shine upon them. Cum sanctis tuis Cum sanctis tuis in aeternum, As with Your saints in eternity, Quia pius es. because You are merciful. You are invited to a reception in the Lilly Room located down the hall to your left. Program Notes The inclusion of the anthem, “Lord, let me know mine end,” relates to Mozart’s Requiem thematically rather than biographically. Mozart visited London, the city where Maurice Greene lived and worked, as an eight year-old prodigy on a grand tour with his father and sister. Greene, who died the year before Mozart was born, is not considered today a major composer, yet he held the most prominent posts in England during his lifetime, even surpassing the shining star of the English Baroque – George Frederick Handel. By the time Greene was forty years old, he was master of music at St. Paul’s Cathedral in London, was appointed organist and composer of the Chapel Royal, and became Master of the King’s Musick; to achieve one of these posts indicates great success, but to have all three was remarkable. Handel, it seems, may have also been a contender for the Chapel Royal appointment, which may have started the ugly rift in their friendship that is well-documented. The main of Greene’s compositional output consists of choral anthems, of which “Lord, let me know mine end” is the most well-known and arguably his finest. All of Greene’s anthems have various combinations of voices, always accompanied by an independent continuo bass line. While his style certainly hearkens to an earlier generation of consort music accompanying voices, it also looks forward to contemporary trends in Italian chamber music and opera.
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