The Faith No More & Mr. Bungle Companion

Total Page:16

File Type:pdf, Size:1020Kb

The Faith No More & Mr. Bungle Companion THE FAITH NO MORE & MR. BUNGLE COMPANION FREE DOWNLOAD Greg Prato | 210 pages | 22 Nov 2013 | Createspace Independent Publishing Platform | 9781493696666 | English | United States The Faith No More & Mr. Bungle Companion Brand new Book. There is a lot to take away from this book. Retrieved January 7, — via YouTube. It certainly has given me a deeper appreciation for just how essential the music of these two groups was and still is. And not just any half - a royal half. He acted in the motion picture Firecracker[61] narrated the film Bunrakuand did voice work in the movie I Am Legendperforming the infected creatures screams and howls. Archived from the original on July 27, I don't believe any of our records ever recouped which isn't that big of a deal for a major label who have much larger fish to fry. Wounded in battle, the last thing he sees before becoming unconscious is his wife, Rebecca, falling to the report I'm like, 'That's the voice! Bungle Have No Bungholes". Plus, a lot of space is given to members of unassociated bands giving their impressions of FNM and Bungle. Established seller since BetweenFaith No More issued six full-length recordings including such classic titles as 'The Real Thing' and 'Angel Dust' and in the process, influenced countless musicians throughout the world. Home 1 Books 2. Readers also enjoyed. Rather than being a distraction, this definitely adds value. Non-album single. Archived from the original on May 6, Bungle in his "companion". Love or Life? Friend Reviews. At the time of this release, Mike Patton described Mr. Patton was a big asset to them financially and in that regard it gave us some power because they had to appease him. Javascript is not enabled in your browser. For a better shopping experience, please upgrade now. Seller Inventory n. And The Faith No More & Mr. Bungle Companion one does that better than Prato. Bungle live in during the California Tour. Other Editions 1. Bungle Chart History Billboard ". The majority of the band's music and lyrics were written The Faith No More & Mr. Bungle Companion Patton, Dunn, and Spruance, with McKinnon and Heifetz occasionally contributing. Book Description Condition: New. Retrieved May 20, November 25, As the sole remaining single male Dead Cross General Patton vs. And no one does that better than Prato. Sep 24, Blue Mountains Library rated it liked it The Faith No More & Mr. Bungle Companion what-library-staff-have-read. Bungle's "Vanity Fair" from the album California. Retrieved The Faith No More & Mr. Bungle Companion 23, Published by Createspace Independent Publishing Platform June 22, Jesus was a good man, a great moral teacher. View 2 comments. The music was complex and unpredictable, with the band continuing with their shifts of musical style. Retrieved April 6, Bungle Companion by Greg Prato. Seller Rating:. We almost did it, we were thinking about doing that. Welcome back. Having gone through many incarnations throughout their career, the band is best known for their experimental rock period. The parts of this book that actually focused on the histories and legacies of these two great bands were amazing. Who cares a lot what they think? The facts and interviews are presented objectively, are organized chronologically and flow well. In later years, members of the bands have shown respect to each other. Daniel Stanczyk rated it liked it Sep 03, Official Charts Company. Unimaginative and poorly written. Nov 29, Rodney rated it really liked it. Nachorom rated it liked it Oct 18, Books by Greg Prato. Trey Spruance said the change in location influenced the band's style, remarking "[we were interested in] Slayer and Mercyful Fate. We called them "Satanic Carnivals" due to their unexplained phantasmic arrival, and their pointless neon lights no one was around to appreciate as they sparkled up against the dreary fog. Besides poring over multiple print and online resources, he has interviewed numerous key players in the development of the band, including Jason Newsted, Gilby Clarke, Johnny Christ, Angelo Moore, Travis Stever, and many others--not to mention multiple interviews with all the band members from both FNM and Bungle. The arrangement of their songs was also idiosyncratic, often lacking a structured song format and rotating through different genres ranging from slow melodies to thrash metal. An orphan born of the Fool for a Lifetime album in its entirety in Santiago in November And I have a sneaking suspicion that they possibly believed we would 'grow up' musically some day and make them some money. Archived from the original on February 25, .
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Laborintus II Can Be Heard on Proving He’S Willing to Try Anything, He Has Given Voices Think of the Show? Harmonia Mundi HMA 190764 (Musique D’Abord)
    FREE PROGRAM The narrator and the singers often relate to each other Subtle, Rahzel, Amon Tobin, Team Sleep, Massive Attack, PROUDLY MADE like actors and the chorus in a Greek tragedy, at other Fennesz, Zu, Norah Jones, Tanya Tagaq, the Qemists, POSSIBLE BY times both are swallowed by the abstract framework given Kool Keith and TV on the Radio, to cite a very small by short patches of Cologne-style Elektronische Musik. cross-section. What did you How Berio conducted Laborintus II can be heard on Proving he’s willing to try anything, he has given voices think of the show? Harmonia Mundi HMA 190764 (musique d’abord). to characters such as the creatures in the Will Smith film We’re looking to you to help us build a This quintessential account of the piece’s history has I Am Legend and video games such as Portal and Left definitive shortlist of this year’s top Sanguineti himself as narrator and includes soprano 4 Dead. His eclectic career lead to the launch of Mondo Festival Picks to be published in the SMH. Christiane Legrand, jazz-hero Michel Portal on clarinet, Cane – an enormous highlight from Sydney Festival’s Jean-Pierre Drouet on drums and legendary jazz bass 2012 program. In his twisted genius, Patton returns to Upload your reviews & photos at player Jean-François Jenny-Clarke. Sydney Festival in 2014 with his chaotic reinterpretation smh.com.au/sydfest of Luciano Berio’s Laborintus II. or share with us using Lieven Bertels #smhpickthis Festival Director THE SONG COMPANY Formed by Charles Colman in 1984, The Song Company MIKE PATTON is a group of six full-time professional singers led by Mike Patton is many things to many people, but internationally acclaimed Artistic Director, Roland Peelman.
    [Show full text]
  • Freier Download BA 99 Als
    BAD 99 ALCHEMY »Was bleibt einem denn anderes übrig, als zu viel in die Dinge hineinzuinterpretieren?«, sagte P. leichthin. »In was für einer armen, oberflächlichen, langweiligen Welt würden wir leben, wenn wir das nicht täten? Außerdem: Ist das überhaupt möglich? Es gibt immer mehr Bedeutungen, als wir erfassen können.« Edward St Auby Lesestoff (gefunden auf Flohmärkten, Krabbeltischen, bei Oxfam oder Brauchbar ) Gabrielle Bell - Die Voyeure Sergio Bleda - Schlaf, kleines Mädchen; Blutiger Winter Charles Bukowski - Anmerkungen eines Dirty Old Man; Fucktotum; Das ausbruchsichere Paradies Michael Cho - Shoplifter Hugo Claus - Der Kummer von Flandern Daniel Clowes - Ghost World Guido Crepax & R. L. Stevenson - Dr. Jekyll und Mr. Hyde Glyn Dillon - Das Nao in Brown Franz Dobler - Aufräumen Willem Elsschot - Villa des Roses Hans Fallada - Bauern, Bonzen und Bomben Theodor Fontane - Frau Jenny Treibel; Unterm Birnbaum Christophe Gaultier - Das Phantom der Oper (nach Gaston Leroux) Karl-Markus Gauß - Die Hundeesser von Svinia Georgi Gospodinov - Physik der Schwermut Günter Grass - Ein weites Feld Jiří Gruša - Der 16. Fragebogen Jung [Henin] - Kwaidan Franz Kafka - Der Bau Maurizio Maggiani - Königin ohne Schmuck Ransom Riggs + Cassandra Jean - Die Insel... Die Stadt der besonderen Kinder Per Petterson - Pferde stehlen Joann Sfar - Pascin Edward St Aubyn - Muttermilch Giuseppe Tomasi di Lampedusa - Der Gattopardo Guntram Vesper - Frohburg Bernhard Viel - Utopie der Nation Dieter Wellershoff - Der Ernstfall Ror Wolf - Punkt ist Punkt; Die heiße Luft der Spiele Vladimir Zarev - Verfall 2 Alsarah & The Nubatones Wir strahlen, am 1.6.2018 beim Africa Festival goldberauscht durch ALSARAH & THE NUBATONES. Durch Sarah Mohamed Abunama-Elgadi, kurz: Alsarah, und ihre schöne Schwester Nahid, die man sich beide als Abgesandte aus dem Goldland der Ägypter reiz- voller nicht vorstellen kann.
    [Show full text]
  • “Disco Volante Era Improv at the Bomb Factory” Nft Series; Auction Begins Aug
    MR. BUNGLE ANNOUNCE FOUR-PART “DISCO VOLANTE ERA IMPROV AT THE BOMB FACTORY” NFT SERIES; AUCTION BEGINS AUG. 2 VIA SUPERRARE https://superrare.com/mrbungleofficial EACH NFT FEATURES PREVIOUSLY UNRELEASED MUSIC WITH ANIMATION FROM ERIC LIVINGSTON NFT AUCTION WINNERS RECEIVE 1 OF 4 LATHE CUT VINYL FEATURING FULL 10-MINUTE SONG AND HIGH RESOLUTION MP4 Mr. Bungle “Disco Volante Era Improv at The Bomb Factory” animation and artwork by Eric Livingston July 29, 2021, Shotwell Bomb Factory – Mr. Bungle release their first ever NFT collection, a series of four NFTs dubbed “Disco Volante Era Improv at The Bomb Factory.” The auction for the series begins on Aug. 2 at 9 am pacific/12 noon eastern via SuperRare. Each NFT features 2 minutes and 30 seconds of previously unreleased music with animation created by Eric Livingston. The purchasers will also receive a hyper limited- edition (1 of 4) lathe cut vinyl featuring the full 10-minute song and high resolution animated mp4. “Disco Volante Era Improv at The Bomb Factory” lathe cut vinyl (limited-edition of 4) “During the Disco Volante writing sessions in a place we called The Shotwell Bomb Factory, San Francisco, we were blessed with an isolated & independent place to record and rehearse,” explains Trevor Dunn. “Endless days and nights were spent in there experimenting, improvising and piecing together what would be our ‘sophomore attempt’ among other gems. Often there was an ADAT machine ready to go for any spontaneous outbursts (think ‘Nothing’ from the end of Disco Volante), but we tested out various setups at our disposal.” Trey Spruance, who often engineered these chaotic recordings, recalls: “I remember wanting to enhance audio separation and isolation to an extreme, using a kind of ‘musique concrète live mix’ approach, hoping that would capture the unruly individual spirits of our improvisation more faithfully.
    [Show full text]
  • The Ithacan, 1995-04-13
    Ithaca College Digital Commons @ IC The thI acan, 1994-95 The thI acan: 1990/91 to 1999/2000 4-13-1995 The thI acan, 1995-04-13 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1994-95 Recommended Citation Ithaca College, "The thI acan, 1995-04-13" (1995). The Ithacan, 1994-95. 25. http://digitalcommons.ithaca.edu/ithacan_1994-95/25 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1994-95 by an authorized administrator of Digital Commons @ IC. OPINION ACCENT . SPORTS INDEX Opinion ......................... 10 Down to the wire Hit list Super fan Accent .......................... 13 Classifieds .................... 20 College tardy in selecting Seniors reveal IC's best Crew coach loves view Comics ......................... 21 Commencement speaker 10 courses 13 from the sidelines 25 Sports ........................... 22 Thursday, April 13, 1995 The Volume 62, Number 26 28 pages ITHACAN Free The Newspaper For The Ithaca College Community College to cut 236.6 total positions 98, will save the College more than tion adequately responds to the ear­ By Brian Kohn $8 million in salary. "We know enrollment is going down. We are drop­ lier concerns. Ithacan Editor in Chief "We think this will bring things ping $8 million in expenditures because we are "I think had the administration Ithaca College plans to elimi­ in line," Whalen said in an inter­ expecting $8 million, or more, less of income. " been able to give these figures as nate 139.6 staff and administrative view Wednesday.
    [Show full text]
  • Mike Patton Neigtalsozuuntertreibungen
    MUSIK DEPT. PORTRAIT miKE PATTON KEINE RAST, KEINE RASTER ALS SICH FAITH NO MORE 1998 AUFLÖSTEN, WAR DAS FÜR SÄNGER UND FRONTMANN MIKE PATTON WIE EIN DAMMBRUCH. SEITDEM HAT ER SEINE KREATIVITÄT AUF SO VIELE VERSCHIEDENE PROJEKTE VERTEILT, DASS SELBST EINGEFLEISCHTEN FANS DER ÜBERBLICK FEHLT. TEXT: LARS SCHMEINK „KANNST DU MIT dem Interview auch ‘ne halbe Stunde früher anfangen? Neben zahlreichen Gastauftritten bei befreundeten Musikern, seinem Me- Der Sound-Check ist schon durch.“ Der Promoter am anderen Ende des Te- tal-Jazz-Ungetüm Fantômas, der Rock-Band Tomahawk, dem ewigen Lieb- lefons hat es nicht leicht. Er betreut Mike Patton und das ist in etwa so, wie lingsprojekt Mr. Bungle und zwei Soloscheiben hat Mike jetzt noch ein Al- einen Sack Flöhe zu hüten. Der Tausendsassa der alternativen Musik „Mr. bum namens „Peeping Tom“ in Kooperation mit diversen Musikgrößen he- Faith No More“ himself hat mal wieder eine neue Platte aufgenommen und rausgebracht. Und nicht zu vergessen, dass er im Moment mit dem Fantô- gibt dafür Interviews. Doch er ist nicht wie die meisten Musiker auf Promo- mas-Melvins-Kollektiv auf Tour ist, nur so zum Spaß. Tour. Stattdessen schiebt er die Interview-Termine für das neue Projekt Doch zurück zum neuesten musikalischen Sprössling aus dem Hause Peeping Tom in seinen vollen Tourkalender. Mit seinen Kumpels Dave Patton, den er in Zusammenarbeit mit den Größen der Elektro-Szene aus- Lombardo von Slayer und der gesamten Melvins-Truppe ist Mike derzeit getüftelt hat. Ein Album der Kollaborationen. Da vergreifen sich Massive Immer auf dem als Fantômas Melvins Bigband in Europa unterwegs.
    [Show full text]
  • Dave Lombardo: Feeling Suicidal
    FEELING SUICIDAL Dave LombardoBY DAVID JARNSTROM don’t keep track of Slayer,” Lombardo—54 years young in days—which suits his spontaneous Dave Lombardo says over the February—is headed in the opposite disposition perfectly. “It’s invigorating “Iphone matter-of-factly. “I have too direction, cracking the throttle on his going from one project to another,” much to deal with over here.” Currently storied career. he says. “I finished a six-week enjoying some well-earned downtime at Splitting time between crossover Dead Cross European tour this his Southern California home, the ever- pioneers Suicidal Tendencies, horror- summer, hopped a plane in Amsterdam genial drummer couldn’t care less that punk icons The Misfits, and hardcore the next day and started a Suicidal the legendary thrash metal band he supergroup Dead Cross (featuring tour in New York the day after that. co-founded as a teen is in the midst of a co-conspirator Mike Patton of Faith No No rehearsal, just straight to the stage. two-year farewell tour. While Slayer More and Mr. Bungle on vocals), I’d done my homework and was on point. slowly rides off into the sunset, Lombardo barely has time to think these Music is music, you know?” 24 DRUM! Spring 2019 DRUMmagazine.com MILOSZ BAUZA PHOTO Lombardo claims it was a “no-brainer” drums. There’s so much that contributes Lombardo is also looking forward to when Suicidal Tendencies frontman Mike to playing with real feeling. It’s something writing new Dead Cross material this Muir asked him to join the band, which— that can’t really be taught—some people winter.
    [Show full text]
  • Krist Novoselic
    OVERNMENT G & E GRUNG KRIST NOVOSELIC THE ORAL HISTORY OF A WASHINGTON ROCKER WITH A CIVIC MISSION LEGACY PROJECT History through the people who lived it Krist Novoselic Research by John Hughes and Lori Larson Transcripti on by Lori Larson Interviews by John Hughes October 14, 2008 John Hughes: This is October 14, 2008. I’m John Hughes, Chief Oral Historian for the Washington State Legacy Project, with the Offi ce of the Secretary of State. We’re in Deep River, Wash., at the home of Krist Novoselic, a 1984 graduate of Aberdeen High School; a founding member of the band Nirvana with his good friend Kurt Cobain; politi cal acti vist, chairman of the Wahkiakum County Democrati c Party, author, fi lmmaker, photographer, blogger, part-ti me radio host, While doing reseach at the State Archives in 2005, Novoselic volunteer disc jockey, worthy master of the Grays points to Grays River in Wahkiakum County, where he lives. Courtesy Washington State Archives River Grange, gentleman farmer, private pilot, former commercial painter, ex-fast food worker, proud son of Croati a, and an amateur Volkswagen mechanic. Does that prett y well cover it, Krist? Novoselic: And chairman of FairVote to change our democracy. Hughes: You know if you ever decide to run for politi cal offi ce, your life is prett y much an open book. And half of it’s on YouTube, like when you tried for the Guinness Book of World Records bass toss on stage with Nirvana and it hits you on the head, and then Kurt (Cobain) kicked you in the butt .
    [Show full text]
  • John Zorn. the Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003)
    Brigham Young University BYU ScholarsArchive Faculty Publications 2008-01-01 John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild Christian T. Asplund [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Music Commons BYU ScholarsArchive Citation Asplund, Christian T., "John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild" (2008). Faculty Publications. 914. https://scholarsarchive.byu.edu/facpub/914 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. RecordingReviews 129 JohnZorn. TheGift; Songs from the Hermetic Theatre (2001). Chimeras;Mas- ada Guitars(2003). Masada Recital;Magick (2004). Rituals (2005). Astronome; MasadaRock; Moonchild (2006). Each of these recordings appears on John Zorn'sown label,Tzadik. Once the unrulyupstart, John Zorn is now a MacArthurfellow, whose formi- dable catalogdivides easily intoearly, middle, and late periods.The earlyperiod dates fromthe mid-1970s to themid-1980s, when Zorn pioneeredthe practice of "comprovisation,"a termused to describe"the making of new compositionsfrom recordingsof improvised material/'1 Ultimately, Zorn's comprovisationblurs the lines between active listenerand composer,since both createnew works when theyimpose structureon foundsonic material.His earlystructuralist-modernist approach to comprovisationproduced esoteric,often severely pointillist music, and evolved into thegame pieces of the late 1970s and early 1980s,culminating in themasterpiece of strategy,Cobra (1984), the last early-periodwork.
    [Show full text]
  • John Zorn Marathon Royce Triple Threat Featuring Abraxas, Secret Chiefs 3 & Bladerunner & the Hermetic Organ
    John Zorn Marathon Royce Triple Threat featuring Abraxas, Secret Chiefs 3 & Bladerunner & The Hermetic Organ Sat, May 2 ROYCE TRIPLE THREAT 8pm – Abraxas: Psychomagia Royce Triple Threat Aram Bajakian Guitar Royce Hall Eyal Maoz Guitar 8pm Kenny Grohowski Drums RUNNING TIME: Shanir Blumenkranz Gimbri Approximately 3 hours; Two intermissions Intermission The Hermetic Organ 9pm – Secret Chiefs 3: Masada Book Two Royce Hall Trey Spruance Guitar Midnight Eyvind Kang Violin Ches Smith Drums RUNNING TIME: Approximately 45 minutes; Jason Schimmel Guitar No intermission Matt Lebofsky Keyboards Toby Driver Bass PRE-SHOW TERRACE EVENT: Round-Robin Duets: Intermission A Musical Improvisation 6:30 pm 10pm – Bladerunner Inspired by John Zorn’s improvisational John Zorn Sax techniques, a group of UCLA student Bill Laswell Bass musicians play a round-robin of s Dave Lombardo Drums pontaneous duets, culminating in a group imrov-jam session. THE HERMETIC ORGAN John Zorn Solo Organ Improvisations CAP UCLA SPONSOR: Supported in part by the Andrew W. Mellon Foundation ABOUT THE PROGRAM Although organ was Zorn’s first instrument (he often credits Lon Chaney MEDIA SPONSOR: in The Phantom of the Opera as a primal influence), in 2011 the saxophone great surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. The music is breathtaking, and distinguished by a spiritual mood that only a huge pipe organ like Royce Hall’s Skinner can create. A perfect outlet for Zorn’s dramatic sense of color and contrast, this performance reveals the composer’s mind at work in all its permutations.
    [Show full text]
  • 2.+ENG Dossierprensa2018.Pdf
    1 THE FESTIVAL 3 LINEUP 5 PLACES 11 ORGANIZATION AND PARTNERS 12 TICKETS 14 GRAPHIC CAMPAIGN 15 PRESS QUOTES 16 CONTACT 17 2 THE FESTIVAL Primavera Sound has always concentrated all its efforts on uniting the latest musical proposals from the independent scene together with already well established artists, while embracing any style or genre in the line up, fundamentally looking for quality and essentially backing pop and rock as well as underground electronic and dance music. Over the last years, the festival has had the most diverse range of artists. Some of those who have been on stage are Radiohead, Pixies, Arcade Fire, PJ Harvey, The National, Nine Inch Nails, Kendrick Lamar, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, Brian Wilson, Pulp, Patti Smith, Nick Cave, Cat Power, Public Enemy, Franz Ferdinand, Television, Devo, Enrique Morente, The White Stripes, LCD Soundsystem, Tindersticks, Queens of the Stone Age, She- llac, Dinosaur Jr., New Order, Fuck Buttons, Swans, The Cure, Bon Iver, The xx, Iggy & The Stooges, De La Soul, Marianne Faithfull, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain, Tame Impala, The Strokes, Belle & Sebastian, Antony & the Johnsons, The Black Keys, James Blake, Interpol and Sleater-Kinney amongst many others. Primavera Sound has consolidated itself as the urban festival par excellence with unique characteristics that have projected it internationally as a reference cultural event. The event stands out from other large music events and is faithful to its original artistic idea, keeping the same standards and maintaining the same qua- lity of organization of past years, without resorting to more commercial bands.
    [Show full text]
  • June 2019 New Releases
    June 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 79 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES Music Video DVD & Blu-ray 44 YEASAYER - TOMMY JAMES - STIV - EROTIC RERUNS ALIVE NO COMPROMISE Non-Music Video NO REGRETS DVD & Blu-ray 49 Order Form 90 Deletions and Price Changes 85 800.888.0486 THE NEW YORK RIPPER - THE ANDROMEDA 24 HOUR PARTY PEOPLE 203 Windsor Rd., Pottstown, PA 19464 (3-DISC LIMITED STRAIN YEASAYER - DUKE ROBILLARD BAND - SLACKERS - www.MVDb2b.com EDITION) EROTIC RERUNS EAR WORMS PECULIAR MVD SUMMER: for the TIME of your LIFE! Let the Sunshine In! MVD adds to its Hall of Fame label roster of labels and welcomes TIME LIFE audio products to the fold! Check out their spread in this issue. The stellar packaging and presentation of our Lifetime’s Greatest Hits will have you Dancin’ in the Streets! Legendary artists past and present spotlight June releases, beginning with YEASAYER. Their sixth CD and LP EROTIC RERUNS, is a ‘danceable record that encourages the audience to think.’ Free your mind and your a** will follow! YEASAYER has toured extensively, appeared at the largest festivals and wowed those audiences with their blend of experimental, progressive and Worldbeat. WOODY GUTHRIE: ALL STAR TRIBUTE CONCERT 1970 is a DVD presentation of the rarely seen Hollywood Bowl benefit show honoring the folk legend. Joan Baez, Pete Seeger, Odetta, son Arlo and more sing Woody home. Rock Royalty joins the hit-making machine that is TOMMY JAMES on ALIVE!, his first new CD release in a decade.
    [Show full text]