December 2019

Total Page:16

File Type:pdf, Size:1020Kb

December 2019 december 2019 All items arePeter fully described Harrington and photographed at peterharrington.co.uk n1 london We are exhibiting at these fairs: Christmas 2019 opening hours: 11 January 2020 york Fulham Road York Racecourse Knavesmire Road, York Mon 25 Nov – Mon 23 Dec https://www.pbfa.org/fairs/york-1 Mon–Tue: 10am–6pm Wed–Sat: 10am–7pm 24–26 January Sun: closed stuttgart Württembergischer Kunstverein Tue 24 Dec: 10am–2pm Schlossplatz 2, Stuttgart Wed 25 Dec – Thu 26 Dec: closed http://www.stuttgarter-antiquariatsmesse.de/ Fri 27 Dec – Sat 28 Dec: 10am–6pm 7–9 February Sun 29 Dec: closed california Mon 30 Dec: 10am–6pm Pasadena Convention Center Tue 31 Dec: 10am–2pm 300 E. Green St, Pasadena, CA Wed 1 Jan 2020: closed https://www.cabookfair.com/ Thu 2 Jan 2020: Normal business hours resume Dover Street Mon 25 Nov – Mon 23 Dec Mon–Fri: 10am–7pm Sat: 10am–6pm Sun: closed Tue 24 Dec: 10am–2pm Wed 25 Dec – Wed 1 Jan 2020: closed Thu 2 Jan 2020: Normal business hours resume Front cover image from Robert Hewitt Brown’s Stellar Theology and Masonic Astronomy, VAT no. gb 701 5578 50 item 20. Illustration opposite from Georges Barbier & Francis de Miomandre’s Dessins Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, sur les danses de Vaslav Nijinsky, item 144. 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Design:n2 Nigel Bents. Photography: Ruth Segarra. December 2019: PeterRegistered Harrington in England and Wales No: 3609982 Peter Harrington 1969 london 2019 catalogue 159 all items from this catalogue are on display at dover street mayfair chelsea 43 doveR stReet 100 Fulham Road london w1s 4FF london sw3 6hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 usa 011 44 20 7591 0220 www.peterharrington.co.uk 1 2 1 2 ALDINGTON, Richard. Death of a Hero. (ALMANAC; KINGDOM OF THE TWO London: Chatto & Windus, 1929 SICILIES.) Almanacco della Real Casa e Octavo. Original black cloth, titles to spine in gilt, top edge Corte per l’anno 1825. Naples: Dalla Stamperia dark red, bottom edge untrimmed. With the dust jacket de- Reale, 1825 signed by Paul Nash. With the publisher’s promotional leaf- 3 let of “Books by Wyndham Lewis” loosely inserted. Cocked, Octavo (137 × 95 mm). Contemporary red morocco, smooth spine ends softened, small tear to spine head, light wear to spine gilt lettered direct and divided by interlocking circle Sharon Ouditt, Impressions of Southern Italy: British Travel Writing extremities, a little rubbed, some foxing to edges and first rolls framing metope-and-pentaglyph rolls, foliate centre from Henry Swinburne to Norman Douglas, Routledge (2014). and last few pages. A very good copy in the very good dust tools, sides with paired gilt fillets enclosing broad scrolling jacket, somewhat darkened, a few small creases to spine foliate frame, large gilt centre stamp of the arms of the Two £975 [135846] ends and along top edge, two small holes to spine. Sicilies, gilt milled edge roll, gilt edges, marbled endpapers. Engraved portrait frontispiece of Ferdinand I of the Two Sicilies first edition, presentation copy inscribed by R. Estevan after V. Camuccini, hand-coloured folding map 3 “Eunice, from Richard” to front free endpaper. The of the kingdom; title page with wood-engraved royal arms. (ART DECO.) Embroidered portfolio recipient was Eunice Black (later Gluckman), a young Short closed-tear at stub of folding map. An excellent copy. containing manuscript notes developing South African poet who had come to London and be- A particularly attractive copy of this scarce regal al- gun an affair with Aldington in 1933; they remained manac for the court of the Kingdom of the Two Si- geometric themes in pattern design. France: friends thereafter. Presentation copies of Aldington’s cilies, formed in 1815 by the union of the kingdoms of c.1930 most important novel are uncommon. Sicily and Naples, existing as an entity until Garibal- Folio (335 × 210 mm). Fine slate-grey silk-wool cloth-covered This work was considered by Orwell “much the di’s invasion of 1860. This edition was issued in the portfolio, superbly worked silk-embroidered art deco design best of the English war books”, while Aldington him- year of the death of Ferdinand I (1751–1825). “Under- of intersecting arcs to front board; frame largely executed in self thought of it as a “jazz novel”. According to Falls, educated, boisterous, [Ferdinand] liked nothing bet- a meticulous silk stitch from a four colour palette, pale rose gold, bright gamboge, tawny pink, and rust red; the colour- it is “one of the bitterest war novels that has been writ- ter than to hunt. Sir William Hamilton, while ambas- ten, yet strangely enough the actual scene of war is less ing subtly shifting around the piece in a pleasing symmet- sador to the Neapolitan court, retained an attitude of rical manner, some detailing at the corners in black, silvery horrible in its pages than comfortable England in the diplomatic regard for the monarch, noting generous- white, and vibrant pea green. Plain ivory silk liners. 33 single days before. To say that Mr. Aldington’s indictment ly, that he was thought ‘not to have a great share of sheets of a medium-weight wove papier quadrillé, rectos only, is in any sense judicial would be absurd; it is far too sensibility’” (Ouditt, p. 29). Library Hub locates one a sequence of painstaking design drawings in India ink with savage for that. But its power is considerable. The war copy only among British and Irish institutional librar- occasional grisaille wash; explanatory captions throughout in scenes are among the best of their kind”. ies (Attingham Park, Shrewsbury, Shropshire); OCLC an attractive ronde hand. Externally lightly rubbed, some very slight losses to stitchwork, particularly from the pinkish gold Falls, pp. 261–2. cites the editions of 1823 (location not given) and 1828 areas, liners slightly dusty at upper corners, the occasional £1,250 [135795] (Lucerne only). light spot; contents with very slight edge-wear, a couple of 2 December 2019: Peter Harrington 3 negligible edge-splits, a few compass-point holes, and the 4 very occasional small smudge, but overall very good indeed. AUSTEN, Jane. Pride and Prejudice. A Novel. a wonderfully presented art deco design course in manuscript. The layout, particularly In Two Volumes. London: printed for T. Egerton, the ronde hand employed, is reminiscent of the tex- 1817 tile manuscript course books that came out of the 2 volumes, duodecimo (179 × 103 mm). Contemporary half École de Tissage in Lyon, and similar institutions, at calf, twin labels to spines to style, compartments decorated around this time. However, unlike those, this has no in gilt, marbled sides ruled in gilt. Bound without half-titles or terminal blanks. Early initials faintly inked to title pag- title page, there are no signatures, check marks, or es. Head of spine of vol. I restored to style, joints neatly re- other signs of ownership, and it seems to have been paired, sides a little scuffed, tips furbished, contents slightly produced for personal use. If the sinuous flowing line foxed, vol. I front hinge cracked but holding (visible at B2), of the embroidered frame on the cover suggests art text block sound, puncture to vol. I B8, l. 7–8, vol. II with nouveau, there are also elements drawn from the art pale old water stain (mainly marginal) to lower fore-corners deco-influenced geometrical progressions laid out in of second half of text. An attractive copy. the manuscript within, the result being something of third edition, the first to be issued in two vol- a transitional style. In the more developed schemes umes. of the fonds, and again in the cover design, many of Keynes I5; Gilson A5. the arced and circular forms echo the carapace, tho- rax, and wing shapes that E. A. Séguy manipulated to £8,500 [127121] such effect in his influential portfolios Papillons (1925) and Insectes (1928), operating on the borders of the two styles. £2,250 [125820] 4 All items are fully described and photographed at peterharrington.co.uk 3 5 6 5 gilt. Spines uniformly faded, tiny scuff to head of volume I; a very good set. AUSTEN, Jane. The Novels. London: J. M. Dent An attractively bound copy. While unsigned, the and Company, 1892–5 binding is typical of the simple art deco style popular 10 volumes, small octavo. Original light green cloth, spines in the 1930s, such as those by Sybil Pye, and has been and front covers lettered in gilt, gilt facsimile author’s sig- executed with skill. This edition was first published nature to front covers, top edges gilt, others untrimmed. Illustrations by William C. Cooke with tissue-guards. Note in 1928 in a single volume, this being the second edi- of presentation to front free endpaper of Northanger Abbey tion thus. “E. Winifred Williams from Mrs Paxton Hood 1897”; with Gilson E160. Williams and Paxton Hood’s ownership signatures to some front pastedowns. Cloth lightly soiled and bumped at ex- £750 [124500] tremities, stain to front cover of Emma vol. I, endpapers toned, occasional light foxing. A very good set. 7 an attractive set of the Dent editions of Austen’s AVEDON, Richard. Evidence 1944–1994. New novels (Sense and Sensibility and Pride and Prejudice in York: Random House, 1994 first Dent editions, the others early editions). After Large quarto. Original photographic boards, titles to spine Richard Bentley (whose last edition is dated 1866), in blue, photographic endpapers.
Recommended publications
  • DOCTORAL THESIS Vernon Lushington : Practising Positivism
    DOCTORAL THESIS Vernon Lushington : Practising Positivism Taylor, David Award date: 2010 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 Vernon Lushington : Practising Positivism by David C. Taylor, MA, FSA A thesis submitted in partial fulfilment of the requirements for the degree of PhD School of Arts Roehampton University 2010 Abstract Vernon Lushington (1832-1912) was a leading Positivist and disciple of Comte's Religion of Humanity. In The Religion of Humanity: The Impact of Comtean Positivism on Victorian Britain T.R. Wright observed that “the inner struggles of many of [Comte's] English disciples, so amply documented in their note books, letters, and diaries, have not so far received the close sympathetic treatment they deserve.” Material from a previously little known and un-researched archive of the Lushington family now makes possible such a study.
    [Show full text]
  • Dean Frederic Farrar (1831-1903): Educationist
    Dean Frederic Farrar (1831-1903): Educationist Author: Brendan Rapple Persistent link: http://hdl.handle.net/2345/4417 This work is posted on eScholarship@BC, Boston College University Libraries. 1995 Dean Frederic Farrar (1831‐1903): Educationist by Brendan Rapple Abstract: Though his best‐selling novel of school life Eric, or, Little by Little: A Tale of Roslyn School has over the years been the subject of much attention, the wider educational thought and practice of Frederic William Farrar, teacher, novelist, scientist, classicist, theologian, and Dean of Canterbury, has for the most part been neglected by scholars. This paper discusses certain aspects of Farrar the educationist, including his distinctive evangelical attitude toward children; his fervent criticism of the prevailing Classical public school curriculum; his advocacy that much more science be taught; his strong antipathy to corporal and other punishment; his distaste for the increasing athleticism in the public schools; his view of the main purpose of education, namely the inculcation of morality, religious conviction, and intellectual rigor. British Journal of Educational Studies 43(1):57-74. This version (author's manuscript) posted at eScholarship@BC, Boston College. http://dcollections.bc.edu/webclient/DeliveryManager?pid=91473 1 Rapple, Brendan. "Dean Frederic Farrar (1831-1903): Educationist," British Journal of Educational Studies Vol. XXXXIII, No. 1 (March 1995): 57-74. Frederic William Farrar, whose life closely coincided with the limits of the Victorian era and who was himself the very quintessence of stereotypical Victorianism, attained high prominence in diverse fields of endeavor. A friend of Darwin, he was elected a fellow of the Royal Society for his studies in philology.
    [Show full text]
  • Automatic Annotation of Similes in Literary Texts
    Université Pierre et Marie Curie École Doctorale ED 130 Laboratoire d’Informatique de Paris VI, Équipe ACASA Automatic Annotation of Similes in Literary Texts Par Suzanne Patience Mpouli Njanga Seh Thèse de doctorat en Informatique Dirigée par Jean-Gabriel Ganascia Présentée et soutenue publiquement le 03 octobre 2016 Devant un jury composé de : M. Walter Daelemans, Professeur, Universiteit Antwerpen – Rapporteur M. Stéphane Ferrari, Maître de conférences [HDR], Université de Caen – Rapporteur Mme Catherine Fuchs, Directrice de recherche, LATTICE-CNRS – Examinatrice M. Jean-Gabriel Ganascia, Professeur, UPMC – Directeur de thèse M. Dominique Legallois, Professeur, Université Sorbonne Nouvelle – Examinateur Mme Vanda Luengo, Professeur, UPMC – Examinatrice 2 To all the unsung heroes of the digital era. This thesis owes a lot to your hard work and selfless dedication. i y Friedman & Morgan 2014 Morgan & y Friedman Word Template b Word Template ii ABSTRACT This thesis tackles the problem of the automatic recognition of similes in literary texts written in English or in French and proposes a framework to describe them from a stylistic perspective. In this respect, in the first part of this work, we are mainly interested in circumscribing the notion of simile and giving an overview of previous works and existing annotated corpora of similes and comparisons. For the purpose of this study, a simile has been defined as a syntactic structure that draws a parallel between at least two entities, lacks compositionality and is able to create an image in the receiver’s mind. In the second and last part, we present the designed method, its evaluation, and three of its possible applications in a literary context.
    [Show full text]
  • APPENDIX ALCOTT, Louisa May
    APPENDIX ALCOTT, Louisa May. American. Born in Germantown, Pennsylvania, 29 November 1832; daughter of the philosopher Amos Bronson Alcott. Educated at home, with instruction from Thoreau, Emerson, and Theodore Parker. Teacher; army nurse during the Civil War; seamstress; domestic servant. Edited the children's magazine Merry's Museum in the 1860's. Died 6 March 1888. PUBLICATIONS FOR CHILDREN Fiction Flower Fables. Boston, Briggs, 1855. The Rose Family: A Fairy Tale. Boston, Redpath, 1864. Morning-Glories and Other Stories, illustrated by Elizabeth Greene. New York, Carleton, 1867. Three Proverb Stories. Boston. Loring, 1868. Kitty's Class Day. Boston, Loring, 1868. Aunt Kipp. Boston, Loring, 1868. Psyche's Art. Boston, Loring, 1868. Little Women; or, Meg, Jo, Beth, and Amy, illustrated by Mary Alcott. Boston. Roberts. 2 vols., 1868-69; as Little Women and Good Wives, London, Sampson Low, 2 vols .. 1871. An Old-Fashioned Girl. Boston, Roberts, and London, Sampson Low, 1870. Will's Wonder Book. Boston, Fuller, 1870. Little Men: Life at Pluff?field with Jo 's Boys. Boston, Roberts, and London. Sampson Low, 1871. Aunt Jo's Scrap-Bag: My Boys, Shawl-Straps, Cupid and Chow-Chow, My Girls, Jimmy's Cruise in the Pinafore, An Old-Fashioned Thanksgiving. Boston. Roberts. and London, Sampson Low, 6 vols., 1872-82. Eight Cousins; or, The Aunt-Hill. Boston, Roberts, and London, Sampson Low. 1875. Rose in Bloom: A Sequel to "Eight Cousins." Boston, Roberts, 1876. Under the Lilacs. London, Sampson Low, 1877; Boston, Roberts, 1878. Meadow Blossoms. New York, Crowell, 1879. Water Cresses. New York, Crowell, 1879. Jack and Jill: A Village Story.
    [Show full text]
  • Representations of Schools and Schooling in British Children's Fiction
    DOCTORAL THESIS Storybook Schools: representations of schools and schooling in British children’s fiction 1820-1880 Bainbridge, Judith Award date: 2015 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Introduction Aims and rationale According to the Oxford Encyclopaedia of Children’s Literature (on-line edition, 2006), the term ‘school story’ refers to a distinct literary genre in which ‘school is not just a backdrop but rather is the raison d’être of the novel’. It is a genre with a long pedigree. The first text of its kind is generally held to be Sarah Fielding’s The Governess; or, Little Female Academy (1749), a book which was very favourably received and which provided a model for a significant number of the children’s stories produced during the century following its publication. Sue Sims and Hilary Clare (2000) have identified over thirty such books for girls which appeared between 1749 and 1857, while Robert Kirkpatrick (2006) estimates that over a hundred stories set in boys’ schools were written during the same period.
    [Show full text]
  • What Are Science–Religion Debates Really About?
    Science and Religion: A Very Short Introduction VERY SHORT INTRODUCTIONS are for anyone wanting a stimulating and accessible way in to a new subject. They are written by experts, and have been published in more than 25 languages worldwide. The series began in 1995, and now represents a wide variety of topics in history, philosophy, religion, science, and the humanities. Over the next few years it will grow to a library of around 200 volumes – a Very Short Introduction to everything from ancient Egypt and Indian philosophy to conceptual art and cosmology. Very Short Introductions available now: AFRICAN HISTORY CHAOS Leonard Smith John Parker and Richard Rathbone CHOICE THEORY Michael Allingham AMERICAN POLITICAL PARTIES CHRISTIAN ART Beth Williamson AND ELECTIONS L. Sandy Maisel CHRISTIANITY Linda Woodhead THE AMERICAN PRESIDENCY CLASSICS Charles O. Jones Mary Beard and John Henderson ANARCHISM Colin Ward CLASSICAL MYTHOLOGY ANCIENT EGYPT Ian Shaw Helen Morales ANCIENT PHILOSOPHY Julia Annas CLAUSEWITZ Michael Howard ANCIENT WARFARE THE COLD WAR Robert McMahon Harry Sidebottom CONSCIOUSNESS Susan Blackmore ANGLICANISM Mark Chapman CONTEMPORARY ART THE ANGLO-SAXON AGE John Blair Julian Stallabrass ANIMAL RIGHTS David DeGrazia CONTINENTAL PHILOSOPHY ANTISEMITISM Steven Beller Simon Critchley ARCHAEOLOGY Paul Bahn COSMOLOGY Peter Coles ARCHITECTURE Andrew Ballantyne THE CRUSADES Christopher Tyerman ARISTOTLE Jonathan Barnes CRYPTOGRAPHY ART HISTORY Dana Arnold Fred Piper and Sean Murphy ART THEORY Cynthia Freeland DADA AND SURREALISM THE HISTORY OF ASTRONOMY David Hopkins Michael Hoskin DARWIN Jonathan Howard ATHEISM Julian Baggini THE DEAD SEA SCROLLS Timothy Lim AUGUSTINE Henry Chadwick DEMOCRACY Bernard Crick BARTHES Jonathan Culler DESCARTES Tom Sorell BESTSELLERS John Sutherland DESIGN John Heskett THE BIBLE John Riches DINOSAURS David Norman THE BRAIN Michael O’Shea DOCUMENTARY FILM BRITISH POLITICS Anthony Wright Patricia Aufderheide BUDDHA Michael Carrithers DREAMING J.
    [Show full text]
  • Fictionwise/Ereader - List of Unmatched Titles
    Fictionwise/eReader - List of Unmatched Titles Title Author Publisher 'Twas the Night Before Christmas [From the New Adventures of Sherlock Holmes] Dennis Green Boondock Books 'Twixt Land and Sea Joseph Conrad EbooksLib 'Twixt Land and Sea Tales Joseph Conrad PDM Classics ...And Dreams Are Dreams: A Novel in Seven Parts Vassilis Vassilikos Random House, Inc. ...And Dreams Are Dreams: A Novel in Seven Parts Vassilis Vassilikos Random House, Inc. ...To End All War [The Survivalist #21] Jerry Ahern Jerry Ahern ...Was Yesterday Robert E. Brisbin CyberRead 1...2...3...Count With Me Leta Nolan Childers DiskUs Publishing 10 Insider Secrets Career Transition Workshop: Your Complete Guide to Discovering the Ideal Job Todd Bermont 10 Step Corporation 10 Insider Secrets To Job Hunting Success: Everything You Need To Get The Job You Want In 24 Hours--Or Less! Todd L. Bermont Publishing Dimensions 10 Reasons to Abolish the IMF & World Bank Kevin Danaher Random House, Inc. 10 Reasons to Abolish the IMF and the World Bank Kevin Danaher Random House, Inc. 10 Secrets to Successful Home Buying and Selling Lois A. Vitt Financial Times Prentice Hall 10 Steps To Success In Direct Sales Bussiness Reports CyberRead 10,000 Dreams Interpreted Gustavus Miller World Digital Library 10-Minute Talks Jonathan Mckee Harper Collins, Inc. 100 Bullshit Jobs ... And How to Get Them Stanley Bing Harper Collins, Inc. 100 Days in the Secret Place Gene Edwards Treasures Media Inc 100 Haiku Francis Gallagher Iumix Limited 100 Rants on Why Men Are Pants Amy Charter Summersdale Publishers Ltd 100 Super Supplements for a Longer Life Frank Murray McGraw-Hill Companies 100 Thematic Word Search Puzzles John F.
    [Show full text]
  • Individual and Social Teleology in Victorian Children's Fiction
    UNMAKING PROGRESS: INDIVIDUAL AND SOCIAL TELEOLOGY IN VICTORIAN CHILDREN’S FICTION Justin T. Jones, B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2011 APPROVED: Evan Horowitz, Major Professor David Holdeman, Committee Member and Chair of the Department of English John G. Peters, Committee Member James D. Meernik, Acting Dean of the Toulouse Graduate School Jones, Justin T. Unmaking Progress: Individual and Social Teleology in Victorian Children’s Fiction. Doctor of Philosophy (English), May 2011, 245 pp., bibliography, 186 titles. This study contrasts four distinct discursive responses to (or even accidental remarks on) the Victorian concept of individual and/or social improvement, or progress, set forth by the preeminent social critics, writers, scientists, and historians of the nineteenth century, such as Thomas Carlyle, John Stuart Mill, Thomas Macaulay Matthew Arnold, Charles Darwin, and Herbert Spencer. This teleological ideal, perhaps the most prevalent ideology of the long nineteenth century, originates with the Protestant Christian ethic during and in the years following the Reformation, whereupon it combines with the Enlightenment notions of rational humanity’s boundless potential and Romanticism’s fierce individualism to create the Victorian doctrine of progress. My contention remains throughout that four nineteenth-century writers for children and adults subvert the doctrine of individual progress (which contributes to the progress of the race) by chipping away at its metaphysical and narratalogical roots. George MacDonald allows progress only on the condition of total selflessness, including the complete dissolution of one’s free will, but defers the hallmarks of making progress indefinitely, due to his apocalyptic Christian vision.
    [Show full text]
  • Download a PDF File
    Full list of hymlyrics available at http://www.traditionalmusic.co.uk/hymnlyrics2/ The Three Kings of Cologne-Eugene Field Three Kings from Out the Orient-Thomas Brown Three in One, and One in Three-Gilbert Rorison Forty Days Thy Seer of Old-Jackson Mason The Ninety and Nine-Elizabeth Clephane As Above the Darkest Storm Cloud-Daniel Howard Are All the Foes of Sion Fools-Isaac Watts And Am I Only Born to Die-Charles Wesley Among th'Assemblies of the Great-Isaac Watts At All Times Praise the Lord-John Howson ca Abba, Father! We Approach Thee-James Deck Abide Not in the Realm of Dreams-William Burleigh Abide with Me(Perkins)-Kate Perkins Abide with Me(Lyte)-Henry Lyte Abide with Us, the Day Is Waning-Caspar Boye Abiding in Jesus-Minnie Enlow Abide in Me, O Lord-Harriet Stowe Abiding, Oh, So Wondrous Sweet-Charles Root Abide with Me(Dietrich)-Emma Dietrich Abide in Thee-Joseph Smith Able to Deliver-Fanny Crosby Able to Save-Richard Venting Alas! By Nature How Depraved-John Newton Abode of Peace-Agata Rosenius Above the Hills of Time-Thomas Tiplady Above the Clear Blue Sky-John Chandler Above the Bright Blue-Charles Pollock Above the Starry Spheres-From the Latin Above Yon Clear Blue Sky-Mary Bourdillon Absent from Flesh! O Blissful Thought-Isaac Watts Abundant Fields of Grain Shall Wave-The Psalter And Can It Be That I Should Gain-Charles Wesley Accepted in the Beloved-Civilla Martin Accept Him Today-Howard Hastings According to Thy Gracious Word-James Montgomery At the Cross, Her Station Keeping-From the Latin And Can I Yet Delay-Charles
    [Show full text]
  • Self-Consciousness and Childhood in the Long Nineteenth Century
    SELF-CONSCIOUSNESS AND CHILDHOOD IN THE LONG NINETEENTH CENTURY by Amanda Phillips Chapman B. A. in English, Troy University, 2004 M. A. in English, University of Alabama, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Amanda Phillips Chapman It was defended on April 13, 2015 and approved by Marah Gubar, PhD, Associate Professor, MIT Literature Nancy Glazener, PhD, Associate Professor, University of Pittsburgh English Thora Brylowe, PhD, Assistant Professor, University of Pittsburgh English Bruce McConachie, PhD, University of Pittsburgh Theater Arts Dissertation Advisor: Troy Boone, Phd, Associate Professor, University of Pittsburgh English ii Copyright © by Amanda Phillips Chapman 2015 iii SELF-CONSCIOUSNESS AND CHILDHOOD IN THE LONG NINETEENTH CENTURY Amanda Phillips Chapman, PhD University of Pittsburgh, 2015 My dissertation argues that self-consciousness should take its place beside innocence and precocity as one of a constellation of terms crucial for understanding how paradigms of childhood and children’s literature developed side by side. By focusing on attitudes towards children and self-consciousness, I illuminate the ways in which discourses for and about children affected not only children’s culture but also British culture at large. My chapters examine the positive
    [Show full text]
  • ©2010 Paul L. Yeoh All Rights Reserved
    ©2010 PAUL L. YEOH ALL RIGHTS RESERVED IMPROVING LANGUAGE: VICTORIAN LITERATURE AND THE CIVILIZING PROCESS by PAUL L. YEOH A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Literatures in English Written under the direction of Kate Flint And approved by _________________________ _________________________ _________________________ _________________________ New Brunswick, New Jersey October, 2010 ABSTRACT OF THE DISSERTATION Improving Language: Victorian Literature and the Civilizing Process by Paul L. Yeoh Dissertation Director: Kate Flint Whereas “civilization” has often been dismissed in nineteenth-century studies as a rallying cry for empire, this dissertation offers a critical re-evaluation of how the Victorians understood this concept and its implications for literature’s educational possibilities. Integrating Norbert Elias’s theory of the civilizing process into a critical framework that draws on literary linguistics and rhetorical studies, my first chapter studies nineteenth-century writings from a range of disciplines – including economics, sociology, and linguistics – to show that “civilization” represented a key site for Victorian writers to reflect holistically on wider processes of social change and their linguistic dimensions. The second chapter analyzes the poetics of John Stuart Mill and Matthew Arnold in the context of this discourse. Arguing that the discourse of
    [Show full text]
  • Trinity College Cambridge 20 November 2011 Telling Tales
    Trinity College Cambridge 20 November 2011 Telling Tales: Stories from the book of Genesis Joseph Genesis 45: 1–8 and Luke 6: 27–38 Simon Goldhill My favourite fellow of Trinity – in the 19th century – is Frederic Farrar. He is best known today as the author of Eric or Little by Little, one of the foundational boarding-school children’s books, which is full of good looking lads, quoting poetry, crying and being whipped: the hero ends up a moral and physical wreck, responsible for the death of his darling brother, all because of a single lie – little by little…. It will give you some sense of how tough the novel is to read today if I tell you that Rudyard Kipling, no stranger to sentiment and kids’ stories, used the verb “ericing”, taken from the lead character’s name, to mean “to be a totally pathetic drip”. Farrar went on to be a pioneering schoolmaster and eventually Dean of Canterbury Cathedral. He also wrote a best-selling Life of Christ, designed to counter the new historical criticism of the gospels. He was a radical liberal at one level, and a solidly conservative broad churchman at another. Farrar got into hot water, however, for some sermons he preached at Westminster Cathedral in 1877, and published the year after. In these sermons he suggested reasonably enough that the Greek word aeinaon, usually translated “everlasting” did not mean “without end”. So why were there protests in the street and counter-sermons preached across the land – though, as a classical scholar, I am always happy to go back to times when Greek translation could cause a riot? Farrar suggested that “everlasting punishment” might eventually be tempered by the forgiveness of God.
    [Show full text]