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Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
Portfolio Investment Opportunities in China Democratic Revolution in China, Was Launched There
Morgan Stanley Smith Barney Investment Strategy The Great Wall of China In c. 220 BC, under Qin Shihuangdi (first emperor of the Qin dynasty), sections of earlier fortifications were joined together to form a united system to repel invasions from the north. Construction of the Great Wall continued for more than 16 centuries, up to the Ming dynasty (1368–1644), National Emblem of China creating the world's largest defense structure. Source: About.com, travelchinaguide.com. The design of the national emblem of the People's Republic of China shows Tiananmen under the light of five stars, and is framed with ears of grain and a cogwheel. Tiananmen is the symbol of modern China because the May 4th Movement of 1919, which marked the beginning of the new- Portfolio Investment Opportunities in China democratic revolution in China, was launched there. The meaning of the word David M. Darst, CFA Tiananmen is “Gate of Heavenly Succession.” On the emblem, the cogwheel and the ears of grain represent the working June 2011 class and the peasantry, respectively, and the five stars symbolize the solidarity of the various nationalities of China. The Han nationality makes up 92 percent of China’s total population, while the remaining eight percent are represented by over 50 nationalities, including: Mongol, Hui, Tibetan, Uygur, Miao, Yi, Zhuang, Bouyei, Korean, Manchu, Kazak, and Dai. Source: About.com, travelchinaguide.com. Please refer to important information, disclosures, and qualifications at the end of this material. Morgan Stanley Smith Barney Investment Strategy Table of Contents The Chinese Dynasties Section 1 Background Page 3 Length of Period Dynasty (or period) Extent of Period (Years) Section 2 Issues for Consideration Page 65 Xia c. -
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Advances in Social Science, Education and Humanities Research, volume 144 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017) On the Space-depiction Techniques of Chinese Traditional Architectural Drawings Peng Peng College of Architecture and Urban-Rural Planning Sichuan Agricultural University Chengdu, China Abstract—Ruled-line painting is the best foundation of Yuan Dynasty, the word “ruled-line painting” has been research on ancient Chinese buildings. From existing ruled-line widely used and accepted as well as become the painting painting works, it can be figured out that ruled-line paintings branch which takes buildings as subjects. In Notes of Nan of the Northern Song Dynasty have had a great breakthrough Village of Tao Zongyi, painting is divided into 13 categories, based on predecessors in the respect of manifestation with among which “ruled-line painting of buildings” ranks the regard to sense of space. A group of experienced painters of eighth as the drawing majoring in building subjects such as ruled-line painting at that time such as Zhang Zeduan, Guo palaces, towers, houses and the like. Meanwhile, in Zhongshu, Yan Wengui and the like know a lot about “subtle Appreciation and Evaluation of Paintings, Tang Hou said: principles” of “Same Proportion as Material Objects” and “When it comes to paintings, we will say that paintings have “Hundreds of Diagonals Gathered to One Point”, whose 12 categories with landscape painting taking the lead and works’ sense of volume, sense of space and sense of stability are universally superior to those of predecessors. Therefore, a ruled-line painting at the bottom.” Moreover, ruled-line form or framework of ancient architectural drawings basically painting is particular about accuracy of buildings’ shape and took shape at that time. -
GES1005/SSA1208 Temple Visit Report Bao Gong Temple
GES1005/SSA1208 Temple Visit Report Bao Gong Temple 包公庙 Yuan Yongqing Janice Ng Su Li Li Peng Bei Ding ZhongNi Tutorial Group: D1 App Profile ID:224 1. Introduction Our group was assigned to visit Bao Gong Temple, which is part of the Jalan Kayu Joint Temple located at 70 Sengkang West Avenue. Despite the small scale, it is regarded as a holy place by numerous worshippers and it is the only temple named after Bao Gong among all the Singapore temples consecrating him. The Bao Gong Temple Council have dedicated considerable efforts to public welfare which attracted more devotees. They even supervised a publication of The Book for the Treasures of Singapore Bao Gong Temple (《新加坡包公庙典藏书》) in 2015 to further spread Bao Gong culture and to document the history of the temple. A free PDF version can be found on the temple website https://www.singaporebaogongtemple.com. We would like to express our gratitude here to the Chief of general affairs, Master Chen Yucheng (H/P: 82288478) for his generous help throughout our visit. 2. The Folk Belief in Bao Gong The belief of Bao Gong was derived from the folklores of Bao Zheng (999-1062). Born in Hefei, Bao Zheng started rendering government service in 1037 and gained continuous promotion from the then highest ruler, Emperor Renzong of Song in the next 26 years. Among all his political achievements, he was most well-known for the impartial adjudication when he served as the mayor of Kaifeng (the capital of Northern Song). Remediating corruption and impeaching guilty nobles, Bao Zheng always upheld the interests of the masses, was loyal to the nation and disciplined himself. -
Publications Were Issued in Latin Or German
August 23–28, 2016 St. Petersburg, Russia EACS 2016 21st Biennial Conference of the European Association for Chinese Studies Book of ABStractS 2016 EACS- The European Association for Chinese Studies The European Association for Chinese Studies (EACS) is an international organization representing China scholars from all over Europe. Currently it has more than 700 members. It was founded in 1975 and is registered in Paris. It is a non-profit orga- nization not engaging in any political activity. The purpose of the Association is to promote and foster, by every possible means, scholarly activities related to Chinese Studies in Europe. The EACS serves not only as the scholarly rep- resentative of Chinese Studies in Europe but also as contact or- ganization for academic matters in this field. One of the Association’s major activities are the biennial con- ferences hosted by various centres of Chinese Studies in diffe- rent European countries. The papers presented at these confer- ences comprise all fields from traditional Sinology to studies of modern China. In addition, summer schools and workshops are organized under the auspices of the EACS. The Association car- ries out scholarly projects on an irregular basis. Since 1995 the EACS has provided Library Travel Grants to support short visits for research in major sinological libraries in Western Europe. The scheme is funded by the Chiang Ching-Kuo Foundation and destined for PhD students and young scholars, primarily from Eastern European countries. The EACS furthers the careers of young scholars by awarding a Young Scholar Award for outstanding research. A jury selects the best three of the submitted papers, which are then presented at the next bi-an- nual conference. -
The Political Symbolism of Chinese Timber Structure: a Historical Study of Official Construction in Yingzao-Fashi
The Political Symbolism of Chinese Timber Structure: a historical study of official construction in Yingzao-fashi Pengfei Ma A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Built Environment 2020 Surname/Family Name : Ma Given Name/s : Pengfei Abbreviation for degree as give in the University calendar : PhD Faculty : Faculty of Built Environment School : School of Built Environment Thesis Title : The Political Symbolism of Chinese Timber Structure: a historical study of official construction in Yingzao-fashi Abstract 350 words maximum: (PLEASE TYPE) This research presents a historical study of timber construction in the official building code Yingzao-fashi from the lens of politics. The longevity of Chinese civilisation is associated with the ephemeral but renewable timber structure of Chinese buildings. Such an enduring and stable tie, to a large extent, should be attributed to the adaptability of timber structures to the premodern Chinese political system. The inquiry and analysis of the research are structured into three key aspects — the impetus of Yingzao-fashi, official construction systems, the political symbolism of and literature associated with timber structure. The areas of inquiry are all centred on the research question: how did Chinese timber structure of different types serve premodern Chinese politics? First, Yingzhao-fashi has been studied by scholars mainly from a technical point of view, but it was a construction code designed to realise the agenda of political reform. Secondly, the main classifications of timber structures in Yingzao-fashi – diange and tingtang – possessed distinct construction methods of vertical massing and horizontal connection respectively. These two methods, emphasising different architectural elements, are identified as two construction systems created for royal family and officials: royal construction and government construction. -
A Visualization Quality Evaluation Method for Multiple Sequence Alignments
2011 5th International Conference on Bioinformatics and Biomedical Engineering (iCBBE 2011) Wuhan, China 10 - 12 May 2011 Pages 1 - 867 IEEE Catalog Number: CFP1129C-PRT ISBN: 978-1-4244-5088-6 1/7 TABLE OF CONTENTS ALGORITHMS, MODELS, SOFTWARE AND TOOLS IN BIOINFORMATICS: A Visualization Quality Evaluation Method for Multiple Sequence Alignments ............................................................1 Hongbin Lee, Bo Wang, Xiaoming Wu, Yonggang Liu, Wei Gao, Huili Li, Xu Wang, Feng He A New Promoter Recognition Method Based On Features Optimal Selection.................................................................5 Lan Tao, Huakui Chen, Yanmeng Xu, Zexuan Zhu A Center Closeness Algorithm For The Analyses Of Gene Expression Data ...................................................................9 Huakun Wang, Lixin Feng, Zhou Ying, Zhang Xu, Zhenzhen Wang A Novel Method For Lysine Acetylation Sites Prediction ................................................................................................ 11 Yongchun Gao, Wei Chen Weighted Maximum Margin Criterion Method: Application To Proteomic Peptide Profile ....................................... 15 Xiao Li Yang, Qiong He, Si Ya Yang, Li Liu Ectopic Expression Of Tim-3 Induces Tumor-Specific Antitumor Immunity................................................................ 19 Osama A. O. Elhag, Xiaojing Hu, Weiying Zhang, Li Xiong, Yongze Yuan, Lingfeng Deng, Deli Liu, Yingle Liu, Hui Geng Small-World Network Properties Of Protein Complexes: Node Centrality And Community Structure -
Mainsta!!E Production Stage Manager Jennie S
P..-od&Actiol'l Staff 'lVnnedy Theatre-' -¢- 2001-2002 Season Department Chair Dennis Carroll , Director of Dance Gregg Lizenbery Mainsta!!e Production Stage Manager Jennie S. Frazer Asst Production Stage Manager Jungah Han Rehearsal Manager Wei-yu Lin Assistant Technical Director M. J. Matsushita Light Board Operator Holly Sutherlin Sound Operator Jennifer Jones Projectionist Jungah Han Stage Crew Christa Eleftherakis, Doug Upp, Olivia Smoody & Daniel Sakimura Set Construction Crew Kelly Berry, James Davenport, Daniel Gelbman, Vincent Liem & students of THEA 240, 221, 200 Staff Costume Shop Manager Hanna!! Schauer Galli Costume Crew Christine Hauptman, Lisa Ohara, Angela Mangano, Tabitha Young & Manko Neubauer Wardrobe Supervisor) Marina Sprinker & Davin Weinstein Dressers Suzanne Calimpong, Mitchell Goo, Valerie Ho, Ashley Larson, Michelle .Nishimoto, Megan Patton & Malia Yamamoto Hairdressing Crew Christine Hauptman, Sadie Yi, Thnya Hitchcox, Sarah Mesina, Lillian Tsang & Henry West Interpreters' & Assistants for the Guest Artists Wei-yu Lin, Hui-mei Chang, Megan Evans & Fan Xing Staff Theatre Manager Marcy Myers Staff Facilities Manager Mark Boyd Box Office Supervisors Michael S. Lee & Tim Wiler Box Office Staff Daniel Akiyama, Jennifer Norton, Tanisha Franquez, Karen Isozaki & Lei Sadakari Publicity Director Kristy DeAnn Miller Publicity Assistant Chris Doi Photographer Andrew Shimabuku Graphic Designer Lauren Forsythe Program Editor/House Manager Sylvia Zietze Assistant House Managers Kathy Bishop & Helen Lee Website Assistant Kathleen -
Enduring Legacy-Sample 3.Pdf
NOTE: Following the wishes of the rights holders, certain primary source documents do not appear in this sample. They are available only in the printed textbook and accompanying CD-ROM. Minor corrections may have been made to the material shown in this sample. It should not be quoted without comparison with the finalized version of this book. This sample includes: Table of Contents, Foreword, Introduction, Introductory Essay, and Lessons 10 Please see Table of Contents for a listing of this book’s complete content. CHENG &TSUI COMPANY www.cheng-tsui.com Tel: 617-988-2401 Fax:617-426-3669 Sample The Enduring Legacy of Ancient China Sample Copyright © 2006 by Primary Source, Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, scanning, or any information storage or retrieval system, without written permission from the publisher. Acknowledgments for borrowed material begin on p. X. 10 09 08 07 06 1 2 3 4 5 6 Published by Cheng & Tsui Company, Inc. 25 West Street Boston, MA 02111-1213 USA Fax (617) 426-3669 www.cheng-tsui.com “Bringing Asia to the World” ™ Library of Congress Cataloging-in-Publication Data Sample ISBN 13 978-0-88727-508-1 ISBN 0-88727-508-7 Printed in the U.S.A. Primary Source dedicates Th e Enduring Legacy of Ancient China to Drs. Anne and John Watt in recognition of the enduring legacy of their work in strengthening teaching about China so that American citizens can better understand Chinese history and culture. -
UNITED STATES BANKRUPTCY COURT Southern District of New York *SUBJECT to GENERAL and SPECIFIC NOTES to THESE SCHEDULES* SUMMARY
UNITED STATES BANKRUPTCY COURT Southern District of New York Refco Capital Markets, LTD Case Number: 05-60018 *SUBJECT TO GENERAL AND SPECIFIC NOTES TO THESE SCHEDULES* SUMMARY OF AMENDED SCHEDULES An asterisk (*) found in schedules herein indicates a change from the Debtor's original Schedules of Assets and Liabilities filed December 30, 2005. Any such change will also be indicated in the "Amended" column of the summary schedules with an "X". Indicate as to each schedule whether that schedule is attached and state the number of pages in each. Report the totals from Schedules A, B, C, D, E, F, I, and J in the boxes provided. Add the amounts from Schedules A and B to determine the total amount of the debtor's assets. Add the amounts from Schedules D, E, and F to determine the total amount of the debtor's liabilities. AMOUNTS SCHEDULED NAME OF SCHEDULE ATTACHED NO. OF SHEETS ASSETS LIABILITIES OTHER YES / NO A - REAL PROPERTY NO 0 $0 B - PERSONAL PROPERTY YES 30 $6,002,376,477 C - PROPERTY CLAIMED AS EXEMPT NO 0 D - CREDITORS HOLDING SECURED CLAIMS YES 2 $79,537,542 E - CREDITORS HOLDING UNSECURED YES 2 $0 PRIORITY CLAIMS F - CREDITORS HOLDING UNSECURED NON- YES 356 $5,366,962,476 PRIORITY CLAIMS G - EXECUTORY CONTRACTS AND UNEXPIRED YES 2 LEASES H - CODEBTORS YES 1 I - CURRENT INCOME OF INDIVIDUAL NO 0 N/A DEBTOR(S) J - CURRENT EXPENDITURES OF INDIVIDUAL NO 0 N/A DEBTOR(S) Total number of sheets of all Schedules 393 Total Assets > $6,002,376,477 $5,446,500,018 Total Liabilities > UNITED STATES BANKRUPTCY COURT Southern District of New York Refco Capital Markets, LTD Case Number: 05-60018 GENERAL NOTES PERTAINING TO SCHEDULES AND STATEMENTS FOR ALL DEBTORS On October 17, 2005 (the “Petition Date”), Refco Inc. -
Chapter One: Introduction
Desire and Fantasy On-line: a Sociological and Psychoanalytical Approach to the Prosumption of Chinese Internet Fiction A Thesis Submitted to the University of Manchester for the Degree of PhD in the Faculty of Humanities 2012 SHIH-CHEN CHAO SCHOOL OF ARTS, LANGUAGES, AND CULTURES Table of Contents Abstract ......................................................................................................................... 7 Declaration ................................................................................................................... 8 Copyright Statement ................................................................................................... 8 Acknowledgement ........................................................................................................ 9 Chapter One: Introduction ....................................................................................... 10 1.1: Internet Literature – Definition and Development………………………...10 1.2: Research Motivation and Questions……………………………………...…18 1.3: Literature Review…………………………………………………………..19 1.3.1: Modern Chinese Literature and Popular Fiction……...………………19 1.3.2: Fan Culture in the Popular Media………...……………………….. 20 1.3.3: Literature and the Internet…………...……………………………….21 1.3.4: Popular Fiction and Internet in China………………...………………23 1.4: Theoretical Frameworks…………………………………….……………..28 1.5: Data and Methodology……………………………………………………. 30 1.5.1: The Primary Sources of Literary Commodities – Four Nets and One Channel on Qidian….……………………………………………….. 30 -
Mingfei Qu" and the Poetics of Disagreement Author(S): Yang Xiaoshan Source: Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol
Wang Anshi's "Mingfei qu" and the Poetics of Disagreement Author(s): Yang Xiaoshan Source: Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol. 29 (Dec., 2007), pp. 55- 84 Published by: Chinese Literature: essays, articles, reviews (CLEAR) Stable URL: http://www.jstor.org/stable/25478397 Accessed: 14-08-2017 01:58 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/25478397?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Chinese Literature: essays, articles, reviews (CLEAR) is collaborating with JSTOR to digitize, preserve and extend access to Chinese Literature: Essays, Articles, Reviews (CLEAR) This content downloaded from 66.31.142.119 on Mon, 14 Aug 2017 01:58:38 UTC All use subject to http://about.jstor.org/terms Wang Anshi's "Mingfei qu" and the Poetics of Disagreement Yang Xiaoshan University of Notre Dame This essay reconsiders the controversy surrounding Wang Anshi's two poems on the Wang Zhaojun legend in light of his deliberate use of unconventional rhetoric to shock and awe his audience, especially in poems dealing with historical subjects.