Cracow Indological Studies Vol. XX, No. 2 (2018), pp. 257–280 https://doi.org/10.12797/CIS.20.2018.02.12 Tatiana Szurlej (University of Manipal)
[email protected] From Heroic Durga to the Next Victim of an Oppressive Patriarchal Indian Culture: Too Many Variants of Phoolan Devi’s Biography SUMMARY: Phoolan Devi (10.08.1963–25.07.2001), the famous Bandit Queen still appears in stories about famous Indian women. However, while in India, mainly among poor villagers, she is usually described as a heroic defender of the poorest, in the West Phoolan is seen primarily as another victim of Indian patriarchal culture. Moreover, although most of books about Phoolan are based on interviews with her, every version of her biography differs from one another, which raises the ques- tion whether these differences are the consequence of a conscious manipulation of a person who tries to justify certain dark aspects of her life, since the famous dacoit owes her fame to her bloody act of revenge on Thakurs in the Behmai vil- lage, which was the biggest crime committed by bandits in India until then. The most popular story about Phoolan’s life is the film Bandit Queen made in 1994 by Shekhar Kapur, based on the book India’s Bandit Queen. The True Story of Phoolan Devi by Mala Sen, who is also the author of the screenplay. The autobiog- raphy of Phoolan Devi, who tried to stop the release of the Bandit Queen, claiming that it shows a false story, was written in response to those two works.