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Jahresbericht 2019
Jahresbericht 2019 Inhaltsverzeichnis Inhaltsverzeichnis 1 Vorwort 3 Der Verein Creative Europe – MEDIA Desk Suisse 4 Der Verein 4 Die Geschäftsstelle 5 Das Jahr 2019 5 Kommunikation 6 Informationsveranstaltungen 6 Printpublikationen 6 Website 6 Newsletter 6 Social Media 7 Presse 7 Branchenaustausch und internationales Netzwerk 8 Überblick über alle Förderlinien 11 MEDIA-Ersatzmassnahmen 2019 11 Gesamtbilanz 2019 12 Projektentwicklung 14 Verleihförderung für europäische Filme 23 Automatische Verleihförderung 25 Selektive Verleihförderung 26 Promotionsförderung 34 Förderung von Weiterbildungsprogrammen 38 Get Trained – Stay Connected! 41 Nutzung des Creative Europe MEDIA-Netzwerks 41 BAK Weiterbildungszuschüsse 41 Finanzen 2019 45 Bericht der Revisionsstelle 45 Bilanz 46 Erfolgsrechnung 47 Inhaltsverzeichnis 1 MEDIA Desk Suisse Neugasse 10 8005 Zürich Schweiz +41 (0)43 960 39 29 www.mediadesk.ch [email protected] @MEDIASuisse #mdssupported #trainingmds MEDIA Desk Suisse wird vom Bundesamt für Kultur unterstützt. Redaktionelle Leitung: Corinna Marschall Texte: Corinna Marschall, Sophie Danner Diagramme & Statistik: Markus König Fotos: von den Produktionsfirmen und Organisatoren zur Verfügung gestellt Gestaltung: Florian Pfingsttag Titelseite: Le Milieu de l’Horizon von Delphine Lehericey, produziert von Box Productions (CH) und Entre Chien et Loup (BE). 2 Vorwort Mitten in der Corona-Krise nimmt sich der Rückblick lung wie Deutschland und Frankreich Sonderge- auf das Jahr 2019 seltsam aus. Schliesslich zerbre- nehmigungen. Besonders Filme mit hohem Potenti- chen wir uns gerade den Kopf, wie die nahe und al werden auf einen erneuten Kinostart nach der fernere Zukunft aussehen könnte und sehen alles Krise warten. Für Nischenfilme wird der Start als andere als klar. Mir scheint, dass wir uns an einem VoD eventuell die einzige Möglichkeit sein, ein Pub- wichtigen Angelpunkt befinden. -
Jemma Purdey
EPILOGUE Jemma Purdey This past December, I led a group of Australian students on a study tour to Indonesia, including a week of language and cultural immersion at a university in Bandung. The coordinators of the unit took the initiative to include a guest lecture in the program for our students and other for- eign visitors, as well as their own graduate students in Citizenship stud- ies. The topic of the lecture was Indonesian history and the Pancasila. As mine is a breadth subject open to enrolments from across faculties, in general my students had only a tacit knowledge of Indonesian his- tory. The lecturer delivered his rather dry account as a chronology of Indonesian “pre-colonial”, “colonial” and “post-colonial” history with a concluding discussion on Pancasila as national ideology. My students found this latter aspect of his lecture to be the more stimulating (the idea of a “national ideology”, particularly with religion as its starting point, as it seems a provocative one for young Australians). Personally, despite his comprehensive chronological listing of historical events com- plete with detail of lives lost in the colonial wars against the Dutch, what struck me was that there was no mention at all of “1965” beyond the 30 September Movement and Suharto’s triumphant suppression of it. Not of the mass killings and purges of Communists. Not even as a footnote. “1965” represents a period in Indonesian history roughly from 1965 to 1966 when an estimated half a million people were murdered (though some authors in this volume put this fgure higher, see in this volume © The Editor(s) (if applicable) and The Author(s) 2018 357 K. -
Cinemabreweryarts.Co.Uk | 01539 725133 Jan-Mar 2019
Cinema Jan-Mar 2019 breweryarts.co.uk | 01539 725133 Capernaum | Mar 01 For listings, information and online bookings, go to breweryarts.co.uk/cinema 02 Island of Hungry Ghosts The Brewery Cinema USEFUL INFO Doors open 10 minutes prior to January-March 2019 advertised start time and includes adverts & trailers All screenings have allocated seating; choose your preferred view when elcome to a new season of films We’ll also be welcoming back the booking Destroyer at the Brewery Cinema. Japan Foundation Touring Film You are welcome to enjoy alcoholic Programme with a selection of This winter/spring we will drinks in our cinema screens - served films, based around the theme of be bringing you the best in in plastic glasses only. Please drink love, in the intimate surroundings mainstream film and a selection responsibly TICKETS & OFFERS of British independent and of our Warehouse Cinema. The first W Only food & drink purchased at *Ticket Prices unless stated: specialist films from around the film in the series will be Tonight at the Brewery may be taken into the £8.50 | £7.50 OAP/NUS | £7.00 U18 world. the Movies which will be screened cinemas on Valentine’s Day – perfect timing! Book online: breweryarts.co.uk/cinema The 2019 Awards Season is This year, the Brewery will be Please note that hot drinks or via our box office: 01539 725133 well under way, and we’re are not permitted in Screen 3 looking forward to screening celebrating Inspirational Women some of the main contenders. in the Arts with special theatre, Screens 1 & 2 are equipped with an The Reel Deal Enjoy a movie & a pizza for only £15 Titles to look out for include comedy and spoken word infra-red assisted listening system & audio description facility. -
The Handmaiden and Colonial Korea, an Interview with Dr. Kelly Jeong Transcript
Episode 8: The Handmaiden and Colonial Korea, An Interview with Dr. Kelly Jeong Transcript Stephanie [00:00:00] Hello, I'm Steph. Melissa [00:00:01] And I'm Mel. Stephanie [00:00:02] And this is East Asia for All, a podcast about East Asian pop culture and media. Melissa [00:00:07] If you're listening right now, you, like us, probably also have an addiction to East Asian films, cartoons, memes, music and much, much more. Stephanie [00:00:17] Between the two of us, we've lived on and off in China, Taiwan, and Japan since 2007. Melissa [00:00:22] We also both have PhDs in Chinese history, and we're both working as professors in the Midwest. Stephanie [00:00:28] I'm at St. Olaf College in the Departments of History and Asian Studies. Melissa [00:00:31] And I teach history at St. Mary's University of Minnesota. Stephanie [00:00:35] So we're taking our love for East Asia, our experiences there, and the knowledge we've gained in the ivory tower and making it available beyond our classroom walls. Melissa [00:00:47] Today's episode is about The Handmaiden, a 2016 film by South Korean director Park Chan-wook. Stephanie [00:00:54] ...of Oldboy fame. If you keep up with Park's filmography. Melissa [00:00:57] The Handmaiden has a really interesting lineage. It's an adaptation of Sarah Waters' 2002 novel Fingers Smith. Stephanie [00:01:04] Waters' novel is set in Victorian-era Britain and it's sort of a crime story, historical mystery and lesbian romance. -
SMALL CRIMES DIAS News from PLANET MARS ALL of a SUDDEN
2016 IN CannES NEW ANNOUNCEMENTS UPCOMING ALSO AVAILABLE CONTACT IN CANNES NEW Slack BAY SMALL CRIMES CALL ME BY YOUR NAME NEWS FROM NEW OFFICE by Bruno Dumont by E.L. Katz by Luca Guadagnino planet mars th Official Selection – In Competition In Pre Production In Pre Production by Dominik Moll 84 RUE D’ANTIBES, 4 FLOOR 06400 CANNES - FRANCE THE SALESMAN DIAS NEW MR. STEIN GOES ONLINE ALL OF A SUDDEN EMILIE GEORGES (May 10th - 22nd) by Asghar Farhadi by Jonathan English by Stephane Robelin by Asli Özge Official Selection – In Competition In Pre Production In Pre Production [email protected] / +33 6 62 08 83 43 TANJA MEISSNER (May 11th - 22nd) GIRL ASLEEP THE MIDWIFE [email protected] / +33 6 22 92 48 31 by Martin Provost by Rosemary Myers AN ArtsCOPE FILM NICHolas Kaiser (May 10th - 22nd) In Production [email protected] / +33 6 43 44 48 99 BERLIN SYNDROME MatHIEU DelaUNAY (May 10th - 22nd) by Cate Shortland [email protected] / + 33 6 87 88 45 26 In Post Production Sata CissokHO (May 10th - 22nd) [email protected] / +33 6 17 70 35 82 THE DARKNESS design: www.clade.fr / Graphic non contractual Credits by Daniel Castro Zimbrón Naima ABED (May 12th - 20th) OFFICE IN PARIS MEMENTO FILMS INTERNATIONAL In Post Production [email protected] / +44 7731 611 461 9 Cité Paradis – 75010 Paris – France Tel: +33 1 53 34 90 20 | Fax: +33 1 42 47 11 24 [email protected] [email protected] Proudly sponsored by www.memento-films.com | Follow us on Facebook NEW OFFICE IN CANNES 84 RUE D’ANTIBES, 4th FLOOR -
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
Wenders Has Had Monumental Influence on Cinema
“WENDERS HAS HAD MONUMENTAL INFLUENCE ON CINEMA. THE TIME IS RIPE FOR A CELEBRATION OF HIS WORK.” —FORBES WIM WENDERS PORTRAITS ALONG THE ROAD A RETROSPECTIVE THE GOALIE’S ANXIETY AT THE PENALTY KICK / ALICE IN THE CITIES / WRONG MOVE / KINGS OF THE ROAD THE AMERICAN FRIEND / THE STATE OF THINGS / PARIS, TEXAS / TOKYO-GA / WINGS OF DESIRE DIRECTOR’S NOTEBOOK ON CITIES AND CLOTHES / UNTIL THE END OF THE WORLD ( CUT ) / BUENA VISTA SOCIAL CLUB JANUSFILMS.COM/WENDERS THE GOALIE’S ANXIETY AT THE PENALTY KICK PARIS, TEXAS ALICE IN THE CITIES TOKYO-GA WRONG MOVE WINGS OF DESIRE KINGS OF THE ROAD NOTEBOOK ON CITIES AND CLOTHES THE AMERICAN FRIEND UNTIL THE END OF THE WORLD (DIRECTOR’S CUT) THE STATE OF THINGS BUENA VISTA SOCIAL CLUB Wim Wenders is cinema’s preeminent poet of the open road, soulfully following the journeys of people as they search for themselves. During his over-forty-year career, Wenders has directed films in his native Germany and around the globe, making dramas both intense and whimsical, mysteries, fantasies, and documentaries. With this retrospective of twelve of his films—from early works of the New German Cinema Alice( in the Cities, Kings of the Road) to the art-house 1980s blockbusters that made him a household name (Paris, Texas; Wings of Desire) to inquisitive nonfiction looks at world culture (Tokyo-ga, Buena Vista Social Club)—audiences can rediscover Wenders’s vast cinematic world. Booking: [email protected] / Publicity: [email protected] janusfilms.com/wenders BIOGRAPHY Wim Wenders (born 1945) came to international prominence as one of the pioneers of the New German Cinema in the 1970s and is considered to be one of the most important figures in contemporary German film. -
VES Goes Big for 'Hero,' 'Apes'
Search… Monday, June 22, 2015 News Resources Magazine Advertise Contact Shop Animag TV Galleries Calendar Home Festivals and Events VES Goes Big for ‘Hero,’ ‘Apes’ VES Goes Big for ‘Hero,’ ‘Apes’ Tom McLean Feb 4th, 2015 No Comments yet Like 0 Tweet 7 0 0 Share Email Print 0 The 13th annual VES Awards went ape for Apes and big for Big Hero 6 last night. Dawn of the Planet of the Apes lead the liveaction feature film categories Newsletter with three wins, while Disney’s animated feature Big Hero 6 took home the most awards overall with five. Subscribe to our Daily Newsletter In the TV categories, Game of Thrones came out on top, and SSE was email address Subscribe the mosthonored commercial. Here’s the full list of nominees, with the winners indicated in bold type. Congratulations to all the RSS Google Plus winners! Get updates Join our circle Outstanding Visual Effects in a Visual EffectsDriven Photoreal/Live Action Feature Motion Twitter Facebook Follow us Become our Picture fan Dawn of the Planet of the Apes. Joe Letteri, Ryan Stafford, Matt Kutcher, Dan Lemmon, Recent Posts Hannah Blanchini. Guardians of the Galaxy. Stephane Ceretti, Susan Pickett, Jonathan Fawkner, Nicolas Aithadi, Paul 'April,' 'Cosmos' Top Annecy Corbould. Awards Interstellar. Paul Franklin, Kevin Elam, Ann Podlozny, Andrew Lockley, Scott Fisher. June 21, 2015 0 Maleficent. Carey Villegas, Barrie Hemsley, Adam Valdez, Kelly Port, Michael Dawson. 'Inside Out' Opens to $91M, 2nd The Hobbit: The Battle of the Five Armies. Joe Letteri, David Conley, Eric Saindon, Kevin to 'Jurassic' Juggernaut Sherwood, Steve Ingram. -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
Children's DVD Titles (Including Parent Collection)
Children’s DVD Titles (including Parent Collection) - as of July 2017 NRA ABC monsters, volume 1: Meet the ABC monsters NRA Abraham Lincoln PG Ace Ventura Jr. pet detective (SDH) PG A.C.O.R.N.S: Operation crack down (CC) NRA Action words, volume 1 NRA Action words, volume 2 NRA Action words, volume 3 NRA Activity TV: Magic, vol. 1 PG Adventure planet (CC) TV-PG Adventure time: The complete first season (2v) (SDH) TV-PG Adventure time: Fionna and Cake (SDH) TV-G Adventures in babysitting (SDH) G Adventures in Zambezia (SDH) NRA Adventures of Bailey: Christmas hero (SDH) NRA Adventures of Bailey: The lost puppy NRA Adventures of Bailey: A night in Cowtown (SDH) G The adventures of Brer Rabbit (SDH) NRA The adventures of Carlos Caterpillar: Litterbug TV-Y The adventures of Chuck & friends: Bumpers up! TV-Y The adventures of Chuck & friends: Friends to the finish TV-Y The adventures of Chuck & friends: Top gear trucks TV-Y The adventures of Chuck & friends: Trucks versus wild TV-Y The adventures of Chuck & friends: When trucks fly G The adventures of Ichabod and Mr. Toad (CC) G The adventures of Ichabod and Mr. Toad (2014) (SDH) G The adventures of Milo and Otis (CC) PG The adventures of Panda Warrior (CC) G Adventures of Pinocchio (CC) PG The adventures of Renny the fox (CC) NRA The adventures of Scooter the penguin (SDH) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) NRA The adventures of Teddy P. Brains: Journey into the rain forest NRA Adventures of the Gummi Bears (3v) (SDH) PG The adventures of TinTin (CC) NRA Adventures with -
Sat 22 Jul – Wed 23 Aug
home box office mcr. 0161 200 1500 org home road movies Sat 22 Jul – Wed 23 Aug Vanishing Point1 , 1971 ROAD MOVIES . From the earliest days of American cinema, the road movie has been synonymous with American culture and the image America has presented to the world. In its most basic form, the charting of a journey by an individual or group as they seek out some form of adventure, redemption or escape, is a sub-genre that ranks amongst American cinema’s most enduring gifts to contemporary film culture. homemcr.com/road-movies 2 3 CONTENTS Road Movie + ROAD ........................................................................................6 The Last Detail ..................................................................................................8 The Wizard of Oz ...........................................................................................10 Candy Mountain ............................................................................................. 12 The Motorcycle Diaries .................................................................................14 Wim Wenders Road Trilogy ..........................................................................16 Vanishing Point ................................................................................................18 Landscape in the Mist .................................................................................. 20 Leningrad Cowboys Go America ...............................................................22 4 5 A HARD ROAD TO TRAVEL: ROAD MOVIE (CTBA) -
A Man Called Ove Sweden Hannes Holm
A MAN CALLED OVE SWEDEN HANNES HOLM A Man Called Ove tells the familiar story of the Priding himself on his reliability, Ove feels compelled to curmudgeonly old man whose grumpy life is brightened stop killing himself to address each interruption. by forces beyond his control. These forces take the guise Keep in mind that the black humor in this situation of a much younger person who provides a sense of doesn’t arise from any mockery of Ove’s pain over missing purpose for the old hero. A film like this rises or falls his spouse. That is presented as real, understandable pain. not only with its central performance, but also with its Instead, the humor comes from Ove’s stubbornness as ability to engage the viewer’s emotions in a credible, a creature of habit. Perpetually enforcing neighborhood honest fashion. Movies like this tend to get dismissed rules nobody cares about nor adheres to, Ove can’t as “manipulative” because audience sympathy for the resist the opportunity to scold those who violate them. protagonist is at least partially elicited by flashbacks to Yet, for all his crabbiness, there’s a level of selflessness a litany of tragic or unfair past events. But all movies inherent in Ove’s character, a trait he finds infuriating are manipulative by default; the effectiveness of that yet he begrudgingly accepts. His wife, Sonja, played as manipulation is the more valid measurement to inspect. a young woman in the flashbacks by Ida Engvoll, sees On that scale, A Man Called Ove is a morbidly funny and this in the younger version of Ove (Filip Berg), and the moving success.