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Sondheim's Putting It Together Gathers More Than 30 Songs From
CSFINEARTSCENTER.ORG Contact: Dori Mitchell, Director of Communications 719.477.4312; [email protected] FOR IMMEDIATE RELEASE Sondheim’s Putting It Together gathers more than 30 songs from award‐winning works COLORADO SPRINGS (Aug. 10, 2015) This musical revue showcases the songs of Stephen Sondheim, America’s most‐awarded living musical theatre composer. Featuring nearly 30 Sondheim songs from at least a dozen of his award‐winning shows (including A Funny Thing Happened on the Way to the Forum, Into the Woods, Sweeney Todd, Company and Follies), this one‐of‐a‐kind compilation celebrates Sondheim’s incomparable career in musical theatre. “Stephen Sondheim has written some of the best musical theatre of the last 50 years,” says Performing Arts Director Scott RC Levy, “and will go down in history as one of the most important American composers of the 20th Century. The FAC has a strong history of producing his work, and when thinking of which show of his to do next, I thought of this piece, which features so much of his beautiful music from pieces throughout his career.” The FAC production features an all‐star cast, including Max Ferguson, Sally Hybl, Jordan Leigh, Scott RC Levy and Mackenzie Sherburne. Nathan Halvorson directs and choreographs. Sondheim has won the Kennedy Center Lifetime Achievement Award, a Pulitzer Prize, an Academy Award, the Presidential Medal of Freedom, eight Grammy Awards, 12 Tony Awards, 16 Drama Desk Awards and six Olivier Awards. The FAC has produced 10 Sondheim works, including Into the Woods, Funny Thing Happened…, Assassins and Sweeney Todd since 1989. -
Register, 2009-04-08
North Carolina Agricultural and Technical State University Aggie Digital Collections and Scholarship NCAT Student Newspapers Digital Collections 4-8-2009 The Register, 2009-04-08 North Carolina Agricutural and Technical State University Follow this and additional works at: https://digital.library.ncat.edu/atregister Recommended Citation North Carolina Agricutural and Technical State University, "The Register, 2009-04-08" (2009). NCAT Student Newspapers. 1438. https://digital.library.ncat.edu/atregister/1438 This Book is brought to you for free and open access by the Digital Collections at Aggie Digital Collections and Scholarship. It has been accepted for inclusion in NCAT Student Newspapers by an authorized administrator of Aggie Digital Collections and Scholarship. For more information, please contact [email protected]. AGGIES HOST FIRST MEETOFTHE SEASSr^ * PAGE 7 03 Co & The A&T REGISTER FREE XXXII, NO. 2 WEDNESDAY NCATREGISTER.COM SERVING THE AGGIE COMMUNITY FOR OVER 80 YEARS THE STUDENT NEWSPAPER OF NORTH.CAROLINA A&T CAMPUS ELE HONS Jasmin voted SGA President in rare re-election DEXTER MULLINS will serve as Online Editor the secretary ofthe Jasmin After an extra week of administration. confusion, a rushed election, All ofthe new and a littlerainy weather, executive board junior Syene Jasmin has been members will officially declared the Student be sworn in Government Association at the SGA President for the 2009-2010 Jasmin Inaugural academic school year. Banquet on Not alone in the Wed. April Jasmin was just one of several positions officially announced a While the elections have week after the initial election. finally come to a close, the Ngozi Opera has been impact they had on students declared Miss North Carolina A&T, and Whitney Dickens See ELECTIONS on Page 2 (ABOVE)Artistrendering of the mainlobby ofthe New General Classroom Bultyingf^uttUlWilfete Id© pric Years of facility upgrades and construction haven't come cheap, but Aggies agree they're worth it STORY BY MALCOLM S. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
Fall Kickoff Schedule 2020
FALL KICKOFF 2020 S T U D E N T G R O U P L I S T QUESTIONS? CONTACT KYNNITH FRANCIS-VAUGHAN, 336.334.3574 OR [email protected] MONDAY, AUGUST 17 Academic Leadership and Service Chemistry Club Phi Sigma Pi Honorary Geography Club (Leadership) Spanish Club Growing Young Men Higher Education Student Social Work Student Association Organization Educational Research National Residence Hall Methodology Graduate Honorary Student Association Residence Hall Association American Medical Student Circle K International Association Queen In You Nutrition Graduate Student Association General Interest/Social History Club Transfer Adult Student Union Club Sports Men's Mental Health Club Women's Club Lacrosse Q+: UNCG's Queer Graduate Club Men's Rugby Student Association Club Equestrian Team Best Buddies International UNCG Mens Volleyball Club Sisters with a Vision Club Women's Volleyball UNCG Society of Physics UNCG Badminton Club Students Men's Club Soccer SKY Yoga and Meditation Club Swim Science Fiction Fantasy Club Tennis Federation UNCG Club Women's Rugby UNCGreen Baseball Club Chinese Students and Scholars Association Fine/Performing Arts Deaf Hearing College Real Anointed Worshippers Connection Gospel Ensemble Spanish American Latino The UNCG Spartones Student Association Performers of Change Philosophy Club UNCG Mystique Modeling Troupe Prime Movers JALWA: Bollywood Dance Activities and Campus Events Group School of Athens Institute Triumph Theatre Symposium at UNCG UNCG Improvisational The Pink Bowz Comedy 1st G UNCG's Note Control Sigma Alpha -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
INTO the WOODS Stephen Sondheim (Music and Lyrics) and James Lapine (Book) Directed by Susi Damilano Music Director: Dave Dobrusky Choreography: Kimberly Richards
Press Release For immediate release May 2014 [email protected] Download Hi Res photos here INTO THE WOODS Stephen Sondheim (music and lyrics) and James Lapine (book) Directed by Susi Damilano Music Director: Dave Dobrusky Choreography: Kimberly Richards June 24th to September 6th Previews June 24 – June 27 at 8pm Tuesdays through Thursdays at 7pm, Fridays and Saturdays at 8pm Saturdays at 3pm and Sundays at 2pm (except 6/29) PRESS OPENING: Saturday, June 28th at 8pm San Francisco, CA (May 2014) – San Francisco Playhouse (Artistic Director Bill English & Producing Director Susi Damilano) concludes its provocative eleventh season with Into the Woods by Stephen Sondheim (music and lyrics) and James Lapine (book). What happens after “happily ever after?” Fractured fairy tales of a darker hue provide the context for Into the Woods, which deconstructs the Brothers Grimm by way of “The Twilight Zone.” While the faces and names are familiar, Cinderella, Rapunzel, Little Red Riding Hood, Jack in the Beanstalk and company inhabit a sylvan neighborhood in which witches and bakers are next-door neighbors, handsome princes from once-parallel fables are competitive (and equally vain) brothers, and all the stories intersect through unexpected new plot twists. Stephen Sondheim and James Lapine’s beloved musical intertwines classic fairytales with a contemporary edge to tell stories of wishes granted and “the price” paid. Susi Damilano (Director), Dave Dobrusky (Music Director) and Kimberly Richards (Choreographer) will team up to bring a fresh twist to this familiar tale by adding a time-travelling boy, Ian DeVaynes to the Bay Area cast that features: Louis Parnell* (Narrator), Safiya Fredericks* (Witch), El Beh (Baker’s Wife), Keith Pinto* (Baker), Tim Homsley* (Jack), Joan Mankin* (Jack’s Mom), Monique Hafen* (Cinderella), Becka Fink (Cinderella’s Stepmom), identical twins, Lily and Michelle Drexler (Cinderella’s Stepsisters), Noelani Neal (Rapunzel), Corinne Proctor (Red), Ryan McCrary and Jeffrey Adams (Princes/Wolves) and John Paul Gonzales (Steward). -
Broadway 1 a (1893-1927) BROADWAY and the AMERICAN DREAM
EPISODE ONE Give My Regards to Broadway 1 A (1893-1927) BROADWAY AND THE AMERICAN DREAM In the 1890s, immigrants from all over the world came to the great ports of America like New York City to seek their fortune and freedom. As they developed their own neighborhoods and ethnic enclaves, some of the new arrivals took advantage of the stage to offer ethnic comedy, dance and song to their fellow group members as a much-needed escape from the hardships of daily life. Gradually, the immigrants adopted the characteristics and values of their new country instead, and their performances reflected this assimilation. “Irving Berlin has no place in American music — he is American music.” —composer Jerome Kern My New York (excerpt) Every nation, it seems, Sailed across with their dreams To my New York. Every color and race Found a comfortable place In my New York. The Dutchmen bought Manhattan R Island for a flask of booze, E V L U C Then sold controlling interest to Irving Berlin was born Israel Baline in a small Russian village in the Irish and the Jews – 1888; in 1893 he emigrated to this country and settled in the Lower East Side of And what chance has a Jones New York City. He began his career as a street singer and later turned to With the Cohens and Malones songwriting. In 1912, he wrote the words and music to “Alexander’s Ragtime In my New York? Band,” the biggest hit of its day. Among other hits, he wrote “Oh, How I Hate to Get Up in the Morning,” “What’ll I Do?,” “There’s No Business Like —Irving Berlin, 1927 Show Business,” “Easter Parade,” and the patriotic “God Bless America,” in addition to shows like Annie Get Your Gun. -
Educating About the Works of Stephen Sondheim Through Parody
University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2020 How Artists Can Capture Us: Educating About the Works of Stephen Sondheim Through Parody Jarrett Poore University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Poore, Jarrett, "How Artists Can Capture Us: Educating About the Works of Stephen Sondheim Through Parody" (2020). Electronic Theses and Dissertations, 2020-. 117. https://stars.library.ucf.edu/etd2020/117 HOW ARTISTS CAN CAPTURE US: EDUCATING ABOUT THE WORKS OF STEPHEN SONDHEIM THROUGH PARODY By JARRETT POORE B.F.A, University of Central Florida 2017 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2020 © Jarrett Mark Poore 2020 ii ABSTRACT This thesis examined the modern renaissance man and his relationship between musical theatre history and parody; it examined how the modern artist created, produced, and facilitated an original parody in which humor can both influence and enhance an individual’s interest in the art form. In the creation and production of The Complete Works of Stephen Sondheim [abridged], I showcased factual insight on one of the most prolific writers of musical theatre and infused it with comedy in order to educate and create appeal for Stephen Sondheim’s works, especially those lesser known, to a wider theatrical audience. -
Anthony De Mare, Piano Re-Imagining Sondheim from the Piano
Sunday, November 5, 201 7, 7pm Hertz Hall Anthony de Mare, piano Re-Imagining Sondheim from the Piano PROGRAM (all works based on material by Stephen Sondheim) andy akiHo into the Woods (2013) (Into the Woods ) William boLcoM a Little Night fughetta (2010) (after “anyone can Whistle” & “Send in the clowns”) ricky ian GorDoN Every Day a Little Death (2008/2010) (A Little Night Music ) annie GoSfiELD a bowler Hat (2011) (Pacific Overtures ) Mason batES very Put together (2012) (after “Putting it together” from Sunday in the Park with George ) Steve rEicH finishing the Hat –two Pianos (2010) (Sunday in the Park with George ) Gabriel kaHaNE being alive (2011) (Company ) Ethan ivErSoN Send in the clowns (2011) (A Little Night Music ) Wynton MarSaLiS that old Piano roll (2014) (Follies ) thomas NEWMaN Not While i’m around (2012) (Sweeney Todd ) Duncan SHEik Johanna in Space (2014) (after “Johanna” from Sweeney Todd ) Jake HEGGiE i’m Excited. No You’re Not. (2010) (after “a Weekend in the country” from A Little Night Music ) All pieces were commissioned expressly for the Liaisons Project, Rachel Colbert and Anthony de Mare, producers. Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. 27 PROGRAM NOTES ike many of us, i have long held in highest COMPOSER COMMENTS esteem the work of Stephen Sondheim, Lwhose fearless eclecticism has emboldened Andy Akiho: “ the first time i listened to it i loved many a musical risk-taker. over the years, i often the concept of Into the Woods —being lost in and found myself imagining how the familiar and confused by the woods, and the consistent and beloved songs of the Sondheim canon would driving rhythms of the opening prologue. -
Student Organization Handbook
Student Organization Handbook 1 Contents FAMU Regulation 2.030 Student Activities .................................................................. 4 Categories for Recognized Student Organizations ........................................................ 5 Student Organization Officer Requirements ................................................................ 6 Selecting an Advisor .................................................................................................... 7 Removal of an Advisor ........................................................................................................8 Fraternity & Sorority Life ............................................................................................. 8 Fraternity & Sorority Councils .............................................................................................8 Fraternity & Sorority Advisor Requirements ........................................................................9 Fraternity & Sorority Membership Intake ............................................................................9 Fraternity & Sorority Expansion ........................................................................................ 10 Expansion Review .................................................................................................................. 11 Expansion Approval ............................................................................................................... 11 Expansion Denial .................................................................................................................. -
Pinning Program
“THE LEGACY CONTINUES” One Hundred & Twenty-one Years of Nursing Education Saturday, May 12, 2012 1:30 pm Robert C. Ogden Auditorium Hampton University Hampton, Virginia Program Hilda M. Williamson, EdD, RN, FNP Assistant Dean for Academic Affairs Presiding Processional .................................................................................................................................................. Antoinette D. Langford, MS, RN Adjunct Faculty (Emeritus Professor), Organist Invocation .......................................................................................................................................................................... Gifty Addai, BS, RN December 2011 Graduate Welcome ..................................................................................................................................................................................... Kellie Burroughs May 2012 Graduate Occasion ........................................................................................................................................................ Deborah E. Jones, PhD, RN, CNE Dean, School of Nursing Greeting ................................................................................................................................................................................. Eula Davis, BS, RN First Vice President, Hampton University National Nurses Alumni Association Introduction of Speaker ............................................................................................................................................................ -
Sondheim's Didactic Nature and Its Effects On
DeLong 1 Darcie DeLong November 29, 2012 Comp 211 Dr. Hoover Careful the Things You Say: Sondheim’s Didactic Nature and its Effects on Community Stephen Sondheim is a well-known, award-winning musical theatre composer and lyricist. He has written the music and lyrics for 18 Broadway productions as well as songs for T.V. and movies. He has won seven Tony Awards, an Academy Award, seven Grammys, a Pulitzer Prize and a Laurence Olivier Award. His prolific career began in 1954 when he wrote the lyrics for West Side Story alongside composer Leonard Bernstein. His first musical as both composer and lyricist was A Funny Thing Happened on the Way to the Forum. From then on, Sondheim shaped his musicals according his own creative vision. He was among the first to write a concept musical, or a musical in which “there is a solid storyline but all major elements of these shows are linked in some way to the central subject” (Kenrick). This means the plot isn’t necessarily about events taking place but the cause or effect of those events on human beings. Another important aspect of Sondheim’s musicals is his didactic writing. Sondheim’s didactic nature dictates his structural form in many ways. His music, lyrics and characters are all affected by his didactic nature. Didactic theatre is uncommon; many composers’ chief goal is to entertain. For example Andrew Lloyd Webber’s musicals are famous and even those who aren’t musical theatre enthusiasts find his work entertaining. Nothing about Webber’s shows challenges an audience member’s world view or moral principles.