VAN HALEN's Opening Concert, September 27, 2007: 'Rock Gods Deliver' - Rolling Stone Magazine

Total Page:16

File Type:pdf, Size:1020Kb

VAN HALEN's Opening Concert, September 27, 2007: 'Rock Gods Deliver' - Rolling Stone Magazine October 2, 2007 VAN HALEN's Opening Concert, September 27, 2007: 'Rock Gods Deliver' - Rolling Stone Magazine - Debut Concert Performed to Sold Out Crowd CHARLOTTE, N.C., Oct. 2 /PRNewswire/ -- With a blazing and defiant guitar run, rock legends VAN HALEN lit the torch on the opening night of one of the most highly anticipated tours in rock history. More than 18,000 fans, including those lining the rafters, stood on their feet at the Charlotte Bobcats Arena, as original lead vocalist David Lee Roth took the stage with the band. It was a celebration more than 22 years in the making. (Photo: http://www.newscom.com/cgi-bin/prnh/20071002/LATU163) (Logo: http://www.newscom.com/cgi-bin/prnh/20071002/LATU16LOGO) "For more than two hours, the gods delivered," writes Rolling Stone magazine's Mark Kemp. Guitar innovator Eddie Van Halen, his drum legend brother Alex, and Eddie's 16-year-old son Wolfgang on bass joined Roth for the festivities, breathing new, invigorated life into a jaw-dropping canon of material. The Hollywood Reporter noted, "for one perfect night in Charlotte, Van Halen was nothing short of spectacular." The blistering delivery of hit after hit played out like the soundtrack to countless sun- drenched summers and a wealth of more to come. Starting with the familiar strains of the band's groundbreaking interpretation of the Kinks' "You Really Got Me," VAN HALEN weaved in and out of its catalog, pairing iconic anthems like "Jump," "Ain't Talkin' 'Bout Love" and "Panama" along with other fan favorites including "Runnin' With The Devil" and "Jamie's Cryin'." All of this was delivered amid a myriad of fanning laser lights, an earth rumbling onslaught of sound and a stage-spanning screen perfect for capturing Eddie Van Halen's intricate fret work. Roth, who Rolling Stone describes as evolving with "style, grace and his eternally smart sense of flamboyant irony," pranced and preened like a possessed flamenco hitting the notes with a power and precision like never before. Jim Farber of the New York Daily News cites Eddie Van Halen as displaying his innovative style at the top of his game. "More than 25 years since he first pioneered his two-hands-on- the-fretboard approach," Farber wrote, "Eddie remains a technical wonder. Again, last night he did loop-do-loops around the melodies, and peeled into wheelies in the choruses." USA Today reporter Mike Snider says Alex Van Halen, armed with sticks and pulse thumping grit, "continued to stoke the ban's fire." And Rolling Stone recalls that the headband-shrouded arsenalist "pounded his kit with a constant smile." All eyes were on Wolfgang Van Halen who, according to Jane Stevenson of the Toronto Sun, "displayed a confidence and musicianship well beyond his age, even venturing out on the band's S-shaped catwalk by himself to get closer to the crowd." Wolfgang's spirited delivery echoes the timeless youthfulness found in the band today and tomorrow. The cradle will rock, indeed. Up to the show's sparkling confetti-laden encore, VAN HALEN "filled the arena with hard rock energy rarely generated since, well, the band's previous forays," says USA Today. At the launch of this momentous occasion, VAN HALEN proved not only can you go home again, but it sometimes elicits the sweet sound of new beginnings. And the capacity crowd in Charlotte answered the age old question. Yes, everybody wants some. Shows in other cities including LA and New York sold out in minutes. A complete list of confirmed dates is attached and more information and tickets are available at http://www.LiveNation.com. Individuals who have the Citi(R) / AAdvantage(R) card, the official credit card of the tour, will be offered access to purchase preferred seats to all U.S. shows. Fans can enjoy the ultimate VAN HALEN experience including concert pre-show parties, backstage access, premium seating and more. For additional details go to http://www.iloveallaccess.com. Fans are encouraged to also check in at http://www.van- halen.com for additional information. VAN HALEN remains one of the most important and influential bands of all time. Formed in Los Angeles in 1974, the band quickly won a loyal hometown fan base with their electrifying live shows. From the moment they released their self-titled 1978 debut album, VAN HALEN shook the foundations of rock, thanks largely to Roth's peerless showmanship, Eddie Van Halen's revolutionary guitar virtuosity and their songwriting abilities. It changed rock music forever. The band's first album proved one of the biggest selling rock debuts, with key tracks like "Eruption," "Running with the Devil," "Jamie's Cryin'," "You Really Got Me" and "Ain't Talkin' 'Bout Love" leading the way. The next year, the band followed up with "Van Halen II," which included the hit "Dance the Night Away." Subsequent albums like "Women and Children First" (1980), "Fair Warning" (1981) and "Diver Down" (1982), along with worldwide touring, solidified the band's reputation for innovative and unparalleled live performances. Classic VAN HALEN tracks from the early '80s include "Everybody Wants Some," "Unchained," "And The Cradle Will Rock," "Beautiful Girls," "Mean Street" and "Somebody Get Me A Doctor" just to name a few. With their sixth album, released in, and titled "1984," VAN HALEN rose to stratospheric heights. Recorded at Eddie Van Halen's 5150 Studios, the multi-platinum smash yielded one of Van Halen's signature hits, "Jump," which remained #1 on the Billboard charts for an astounding five weeks straight. Other hits from the album include "Panama," "Hot For Teacher" and "I'll Wait." The band's record of achievement is hard to top. Presented with two Diamond Award RIAA Certified Status' for their albums "Van Halen" and "1984", VAN HALEN joins an elite short list of two time Diamond Award honorees in the history of the music industry. The Diamond Award is presented to an artist for album sales of 10 million or more units. They are also in the Guinness Book of World Records for having the most #1 hits on Billboard's Mainstream Rock chart than any other band in history. Inducted into the Rock 'N' Roll Hall of Fame in March of this year, VAN HALEN has produced a treasured body of work that fans will admire for decades to come. VAN HALEN TOUR North American Dates Sep. 27 Charlotte, NC Charlotte Bobcats Arena Sep. 29 Greensboro, NC Greensboro Coliseum Oct. 01 Philadelphia, PA Wachovia Center Oct. 03 Philadelphia, PA Wachovia Center Oct. 05 Uncasville, CT Mohegan Sun Arena Oct. 07 Toronto, ON Air Canada Centre Oct. 10 Cleveland, OH Quicken Loans Arena Oct. 12 Toronto, ON Air Canada Centre Oct. 14 Indianapolis, IN Conseco Field House Oct. 16 Chicago, IL Allstate Arena Oct. 18 Chicago, IL United Center Oct. 20 Detroit, MI Joe Louis Arena Oct. 22 Auburn Hills, MI Palace of Auburn Hills Oct. 24 Minneapolis, MN Target Center Oct. 26 Kansas City, MO Sprint Center Oct. 28 St. Louis, MO Scottrade Center Oct. 30 Boston, MA TD Banknorth Garden Nov. 01 Washington DC Verizon Center Nov. 03 E. Rutherford, NJ Continental Airlines Arena Nov. 06 Worcester, MA DCU Center Nov. 08 Uniondale, NY Nassau Coliseum Nov. 10 Montreal, QC Bell Centre Nov. 13 New York, NY Madison Square Garden Nov. 20 Los Angeles, CA Staples Center Nov. 23 Glendale, AZ Jobing.Com Arena Nov. 25 San Diego, CA Cox Arena Nov. 27 Sacramento, CA Arco Arena Nov. 29 Fresno, CA Savemart Center Dec. 01 Portland, OR Rose Garden Dec. 03 Seattle, WA Key Arena Dec. 05 Vancouver, BC General Motors Place Dec. 07 Calgary, AB Pengrowth Saddledome Dec. 09 Edmonton, AB Rexall Place Dec. 14 Los Angeles, CA Staples Center Dec. 16 San Jose, CA HP Pavillion at San Jose Dec. 18 Anaheim, CA Honda Center Dec. 20 Anaheim, CA Honda Center Dec. 22 Oakland, CA Oracle Arena Dec. 28 Las Vegas, NV MGM Grand Garden Arena Dec. 30 Las Vegas, NV MGM Grand Garden Arena ***PLEASE NOTE ALL DATES/CITIES SUBJECT TO CHANGE*** About Live Nation Live Nation is the world's largest live music company. Our mission is to inspire passion for live music around the world. We are the largest promoter of live concerts in the world, the second-largest entertainment venue management company and have a rapidly growing online presence. We create superior experiences for artists and fans, regularly producing tours for the biggest superstars in the business, including The Rolling Stones, The Police, Madonna, U2 and Coldplay. Globally, we own, operate, have booking rights for and/or have an equity interest in more than 160 venues, including House of Blues(R) and Fillmore(R) music venues and prestigious locations such as Nikon at Jones Beach in New York and London's Wembley Arena. Our websites collectively are the second most popular entertainment/event websites in the United States, according to Nielsen//NetRatings. In addition, we also produce, promote or host theatrical, specialized motor sports and other live entertainment events. In 2006, we connected nearly 60 million fans with their favorite performers at approximately 26,000 events in 18 countries around the world. Headquartered in Los Angeles, California, Live Nation is listed on the New York Stock Exchange, trading under the symbol "LYV." SOURCE Live Nation.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • December People Band Biographies
    December People Band Biographies Robert Berry: Robert Berry was born into a musical family. His father had a dance band that travelled the ballroom circuit in the late 40's and 50's, where his mother was the featured vocalist. When Berry was born his father opened a music store. There, through the busy store’s affiliation with Vox guitars and amps - the brand the Beatles used, Robert was introduced to many of the local musicians. Local hit makers like the Count Five, Syndicate of Sound, Harper’s Bizarre and others often frequented the store. Berry began studying piano in earnest at 6 years old and by age 12 was recruited to join his first rock band with 4 older high school seniors. He continued classical and jazz studies before entering San Jose State University, as a music major. Berry first gained international attention with San Francisco based Hush, and headed to the UK to play in GTR along with Steve Howe of Yes fame, and then achieved a top ten charting single and toured with 3, his partnership with Keith Emerson and Carl Palmer. Before launching December People, Robert played with Sammy Hagar and toured with Ambrosia. When not touring with December People Robert is the bass player with the Greg Kihn Band. Gary Pihl: Raised in the suburbs of Chicago for the first 12 years of his life, Gary Pihl relocated to the San Francisco Bay area. Gary had his recording debut at age 19 with Day Blindness. He says, “After my time in Day Blindness, I was in a band called Fox with Roy Garcia and Johnny V (Vernazza), who went on to play in Elvin Bishop’s band.
    [Show full text]
  • California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
    ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering.
    [Show full text]
  • Renoff, Greg. Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal
    Book Reviews Renoff, Greg. Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal. Toronto: ECW Press, 2015. 272 Pp. Greg Renoff makes significant contributions to several historical subfields with his second book, Van Halen Rising. This well-written and well-researched book focuses on the band’s rarely discussed journey during the 1970s from the keg party and dive bar circuits of suburban Los Angeles to the top of the popular music charts. Renoff constructs a narrative that is exciting and accessible, yet also scholarly. He builds it on a foundation of oral history interviews he conducted with dozens of people familiar with the band’s early years: friends, fans, members of rival bands, concert promoters, and music industry insiders. The result is a unique work of scholarship that converges with not only the popular memoirs of David Lee Roth and Gene Simmons, but also the historiographies of suburbanization, working class culture, and the Sunbelt. For scholars of business history, Renoff provides invaluable insight into the microeconomics of the late 20th century music industry through the prism of Van Halen. When Warner Brothers released Van Halen’s self-titled debut album in February 1978, Renoff asserts, heavy metal’s appeal had been fading for several years. Its best-known acts from earlier in the decade, such as Deep Purple, Black Sabbath, and Kiss, were either breaking up or facing declining record sales, and music industry insiders in Los Angeles had deemed the genre passé. The major Hollywood clubs, which served as gateways to record deals, shut out groups such as Van Halen in favor of others with the popular country rock or soft rock sounds, or those who played punk rock, which industry insiders believed would soon be as popular in the United States as it was in Great Britain.
    [Show full text]
  • Hairball Is More Than Just a Band, and Certainly More Than a Tribute Band!
    Hairball is more than just a band, and certainly more than a tribute band! A band puts on a concert - Hairball puts on an event! Hairball is a Rock & Roll experience you won't soon forget. The lights, sound, smoke, fire, bombs, and screaming hoards of avid fans...to merely call it a concert would be like calling Mount Rushmore a roadside attraction! Vocalists Joe, Kris and Bobby lead the band through a 2+ hour, mind-blowing, and drop- dead accurate homage to some of the biggest arena acts in the world. Van Halen, KISS, Motley Crue, Queen, Journey, and Aerosmith are but a few of the acts fans will see brought to life. The Hairball stage becomes an entirely new rock concert before your very eyes countless times throughout the night. The motor that drives the Hairball dragster consists of HBK on the electric bass, Billy on the drums, and Happy on the lead guitar. These Rock & Roll soldiers pride themselves on nailing some of the most memorable licks and chops of all time, while adding their own style and flare that they've cultivated over decades of tireless performing. This isn’t a side job. These guys eat, sleep and breathe Rock & Roll! 2019 finds Hairball celebrating its 19th year of rocking hundreds of thousands of people across the country. Constantly adding more characters, more pyrotechnics, more lights, more sound, more props, more surprises...more everything! While Happy often tells the audience "Today is the first day is the rest of your life!" Hairball performs every show as though it could be their last.
    [Show full text]
  • Feature Guitar Songbook Series
    feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1.
    [Show full text]
  • Eddie Van Halen 1955–2020 Remembering
    FEATURE EDDIE VAN HALEN 1955–2020 REMEMBERING Eddie Van Halen passed on 6 October at the age of 65, and the outpouring of emotion from fans and musicians alike only serves to confirm what a unique guitar talent he was. Rock Candy Mag pays tribute to EVH with a heartfelt opinion piece from respected Los Angeles-based critic Bob Lefsetz, a personal appreciation of Eddie’s craft by legendary guitarist Steve Vai, Rock Candy boss Derek Oliver’s insightful recollections of seeing The Great Man in action back in the ’70s, and a technical explanation of Eddie’s abilities from our in-house shredder Oliver Fowler… AND THE CRADLE WILL no longer rock. That’s my ‘1984’ that broke the band wide, I mean to everybody. favourite Van Halen song. It sounds so alive, but Eddie Van Halen isn’t. He paid his dues. You’ve got to be a AND DAVID Lee Roth thought he was the act, but it virtuoso. When no one is watching, no one is paying was always Eddie Van Halen, always. Van Halen could attention, you’re on a mission. continue with a new lead singer, but not without Eddie. Van Halen was one of the very few bands that could AND THEN they started knocking around town. Most succeed at the same level with a new lead singer. That’s bands fermented in their local burb and ultimately pulled testimony to Van Halen’s skills. Sammy Hagar has the up roots and moved to Hollywood. Van Halen started pipes, but look at the venues Hagar’s playing now.
    [Show full text]
  • I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
    ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent.
    [Show full text]
  • Van Halen to Tour North America Summer/Fall 2015
    VAN HALEN TO TOUR NORTH AMERICA SUMMER/FALL 2015 – VAN HALEN to Perform March 30 on Hollywood Boulevard for Jimmy Kimmel Live in Rare Television Concert Appearance – - Songs from the Concert to Air March 30 and March 31 – LOS ANGELES (March 24, 2015) – In celebration of a 2015 Summer/Fall North American tour, VAN HALEN will perform a special concert for Jimmy Kimmel Live March 30 on Hollywood Boulevard. Featuring some of the band’s essential rock ‘n’ roll classics, the concert will be broadcast over two nights, March 30 and March 31, on the late night talk show and marks VAN HALEN's first U.S. television performance with original lead singer David Lee Roth. Jimmy Kimmel Live airs weeknights at 11:35 p.m. / 10:35 p.m. Central Time on ABC. VAN HALEN is touring North America beginning July 5 in Seattle, Washington at the White River Amphitheatre, with concerts scheduled through Oct. 2 in Los Angeles, California at the legendary Hollywood Bowl. Special guest Kenny Wayne Shepherd Band will support all dates along the tour. Tickets for the Live Nation-promoted tour go on sale beginning April 4 at www.ticketmaster.com and www.livenation.com, with special pre-sale information being announced locally. A complete list of tour dates can be found below. The special Hollywood Boulevard concert will be a hit-heavy set of songs featured on TOKYO DOME LIVE IN CONCERT, the first-ever live album to feature original singer David Lee Roth. Recorded on June 21, 2013 in Tokyo, Japan, TOKYO DOME LIVE IN CONCERT includes 23 songs, spanning all seven of the band’s albums with Roth.
    [Show full text]
  • Agenda Report
    Agenda Report October 26, 2020 TO: Honorable Mayor and City Council FROM: City Manager SUBJECT: CONSIDERATION OF LOCAL OPPORTUNITIES TO COMMEMORATE EDWARD L. VAN HALEN RECOMMENDATION: It is recommend that the City Council consider providing direction as to an appropriate means of commemorating Edward L. Van Halen. EXECUTIVE SUMMARY: This staff report provides information regarding potential efforts that the City can undertake to recognize and honor Eddie Van Halen, a former Pasadena resident who went on to become one of the all-time greatest guitar players in Rock & Roll history. BACKGROUND: On October 6, 2020, the legendary guitarist Eddie Van Halen succumbed to his battle with throat cancer. Van Halen was the co-founder and main songwriter of the award­ winning band, Van Halen, a rock group that got its start in Pasadena in the 1970s. Since his passing, the City has received several requests and suggestions from the community to do or name something in Mr. Van Halen's honor to recognize both his local connection to Pasadena, as well as the impact that his artistry had on music. The Van Halen family emigrated from the Netherlands to Pasadena in 1962 and settled in a house on Las Lunas Street. The two Van Halen children, Eddie and Alex, attended Hamilton Elementary School where they performed for the first time in a student band called "The Broken Combs." By the early 1970s, the Van Halen boys attended Pasadena City College where, in a scoring· & arranging class, they met future Van Halen front man David Lee Roth. Together, with Arcadia resident Michael Anthony, they formed the group Van Halen and began playing local venues from backyard parties to the Civic Auditorium.
    [Show full text]
  • Robert Walser Published Titles My Music by Susan D
    Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.
    [Show full text]
  • Guitar Magazine Master Spreadsheet
    Master 10 Years Through the Iris G1 09/06 10 years Wasteland GW 4/06 311 Love Song GW 7/04 AC/DC Back in Black + lesson GW 12/05 AC/DC Dirty Deeds Done Dirt Cheap G1 1/04 AC/DC For Those About to Rock GW 5/07 AC/DC Girls Got Rhythm G1 3/07 AC/DC Have a Drink On Me GW 12/05 ac/dc hell's bells G1 9/2004 AC/DC hell's Bells G 3/91 AC/DC Hells Bells GW 1/09 AC/DC Let There Be Rock GW 11/06 AC/DC money talks GW 5/91 ac/DC shoot to thrill GW 4/10 AC/DC T.N.T GW 12/07 AC/DC Thunderstruck 1/91 GS AC/DC Thunderstruck GW 7/09 AC/DC Who Made Who GW 1/09 AC/DC Whole Lotta Rosie G1 10/06 AC/DC You Shook Me All Night Long GW 9/07 Accept Balls to the Wall GW 11/07 Aerosmith Back in the Saddle GW 12/98 Aerosmith Dream On GW 3/92 Aerosmith Dream On G1 1/07 Aerosmith Love in an Elevator G 2/91 Aerosmith Train Kept a Rollin’ GW 11/08 AFI Miss Murder GW 9/06 AFI Silver and Cold GW 6/04 Al DiMeola Egyptian Danza G 6/96 Alice Cooper No More Mr. Nice Guy G 9/96 Alice Cooper School's Out G 2/90 alice cooper school’s out for summer GW hol 08 alice in chains Dam That River GW 11/06 Alice in Chains dam that river G1 4/03 Alice In Chains Man in the Box GW 12/09 alice in chains them bones GW 10/04 All That Remains Two Weeks GW 1/09 All-American Rejects Dirty Little Secret GW 6/06 Allman Bros Midnight Rider GW 12/06 Allman Bros Statesboro Blues GW 6/04 Allman Bros Trouble no More (live) GW 4/07 Allman Bros.
    [Show full text]