Final Address for Susan Hammer
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The Bosom Serpent Legend Through History: How The Legend Changes To Address Modern Anxieties – Artifacts Journal - University of Missouri University of Missouri A Journal of Undergraduate Writing The Bosom Serpent Legend Through History: How The Legend Changes To Address Modern Anxieties Laine McCall In its simplest form, the Bosom Serpent legend complex includes any story in which a person believes that an animal is living inside of their body. Normally the animal is a snake or lizard, although amphibians and worms are becoming the most common in modern variants (Bennett). Most Bosom Serpent legends begin in the same way: a person mysteriously becomes sick and complains that it feels like something is squirming around inside of them. Then, the patient goes to the doctor and explains that they believe a live animal is inside of them. The doctor does not believe the patient and sends them home. At this point, there are two common ways that Bosom Serpent legends will continue. In one of the common versions of the legend, the patient takes the doctor’s advice and tries to ignore the pain and suffering. Eventually the patient dies and when a medical examiner opens up the body, animals are found inside of the victim. In the other common ending to the legend, the patient is dissatisfied with his or her doctor’s advice and seeks help from someone who practices natural or traditional healing. The traditional healer, often portrayed as a “witch-doctor,” instructs the patient on http://artifactsjournal.missouri.edu/...-serpent-legend-through-history-how-the-legend-changes-to-address-modern-anxieties/[9/15/2014 1:15:57 PM] The Bosom Serpent Legend Through History: How The Legend Changes To Address Modern Anxieties – Artifacts Journal - University of Missouri how to coax the animal out usually using food. -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
April 1 - 7, 2018
APRIL 1 - 7, 2018 staradvertiser.com ROCK HAS RISEN The last days of Christ get rock star treatment in an all-new, live televised musical production. With John Legend as Jesus, Sara Bareilles as Mary Magdalene and hard rock legend Alice Cooper as King Herod, Easter Sunday has never been so loud. Enjoy a fresh take on a tale of biblical proportions when Jesus Christ Superstar Live in Concert airs Sunday, April 1, on NBC. Meet the NEW SHOW Join host, Lyla Berg as she sits down with guests WEDNESDAY! who share their work on moving our community forward. people SPECIAL GUESTS INCLUDE: and places Avi Soifer, Dean and Professor, William S Richardson School of Law that make Trevor Ozawa, Councilmember, City and County of Honolulu 1st & 3rd Suzanne Case, Chairperson, Dept. of Land and Natural Resources Hawai‘i Wednesday of the Month, Clarke Bright, Bandmaster, Royal Hawaiian Band olelo.org special. 6:30 pm | Channel 53 Gerald Shintaku, President and CEO, Hawaii Foodbank ON THE COVER | JESUS CHRIST SUPERSTAR LIVE IN CONCERT Sunday’s son ‘Jesus Christ Superstar’ gets concept album’s creation, with more than 19 familiar with its story and lyrical content, is productions, including four on Broadway. legendary rocker Alice Cooper. Cooper takes Legend-ary treatment For NBC’s live, prime-time adaptation, some on the role of King Herod, a ruler who lives for major star power has been recruited. In the excess and decadence and fails to see the By K.A. Taylor titular role of Jesus Christ is singer, songwriter divinity of Christ, declaring him a liar. -
The X-Files, I Want to Believe: Mundo Posible O Mundo Presente?*
Universidad de Medellín Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Luis Nitrihual Valdebenito** Juan Manuel Fierro Bustos*** Carlos Reyes Velásquez**** Francisco Henríquez Morales***** Recibido: 2017-04-22 Enviado a pares: 2017-05-25 Aprobado por pares: 2017-07-18 Aceptado: 2017-07-25 DOI: 10.22395/angr.v16n31a3 Resumen El presente artículo problematiza, en general, la conspiración como una estructura política y narrativa fundamental de la Modernidad. A través de un análisis fílmico de la serie The X-Files, I want to believe, planteamos como objetivo revelar como el tópico de la conspiración, en un nivel superficial, es un articulador de la trama de la serie, pero en un nivel profundo y amplio entendemos la conspiración como una estrategia articuladora de la vida moderna y, en este marco, del control biopolítico. Así entonces, el artículo muestra cómo la estructura argumentativa de la serie propone tramas y personajes a través de los cuales el poder gubernamental interviene los cuerpos y el espacio, quita y permite la vida, distorsiona la realidad, informa y desinforma. Todo es parte de una estrategia global de confabulación y ocultamiento de la verdad. En conclusión, la serie de televisión permite observar los regímenes de hipervisibilidad e intervención de la máquina gubernamental actual y es, en esta medida, un punto de entrada para reconocer problemas sociales y políticos de total actualidad. Palabras clave: series de televisión; cine; conspiración; nuda vida; control; Archivos Secretos X; estado de excepción; biopolítica. * Artículo producto de los proyectos de investigación FONDECYT n.º 1141289 y FONDECYT n.º 1161253, PLU n.º 1110 y PLU n.º 120010 financiados por el Consejo Nacional de Ciencia y Tecnología. -
The X-Files : Saison 2
The X-Files : Saison 2 • 2X1 - Les petits hommes verts (Little green men) : Le service des affaires non classées est fermé. Mulder se rend clandestinement à Porto Rico, sur un site de contact éventuel, tandis que Scully fait son possible pour le couvrir. Ecrit par Glen Morgan et James Wong – Dirigé par David Nutter • 2X2 - L’hôte (The host) : En enquêtant sur un meurtre perpétré dans le système des égouts du New Jersey, Mulder découvre par hasard un mutant, l’homme-douve. Ecrit par Chris Carter – Dirigé par Daniel Sackheim • 2X3 - Mauvais sang (Blood) : Plusieurs résidents d’une petite communauté fermière deviennent soudain violents, dangereux, sous l’impulsion de messages sur écrans digitaux qui leur enjoignent de tuer. Ecrit par Glen Morgan et James Wong, d’après une histoire de Darin Morgan – Dirigé par David Nutter • 2X4 - Insomnies (Sleepless) : Mulder se voit attribuer un nouveau partenaire, Alex Krycek, et ils enquêtent sur une expérience secrète remontant à la guerre du Viêt-nam : des tentatives de suppression du sommeil qui se révèlent fatales pour leurs derniers survivants. Ecrit par Howard Gordon – Dirigé par Rob Bowman • 2X5 - Duane Barry 1/2 (Duane Barry) : Mulder est chargé des négociations au cours d’une prise d’otages, dont le responsable, Duane Barry, prétend avoir été le cobaye d’extraterrestres. Ecrit et dirigé par Chris Carter • 2X6 - Duane Barry 2/2 (Ascension) : Mulder poursuit Duane Barry pour tenter à tout prix de retrouver Scully. Ecrit par Paul Brown – Dirigé par Michael Lange • 2X7 - Les vampires (3) : Mulder enquête à Hollywood sur une série de meurtres vampiriques et commence à tomber amoureux d’une femme qui est sa suspecte n°1. -
Forensic Anthropology and Me
ForensicForensic AnthropologyAnthropology andand MedicineMedicine ComplementaryComplementary SciencesSciences FromFrom RecoveryRecovery toto CauseCause ofof DeathDeath Edited by Aurore Schmitt, PPhD Eugénia Cunha, PPhhDD João Pinheiro, MDMD, MSMSci Forensic Anthropology and Medicine FORENSIC ANTHROPOLOGY AND MEDICINE Complementary Sciences From Recovery to Cause of Death Edited by Aurore Schmitt, PhD Laboratoire d'Anthropologie des Populations du Passé Université Bordeaux 1 Talence, France Eugénia Cunha, PhD Departamento de Antropologia Universidade de Coimbra Coimbra, Portugal and João Pinheiro, MD, MSci Serviço Tanatologia Forense, Instituto Nacional de Medicina Legal Coimbra, Portugal © 2006 Humana Press Inc. 999 Riverview Drive, Suite 208 Totowa, New Jersey 07512 www.humanapress.com All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording, or otherwise without written permission from the Publisher. The content and opinions expressed in this book are the sole work of the authors and editors, who have war- ranted due diligence in the creation and issuance of their work. The publisher, editors, and authors are not responsible for errors or omissions or for any consequences arising from the information or opinions presented in this book and make no warranty, express or implied, with respect to its contents. This publication is printed on acid-free paper. ∞ ANSI Z39.48-1984 (American Standards Institute) Permanence of Paper for Printed Library Materials. Cover design by Patricia F. Cleary Production Editor: Amy Thau Cover Illustrations: From left to right: Fig. 5, Chapter 8, "Identification and Differential Diagnosis of Trau- matic Lesions," by Conrado Rodríguez-Martín; Fig. -
A Strange Body of Work: the Cinematic Zombie Emma Dyson Ph
A Strange Body of Work: The Cinematic Zombie Emma Dyson Ph.D. 2009 Total number of pages: 325 1 Declaration While registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in the thesis are the work of the named candidate and have not been submitted for any other academic award. Signed……………….. Date…………. 2 Abstract A Strange Body of Work: The Cinematic Zombie This thesis investigates the changing cinematic representations of a particular figure in horror culture: the Zombie. Current critical perspectives on the figure of the Zombie have yet to establish literary and cultural antecedents to the cinematic portrayal of the Zombie, preferring to position it as a mere product of American horror films of the 1930s. This study critiques this standpoint, arguing that global uses of the Zombie in differing media indicate a symbolic figure attuned to changing cultural contexts. The thesis therefore combines cultural and historical analysis with close textual readings of visual and written sources, paying close attention to the changing contexts of global film production and distribution. In order to present the cinematic Zombie as a product of historical, geographical and cultural shifts in horror film production, the thesis begins by critiquing existing accounts of Zombie film, drawing attention to the notion of generic canons of film as determined by both popular and academic film critics and draws attention to the fractured nature of genre as a method of positioning and critiquing film texts. In this, an interdisciplinary approach, drawing on the methods of cultural-historical and psycho-analytical critiques of horror film, is appraised and then applied to the texts under discussion. -
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity Day I Am Become Death The Calm We Are Grounders Pilot Murmurations The Dead Don't Stay Dead Hero Complex A Crowd Of Demons Diabolic Downward Spiral What Ever Happened To Baby Jane Hypnos The Comfort Of Death Sins Of The Fathers The Elysian Fields Lazarus Pilot The New And Improved Carl Morrissey Becoming Trial By Fire White Light Wake-Up Call Voices Carry Weight Of The World Suffer The Children As Fate Would Have It Life Interrupted Carrier Rebirth Hidden Lockdown The Fifth Page Mommy's Bosses The New World Being Tom Baldwin Gone Graduation Day The Home Front Blink The Ballad Of Kevin And Tess The Starzl Mutation The Gospel According To Collier Terrible Swift Sword Fifty-Fifty The Wrath Of Graham Fear Itself Audrey Parker's Come And Gone The Truth And Nothing But The Truth Try The Pie The Marked Till We Have Built Jerusalem No Exit Daddy's Little Girl One Of Us Ghost In The Machine Tiny Machines The Great Leap Forward Now Is Not The End Bridge And Tunnel Time And Tide The Blitzkrieg Button The Iron Ceiling A Sin To Err Snafu Valediction The Lady In The Lake A View In The Dark Better Angels Smoke And Mirrors The Atomic Job Life Of The Party Monsters The Edge Of Mystery A Little Song And Dance Hollywood Ending Assembling A Universe Pilot 0-8-4 The Asset Eye Spy Girl In The Flower Dress FZZT The Hub The Well Repairs The Bridge The Magical Place Seeds TRACKS TAHITI Yes Men End Of The Beginning Turn, Turn, Turn Providence The Only Light In The Darkness Nothing Personal Ragtag Beginning Of The End Shadows Heavy Is The Head Making Friends And Influencing People Face My Enemy A Hen In The Wolf House A Fractured House The Writing On The Wall The Things We Bury Ye Who Enter Here What They Become Aftershocks Who You Really Are One Of Us Love In The Time Of Hydra One Door Closes Afterlife Melinda Frenemy Of My Enemy The Dirty Half Dozen Scars SOS Laws Of Nature Purpose In The Machine A Wanted (Inhu)man Devils You Know 4,722 Hours Among Us Hide.. -
THE X-FILES the Philosophy of Popular Culture
THE PHILOSOPHY OF THE X-FILES The Philosophy of Popular Culture The books published in the Philosophy of Popular Culture series will illu- minate and explore philosophical themes and ideas that occur in popular culture. The goal of this series is to demonstrate how philosophical inquiry has been reinvigorated by increased scholarly interest in the intersection of popular culture and philosophy, as well as to explore through philosophical analysis beloved modes of entertainment, such as movies, TV shows, and music. Philosophical concepts will be made accessible to the general reader through examples in popular culture. This series seeks to publish both es- tablished and emerging scholars who will engage a major area of popular culture for philosophical interpretation and examine the philosophical underpinnings of its themes. Eschewing ephemeral trends of philosophi- cal and cultural theory, authors will establish and elaborate on connections between traditional philosophical ideas from important thinkers and the ever-expanding world of popular culture. SERIES EDITOR Mark T. Conard, Marymount Manhattan College, NY BOOKS IN THE SERIES The Philosophy of The X-Files, edited by Dean A. Kowalski The Philosophy of Stanley Kubrick, edited by Jerold J. Abrams The Philosophy of Neo-Noir, edited by Mark T. Conard The Philosophy of Martin Scorsese, edited by Mark T. Conard The Philosophy of Science Fiction Film, edited by Steven M. Sanders The Philosophy of TV Noir, edited by Stephen M. Sanders and Aeon J. Skoble Basketball and Philosophy, edited by Jerry L. Walls and Gregory Bassham THE PHILOSOPHY OF THE X-FILES Edited by Dean A. Kowalski Foreword by William B. -
The X-Files Premiere Edition Stand-Alone Set 351 ( 355 ) Cards
The X-Files Premiere edition stand-alone set 351 ( 355 ) Cards 20 ( 24 ) Agent Cards Card Cost Res Health LRC CRC Rare Agent Alex Krychek 6 2 5 4 2 F / UR Agent Dana Scully 7 2 4 3 2 F / UR Agent Fox Mulder 7 2 5 2 2 F / UR Agent Jack Willis 4 1 5 3 2 F Agent Janus, Trained Medic 4 1 4 1 1 F Agent Jerry Lamana 3 1 3 1 1 F Agent Karen Kossoff, Counselor 3 1 3 1 1 F Agent Lucy Kazdin 4 1 4 2 2 F Agent Moe Bocks 5 1 4 2 2 F Agent Nancy Spiller 4 1 3 1 1 F Agent Reggie Purdue 5 1 4 2 1 F Agent Rich 4 1 4 2 2 F Agent Tom Colton 4 2 3 2 2 F Agent Weiss 4 1 4 3 2 F Albert Holsteen 4 1 3 1 1 F Assistant Director Walter Skinner 6 1 5 2 3 F / UR Dr. Charles Burk 4 1 3 1 1 F Inspector Phoebe Green 5 1 4 2 2 F Lt. Brian Tillman, Aubrey Police Department 4 1 4 2 2 F Section Chief Scott Blevins 4 1 3 1 1 F 45 Site Cards Card Cost Affil Motive Method Result Rare Aleister Crowley High School, Milford Haven, NH 1 x x R Arecibo, Puerto Rico 1 x x U Arlington, VA 2 x C Aubrey, MO 2 x C Baltimore, MD 1 x x U Broad Street, Philadelphia, PA 2 x R Browning, MT 2 x F Cape Cod, MA 2 x C Central Prison, Raleigh, NC 1 x x U Chaco House, Dudley, AR 1 x x U Church of the Red Musuem, Delta Glen, WI 1 x x R Coastal Northwest, Oregon 2 x C Containment Facility, Georgetown, MD 2 x C Cumberland Prison, VA 2 x C Deadhorse, AK 1 x x R Ellens Air Base, ID 2 x R Eurisko Building, Crystal City, VA 1 x x U Excelsis Dei Convalescent Home, Worcester, MA 1 x x U Fairfield Zoo, Farfield, ID 2 x C Farmington, NM 1 x x U Folkstone, NC 1 x x U Franklin, PA 2 x F Genetics Clinic, Marin County, CA 2 x C Gibsonton, FL 2 x C Icy Cape, AK 2 x F Lake Okobogee, Campsite #53, Sioux City, IA 2 x C Los Angeles, CA 1 x x U Mahan Propulsion Laboratory, Colson, WA 2 x C Marion, VA 2 x C Mattawa, WA 2 x C Minneapolis, MN 1 x x U Mt. -
"El Chupacabra Vive": Ansiedades Sobre La Latinidad En the X-Files
Georgia State University ScholarWorks @ Georgia State University World Languages and Cultures Theses Department of World Languages and Cultures 8-8-2017 "El chupacabra vive": Ansiedades sobre la latinidad en The X-Files Nadiyah Aamer Follow this and additional works at: https://scholarworks.gsu.edu/mcl_theses Recommended Citation Aamer, Nadiyah, ""El chupacabra vive": Ansiedades sobre la latinidad en The X-Files." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/mcl_theses/29 This Thesis is brought to you for free and open access by the Department of World Languages and Cultures at ScholarWorks @ Georgia State University. It has been accepted for inclusion in World Languages and Cultures Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “EL CHUPACABRA VIVE”: ANSIEDADES SOBRE LA LATINIDAD EN THE X-FILES by NADIYAH AAMER Under the Direction of Leslie Marsh, PhD ABSTRACT Racialized Latino subjects in The X-Files are representative of American paranoia surrounding immigration and multiculturalism, and the narratives of alien infiltration and infection are manifestations of these fears of Latino racial integration in the United States. A surge in nationalist and nativist sentiment in US media leads to negative bias against Latinos; metaphors of hybridization, colonization, pollution, infiltration, and contagion are used to code Latinos as threats to the nation. This thesis analyzes five episodes of The X- Files featuring Latinos which -
Echo Development Notes, Issue 55
ECHO DEVELOPMENT NOTES 17391 Durrance Road, North Fort Myers, FL 33917-2239 Phone: (239) 543-3246, Fax: (239) 543-5317 USA EDN E-mail: [email protected], Web site: http://www.echonet.org ISSUE 55 January 1997 EDITED BY MARTIN L. PRICE appears to have been recognized in England much earlier than in any other country.... During the latter part of the 19th century deposits of bone were sought, particularly by the English, and collected from all parts of the world for use as fertilizer." Even battlefields and catacombs were used. In early USA history, "large quantities of buffalo bones were collected from the western plains for making fertilizer." "As virulent anthrax organisms have sometimes been discovered on old bones ... many countries require a Delegates and ECHO staff attending the November 1996 certificate of sterilization before bone may be imported." Agricultural Missions Conference. Processed bones may have been cooked, steamed, or treated with acid, or just been exposed to the elements for some PLEASE NOTE THE NEW DATES FOR OUR time (desert bone). Any of these make grinding easier. FOURTH ANNUAL AGRICULTURAL MISSIONS Equipment for grinding can range from simple mortar-and- CONFERENCE. We had to change the date of the 1997 pestle pounding to animal-powered grinding wheels to conference after EDN 54 went to press. A note was modern hammer or roller mills. enclosed, but we would hate for anyone to buy plane tickets for the wrong week. If others are likely to read your copy, Green [untreated] bones are sometimes ground and sold as please change the date printed in that issue.