Don Colacho's Aphorisms

Total Page:16

File Type:pdf, Size:1020Kb

Don Colacho's Aphorisms Don Colacho’s Aphorisms An English Translation of Selected Aphorisms from Nicolás Gómez Dávila, Escolios a un Texto Implícito: Selección (Bogotá: Villegas Editores, 2001) 0 Table of Contents A Short Life of Nicolás Gómez Davila 2 A Brief Overview of the Thought of Nicolás Gómez Davila 4 Selected Aphorisms from Escolios I (#1 - #809) 13 Selected Aphorisms from Escolios II (#810 - #1,627) 114 Selected Aphorisms from Nuevos Escolios I (#1,628 - #2,110) 218 Selected Aphorisms from Nuevos Escolios II (#2,111 - #2,574) 278 Selected Aphorisms from Sucesivos Escolios (#2,575 - #2,988) 337 1 A Short Life of Nicolás Gómez Dávila Nicolás Gómez Dávila was born in Cajicá, Colombia (near Bogotá), on May 18, 1913, into a wealthy bourgeois family. When he was six, his family moved to Europe, where they lived for the next seventeen years. During his family’s stay in Europe, young Nicolás would spend most of the year at a school run by Benedictines in Paris, but would often go for his vacations to England. However, during his time in Paris he was beset by a long-lasting illness which confined him to his bed for most of two years. It was during this illness that under the direction of private tutors he learned to read Latin and Greek fluently and to love the classics. His formal education ended at the secondary level. When Gómez Dávila turned twenty-three, he moved back to Bogotá, and almost immediately upon his return married Emilia Nieto Ramos. According to German writer Martin Mosebach, she was already married when she met Gómez Dávila, and had to obtain an annulment in order to be able to marry him. However their marriage may have started out, it lasted for over fifty years. After the wedding, the young couple moved into the house in Bogotá that was to remain their home for the course of their entire marriage. There they raised three children: two sons and a daughter. After establishing his household, Gómez Dávila, or “don Colacho” as he became known to his friends, led a life of leisure. Because his own father was for most of his long life able to attend to the family carpet factory, Gómez Dávila only had to manage the business for a short period himself, before in turn passing it on to his son. However, even during the time when he bore primary responsibility for the business, he did not pay excessive attention to it. Mosebach reports that Gómez Dávila generally only visited the office once a week at midday for about ten minutes, in order to tell the business manager to increase profits, before going out to lunch with friends at the Bogotá Jockey Club, where he was an active member, playing polo and even serving as an officer for a while. (He had to give up polo, though, after injuring himself on his horse—he was thrown off while trying to light a cigar.) Gómez Dávila was in fact a well-connected member of the Bogotá elite. Besides his membership in the Jockey Club, he helped Mario Laserna Pinzón found the University of the Andes in 1948. Furthermore, Gómez Dávila’s advice was sought out by Colombian politicians. In 1958, he declined the offer of a position as an adviser to president Alberto Llera after the downfall of the military government in Colombia. In 1974, he turned down the chance to become the Colombian ambassador at the Court of St. James. Although he was well disposed to both governments, Gómez Dávila had resolved early on in his “career” as a writer to stay out of politics. Although some of his friends were disappointed that he did not accept these offers, they later concluded (according to Mosebach) that he was right to refuse the honors—he would have been a disaster as a practical politician. Gómez Dávila instead spent most of his life, especially after his polo injury, reading and writing in his library. He was a voracious reader, often staying up well into the night to finish a book. By the end of his life, he had accumulated a library of approximately 30,000 volumes. Indeed, his family had trouble disposing of many of the books because so many appealed primarily to specialized scholarly interests, and because so many were in languages other than Spanish. 2 Gómez Dávila, besides learning French, English, Latin, and Greek during his childhood, could read German, Italian, and Portuguese, and was even reportedly learning Danish before his death in order to be able to read Søren Kierkegaard in the original. According to Francisco Pizano, Gómez Dávila regretted that he never succeeded in learning Russian—he started learning it too late in life. In addition to reading, Gómez Dávila enjoyed the company of friends whom he regularly invited to his home for lunch on Sunday afternoons. After the meal, he would retreat into his library with his friends for hours-long, wide-ranging discussions. The result of all this reading and discussion can be found in our author’s works. Gómez Dávila, however, published these works only very reluctantly during his lifetime. Indeed, his first two works were available only to his family and friends in private editions. In 1954, at the urging of his brother Ignacio, he published Notas (Notes), a collection of aphorisms and short reflections, most no longer than a few paragraphs. In 1959, he published Textos I (Texts I), a collection of essays. The intended second volume never appeared. For nearly twenty years after these hesitant forays into publishing, Gómez Dávila re-worked what he had already produced into the aphorisms which constitute the bulk of his output as an author and for which he is best known. This period of silence ended in 1977 with the publication of two volumes of Escolios a un Texto Implícito (Scholia on the Margin of an Implicit Text). This collection of aphorism was followed in 1986 by two more volumes of Nuevos Escolios a un Texto Implícito (New Scholia on the Margin of an Implicit Text). A final volume of aphorisms was published in 1992 as Sucesivos Escolios a un Texto Implícito (Further Scholia on the Margin of an Implicit Text). Late in life, Gómez Dávila also wrote two shorter pieces. The first, De iure (De jure) was printed in the spring 1988 issue of the Revista del Colegio Mayor de Nuestra Señora del Rosario. His final work, El Reaccionario Auténtico (The Authentic Reactionary) was published posthumously in the spring 1995 issue of the Revista de la Universidad de Antioquia; it is perhaps the most programmatic of his works. None of these works was published commercially, and none was ever printed in any great numbers during his lifetime. Notas, Textos I, and all five volumes of Escolios have recently been made available again by Villegas Editores, a Bogotá publisher. Villegas Editores has also put out a single-volume selection of aphorisms, compiled by Gómez Dávila's daughter, Rosa Emilia Gómez de Restrepo, entitled Escolios a un Texto Implícito: Selección. Gómez Dávila himself did nothing to attract attention to his work. Indeed, his deliberate choice of obscure publishing houses and tiny printing runs seems almost intended to condemn his works to oblivion. Word of Gómez Dávila, however, began to spread slowly toward the end of his own lifetime. Strangely enough, he became best known not in his native Colombia or in other Spanish-speaking countries, but in the German-speaking world. Philosopher Dietrich von Hidlebrand apparently was the first to make any reference in print in Germany to Gómez Dávila. A few years before his death, German translations of his aphorisms began to appear at the Karolinger Verlag in Vienna. Among the Germans who have professed their admiration of Gómez Dávila are several noted writers, including the late Ernst Jünger, Martin Mosebach, and Botho Strauß. Since his “discovery,” knowledge of his work has spread in other countries in Europe due to the work of a small group of devoted admirers, most especially the late Franco Volpi in Italy. Translations of his works are now also available in French, Italian, and Polish. Gómez Dávila died in his library on the eve of his 81st birthday, on May 17, 1994. 3 A Brief Overview of the Thought of Nicolás Gómez Dávila I: Introduction The most subversive book in our time would be a compendium of old proverbs. Nicolás Gómez Dávila was a man of wide-ranging interests, and his aphorisms reflect that fact. Although he was to a certain extent an autodidact—he received an excellent secondary education, but never attended university, instead relying on his voluminous library—he may rightfully be considered one of the great thinkers of the 20th century. Among the scholarly topics he wrote about are religion, philosophy, politics, history, literature, aesthetics, and more. Besides these scholarly interests, however, many of his aphorisms betray a more personal dimension, with intimate observations on topics like love and the process of aging. Gómez Dávila by all accounts valued his privacy and was concerned primarily with finding the truth for himself. Why then, would he write down his thoughts and observations in aphorisms and even publish them, however secretively? Gómez Dávila was, quite possibly, writing a subversive collection of proverbs himself. He disavowed originality, and maintained that he desired only wisdom for himself, but despite his protests that he was not trying to convert anyone to his way of thinking, perhaps he secretly did harbor a hope that he might rouse a few souls from their dogmatic slumber. Of course, Gómez Dávila never resorted to a loud and vulgar way of awakening us moderns; he wrote his aphorisms so that anyone who happened to come across them might be inspired by a wisdom that is ancient yet ever young.
Recommended publications
  • Cultural Criminology Unleashed
    CULTURAL CRIMINOLOGY UNLEASHED Edited by Jeff Ferrell, Keith Hayward, Wayne Morrison and Mike Presdee First published in Great Britain 2004 by The GlassHouse Press, The Glass House, Wharton Street, London WC1X 9PX, United Kingdom Telephone: + 44 (0)20 7278 8000 Facsimile: + 44 (0)20 7278 8080 Email: [email protected] Website: www.cavendishpublishing.com Published in the United States by Cavendish Publishing c/o International Specialized Book Services, 5824 NE Hassalo Street, Portland, Oregon 97213-3644, USA Published in Australia by The GlassHouse Press, 45 Beach Street, Coogee, NSW 2034, Australia Telephone: + 61 (2)9664 0909 Facsimile: +61 (2)9664 5420 Email: [email protected] Website: www.cavendishpublishing.com.au © Cavendish Publishing Limited 2004 Chapter 2 © Tony Jefferson 2004 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, without the prior permission in writing of Cavendish Publishing Limited, or as expressly permitted by law, or under the terms agreed with the appropriate reprographics rights organisation. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Cavendish Publishing Limited, at the address above. You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer. British Library Cataloguing in Publication Data A record is available from the British Library Library of Congress Cataloguing in Publication Data Data available ISBN 1-90438-537-0 ISBN 978-1-904-38537-0 1 3 5 7 9 10 8 6 4 2 Printed and bound in Great Britain Cover image supplied by Cécile Van de Voorde “pourin’ off of every page” Acknowledgments The seeds of Cultural Criminology Unleashed were first sown at a small conference held at the University of London’s Chancellor’s Hall in the late Spring of 2003.
    [Show full text]
  • Song List by Artist
    Song List by Artist Artist Song Name 10,000 MANIACS BECAUSE THE NIGHT EAT FOR TWO WHAT'S THE MATTER HERE 10CC RUBBER BULLETS THINGS WE DO FOR LOVE 112 ANYWHERE [FEAT LIL'Z] CUPID PEACHES AND CREAM 112 FEAT SUPER CAT NA NA NA NA 112 FEAT. BEANIE SIGEL,LUDACRIS DANCE WITH ME/PEACHES AND CREAM 12TH MAN MARVELLOUS [FEAT MCG HAMMER] 1927 COMPULSORY HERO 2 BROTHERS ON THE 4TH FLOOR COME TAKE MY HAND NEVER ALONE 2 COW BOYS EVERYBODY GONFI GONE 2 HEADS OUT OF THE CITY 2 LIVE CREW LING ME SO HORNY WIGGLE IT 2 PAC ALL ABOUT U BRENDA’S GOT A BABY Page 1 of 366 Song List by Artist Artist Song Name HEARTZ OF MEN HOW LONG WILL THEY MOURN TO ME? I AIN’T MAD AT CHA PICTURE ME ROLLIN’ TO LIVE & DIE IN L.A. TOSS IT UP TROUBLESOME 96’ 2 UNLIMITED LET THE BEAT CONTROL YOUR BODY LETS GET READY TO RUMBLE REMIX NO LIMIT TRIBAL DANCE 2PAC DO FOR LOVE HOW DO YOU WANT IT KEEP YA HEAD UP OLD SCHOOL SMILE [AND SCARFACE] THUGZ MANSION 3 AMIGOS 25 MILES 2001 3 DOORS DOWN BE LIKE THAT WHEN IM GONE 3 JAYS FEELING IT TOO LOVE CRAZY EXTENDED VOCAL MIX 30 SECONDS TO MARS FROM YESTERDAY 33HZ (HONEY PLEASER/BASS TONE) 38 SPECIAL BACK TO PARADISE BACK WHERE YOU BELONG Page 2 of 366 Song List by Artist Artist Song Name BOYS ARE BACK IN TOWN, THE CAUGHT UP IN YOU HOLD ON LOOSELY IF I'D BEEN THE ONE LIKE NO OTHER NIGHT LOVE DON'T COME EASY SECOND CHANCE TEACHER TEACHER YOU KEEP RUNNIN' AWAY 4 STRINGS TAKE ME AWAY 88 4:00 PM SUKIYAKI 411 DUMB ON MY KNEES [FEAT GHOSTFACE KILLAH] 50 CENT 21 QUESTIONS [FEAT NATE DOGG] A BALTIMORE LOVE THING BUILD YOU UP CANDY SHOP (INSTRUMENTAL) CANDY SHOP (VIDEO) CANDY SHOP [FEAT OLIVIA] GET IN MY CAR GOD GAVE ME STYLE GUNZ COME OUT I DON’T NEED ‘EM I’M SUPPOSED TO DIE TONIGHT IF I CAN’T IN DA CLUB IN MY HOOD JUST A LIL BIT MY TOY SOLDIER ON FIRE Page 3 of 366 Song List by Artist Artist Song Name OUTTA CONTROL PIGGY BANK PLACES TO GO POSITION OF POWER RYDER MUSIC SKI MASK WAY SO AMAZING THIS IS 50 WANKSTA 50 CENT FEAT.
    [Show full text]
  • RECORD SHOP Gesamtkatalog
    RECORD SHOP Gesamtkatalog gültig bis 31.10.2018 Record Shop Holger Schneider Flurstr. 7, 66989 Höheinöd, Germany Tel.: (0049) 06333-993214 Fax: (0049) 06333-993215 @Mail: [email protected] Homepage: www.recordshop-online.de Gruppe / Titel Artikelbeschreibung B.-Nr.Preis Gruppe / Titel Artikelbeschreibung B.-Nr. Preis 10 CC LIVE CD D/92/ATCO M/M- 94179 6,99 € GREATEST HITS 1972 - 1978 CD M-/M 90675 4,99 € LIVE CD-DO Doppel-CD Collectors Edition im Digi von 2003 M/M50405 6,99 € LIVE AT RIVER PLATE DVD VG/VG- 02931 4,99 € 12 STONES NO BULL VHS LIVE PLAZA DE TOROS 122 MINUTEN00502 2,99 € 12 STONES CD M-/M 97005 6,99 € POWERAGE CD Digitaly Remastered AC/DC Collection EX-/M96500 4,99 € POTTERS FIELD CD M/M 97004 6,99 € POWERAGE CD Digitaly Remastered AC/DC Collection M-/M57652 6,99 € 18 SUMMERS ROCK OR BUST CD Lim. Edition im Digipack !!! EX/M 96501 6,99 € VIRGIN MARY CD EX-/M- 93108 6,99 € ROCK OR BUST CD Lim. Edition im Digipack !!! ORIGINALVERPACKT93937 9,99 € 24-7 SPYZ SATELLITE BLUES CD Maxi EX/M 70348 4,99 € 6 CD EX/M 85408 2,99 € STIFF UPPER LIP CD EX-/M 53656 6,99 € STIFF UPPER LIP CD Maxi EX-/M- 61532 4,99 € 36 CRYZYFISTS STIFF UPPER LIP LIVE DVD 2001 M-/M 02085 9,99 € COLLISIONS AND CASTWAYS CD M/M 89364 2,99 € THE RAZORS EDGE CD D/1990/ACTO M-/M 83231 6,99 € 38 SPECIAL THUNDERSTRUCK CD Maxi + Fire Your Guns + D.T.
    [Show full text]
  • As I Transcribed the Following Booklet by George Pitt-Rivers
    As I transcribed the following booklet by George Pitt-Rivers, which was published in 1920 - during WWI and shortly following the Russian Revolution - I felt nausea, disgust and a grave sense of foreboding for the future of our children... all the little children of the world; for they will be the real victims in a world truly gone mad if those of us who are awake and aware do not take a firm, ceaseless stand for sanity, truth, love and compassion. It won't take you long to read it - a mere 45 pages, large print in a 5x8 paperback. This is the book which elicited the letter from Dr. Oscar Levy , admitting that his people have destroyed the countries in which they came to power; created the 'chosen people myth', along with a twisted version of Christianity; have brought the world to a shambles having been behind the Revolutions and Wars - both intra and international - throughout history. I took the time to transcribe it in full because I believe more of you will read it if it's laid out before you rather than expecting you'll order it from a seller of suppressed books... if it's still available. A couple of years ago an intelligent and wise woman who's become a dear friend, visited for the first time lugging two boxes of books she "thought I might be able to use". This was among the many which she had had the foresight to buy when they were still available; I am blessed to have become the benefactor of her love and generosity.
    [Show full text]
  • The Importance of ,Dreams
    Man and His Symbols Cart Jung .' NY: Dell Publishing, 1964 Ch. 1, "Approaching the Unconscious" NOTE: Skip "The importance of types" on p. 45 and start again at "The archetype in dream symbolism" on p. 56 The importance of ,dreams Man uses the spoken or written word to express the mean­ ing of what he wants to convey. His language is full of symbols, but he also often employs signs or images that are not strictly descriptive. Some are mere abbreviations or strings of initials, such as UN, UNICEF, or UNESCO; others ate familiar trade marks, the names of patent med­ , icines, badges, or insignia. Although these are meaningless in 'themselves, they have acquired a' recognizable meaning , through common usage or deliberate intent. Such things are not symbols. They are signs, and they do no more than denote the objects to which they are attached. What we call a symbol is a: term, a name, or even a picture that may be familiar in daily life, yet that pos­ , -' > sesses 'specific connot~tions in addition to its conventional ~ ' and obvious meaning. It implies something vague, un­ known, or hidden from us. Many Cretan monuments, for instance, are marked with the design of the double adze. This is an object that we know, but we do not know its ' symbolic -implications. For another example, take the <;ase of the Indian -who, after a visit to England, told his ,friends at home that the English worship animals, because he had found eagles, lions, and oxen in old churches. He was not aware (nor are many Christians) that these ani~ Three of tIle four Evangelists (in a relief Oil Chartres mals are symbols of the Evangelists and are derived from Cathedral) appear asallimals: The lion is Mark, the ox the vision of Ezekiel, and that this in turn has an analogy Luke, tile eagle John.
    [Show full text]
  • Música Intrusa
    Música intrusa Gerard Casau Vaz Tutor: Ivan Pintor Iranzo Curs: 2012/13 Treballs de recerca dels programes de postgrau del Departament de Comunicació Departament de Comunicació Universitat Pompeu Fabra Resumen Esta tesina se inscribe en un marco hermenéutico, con el propósito de interpretar una serie de textos fílmicos a partir de su banda sonora. Para ello, acotaremos el ámbito de estudio a la música para cine que proviene del ámbito del rock y de la música popular. Así, se distinguirá una tipología de banda sonora que no presenta dificultades para enmarcarse en las mismas coordenadas que la música de cine proveniente de una tradición sinfónica. Esto nos permitirá introducir un término (“música intrusa”) apto para referirse a las especificidades de tales bandas sonoras, y su incidencia en el cine de finales del siglo XX y principios del XXI. Palabras clave Cine. Música. Sonido. Ruido. Silencio. Vacío. Rock. Guitarra. Electricidad. Intrusión. Cuerpo. Órgano. Corazón.Escuchar. Ver. Tocar. Límite. Muerte. Fantasma. Duelo. a Patricia (Music won't save you from anything but) silence Piano Magic Agradecimientos El proceso de creación de esta tesina ha sido largo y con puntuales momentos de ofuscación. Escollo que difícilmente hubiera podido sortear sin la ayuda de Ivan Pintor, tutor y compañero de viaje, que ha mantenido mis pies en suelo académico a la vez que me animaba a explorar las rutas más enloquecidas a las que me llevaba el proceso de investigación. También querría dedicar un agradecimiento muy especial a Manuel Garin, a quien le he robado mucho y valioso tiempo en estos últimos meses. Sus consejos han sido tan enriquecedores como los gruesos libros que me prestó, y que me deslomaron la espalda en el trayecto entre su despacho y mi casa.
    [Show full text]
  • Scotland, Britain, Empire : Writing the Highlands, 1760–1860 / Kenneth Mcneil
    SCOTLAND, B R I TA I N , EMPIR E McNeil_3rd.indb 1 2/21/2007 3:59:35 PM McNeil_3rd.indb 2 2/21/2007 3:59:35 PM SCOTLAND, B R I TA I N , EMPIR E Writing the Highlands, 1760–1860 KENNET H M C N E IL THE OHIO STATE UNIVERSITY PREss Columbus McNeil_3rd.indb 3 2/21/2007 3:59:35 PM Copyright © 2007 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data McNeil, Kenneth. Scotland, Britain, empire : writing the Highlands, 1760–1860 / Kenneth McNeil. p. cm. This work examines representation of the Scottish Highlands in the Romantic and early Victorian periods, the call for preserving a Scottish national identity while being part of the British union. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8142-1047-5 (alk. paper) ISBN-10: 0-8142-1047-3 (alk. paper) ISBN-13: 978-0-8142-9127-6 (cd-rom) ISBN-10: 0-8142-9127-9 (cd-rom) 1. English literature—Scottish authors—History and criticism. 2. English literature—19th century—History and criticism. 3. National characteristics, Scottish, in literature. 4. Ethnology in lit- erature. 5. Civilization, Celtic, in literature. 6. Nationalism in literature. 7. Imperialism in literature. 8. Highlands (Scotland)—In literature. 9. Scotland—Relations—England. 10. Scotland—Civiliza- tion—Historiography. I. Title. PR8552.M36 2007 820.9'32411—dc22 2006026529 Cover design by Dan O’Dair Text design and typesetting by Jennifer Shoffey Forsythe Type set in Adobe Minion Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials.
    [Show full text]
  • Happening Brydża
    STSTASZICASZIC KURIKURIΣΣRR Nr 3(67) Cena 1 zł Kwiecień 2003 Dziękujemy redakcji gazety za pomoc przy wydawaniu Kuriera Szybkim klawiaturem WSTĘPNIIAK był “taki poważny”, podczas gdy druga XV FESTIWAL POEZJI osoba wyraża ulgę po drugim numerze, bo WSPÓLCZESNEJ Nie każdy jest artystą dobrze że był poważniejszy, bo w pier- Nie każdy jest wybitny wszym zbyt dużo jajec. O tempora! W piątek, 4 kwietnia odbył się w naszej Nie każdy jest w paseczki... O mores! Albo inne takie hagiograficzne szkole XV Festiwal Poezji Współczesnej. chwasty: “To był najlepszy numer w his- Do finału zakwalifikowało się dwudziestu Zastanawiające są żywota wstępni- torii szkoły!” contra “Zanim wydacie autorów. Podczas uroczystości odbyły się aków. Najciekawsze zaś to, ilu czytelników numer, to zróbcie go porządnie, bo coraz prezentacje wierszy. Nagrodę Grand Prix Kuriera staje się czytelnikami “Szybkiego większą lipę kręcicie”. Cóż mi zostaje? (wyjazd do Grecji) zdobyła Julia klawiatura”. Sam, gdy widzę podobny twór Kierować się zasadą znanego warsza- Wojciechowska - uczennica Liceum im. T. w gazetach, które czasem czytuję, wskiego filozofa, który naucza fizyki Reytana. Uczestnicy i publiczność mieli odwracam wzrok, by zająć się czymś treś- wbyłym Gottwaldzie: “Nie można mieć także możliwość wzięcia udziału w dyskusji ciwszym. Może dlatego, że zazwyczaj autorytetów. Najwyższym autorytetem jest z Panem Jarosławem Kilianem - dyrektorem dowiaduję się tego, czego i tak się dowiem, dla mnie mój rozum.” Teatru Polskiego. tj. co przeczytam. Ciekawe czy tak samo rzecz się ma z Kurierem. Maciey Gnyszka SPLYWY KAJAKOWE Wymierzę sobie teraz policzek, czyli 1) Patrz: TYGODNIK POWSZECH- autopoliczek, lecz nie jako formę pokuty – Rozpoczyna się długo wyczekiwany NY, pierwszy numer po feriach, ostatnia bardziej jako rozrywkę dandysa-utracjusza.
    [Show full text]
  • MARGINS of POETRY: PERFORMING the FORMLESS in LORCA's SURREALISM by David Fred Richter Dissertation Submitted to the Faculty O
    MARGINS OF POETRY: PERFORMING THE FORMLESS IN LORCA’S SURREALISM By David Fred Richter Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Spanish December, 2007 Nashville, Tennessee Approved: Christina Karageorgou-Bastea Cathy L. Jrade Edward H. Friedman David C. Wood Copyright © 2007 by David Fred Richter All Rights Reserved To: my Mom, whose Michael the Martian taught me from my youth that the line between history and poetry is thin my Dad, for his friendship Mindy, for being by my side Jeffrey, whose smile inspires my own learning to live and Ella, “¡Qué alegría más alta: vivir en los pronombres!” iii ACKNOWLEDGMENTS The interest in this project began several years ago in a dimly lit and dilapidated university classroom at Brigham Young University when I first read poets like Federico García Lorca and thinkers including Georges Bataille. It was at that moment—thanks to an inspiring teacher, mentor, and friend, Dr. Greg Stallings—that I first began to think seriously about Spanish literature, poetry, philosophy and the implications of these discourses in my life. I owe the development of these ideas (as well as much of my own intellectual development) to the enthusiastic teaching of Professor Stallings. At one moment when I considered another path, Professor Stallings, echoing Joseph Campbell, urged me to follow my bliss. I like to think that this dissertation it the fruition of some of that bliss. Thanks Greg. The support at Vanderbilt University has been equally superb.
    [Show full text]
  • Tibetan Folk Songs and Dances in Diebu
    Journal of Contemporary Educational Research, 2021, Volume 5, Issue 8 http://ojs.bbwpublisher.com/index.php/JCER ISSN Online: 2208-8474 ISSN Print: 2208-8466 Tibetan Folk Songs and Dances in Diebu – The Musical Characteristics of Gerba (Gar Pa) Chenghai Yang* Academy of Arts, Tibet University, Lhasa 850000, China *Corresponding author: Chenghai Yang, [email protected] Abstract: Folk songs and dances originated from people’s sacrificial activities in the struggle against nature in the primitive society. Their origins are related to the ideology and living environment of the people at that period of time. These activities were expressed in the form of primitive songs and dances, and gradually evolved into folk songs and dances. The gar pa song and dance from Diebu, in Gannan region, is a unique song and dance of a Tibetan region on the eastern edge of Qinghai-Tibet Plateau. Its content and form are unique. It still retains the original trinity feature which includes poem, music, and dance. The production of songs and dances contains rich cultural connotations and unique local characteristics. This article elaborates the characteristics of Diebu’s gar pa song and dance in terms of its music and performance form. Keywords: Gar pa song and dance; Musical characteristics; Intangible cultural heritage Publication date: August 2021; Online publication: August 30, 2021 1. Origin of song and dance music as well as Gerba (gar pa) 1.1. Origin of song and dance music Song and dance music refers to folk song and dance. Folk song and dance is a general term for all kinds of song and dance formed based on folk art.
    [Show full text]
  • Pop/Rock Guitar
    106 POP/ROCK GUITAR TROY STETINA INCLUDES INCLUDES HEAVY TAB THRASH TAB METAL GUITAR GUITAR TRICKS METHOD by Troy Stetina by Troy Stetina and Tony Burton and Tony Burton Learn “every trick in the book” Learn the techniques and including virtually every principles used by today’s whammy bar and two-handed heaviest bands. Syncopation, fretting technique conceivable. shifting accents, thrash theory, progressions, chromatic “ear- ______00699324 Book/CD Pack ....................$17.95 twisting,” melodic dissonances, shifting time signatures, harmony, and more. INCLUDES METAL 00697218 Book/CD Pack...................................$19.95 LEAD TAB GUITAR INCLUDES TOTAL TAB by Troy Stetina ROCK This intense metal method GUITAR teaches you the elements of A COMPLETE GUIDE TO lead guitar technique with an LEARNING ROCK GUITAR easy to understand approach. by Troy Stetina The heavy metal concepts, theory, and musical principals Total Rock Guitar is a unique are all applied to real metal licks, runs and full and comprehensive source for compositions. learning rock guitar, designed ______00699321 Volume 1 ............................$19.95 to develop both lead and ______00699322 Volume 2 ............................$19.95 rhythm playing. This book/CD pack covers: getting a tone that rocks; open chords, power chords and barre chords; Troy Stetina has gained international recognition as METAL INCLUDES riffs, scales and licks; string bending, strumming, palm an author, teacher, musician, and critically-acclaimed TAB muting, harmonics and alternate picking; all rock styles; RHYTHM and much more. The examples in the book are in guitar virtuoso. Troy is a university-level music GUITAR METHOD educator who created the rock and metal guitar standard notation with chord grids and tablature, and the program at the Wisconsin Conservatory of Music.
    [Show full text]
  • Sean's Music Library - 15/05/17 6182 Songs, 17.4 Days, 41.52 GB
    Page 1 of 163 Sean's Music Library - 15/05/17 6182 songs, 17.4 days, 41.52 GB Name Time Album Artist 1 Hells Bells 5:13 Back In Black AC/DC 2 Shoot To Thrill 5:18 Back In Black AC/DC 3 What Do You Do For Money Honey 3:36 Back In Black AC/DC 4 Givin' The Dog A Bone 3:32 Back In Black AC/DC 5 Let Me Put My Love Into You 4:15 Back In Black AC/DC 6 Back In Black 4:16 Back In Black AC/DC 7 You Shook Me All Night Long 3:30 Back In Black AC/DC 8 You Shook Me All Night Long 3:30 Back In Black AC/DC 9 Have A Drink On Me 3:59 Back In Black AC/DC 10 Shake A Leg 4:06 Back In Black AC/DC 11 Rock And Roll Ain't Noise Pollution 4:15 Back In Black AC/DC 12 Rock 'N Roll Train 4:22 Black Ice AC/DC 13 Skies On Fire 3:34 Black Ice AC/DC 14 Big Jack 3:57 Black Ice AC/DC 15 Anything Goes 3:22 Black Ice AC/DC 16 War Machine 3:10 Black Ice AC/DC 17 Smash 'N Grab 4:06 Black Ice AC/DC 18 Spoilin' For A Fight 3:17 Black Ice AC/DC 19 Wheels 3:28 Black Ice AC/DC 20 Decibel 3:34 Black Ice AC/DC 21 Stormy May Day 3:10 Black Ice AC/DC 22 She Likes Rock 'N Roll 3:53 Black Ice AC/DC 23 Money Made 4:15 Black Ice AC/DC 24 Rock 'N Roll Dream 4:41 Black Ice AC/DC 25 Rocking All The Way 3:22 Black Ice AC/DC 26 Black Ice 3:25 Black Ice AC/DC 27 Tiro Ao Alvaro 2:45 Brazil: The Essential Album [Disc 1] Adoniron Barbosa with Elis Regina 28 Nine Lives 4:02 Nine Lives Aerosmith 29 Falling In Love (Is Hard On The Knees) 3:26 Nine Lives Aerosmith 30 Hole In My Soul 6:10 Nine Lives Aerosmith 31 Taste Of India 5:53 Nine Lives Aerosmith 32 Full Circle 5:00 Nine Lives Aerosmith 33 Something's
    [Show full text]