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3 Days in Shanghai
3 Days in Shanghai Contact us | turipo.com | [email protected] 3 Days in Shanghai Shanghai full travel plan. Our 3 days vacaon tour plan in Shanghai, 3 days inerary in Shanghai, the best things to do in Shanghai and around in 3 days: Pudong, Yu garden, The bund and more attractions in Shanghai.., China travel guide. Contact us | turipo.com | [email protected] Warning: count(): Parameter must be an array or an object that implements Countable in /var/www/dev/views/templates/pdf_day_images.php on line 4 Day 1 - Shanghai Contact us | turipo.com | [email protected] Day 1 - Shanghai Dinner 1. Oriental Pearl TV Tower Wu Jiang Lu, Jingan Qu, Shanghai Shi, China, 200085 Duration ~ 1 Hour Lunch 1 Century Ave, LuJiaZui, Pudong Xinqu, Shanghai Shi, China, 200000 Telephone: +86 21 5879 1888 4. Nanjing Road Pedestrian Street Website: www.orientalpearltower.com Duration ~ 2 Hours Rating: 4.5 Nan Jing Lu Bu Xing Jie, Nan Jing Lu, Huangpu Qu, Shanghai WIKIPEDIA Shi, China The Oriental Pearl Radio & TV Tower is a TV tower in Shanghai. Its locaon at the p of Lujiazui in the Pudong New Area by the side of Huangpu River, opposite The Bund, makes 5. People's Square it a disnct landmark in the area. Its principal designers were Duration ~ 1 Hour Jiang Huan Chen, Lin Benlin, and Zhang Xiulin. more.. People's Square, Huangpu, Shanghai, China 2. Kao Shanghai Congyoubing WIKIPEDIA Duration ~ 1 Hour People's Square is a large public square in the Huangpu District of Shanghai. It is south of Nanjing Road and north of Huaihai Century Ave, Pudong Xinqu, Shanghai Shi, China, 200000 Road. -
Ohio Shanghai India's Temples
fall/winter 2019 — $3.95 Ohio Fripp Island Michigan Carnival Mardi Gras New Jersey Panama City Florida India’s Temples Southwestern Ontario Shanghai 1 - CROSSINGS find your story here S ome vacations become part of us. The beauty and Shop for one-of-a-kind Join us in January for the 6th Annual Comfort Food Cruise. experiences come home with us and beckon us back. Ohio’s holiday gifts during the The self-guided Cruise provides a tasty tour of the Hocking Hills Hocking Hills in winter is such a place. Breathtaking scenery, 5th Annual Hocking with more than a dozen locally owned eateries offering up their outdoor adventures, prehistoric caves, frozen waterfalls, Hills Holiday Treasure classic comfort specialties. and cozy cabins, take root and call you back again and Hunt and enter to win again. Bring your sense of adventure and your heart to the one of more than 25 To get your free visitor’s guide and find out more about Hocking Hills and you’ll count the days until you can return. prizes and a Grand the Comfort Food Cruise and Treasure Hunt call or click: Explore the Hocking Hills, Ohio’s Natural Crown Jewels. Prize Getaway for 4. 1-800-Hocking | ExploreHockingHills.com find your story here S ome vacations become part of us. The beauty and Shop for one-of-a-kind Join us in January for the 6th Annual Comfort Food Cruise. experiences come home with us and beckon us back. Ohio’s holiday gifts during the The self-guided Cruise provides a tasty tour of the Hocking Hills Hocking Hills in winter is such a place. -
A Study on the Spatial Difference of Creative Industrial Zones in Shanghai
立命館地理学 第 21 号 (2009) 29-42 A Study on the Spatial Difference of Creative Industrial Zones in Shanghai CHU Jinfeng* and KAGAWA Takashi** ing the famous Tianzifang, were set up in Ⅰ.Introduction Shanghai. These creative industrial zones have The 21st century is an era defined by the attracted and accommodated over 800 creative knowledge economy, and the economic develop- industrial enterprises from more than 30 coun- ment of rich countries and regions has been tries and regions, such as the USA and Japan marked by the rapid growth of creative indus- who have hired among them more then ten tries. In a sense, the development of creative thousand workers and been engaged in indus- industries which are based on innovation and trial design, game softwares, motion picture creativity has become an important indicator design, web-based media, and fashion arts. In of the comprehensive competitiveness of a Nov. 2005 and May and Nov. 2006, the second, country or region. Therefore, over the recent third and fourth groups of creative industrial years, quite a few countries and regions, such as zones were set up, increasing the total number 2) the UK, Japan, Singapore, and some area in of creative industrial zones to 75 . China have come to consider creative industries According to the Eleventh Five-year Plan as their pillar industries, and have adopted (2006–2010) for the social and economic devel- various policies and measures to push the opment of Shanghai, Shanghai will make great development of their creative industries1). efforts to nurture and promote creative indus- Similarly, the city of Shanghai, which is on the tries. -
Bourgeois Shanghai: Wang Anyi’S Novel of Nostalgia Wittenberg University
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The hinC a Beat Blog Archive 2008-2012 China Beat Archive 7-14-2008 Bourgeois Shanghai: Wang Anyi’s Novel of Nostalgia Wittenberg University Follow this and additional works at: http://digitalcommons.unl.edu/chinabeatarchive Part of the Asian History Commons, Asian Studies Commons, Chinese Studies Commons, and the International Relations Commons Wittenberg University, "Bourgeois Shanghai: Wang Anyi’s Novel of Nostalgia" (2008). The China Beat Blog Archive 2008-2012. 157. http://digitalcommons.unl.edu/chinabeatarchive/157 This Article is brought to you for free and open access by the China Beat Archive at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The hinC a Beat Blog Archive 2008-2012 by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Bourgeois Shanghai: Wang Anyi’s Novel of Nostalgia July 14, 2008 in Watching the China Watchers by The China Beat | No comments After the recent publication of a translation of Wang Anyi’s 1995 novel A Song of Everlasting Sorrow, we asked Howard Choy to reflect on the novel’s contents and importance. Below, Choy draws on his recently published work on late twentieth century Chinese fiction to contextualize Wang’s Shanghai story. By Howard Y. F. Choy Among all the major cities in China, Shanghai has become the most popular in recent academic research and creative writings. This is partly a consequence of its resuscitation under Deng Xiaoping’s (1904-1997) intensified economic reforms in the 1990s, and partly due to its unique experience during one hundred years (1843-1943) of colonization and the concomitant modernization that laid the foundation for the new Shanghai we see today. -
Shanghai · China
8-10 November 2013 Shanghai · China Subject areas and sub-topics T he ICA Shanghai regional conference, organized jointly by 18 universities (see organizer list) in mainland e welcome paper submissions on a broad range of topics that exemplify the China, Hong Kong, Macau and Taiwan with a global W societal transformation and impact of communication in all its various forms. Topics advisory board and partnerships, in agreement with the could concern issues of media/mediated communication in cultural, economic, International Communication Association political, or social contexts as relevant to societal changes. In other words, papers (www.icahdq.org), is scheduled for 8-10 November could discuss how our society is transforming in the new media and communication 2013 in Shanghai, China. This conference marks the environment. However, other potential topics include, but not limited to: first ICA co-sponsored regional conference in the PRC. Communication and development Online Submission Deadline: Children, adolescents, and new media 1 June 2013, midnight Beijing’s time Social media and its impact on society Cyber culture Conference Paper Contact: Dr.Qian WANG Patterns of consuming Internet services and products, such as E-mail: [email protected] online shopping and e-government Internet governance Social movements, such as grassroots activism, in the new media Conference Agenda environment Digital divides in technology, skills, and access Morning Conference Opening and Theme Speeches Role of media in transforming diverse communication -
Tentative Itinerary for China Trip (Dates and Locations May Slightly Change)
Tentative Itinerary for China Trip (dates and locations may slightly change) May 14-15(Day 1-2)Enter Beijing Upon arrival in Beijing, your local tour guide will meet you at the airport and accompany you to the hotel. Tasting Peking duck at a group welcome dinner. May 16 (Day 3) Beijing Visit Tiananmen Square and Forbidden City in the morning. After lunch, visit the Summer Palace and enjoy a boat ride on the lake. Evening acrobatic show back in the city. May 17 (Day 4) Beijing Morning lecture. Visit 798 Art District in the afternoon. 798 has become the premier exhibition center in Beijing for Chinese modern art and sculpture. Possible late- afternoon tour of the Dandelion School, a special NGO for rural migrant children. May 18 (Day 5) Beijing Whole day visit to famous Mutianyua section of Great Wall. Visit Wangfujing Street and night market in the evening. May 19 (Day 6) Beijing/Xian Visit a traditional tea house and try different teas as well as look at tea pots. Take a high-speed train to Xian and check in a hotel. May 20 (Day 7) Xian Today’s highlight is the Terracotta Warriors and Bronze Chariots, designed for the tomb of China’s first emperor – Qinshihuang. Thousands of life size warriors and horses still stand on the original site in military formation at the emperor’s burial complex. Visit Shannxi Historical Museum in the afternoon and experience the city’s interactive water fountain show in the evening. May 21 (Day 8) Xian Bike ride atop the Old City Wall in the morning, with a few hours afternoon lecture. -
The Shanghai Alleyway House: a Threatened Typology Gregory Bracken
45 The Shanghai Alleyway House: A Threatened Typology Gregory Bracken The Shanghai alleyway house was a rich and main alleyway. Access to the alleyways was via a vibrant generator of street life.1 Unique to Shanghai, gate, which was closed at night. There were often it occupied the ambiguous space between the tradi- more gates, but as these tended to close at differ- tional Chinese courtyard home and the street. The ent times it meant that the alleyways, which could system of ‘graduated privacy’ within its alleyways act as excellent shortcuts, tended to be used only ensured a safe and neighbourly place to live.2 Due by those who knew them well, because if someone to rapid redevelopment in recent decades this once tried to get through a gate at the wrong time of day ubiquitous typology is under threat. This paper they could find their handy shortcut turned into an takes a look at the history of the typology as well annoying dead-end. as at three recent redevelopments of it in the city: Xintiandi, Jian Ye Li, and Tianzifang, to question The houses themselves were two to four storeys what future there can be for a typology that seems in height and varied in size and opulence, with the to have outlived its usefulness. basic unit being anything from 60 to just over 100 m2, typically with two rooms per floor. As the typology At a time when China was reeling from the humil- developed, this basic house type grew larger and iation of the ‘unequal treaties’, the city of Shanghai more elaborate, with the new-style alleyway house was producing a new and remarkable housing (which resembled a Western townhouse) and the typology: the alleyway house. -
How Creativity Is Changing China
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Keane, Michael (Ed.) (2011) How Creativity is Changing China. Bloomsbury Academic, London. This file was downloaded from: https://eprints.qut.edu.au/49241/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] License: Creative Commons: Attribution-Noncommercial 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.5040/9781849666565 "The Creative City." How Creativity is Changing China. Wuwei, Li. London: Bloomsbury Academic, 2011. 77–98. Bloomsbury Collections. Web. 10 Nov. 2020. <http:// dx.doi.org/10.5040/9781849666565.ch-005>. -
A Study on the Spatial Difference of Creative Industrial Zones in Shanghai
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ritsumeikan Research Repository 立命館地理学 第 21 号 (2009) 29-42 A Study on the Spatial Difference of Creative Industrial Zones in Shanghai CHU Jinfeng* and KAGAWA Takashi** ing the famous Tianzifang, were set up in Ⅰ.Introduction Shanghai. These creative industrial zones have The 21st century is an era defined by the attracted and accommodated over 800 creative knowledge economy, and the economic develop- industrial enterprises from more than 30 coun- ment of rich countries and regions has been tries and regions, such as the USA and Japan marked by the rapid growth of creative indus- who have hired among them more then ten tries. In a sense, the development of creative thousand workers and been engaged in indus- industries which are based on innovation and trial design, game softwares, motion picture creativity has become an important indicator design, web-based media, and fashion arts. In of the comprehensive competitiveness of a Nov. 2005 and May and Nov. 2006, the second, country or region. Therefore, over the recent third and fourth groups of creative industrial years, quite a few countries and regions, such as zones were set up, increasing the total number 2) the UK, Japan, Singapore, and some area in of creative industrial zones to 75 . China have come to consider creative industries According to the Eleventh Five-year Plan as their pillar industries, and have adopted (2006–2010) for the social and economic devel- various policies and measures to push the opment of Shanghai, Shanghai will make great development of their creative industries1). -
Guideline for 2015 Summer Chinese Course
2015 Summer Chinese Course at School of International Education, SJTU Guideline for 2015 Summer Chinese Course 1. Entry Requirements ① aged between 18 to 60; ② in good health. 2. Application period: Mar. 1st to May31st, 2015 (8:00-11:00 am, 13:30-17:00 pm M-F) 3. Online Application: http://www.study-shanghai.org/sjtu_en.asp 4. Study period: Four-week program: Jul.13 to Aug.7 (Monday to Friday) Six-week program: Jul.13 to Aug.21 (Monday to Friday) 5. Application fee: RMB¥450 (approx. US $ 85) 6. Tuition RMB¥3850 (approx. US $ 650) for four weeks (Jul.7 to Aug.1) RMB¥5550 (approx. US $ 930) for six weeks (Jul.7 to Aug.15) 7. Courses (1) Main courses: designed for 20 students per class on average with a placement test on Jul.12, 2014 (the registration day) Intensive Chinese (divided into seven levels: A to G) → Appendix (3) Business Chinese (divided into two levels: intermediate and advanced) →Appendix (4); Intermediate Business Chinese class is for students with basic speaking, listening, reading and writing abilities, and the ability to use Chinese in daily life Advanced Business Chinese class is for students with intermediate speaking, listening, reading and writing abilities, and the ability to use more advanced Chinese in daily life (2) Optional courses: Chinese calligraphy, Chinese painting and Tai Ji 8. Procedure of and notes for application (1) Apply online at the web-site at: http://www.study-shanghai.org/sjtu_en.asp. Then select “Chinese Language Study (summer)”, fill out all the required information. (2) When you submit the application form, an ID photo (bmp file, size less than 100K) and a passport copy (jpg, gif or bmp file, size less than 100K) are required. -
Shanghai Image: Critical Iconography, Minor Literature, and the Un-Making of a Modern Chinese Mythology
6KDQJKDL,PDJH&ULWLFDO,FRQRJUDSK\0LQRU/LWHUDWXUH DQGWKH8Q0DNLQJRID0RGHUQ&KLQHVH0\WKRORJ\ ;XGRQJ=KDQJ New Literary History, Volume 33, Number 1, Winter 2002, pp. 137-167 (Article) 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/nlh.2002.0009 For additional information about this article http://muse.jhu.edu/journals/nlh/summary/v033/33.1zhang.html Access provided by New York University (15 Jun 2015 04:31 GMT) Shanghai Image: Critical Iconography, Minor Literature, and the Un-Making of a Modern Chinese Mythology Xudong Zhang* I n “Metropolitan Perceptions and the Emergence of Modern- ism,” Raymond Williams demonstrates how the historical symbiosis Ibetween the modern and the urban can be reconstructed, both historically and conceptually, in five successive steps. It all starts with an historical experience whose novelty has all but escaped us: a “crowd of strangers” on the street which is unknown, indeed, mysterious. Within this crowd emerges the lonely individual, whose paradox of self- realization in isolation culminates in an “extreme and precarious form of consciousness,” namely the monad of subjectivity. The third moment can be found in the imagined objectivity confronting the new-born subjectivity, which Williams calls the “concealment” and “impenetrabil- ity” of the city. This would be the London in Conan Doyle—foggy, dark, intricate, a huge crime scene necessitating an isolated but penetrating rational intelligence that finds its form in the detective novel.1 Williams’s conceptualization of the city/modernity then takes a sharp, dialectic turn, as the alienating concentration of men and women in the city also gives rise to a new unity or “human solidarity.” Cast in this light, the image of the mob turns into that of the “masses” and the “multitude” with democratic and revolutionary potentials. -
Foreigners in Contemporary Shanghai
JOURNAL OF ARCHITECTURE AND URBANISM ISSN 2029–7955 / eISSN 2029–7947 2017 Volume 41(2): 110–119 doi:10.3846/20297955.2017.1327091 Shanghai: a (Self)Portrait ALIEN NEIGHBOURS: FOREIGNERS IN CONTEMPORARY SHANGHAI Laura DE GIORGI Department of Asian and North African Studies, Ca’ Foscari University of Venice, Address: Dorsoduro 3462, 30123 Venice, Italy E-mail: [email protected] Received 07 October 2016; accepted 05 April 2017 Abstract: One distinctive facet of Shanghai’s cosmopolitanism and openness to the outer world is the foreign presence in the city. Partially reviving the myth of the old pre-1949 Shanghai, in the last twenty years Shanghai has become again a pole of attraction for foreign migrants, and it actually hosts one of the most numerous community of residents of alien nationality in the People’s Republic of China. Drawing from sociological and ethnological literature, from official reports and media coverage of the topic, this paper overviews the impact of foreign communities in Shanghai and investigates how Shanghai local migration policies and media discourse shape the meaning of this phenomenon with respect to the definition of Shanghai’s identity as a globalizing and a Chinese metropolis as well. Keywords: foreign communities, migration to China, cosmopolitanism, Chinese nationalism, Shanghai urban identity, Chinese internationalisation. Introduction 2007; Chen 2009; Greenspan 2014). In the context of The distinctive feature of Shanghai’s brand as the most the Chinese Communist Party’s national economic international metropolis of China is the foreign pres- strategy of attracting capital and talents from abroad, ence inscribed in its urban identity. The Western-style making China a target of inbound migration (Pieke riverfront on the Huangpu, known as the Bund, and 2012), Shanghai has again become the destination for the buildings and avenues of the pre-1943 International an increasing flow of incoming foreigners from all over and French Concessions, continuously remind resid- the world.