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3 Days in Shanghai
3 Days in Shanghai Contact us | turipo.com | [email protected] 3 Days in Shanghai Shanghai full travel plan. Our 3 days vacaon tour plan in Shanghai, 3 days inerary in Shanghai, the best things to do in Shanghai and around in 3 days: Pudong, Yu garden, The bund and more attractions in Shanghai.., China travel guide. Contact us | turipo.com | [email protected] Warning: count(): Parameter must be an array or an object that implements Countable in /var/www/dev/views/templates/pdf_day_images.php on line 4 Day 1 - Shanghai Contact us | turipo.com | [email protected] Day 1 - Shanghai Dinner 1. Oriental Pearl TV Tower Wu Jiang Lu, Jingan Qu, Shanghai Shi, China, 200085 Duration ~ 1 Hour Lunch 1 Century Ave, LuJiaZui, Pudong Xinqu, Shanghai Shi, China, 200000 Telephone: +86 21 5879 1888 4. Nanjing Road Pedestrian Street Website: www.orientalpearltower.com Duration ~ 2 Hours Rating: 4.5 Nan Jing Lu Bu Xing Jie, Nan Jing Lu, Huangpu Qu, Shanghai WIKIPEDIA Shi, China The Oriental Pearl Radio & TV Tower is a TV tower in Shanghai. Its locaon at the p of Lujiazui in the Pudong New Area by the side of Huangpu River, opposite The Bund, makes 5. People's Square it a disnct landmark in the area. Its principal designers were Duration ~ 1 Hour Jiang Huan Chen, Lin Benlin, and Zhang Xiulin. more.. People's Square, Huangpu, Shanghai, China 2. Kao Shanghai Congyoubing WIKIPEDIA Duration ~ 1 Hour People's Square is a large public square in the Huangpu District of Shanghai. It is south of Nanjing Road and north of Huaihai Century Ave, Pudong Xinqu, Shanghai Shi, China, 200000 Road. -
The Oriental Pearl Radio & TV Tower 东方明珠 Getting in Redeem Your
The Oriental Pearl Radio & TV Tower 东方明珠 Getting In Redeem your pass for an admission ticket at the first ticket office, near No. 1 Gate. Hours Daily, 8:00 am-9:30 pm. Address No. 1 Lujiazui Century Ave Pudong New Area, Shanghai Public Transportation Take Metro Line 2 and get off at Lujiazui Station, get out from Exit 1 and walk to The Oriental Pearl Radio & TV Tower. Yu Garden (Yuyuan) 豫园 Getting In Please redeem your pass for an admission ticket at the Yuyuan Garden ticket office located on the north side of the Huxin Pavilion Jiuqu Bridge prior to entry. Hours Daily, 8:45 am-4:45 pm. Address No. 218 Anren St Huangpu District, Shanghai Public Transportation Take Metro Line 10 and get off at Yuyuan Station, then walk to Yu Garden. Shanghai World Financial Center Observatory 上海环球金融中心 Getting In Please redeem your pass for an admission ticket at the Global Finance Center F1 ticket window located at Lujiazui Century Ave. Hours Daily, 9:00 am-10:30 pm. Address B1 Ticketing Window, World Financial Center 100 Century Avenue Lujiazui, Pudong New Area, Shanghai Public Transportation Take Metro Line 2 and get off at Lujiazui Station, then walk to Shanghai World Financial Center. Shanghai Hop-On Hop-Off Sightseeing Bus Tour 观光巴士 Getting In You must first redeem your pass for a bus ticket at one of the following locations prior to boarding: Nanjing Road Station (New World City Stop): Opposite to New World City, No. 2-88 Nanjing West Road, Huangpu District, Shanghai Bund A Station (Sanyang Food Stop): Beside Sanyang Food, 367 East Zhongshan Road, Huangpu District, Shanghai (near Beijing East Road) Shiliupu Station (Pujiang Tour Terminal Stop): 531 Zhongshan East Second Road, Huangpu District, Shanghai Yuyuan Station (Yongan Road, Renmin Road): Xinkaihe Road, Renmin Road, next to the bus stop in front of the Bund soho. -
A Study on the Spatial Difference of Creative Industrial Zones in Shanghai
立命館地理学 第 21 号 (2009) 29-42 A Study on the Spatial Difference of Creative Industrial Zones in Shanghai CHU Jinfeng* and KAGAWA Takashi** ing the famous Tianzifang, were set up in Ⅰ.Introduction Shanghai. These creative industrial zones have The 21st century is an era defined by the attracted and accommodated over 800 creative knowledge economy, and the economic develop- industrial enterprises from more than 30 coun- ment of rich countries and regions has been tries and regions, such as the USA and Japan marked by the rapid growth of creative indus- who have hired among them more then ten tries. In a sense, the development of creative thousand workers and been engaged in indus- industries which are based on innovation and trial design, game softwares, motion picture creativity has become an important indicator design, web-based media, and fashion arts. In of the comprehensive competitiveness of a Nov. 2005 and May and Nov. 2006, the second, country or region. Therefore, over the recent third and fourth groups of creative industrial years, quite a few countries and regions, such as zones were set up, increasing the total number 2) the UK, Japan, Singapore, and some area in of creative industrial zones to 75 . China have come to consider creative industries According to the Eleventh Five-year Plan as their pillar industries, and have adopted (2006–2010) for the social and economic devel- various policies and measures to push the opment of Shanghai, Shanghai will make great development of their creative industries1). efforts to nurture and promote creative indus- Similarly, the city of Shanghai, which is on the tries. -
The Oriental Pearl Radio & TV Tower 东方明珠
The Oriental Pearl Radio & TV Tower 东方明珠 Hours: Daily, 9:00 am-9:30 pm. Address: No. 1 Century Ave Pudong New Area (Lujiazui), Shanghai Public Transportation Take Metro Line 2 and get off at Lujiazui Station, get out from Exit 1 and walk to The Oriental Pearl Radio & TV Tower. Getting In Redeem your pass for an admission ticket at the first ticket office, near No. 1 Gate: Shanghai World Financial Center Observatory 上海环球金融中心 Hours: Daily, 9:00 am-10:00 pm. Address: B1 Ticketing Window, World Financial Center 100 Century Avenue Lujiazui, Pudong New Area, Shanghai Public Transportation Take Metro Line 2 and get off at Lujiazui Station, then walk to Shanghai World Financial Center. Getting In Please redeem your pass for an admission ticket at B1 Ticketing Window, World Financial Center at Lujiazui Century Ave: Pujiang River Cruise Tour 黄浦江“清游江”游览船 Hours:Daily, 10:00 am-8:30 pm. Address:Shiliupu Cruise Terminal,No. 481 Zongshan Rd,Huangpu District, Shanghai Public Transportation Bus: Take the bus #33, 55, 65, 305, 868, 910, 926 or 928 and get off at the Xinkaihe Road-Bus Stop of Zhongshan East Second Road, then walk to No. 481, Zhongshan East Second Road, Huangpu District. Getting In Redeem your pass for an admission ticket at the Shiliu Pu Pier, Huangpu River Tour ticket window at 481 Zhongshan 2nd Rd: Yu Garden (Yuyuan) 豫园 Hours: Daily, 8:45 am-4:45 pm. Address: No. 218 Anren St Huangpu District, Shanghai Public Transportation Take Metro Line 10 and get off at Yuyuan Station, then walk to Yu Garden. -
Tentative Itinerary for China Trip (Dates and Locations May Slightly Change)
Tentative Itinerary for China Trip (dates and locations may slightly change) May 14-15(Day 1-2)Enter Beijing Upon arrival in Beijing, your local tour guide will meet you at the airport and accompany you to the hotel. Tasting Peking duck at a group welcome dinner. May 16 (Day 3) Beijing Visit Tiananmen Square and Forbidden City in the morning. After lunch, visit the Summer Palace and enjoy a boat ride on the lake. Evening acrobatic show back in the city. May 17 (Day 4) Beijing Morning lecture. Visit 798 Art District in the afternoon. 798 has become the premier exhibition center in Beijing for Chinese modern art and sculpture. Possible late- afternoon tour of the Dandelion School, a special NGO for rural migrant children. May 18 (Day 5) Beijing Whole day visit to famous Mutianyua section of Great Wall. Visit Wangfujing Street and night market in the evening. May 19 (Day 6) Beijing/Xian Visit a traditional tea house and try different teas as well as look at tea pots. Take a high-speed train to Xian and check in a hotel. May 20 (Day 7) Xian Today’s highlight is the Terracotta Warriors and Bronze Chariots, designed for the tomb of China’s first emperor – Qinshihuang. Thousands of life size warriors and horses still stand on the original site in military formation at the emperor’s burial complex. Visit Shannxi Historical Museum in the afternoon and experience the city’s interactive water fountain show in the evening. May 21 (Day 8) Xian Bike ride atop the Old City Wall in the morning, with a few hours afternoon lecture. -
The Shanghai Alleyway House: a Threatened Typology Gregory Bracken
45 The Shanghai Alleyway House: A Threatened Typology Gregory Bracken The Shanghai alleyway house was a rich and main alleyway. Access to the alleyways was via a vibrant generator of street life.1 Unique to Shanghai, gate, which was closed at night. There were often it occupied the ambiguous space between the tradi- more gates, but as these tended to close at differ- tional Chinese courtyard home and the street. The ent times it meant that the alleyways, which could system of ‘graduated privacy’ within its alleyways act as excellent shortcuts, tended to be used only ensured a safe and neighbourly place to live.2 Due by those who knew them well, because if someone to rapid redevelopment in recent decades this once tried to get through a gate at the wrong time of day ubiquitous typology is under threat. This paper they could find their handy shortcut turned into an takes a look at the history of the typology as well annoying dead-end. as at three recent redevelopments of it in the city: Xintiandi, Jian Ye Li, and Tianzifang, to question The houses themselves were two to four storeys what future there can be for a typology that seems in height and varied in size and opulence, with the to have outlived its usefulness. basic unit being anything from 60 to just over 100 m2, typically with two rooms per floor. As the typology At a time when China was reeling from the humil- developed, this basic house type grew larger and iation of the ‘unequal treaties’, the city of Shanghai more elaborate, with the new-style alleyway house was producing a new and remarkable housing (which resembled a Western townhouse) and the typology: the alleyway house. -
Development of High-Speed Rail in the People's Republic of China
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Haixiao, Pan; Ya, Gao Working Paper Development of high-speed rail in the People's Republic of China ADBI Working Paper Series, No. 959 Provided in Cooperation with: Asian Development Bank Institute (ADBI), Tokyo Suggested Citation: Haixiao, Pan; Ya, Gao (2019) : Development of high-speed rail in the People's Republic of China, ADBI Working Paper Series, No. 959, Asian Development Bank Institute (ADBI), Tokyo This Version is available at: http://hdl.handle.net/10419/222726 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. https://creativecommons.org/licenses/by-nc-nd/3.0/igo/ www.econstor.eu ADBI Working Paper Series DEVELOPMENT OF HIGH-SPEED RAIL IN THE PEOPLE’S REPUBLIC OF CHINA Pan Haixiao and Gao Ya No. -
Quarterly Newsletter of GEF China Sustainable Cities Integrated Approach Pilot Project
Quarterly Newsletter of GEF China Sustainable Cities Integrated Approach Pilot Project issue 8 June 2020 Project Progress (As of June 15, 2020) GEBJ-2: The evaluation for the technical proposal was completed on May 19, 2020. Ministry of Housing and Urban-Rural The bid opening for the financial proposal and Development of P.R.C. contract negotiation were held on June 11, 2020. The PMO intends to partially adjust the The contract of the National TOD Platform tasks in the TOR. A written request of specific was officially signed on April 20, 2020. The changes will be submitted to the World Bank Project Management Office (PMO) held the task team by the end of June 2020. kick-off meeting for the hired consultant to GEBJ-3: Request of Expression of present the inception report and work plans on Interest (REOI) was posted on April 28, May 29, 2020. The inception report and work 2020. The shortlist of qualified bidders was plans were reviewed by a panel of experts on evaluated on June 10, 2020. RFP is currently June 15. It will be finalized and submitted to under preparation and will be sent to the the World Bank task team by the end of June qualified bidders by the end of June 2020. 2020. Tianjin GETJ-1: The first draft for Task 5: The Contextualized TOD Guidebook and Toolkit for Tianjin was completed at the beginning of May 2020. The final draft will be completed at the end of June 2020. The disbursement of grant submitted to the World Bank task team after the evaluation for the final draft is completed. -
How Creativity Is Changing China
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Keane, Michael (Ed.) (2011) How Creativity is Changing China. Bloomsbury Academic, London. This file was downloaded from: https://eprints.qut.edu.au/49241/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] License: Creative Commons: Attribution-Noncommercial 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.5040/9781849666565 "The Creative City." How Creativity is Changing China. Wuwei, Li. London: Bloomsbury Academic, 2011. 77–98. Bloomsbury Collections. Web. 10 Nov. 2020. <http:// dx.doi.org/10.5040/9781849666565.ch-005>. -
A Study on the Spatial Difference of Creative Industrial Zones in Shanghai
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ritsumeikan Research Repository 立命館地理学 第 21 号 (2009) 29-42 A Study on the Spatial Difference of Creative Industrial Zones in Shanghai CHU Jinfeng* and KAGAWA Takashi** ing the famous Tianzifang, were set up in Ⅰ.Introduction Shanghai. These creative industrial zones have The 21st century is an era defined by the attracted and accommodated over 800 creative knowledge economy, and the economic develop- industrial enterprises from more than 30 coun- ment of rich countries and regions has been tries and regions, such as the USA and Japan marked by the rapid growth of creative indus- who have hired among them more then ten tries. In a sense, the development of creative thousand workers and been engaged in indus- industries which are based on innovation and trial design, game softwares, motion picture creativity has become an important indicator design, web-based media, and fashion arts. In of the comprehensive competitiveness of a Nov. 2005 and May and Nov. 2006, the second, country or region. Therefore, over the recent third and fourth groups of creative industrial years, quite a few countries and regions, such as zones were set up, increasing the total number 2) the UK, Japan, Singapore, and some area in of creative industrial zones to 75 . China have come to consider creative industries According to the Eleventh Five-year Plan as their pillar industries, and have adopted (2006–2010) for the social and economic devel- various policies and measures to push the opment of Shanghai, Shanghai will make great development of their creative industries1). -
Guideline for 2015 Summer Chinese Course
2015 Summer Chinese Course at School of International Education, SJTU Guideline for 2015 Summer Chinese Course 1. Entry Requirements ① aged between 18 to 60; ② in good health. 2. Application period: Mar. 1st to May31st, 2015 (8:00-11:00 am, 13:30-17:00 pm M-F) 3. Online Application: http://www.study-shanghai.org/sjtu_en.asp 4. Study period: Four-week program: Jul.13 to Aug.7 (Monday to Friday) Six-week program: Jul.13 to Aug.21 (Monday to Friday) 5. Application fee: RMB¥450 (approx. US $ 85) 6. Tuition RMB¥3850 (approx. US $ 650) for four weeks (Jul.7 to Aug.1) RMB¥5550 (approx. US $ 930) for six weeks (Jul.7 to Aug.15) 7. Courses (1) Main courses: designed for 20 students per class on average with a placement test on Jul.12, 2014 (the registration day) Intensive Chinese (divided into seven levels: A to G) → Appendix (3) Business Chinese (divided into two levels: intermediate and advanced) →Appendix (4); Intermediate Business Chinese class is for students with basic speaking, listening, reading and writing abilities, and the ability to use Chinese in daily life Advanced Business Chinese class is for students with intermediate speaking, listening, reading and writing abilities, and the ability to use more advanced Chinese in daily life (2) Optional courses: Chinese calligraphy, Chinese painting and Tai Ji 8. Procedure of and notes for application (1) Apply online at the web-site at: http://www.study-shanghai.org/sjtu_en.asp. Then select “Chinese Language Study (summer)”, fill out all the required information. (2) When you submit the application form, an ID photo (bmp file, size less than 100K) and a passport copy (jpg, gif or bmp file, size less than 100K) are required. -
Foreigners in Contemporary Shanghai
JOURNAL OF ARCHITECTURE AND URBANISM ISSN 2029–7955 / eISSN 2029–7947 2017 Volume 41(2): 110–119 doi:10.3846/20297955.2017.1327091 Shanghai: a (Self)Portrait ALIEN NEIGHBOURS: FOREIGNERS IN CONTEMPORARY SHANGHAI Laura DE GIORGI Department of Asian and North African Studies, Ca’ Foscari University of Venice, Address: Dorsoduro 3462, 30123 Venice, Italy E-mail: [email protected] Received 07 October 2016; accepted 05 April 2017 Abstract: One distinctive facet of Shanghai’s cosmopolitanism and openness to the outer world is the foreign presence in the city. Partially reviving the myth of the old pre-1949 Shanghai, in the last twenty years Shanghai has become again a pole of attraction for foreign migrants, and it actually hosts one of the most numerous community of residents of alien nationality in the People’s Republic of China. Drawing from sociological and ethnological literature, from official reports and media coverage of the topic, this paper overviews the impact of foreign communities in Shanghai and investigates how Shanghai local migration policies and media discourse shape the meaning of this phenomenon with respect to the definition of Shanghai’s identity as a globalizing and a Chinese metropolis as well. Keywords: foreign communities, migration to China, cosmopolitanism, Chinese nationalism, Shanghai urban identity, Chinese internationalisation. Introduction 2007; Chen 2009; Greenspan 2014). In the context of The distinctive feature of Shanghai’s brand as the most the Chinese Communist Party’s national economic international metropolis of China is the foreign pres- strategy of attracting capital and talents from abroad, ence inscribed in its urban identity. The Western-style making China a target of inbound migration (Pieke riverfront on the Huangpu, known as the Bund, and 2012), Shanghai has again become the destination for the buildings and avenues of the pre-1943 International an increasing flow of incoming foreigners from all over and French Concessions, continuously remind resid- the world.