A Deed Without a Name: Unearthing the Legacy of Traditional Witchcraft Pdf, Epub, Ebook

A DEED WITHOUT A NAME: UNEARTHING THE LEGACY OF TRADITIONAL WITCHCRAFT PDF, EPUB, EBOOK

For those of us who are not in touch with the other-world, this book may seem like it is purely for those who practice or take an interest in witchcraft. However, this book is a fascinating read for anyone. Tagged with: Mystique , pagan , science , witchcraft. Your Name. Your Email. Home Books Browse by Category. Posts Shortcode Now Christmas is almost here it is interesting to discover that perhaps the story of Santa is not as it has always seemed to have […]. Browse by Category. Posts Shortcode Dan Kennedy could be considered as an evergreen of the music world as his music and style keeps on giving, does not change in intent […]. Gift Cards never expire and can be used on any courses or products at The Blackthorne School. Recipients will receive an email with their Gift Card and can be used immediately. Any questions, just reach out to us! We are here to help. Taught by Jack Grayle, author of The Hekataeon. Check it out! The course will also have a FaceBook group component to aid in sharing of learning and collaboration with like-minded practitioners. A 7 week online course taught by traditional witch, Tarot reader, teacher, and contemporary folk artist Megan Holloway. We will use the Tarot to formulate powerful petitions, accessing the inherent powers and spirits of …. Learn how take your Tarot readings to the next level with the expert instruction of witch and long-time Tarot reader Megan Holloway! Explore the intersection of Tarot reading and magic. In this 40 page treatise, Robin Artisson discusses the distinctions between the magical uses of candles, and the sorcerous use. Course Enrollment is Closed. Message us on the Contact Form if interesting in future offerings! A Deed Without a Name: Unearthing the Legacy of Traditional Witchcraft

Within by Michelle Qureshi. Why Cut Back on Dairy? Net Zero Energy Homes. Celebrate Sans Alcohol. Allergy Friendly Organic Wines. All Health Consumer Therapies Wellness. Revolutionary Diffuser. A Roadmap for Healing with Frequencies. Breakthroughs in Energy Healing with Frequencies. Losing the Fear of Rejection. Mental Health Misunderstood. Can you commit to your freedom? All Astrology Channelled Healing Pathways. I really enjoyed some chapters and felt really The author very clearly states their intention right from the beginning of this book; that is, to help the reader to find ways of integrating scholarly texts on historical witchcraft into a practical, working framework. I really enjoyed some chapters and felt really put off by other parts. The book goes into quite some depth regarding the need for us moderns to appreciate a world before electricity, highlighting how the lack of electricity allowed people more liminal time and how this would've fostered a context in which the Otherworld was better able to be experienced. Also spoken about is how the boundary between the inner world and the outer world has become much more delineated and how, back then, the idea of "without substance" was unknown to the psyche and all phenomena was physical. I think this is a very valid and important context in which to approach the Craft, thus discouraging the somewhat anti-physical "New Age" mind-set. I also enjoyed the idea that imagination can lead to vision and how narratives can act as a kind of springboard from which to experience the Otherworld. Again, this ties into the idea of a lack of delineation between the inner, outer and Otherworld. I found attempting to read the book from an academic perspective to be disappointing and somewhat frustrating. From this perspective it lacks depth, objectivity and the actual editing is quite poor too. The chapters are very short and I was frequently left wanting more or some kind of objective conclusion, making it seem a bit bitty in places. The author is pretty anti-Christian and sometimes this lead to interesting thoughts, whilst at other times it caused the narrative to drift off into Christian-bashing and the history and context-oriented perspective was lost. This is exemplified when the author notes that Necromancy as it is presented in Grimoires suffers from being full of Christian material, which may not work ideologically for the Witch, so the author attempts to bring out the best of the Grimoire tradition into the authors own 'witchcraft context' by adapting the rite. This contradicts the best parts of the book, parts that express the importance of entering into the mind-set of the period. Despite this, the idea that Witchcraft is a myth and a story that we must embrace and claim is very attractive. The idea that the Myth of Witchcraft is a conduit for Otherness is a profound one and this is where the book has its value; it is poetic and pulsates with a "witchy" feel, a feeling that will inspire the reader to go off in search for the world of Other, to dwell in the twilight and to Know that which fuels the Myth. Mar 25, Amie rated it it was amazing Shelves: kindle. This is quite a good book on the topic of traditional witchcraft. The author uses many examples and has compiled tons of information from authors such as Eva Pocs, Emma Wilby, Carlos Ginzburg, and Claude Lecouteux among others. Good info and practicum on fetch beasts, hedge riding and some necromancy. I enjoyed this book but I do not believe a beginner would. I think they may end up feeling lost and possibly freaked out a bit. There is a sizable appendix of references and list of books for This is quite a good book on the topic of traditional witchcraft. There is a sizable appendix of references and list of books for further reading nearly as long as the references. In some areas there are small typos such as "of" instead of "if" and vice versa. Nothing that your mind can't easily skim over or correct. View all 3 comments. May 03, Trunatrschild rated it liked it Shelves: folklore , neopagan , traditional-witchcraft. This is a compilation of good books with some Clan of Tubal Cain thrown in. It isn't really usable stuff for crafting, but is a little historical jaunt into books like Carlos Ginzburg's "Ecstasies" and "Night Battles" with a little neopaganism thrown in, like this quote "And whilst Benandanti favored Thursday for their meetings betraying a Jupiterian current to their magic and association with protective warrior gods like Thor , Friday has always been associated with witchcraft" Page Not This is a compilation of good books with some Clan of Tubal Cain thrown in. Not sure if the Benandanti had anything to do with Norse gods like Thor, I would have mentioned an Italian deity like Mars, but oh well Quite a bit of the Benandanti is mentioned, though they really have little to do with English traditional witchcraft, they are sexy! The book uses references and for that I give respect, a decent book should admit to using references. Though there are a few books I think that the author should have read to round out her education, like "Dreamtime: Concerning the Boundary Between Wilderness and Civilization" by Hans Peter Duerr, it would have given the author a little more information on actual witch usages of entheogens and travelings, but I'm sure that the author will come out with a revised edition when she learns more on the path. I think the book is okay, a decent , but one should take the lead and read the books used to write this on one's own, because otherwise you will miss quite a bit, of course the author takes for granted and depends on the fact that people don't read the classics any more, or this book would be useless. Sep 17, Arietta Bryant rated it it was amazing Shelves: books-for-review , e-books , wicca. As a Wiccan, I was worried that this book might just be a dig at those of us whose traditions do not have an unbroken lineage to trace back though. However, thankfully and surprise, my fears were unfounded, and this book turned out to be a real find! The bestiary section was an especially interesting read giving an insight into the many and varied "creatures of the night" which have been recorded and connected with tales of witches. Be you a seeker or a sage you will find something new in here. Nov 20, Patick Kyteler rated it it was amazing. Truth is, I'm a bit of an occultist snob. If a book isn't "worthy" enough to be published in hard cover then I'm not interested. However, a member of my study group - whose academic chops I respect - insisted I make the effort to read it. He even gave me a free copy. I'm glad I listened and followed his advice. At only pages it took me as long to read as some of the more academically challenging works on my Traditional Witchcraft reading list. The reason it took so long was because I felt compelled to read slowly for maximum comprehension. It was that good. If you are looking for a grimoire on Modern Traditional Witchcraft then you may be disappointed in this important work although there are some very worthwhile exercises at the back , because it is not so much a grimoire as a collection of essays explaining in detail exactly what is Traditional Witchcraft. In the first chapter A Deed Without a Name , which serves as the introduction, Lee Morgan states his intention to bridge the gap between scholarship and practice: a feat he accomplishes decisively. Each chapter is referenced to a bibliography that reads like a who's who of witchcraft scholars: Carlo Ginzburg, Eva Pocs, and Emma Wilby, just to name a few. I found myself restricting my reading to late at night using a book light in bed, along with a hardbound journal Canterbury Journal by Peter Pauper Press purchased just for taking notes. To be honest, the book has an eerie presence, almost as if it is inhabited by the material rather than being a simple inanimate object created to disseminate information. As for the writing it is enjoyable. The chapters are short, on average about four pages long, which is the right length to convey the serious subject matter without being burdensome. At this point I want to caution readers about the exercises at the end of the book, which are in my opinion advanced work. Traditional Witchcraft by its very nature is dangerous. The core practice concerns spirits and the Otherworld. Familiar Spirits in particular are not pets, but intelligent entities witches engage in relationships with that are often times sexual in nature. Lee Morgan warns reckless practice can leave the witch a dried out husk. I agree. Actually, I recommend it be the first book a student reads as it will give him or her the necessary information to make an informed decision if further study into the subject is wanted. Dec 09, Laura Perry rated it it was amazing. If you are interested in European traditional witchcraft which is not the same as Wicca this book is an excellent starting point. It bridges the gap between the scholarly study of Renaissance-era and earlier magical works and actual practice as it comes down to us through blurred and broken traditions. As author Lee Morgan writes, To access what some people call the tradition of witchcraft we need to first understand that witchcraft as we know it today is a myth. But this is not to say it doesn If you are interested in European traditional witchcraft which is not the same as Wicca this book is an excellent starting point. But it is also universally part of human nature to experience the divine and the transcendent through the conduit of myth. Morgan addresses not only the better-known aspects of the Craft such as the Mark, fetches, hedge-riding, and ritual work but also the psychological and emotional implications of approaching the Powers in traditional fashion. This is not a voyage for the merely curious, a fact this book makes clear. Setting foot along the path of the Cunning Craft will change you deeply and irretrievably. But if you feel called, this volume is an excellent starting point. As I read through the text, I was impressed with the way Ms. Morgan has brought the basics of the Craft into the modern day without losing the mystery and timelessness of the practice. The true hard work of the Craft comes in the journeying, the Work itself, the times when we meet the Mystery head-on in person and are transformed. All Ms. Morgan does is organize the material in a sensible manner and provide stepping stones to set the reader on his or her way. She leaves the real work for us to do ourselves. Her writing is both realistic and inspirational; I expect it will give many readers the push they need to move forward along this path. Walking the Path every day of your life does. But do the Work as well. The serious student of witchcraft will also apply themselves to the Further Reading list at the end of the book in order to move deeper into the material and the experience. Micheline, I love that you found your path so young. No matter what path we choose to practice we are all sisters. Thanks for sharing. If so, you can just check them out and read them on your preferred device. Local county libraries have the same option. I get most of my reading material for research this way. You can also access genealogical records this way as well and best thing its all FREE! Its fantastic! Hope this helps. Blessings to all 0. A Deed Without a Name: Unearthing the Legacy of Traditional Witchcraft - Lee Morgan - Google Books

Included are were-beasts and vampires. Superstitions cast a long shadow through these pages. But although this might sound as though A Deed Without a Name is descending into a folkloric gothic horror show, the sense of witchcraft portrayed within book is more closely aligned with another Pagan practice - that of Shamanism. As Morgan argues, one has to try to understand the way of thinking in pre-Enlightenment times to unravel the mysteries described by the practitioners of those times. Witchcraft is a calling that only some will answer. Even in these relatively liberal times, the practice of witchcraft is proscribed socially, if not legally the Witchcraft Act of was only repealed in Britain in Witches must still tread carefully. This particularly applies to Traditional Witchcraft which keeps various sexual practices to hand for those wishing to explore the mysteries more deeply than others. Disneyfied versions are also available. The Calling brings would-be witches into a precarious life. The author argues that the variety of witchcraft practices reflects the diversity of spirits and beings on the other side of the 'hedge' which make themselves known to the witch through dreams and visions. Not all witches are called to work for the same forces. I believe that this element of function and service, both to this world and the Otherworld, is something that we have all but forgotten in modern witchcraft in favour of a path primarily about self-discovery. Whilst self- discovery and ones [sic] own spiritual evolution is inarguably an important occult aim, it appears that there was more to the bigger picture of witchcraft in the past. The author challenges modern romanticised ideals about witchcraft. His gritty accounts are often graphic - ably illustrated by his partner's artwork. The witch's flight is explored through an understanding of altered states of consciousness combined with a traditional belief in other 'skins'. These are rather like astral bodies, but with a more earthy aspect, aligned with shamanic practice. Through this metamorphosis, whether spiritual, hallucinogenic or otherwise, the witch can assume the form of a familiar and go about their business accordingly. This is a more fluid concept than one might assume. There is a merging of forms from without and within. There is a meeting of spirit for mutual gain, and often mutual pleasure. Fetch-beasts and familiars take on a reality in this writing. One could draw parallels with Tulpas, alien abductions, faerie folklore, and the rest, and the author explores many of these crossovers. Perhaps they are all simply ways of describing a similar other-worldly experience, interpreted through different cultural lenses. The author is keen to draw modern practice into this work, too. The traditional witch has a plethora of resources at his or her fingertips. FIRST — what type of traditional witch will these books benefit? Your purchase helps support my work in bringing you information about the paranormal and paganism. Is it on this list? Have any good ideas where to find such older works? Micheline, I love that you found your path so young. No matter what path we choose to practice we are all sisters. Thanks for sharing. If so, you can just check them out and read them on your preferred device. Local county libraries have the same option. I get most of my reading material for research this way. You can also access genealogical records this way as well and best thing its all FREE! Its fantastic! Hope this helps. Blessings to all 0.

A Deed Without a Name, Unearthing the Legacy of Traditional Witchcraft – Blue Wolf Reviews

Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. The field of witchcraft studies is continually over-turning new information and research about traditional witchcraft practices and their meanings. A Deed Without a Name seeks to weave together some of this cutting-edge research with insider information and practical know-how. Utilising her own decades of experience in witchcraft and core-shamanism Lee Morgan pulls The field of witchcraft studies is continually over-turning new information and research about traditional witchcraft practices and their meanings. Utilising her own decades of experience in witchcraft and core-shamanism Lee Morgan pulls together information from trial records, folklore and modern testimonials to deepen our understanding of the ecstatic and visionary substrata of Traditional Witchcraft. Those who identify themselves as 'Traditional' tend to read a lot of scholarly texts on the subject and yet still there remains a vast gulf between this information and knowledgeably applying it in practice; this book aims to close that gap. Get A Copy. Paperback , pages. More Details Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about A Deed Without a Name , please sign up. Be the first to ask a question about A Deed Without a Name. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Sep 20, Naomi rated it it was ok Shelves: paganism. I was excited to read this book and learn more about traditional witchcraft. However, while the author has drawn on records of witchcraft trials and other factual evidence, he has gone in very fantastical directions with them, creating a myth rather than talking about real history. The author is involved in 'core shamanism', and this is where he is really drawing his ideas from - not from any history of witchcraft. I don't think that witchcraft needs more myths - it has Margaret Murray and I was excited to read this book and learn more about traditional witchcraft. I don't think that witchcraft needs more myths - it has Margaret Murray and Gerald Gardner for that. I think a serious study of European folk magic, of the work of the real cunning folk, and of actual folk practices are what is needed in this kind of book. View 2 comments. Jun 27, Steve Cran rated it it was amazing. What can I say this is a great book for those who feel a calling for traditional witchcraft of a non-wiccan variety. I would say that the book gives a great overview for those just starting on the path. As for those who have read a lot of material and are practicing on their own without a mentor this book will teach you a few things as well. Several notable author's are referred to which will give one further fuel to continue their quest. Such greats as Emma Wilby, Carlo Ginzburg,Claude Lecoeux What can I say this is a great book for those who feel a calling for traditional witchcraft of a non-wiccan variety. The book covers a liminal space between myth and scholarship while giving a good strong taste of both. Some of the topics covered are how witches are called to the craft, forming alliances with the different spirits, different animals the witch will ally with and the parts of the soul. This great overview offers a quick read and a very enjoyable experience. The end of the book has some working that you can do to discover your daimon, allies and doubles. Witches are called to the craft in a variety of ways just as their are a great variety of witches. Some care called forth in dreams where they meet their spirit guide or dead ancestor. Sometimes they will endure great sickness before receiving their powers. Traditional Witchcraft is more aptly compared to Shamanism. Shaman's will have plant, animal and spirit allies. Most cross over to the spirit world to bring good to the community while the bad ones may do it for selfish cause or to do harm. The Benadnati in Italy are ones who fight for the good. Sometimes witch will be marked by being born with a caul, six fingers or extra teeth. It ccould alos be the seventh son of the seventh son. The witch can cross into the realm of spirit both the realm of the dead and nature spirits. A witch will make a pacts with the faerie royalty, devil and damme Sans Merci at the crossroads which could be physical or a cross meeting place between the world of spirit and the physical world. The witches initiation also can coincide with a carnal relationship of sorts with the devil, faerie queen or spirit guardian. It is of described as being hard and cold. Spirit allies are fed by the humans. This can be done with blood, milk fat or other sorts of fat. If the spirit ally gets nourishment from the witches blood there could be a tell tale mark, like between the knuckles, on the feet or near the breast. The soul can be divided into three so to speak. The Daimon is a guardian spirit usually inherited from the family. It is usually the opposite gender of the witch. The next level is the astral double which can human form or animal form. It is usually powered by the shadow. The second skin can sometimes be taken and used by someone elses shadow. They refer to this as being hag ridden The witch can release their inner beast. But it has got to be kept in balance with the flame of human reason. Just as animals can ridden so too can plants. THe double enables witches to commune with the dead, march with faeries , astral travel and go to sabbats. Getting to the spirit realm one must come upon a power spot. It is here that one must make friends with the guardian dragon in order to enter. This easy to read book covers lots of material. To find out more I advise that your read it. Jan 04, Gaz rated it liked it Shelves: neo-pagan-new-age. The author very clearly states their intention right from the beginning of this book; that is, to help the reader to find ways of integrating scholarly texts on historical witchcraft into a practical, working framework. I think in some ways this is accomplished very elegantly and on a few occasions I feel the author ignores the historical context and overlays the sources with a type of personal 'pagan' ideology, which leads to a debased historicity. I really enjoyed some chapters and felt really The author very clearly states their intention right from the beginning of this book; that is, to help the reader to find ways of integrating scholarly texts on historical witchcraft into a practical, working framework. I really enjoyed some chapters and felt really put off by other parts. The book goes into quite some depth regarding the need for us moderns to appreciate a world before electricity, highlighting how the lack of electricity allowed people more liminal time and how this would've fostered a context in which the Otherworld was better able to be experienced. Also spoken about is how the boundary between the inner world and the outer world has become much more delineated and how, back then, the idea of "without substance" was unknown to the psyche and all phenomena was physical. I think this is a very valid and important context in which to approach the Craft, thus discouraging the somewhat anti-physical "New Age" mind-set. I also enjoyed the idea that imagination can lead to vision and how narratives can act as a kind of springboard from which to experience the Otherworld. Again, this ties into the idea of a lack of delineation between the inner, outer and Otherworld. I found attempting to read the book from an academic perspective to be disappointing and somewhat frustrating. From this perspective it lacks depth, objectivity and the actual editing is quite poor too. The chapters are very short and I was frequently left wanting more or some kind of objective conclusion, making it seem a bit bitty in places. The author is pretty anti-Christian and sometimes this lead to interesting thoughts, whilst at other times it caused the narrative to drift off into Christian-bashing and the history and context-oriented perspective was lost. This is exemplified when the author notes that Necromancy as it is presented in Grimoires suffers from being full of Christian material, which may not work ideologically for the Witch, so the author attempts to bring out the best of the Grimoire tradition into the authors own 'witchcraft context' by adapting the rite. This contradicts the best parts of the book, parts that express the importance of entering into the mind-set of the period. Despite this, the idea that Witchcraft is a myth and a story that we must embrace and claim is very attractive. The idea that the Myth of Witchcraft is a conduit for Otherness is a profound one and this is where the book has its value; it is poetic and pulsates with a "witchy" feel, a feeling that will inspire the reader to go off in search for the world of Other, to dwell in the twilight and to Know that which fuels the Myth. Mar 25, Amie rated it it was amazing Shelves: kindle. This is quite a good book on the topic of traditional witchcraft. The author uses many examples and has compiled tons of information from authors such as Eva Pocs, Emma Wilby, Carlos Ginzburg, and Claude Lecouteux among others. Good info and practicum on fetch beasts, hedge riding and some necromancy. I enjoyed this book but I do not believe a beginner would. I think they may end up feeling lost and possibly freaked out a bit. There is a sizable appendix of references and list of books for This is quite a good book on the topic of traditional witchcraft. There is a sizable appendix of references and list of books for further reading nearly as long as the references. In some areas there are small typos such as "of" instead of "if" and vice versa. Nothing that your mind can't easily skim over or correct. View all 3 comments. May 03, Trunatrschild rated it liked it Shelves: folklore , neopagan , traditional-witchcraft. This is a compilation of good books with some Clan of Tubal Cain thrown in. It isn't really usable stuff for crafting, but is a little historical jaunt into books like Carlos Ginzburg's "Ecstasies" and "Night Battles" with a little neopaganism thrown in, like this quote "And whilst Benandanti favored Thursday for their meetings betraying a Jupiterian current to their magic and association with protective warrior gods like Thor , Friday has always been associated with witchcraft" Page Not This is a compilation of good books with some Clan of Tubal Cain thrown in. Not sure if the Benandanti had anything to do with Norse gods like Thor, I would have mentioned an Italian deity like Mars, but oh well Quite a bit of the Benandanti is mentioned, though they really have little to do with English traditional witchcraft, they are sexy! The book uses references and for that I give respect, a decent book should admit to using references. Though there are a few books I think that the author should have read to round out her education, like "Dreamtime: Concerning the Boundary Between Wilderness and Civilization" by Hans Peter Duerr, it would have given the author a little more information on actual witch usages of entheogens and travelings, but I'm sure that the author will come out with a revised edition when she learns more on the path. I think the book is okay, a decent , but one should take the lead and read the books used to write this on one's own, because otherwise you will miss quite a bit, of course the author takes for granted and depends on the fact that people don't read the classics any more, or this book would be useless. Sep 17, Arietta Bryant rated it it was amazing Shelves: books-for-review , e-books , wicca. As a Wiccan, I was worried that this book might just be a dig at those of us whose traditions do not have an unbroken lineage to trace back though. However, thankfully and surprise, my fears were unfounded, and this book turned out to be a real find! The bestiary section was an especially interesting read giving an insight into the many and varied "creatures of the night" which have been recorded and connected with tales of witches. Be you a seeker or a sage you will find something new in here. Nov 20, Patick Kyteler rated it it was amazing. Truth is, I'm a bit of an occultist snob. If a book isn't "worthy" enough to be published in hard cover then I'm not interested. However, a member of my study group - whose academic chops I respect - insisted I make the effort to read it. He even gave me a free copy. I'm glad I listened and followed his advice. Schulke, the current Magister of the Cultus Sabbati, when he proclaimed that traditional witchcraft "refers to a coterie of initiatory lineages of ritual magic, spellcraft and devotional mysticism". Some forms of traditional witchcraft are the Feri Tradition , Cochrane's Craft and the Sabbatic craft. In , three pseudonymous authors published Wicca: The Ancient Way , in which they used traditional witchcraft to refer to Gardnerian Wicca. Cochranianism revolved around the veneration of the Horned God and the Mother Goddess , alongside seven polytheistic deities which are viewed as children of the God and Goddess. Cochranian Witchcraft has several features that separate it from other traditions such as Gardnerian Wicca , such as its emphasis on mysticism and philosophy , and Cochrane's attitude that it was not pagan , but only based upon paganism. It is an ecstatic rather than fertility tradition stemming from the experience of Cora and Victor Anderson. Strong emphasis is placed on sensual experience and awareness, including sexual mysticism, which is not limited to heterosexual expression. Among the distinguishing features of the Feri tradition is the use of a specific Feri power or energetic current. They believe that much of reality is unseen, or at least has uncertain boundaries. Within the tradition there is a deep respect for the wisdom of nature, a love of beauty, and an appreciation of bardic and mantic creativity. Core teachings acknowledged by most branches of the tradition include the concepts of the Three Souls and the Black Heart of Innocence, the tools of the Iron and Pearl Pentacle now commonly also used by Reclaiming Neopaganism , as well as an awareness of "energy ecology", which admonishes practitioners to never give away or waste their personal power. Trance experiences and personal connection to the Divine are at the heart of this path, leading to a wide variety of practices throughout the larger body of the tradition. Sabbatic craft, a term coined by Andrew D. Chumbley's works and those of Daniel Schulke on the Cultus Sabbati's "ongoing tradition of sorcerous wisdom" [12] continue to serve as the prototypical reference works. The craft is not an ancient, pre-Christian tradition surviving into the modern age. It is a tradition rooted in " cunning-craft ," a patchwork of older magical practice and later Christian mythology. This is not the same as saying that one practises the self-same rituals in the self-same manner as the purported early modern "witches" or historically attested cunning folk , rather it points toward the fact that the very mythos which had been generated about both "witches" and their "ritual gatherings" has been appropriated and re-orientated by contemporary successors of cunning-craft observance, and then knowingly applied for their own purposes. From Wikipedia, the free encyclopedia. Redirected from Traditional Witchcraft. Capall Bann.

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