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2019 Conv-Riverfront Conservancy-Wallace-Reduced.Pdf
“BEAUTIFUL, EXCITING, SAFE, ACCESSIBLE… …WORLD-CLASS GATHERING PLACE… …FOR ALL.” FOUNDING PARTNERS ATWATER STREET ATWATER STREET GM PLAZA GM PLAZA CULLEN PLAZA CULLEN PLAZA MILLIKEN STATE PARK MILLIKEN STATE PARK STROH RIVER PLACE STROH RIVER PLACE STROH RIVER PLACE STROH RIVER PLACE MT. ELLIOTT PARK MT. ELLIOTT PARK GABRIEL RICHARD PARK GABRIEL RICHARD PARK DEQUINDRE CUT DEQUINDRE CUT EAST RIVERFRONT UPCOMING PROJECTS Jos. Campau Greenway Ralph C. Wilson, Jr. Centennial Park West RiverWalk Cullen Plaza Aretha Franklin Atwater Amphitheatre Beach UNIROYAL PROMENADE JOSEPH CAMPAU GREENWAY ROBERT C. VALADE PARK 28 29 30 RIVERFRONT TOWERS BOARDWALK PLACE = PEOPLE THE RIVERFRONT IS FOR EVERYONE To actively engage the millions of visitors that take in the beauty of the revitalized riverfront and Dequindre Cut, the Conservancy partners with organizations across Metro-Detroit to provide activities and events for all. Our partners host special concerts, festival events, marathons & runs, classes and performances throughout the Conservancy’s safe and beautiful outdoor spaces. The Conservancy also produces its own signature programming to ensure all metro-Detroiters have access to free and low-cost family-friendly opportunities throughout the year. Every day on the Riverwalk and the Dequindre Cut offers a new opportunity to experience incredible arts, entertainment, health & wellness, and environmental opportunities throughout the year. The Conservancy’s singular promise is to provide those who visit our world-class space with a safe place to grow -
Districts 7, 8, and 10 Detroit Historical Society March 7, 2015
Michigan History Day Districts 7, 8, and 10 Detroit Historical Society March 7, 2015 www.hsmichigan.org/mhd [email protected] CONTEST SCHEDULE 9:00-9:50 a.m. Registration & Set up 9:00- 9:50 a.m. Judges’ Orientation 9:50 a.m. Exhibit Room Closes 10:00 a.m. Opening Ceremonies - Booth Auditorium 10:20 a.m. Judging Begins Documentaries Booth Auditorium, Lower Level Exhibits Wrigley Hall, Lower Level Historical Papers Volunteer Lounge, 1st Floor Performances Discovery Room, Lower Level Web Sites DeRoy Conference Room, 1st Floor and Wrigley Hall, Lower Level 12:30-2:00 p.m. Lunch Break (see options on page 3) 12:30-2:00 p.m. Exhibit Room open to the public 2:00 p.m. Awards and Closing Ceremonies – Booth Auditorium We are delighted that you are with us and hope you will enjoy your day. If you have any questions, please inquire at the Registration Table or ask one of the Michigan History Day staff. Financial Sponsors of Michigan History Day The Historical Society of Michigan would like to thank the following organizations for providing generous financial support to operate Michigan History Day: The Cook Charitable Foundation The Richard and Helen DeVos Foundation 2 IMPORTANT INFORMATION! STUDENTS: Please be prepared 15 minutes before the time shown on the schedule. You are responsible for the placement and removal of all props and equipment used in your presentation. Students with exhibits should leave them up until after the award ceremony at 2:00 pm, so that the judges may have adequate time to evaluate them. -
Statewide Report for Senator Stabenow 2020 Nov
Statewide Report for Senator Stabenow 2020 Nov. 1, 2019 - Oct. 31, 2020 799 660 183,798 $1,427,888 $1,158,700 Events Projects Participants Support Community Match Program and Grant Outreach H.O.P.E. Grants 116 grants KEWEENAW $661,085 in support HOUGHTON ONTONAGON BARAGA Humanities Grants GOGEBIC LUCE MARQUETTE ALGER CHIPPEWA IRON SCHOOLCRAFT 29 grants MACKINAC DICKINSON DELTA $376,207 in support MENOMINEE EMMET CHEBOYGAN PRESQUE ISLE Great Michigan Read CHARLEVOIX MONT- ALPENA (FY 2019/2020) ANTRIM OTSEGO MORENCY LEELANAU OSCODA ALCONA BENZIE GRAND KALKASKA CRAWFORD 298 non-profits participated PROGRAMS AND GRANTS TRAVERSE MISSAUKEE ROSCOMMON IOSCO Action Grants MANISTEE WEXFORD OGEMAW $216,050 in support Arts & Humanities Touring Grants ARENAC MASON LAKE OSCEOLA CLARE GLADWIN HURON Bridging Michigan* BAY Poetry Out Loud Great Michigan Read OCEANA MECOSTA ISABELLA MIDLAND NEWAYGO TUSCOLA SANILAC H.O.P.E. Grants SAGINAW students participated MONTCALM GRATIOT 5,077 MUSKEGON Humanities Grants GENESEE LAPEER ST. CLAIR KENT Museum on Main Street OTTAWA IONIA CLINTON SHIAWASSEE 44 schools MACOMB Poetry Out Loud OAKLAND INGHAM LIVINGSTON ALLEGAN BARRY EATON $88,000 in support Prime Time Family Reading Time® WASHTENAW WAYNE VAN BUREN KALAMAZOO CALHOUN JACKSON Arts/Touring Grants MONROE BERRIEN CASS ST. JOSEPH HILLSDALE LENAWEE * Bridging Michigan 2020 is a virtual program BRANCH 79 grants/communities $40,564 in support Michigan Humanities 2364 Woodlake Drive, Suite 100 Okemos, MI 48864 p: 517-372-7770 michiganhumanities.org | #MIHumanities FY2020 -
FOR IMMEDIATE RELEASE: CONTACT: Sandy Schuster, Pewabic Pottery Director of Development 313.626.2002 [email protected]
FOR IMMEDIATE RELEASE: CONTACT: Sandy Schuster, Pewabic Pottery Director of Development 313.626.2002 [email protected] NEW COMMUNITY GALLERY EXHIBIT AT THE DETROIT HISTORICAL MUSEUM CELEBRATES 110 YEARS OF PEWABIC POTTERY DETROIT -- Made by Hand: Detroit’s Ceramic Legacy opens this Saturday at the Detroit Historical Museum’s Community Gallery. This retrospective features the prolific history of Detroit’s ceramic icon, Pewabic Pottery. Under the direction of founder Mary Chase Perry Stratton, Pewabic Pottery produced nationally renowned vessels, tiles, architectural ornamentation for public and private installations. Works by Pewabic Pottery can be seen throughout the United States in such places as the National Shrine of the Immaculate Conception in Washington, D.C., the Nebraska Sate Capital, and the Science Building at Rice University in Houston. In Michigan, Pewabic installations can be found in countless churches, commercial buildings and public facilities (such as the Guardian Building, the McNamara Terminal at Detroit Metro Airport, the Detroit Public Library, Comerica Park, and Detroit People Mover stations. Pewabic Pottery can also be found in many public collections including the Detroit Institute of Arts and the Freer Gallery at the Smithsonian Institution, Washington, D.C. Today Pewabic is a multifaceted non-profit ceramic education institution with active and growing education, exhibition, museum and design and fabrication programs. Free and open to the public, it offers tours, demonstrations. Through this historic exhibit which runs through Sunday, January 12, 2014, Pewabic tells the story of the pottery’s role in the history of Detroit, the growth of the Arts & Crafts movement in America and development of ceramic art. -
Proposal Chesterfield Township Library New Community Library Program
PROPOSAL CHESTERFIELD TOWNSHIP LIBRARY NEW COMMUNITY LIBRARY PROGRAM MARCH 29, 2019 29 March 2019 Chesterfield Township Library Elizabeth Madson, Director 50560 Patricia Ave. Chesterfield, MI 48051 RE: CHESTERFIELD TOWNSHIP LIBRARY NEW COMMUNITY LIBRARY PROGRAM 41808040 Subject: Quinn Evans Architects RFP Response Dear Ms. Madson: Our team shares the holistic mission of your library and we are privileged to be considered to lead the new Chesterfield Township Library project. We commit, with a deep knowledge base, to bring an innovative library into being – in a way that reflects and builds your community. Quinn Evans Architects (QEA) is uniquely qualified due to our depth and breadth of library design experience, our familiarity with placemaking and urban architecture, and our drive to succeed because of our passion for your goals and objectives. Additionally, QEA’s experience with your community last fall in guiding the process of site selection helps our team begin to understand your communities needs. We hope this experience will lead to a program and concept design that reflect Chesterfield and ultimately in a successful millage vote. QEA is a full-service architecture and interiors firm, which allows us to add engineering consultants to the team that are best qualified for the specific project. Peter Basso Associates (PBA) is a strong mechanical, electrical, and engineering partner whom QEA collaborates with on many of our library, museum, and higher education projects. QEA is currently designing the new Clinton-Macomb Public Library North Branch in Macomb Township with PBA. Our cost estimator is Davidson Brown, a firm with extensive experience in community scale cost estimates. -
Public Libraries - Class VI
Public Libraries - Class VI FY 1999 FY 2000 % Change FY 2001 % Change Library Service Population 5,694,776 5,670,473 0% 5,973,019 50% Total Library Visits 22,750,526 23,250,512 2% 22,630,302 -3% Total Library Visits Per Capita 40 41 3% 38 -7% Total Circulation 28,274,034 28,392,551 0% 29,122,413 3% Total Circulation Per Capita 50 50 0% 49 -2% Total Collections14,863,076 15,345,844 3% 15,674,065 2% Total Collections Per Capita 26 27 4% 26 -4% Reference Transactions 5,466,896 5,240,008 -4% 5,185,597 -1% Reference Transactions Per Capita 10 09 -10% 09 0% Operating Income Per Capita $2929 $3257 11% $3584 10% Operating Expenditures Per Capita $2683 $2819 5% $3155 12% Library of Michigan -204- Michigan Library Statistical Report Class VI: Outlets, Hours, and Staff Serving 50,000 or more Outlets Hours Staff Actual Annual ALA- ALA- Total Other Library Central Branch Book- Total Hours MLS MLS Librarian Staff Total Paid Service Library Library Libraries mobiles Outlets Open FTEs % of Staff FTEs FTEs Staff FTEs Population Ann Arbor District Library 1 3 1 5 14,086 24"80 18% 24"80 114"00 138"80 155,611 Bay County Library System 5 1 6 17,002 11"9817% 13"22 59"08 72"30 109,935 Canton Public Library 1 1 3,276 14"43 30% 14"43 33"00 47"43 76,366 Capital Area District Library 1 12 1 14 31,692 22"50 22% 27"50 74"25 101"75 237,486 Chippewa River District Lib" System 1 5 6 9,980 5"00 18% 10"00 17"30 27"30 60,979 Clinton-Macomb Public Library 1 2 3 6,722 6"55 40% 8"43 8"00 16"43 141,535 Dearborn Public Library 1 3 4 9,805 23"00 30% 23"00 52"50 75"50 97,775 -
Inclusive Design TOGETHER DETROIT UNESCO CITY of DESIGN 2019 MONITORING REPORT METHODOLOGY TWO
Inclusive Design TOGETHER DETROIT UNESCO CITY OF DESIGN 2019 MONITORING REPORT METHODOLOGY TWO CONTENTS A LETTER FROM OUR DIRECTOR THREE SECTION 1 FOUR DESIGN FOR ALL SECTION 2 SEVEN IMPACT SECTION 3 INCLUSIVE DESIGN AT WORK: Design-Driven SEVENTEEN Commercial Spaces Inclusive Mobility TWENTY-FOUR Community Impact THIRTY-ONE SECTION 4 ENVISIONED THIRTY-EIGHT OUTCOMES ACKNOWLEDGMENTS FORTY Photos throughout this report are provided by Design Core Detroit and Detroit City of Design partners METHODOLOGY Research partner, Data Driven Detroit, worked with Design Core Detroit to conduct five focus groups with partner organizations. Focus groups identified non-burdensome ways that project partners were already collecting or could easily collect information to quantify and track impact. This feedback was developed into quantitative surveys that were administered via partners in 2018 and analyzed in early 2019. Forty one percent of City of Design partners collected or are planning to collect data related to their project’s impact. At this early stage of the work, event attendance and demographic data is easiest to collect, and only three partners were able to measure the impact of programming on changes in perspective, thoughts on participation, or building usage. An additional three partners collected data on investment or revenue from public and private sources. Data collection is ongoing. Wherever impact is cited within this report, it has been sourced via these partner data collection efforts. Interviews to inform the development of the three case studies were conducted in March, 2019, by EarlyWorks, llc. 2 DETROIT UNESCO CITY OF DESIGN | 2019 MONITORING REPORT By championing Detroit design, we contribute to the As a result, we are happy to announce that Detroit development of a thriving city that offers opportunities Creative Corridor Center has become Design Core for all. -
Annie's Ghosts
JOURNEY INTO A FAMILY SECRET PROGRAM GUIDE | READER’S GUIDE | PARTNER LIST | BOOK EXCERPT | SPECIAL EVENTS JOIN THE STATEWIDE DISCUSSION. Annie’s Ghosts: A Journey into a Family Secret Steve Luxenberg Beth Luxenberg was an only child. Or so everyone thought. Six months after Beth’s death, her secret emerged. It had a name: Annie. 2 | GREAT MICHIGAN READ Welcome to the Great Michigan Read! The Michigan Humanities Council’s Great Michigan Read is a book club for the entire state. With a statewide focus on a single book – Annie’s Ghosts: A Journey into a Family Secret by Steve Luxenberg – it aims to connect us as Michiganians by deepening our understanding of our state, our society, and our history. ABOUT THE MICHIGAN HUMANITIES COUNCIL HOW CAN I PARTICIPATE? CURRENT MICHIGAN HUMANITIES The Michigan Humanities Council connects people Pick up a copy of Annie’s Ghosts and supporting COUNCIL PROGRAMS INCLUDE: and communities by supporting quality cultural materials at Meijer, your local library, or your Great Michigan Read: A statewide reading and discussion programs. It is Michigan’s nonprofit affiliate of the favorite bookseller – or download the e-book. program featuring a work of Michigan literature. National Endowment for the Humanities. Since 1974, Read the book, share and discuss it with your the Michigan Humanities Council has supported friends, and participate in Great Michigan Read Prime Time Family Reading Time®: Using children’s communities through family reading programs, activities in your community and online. literature, this family literacy program stimulates critical special cultural and historical exhibits, book thinking about humanities themes and bonds families Register your library, school, company, or book club discussions, author tours, scholarly lectures and around the practice of reading. -
SCARAB CLUB RENTALS Events Your Guests Will Always Remember
The Scarab Club is ideal for business and personal SCARAB CLUB RENTALS events your guests will always remember. BEVERAGE PACKAGES GALLERY The Scarab Club Premium* Michigan * presents exhibitions in its 4-5 hours - $29 per person 4-5 hours - $31 per person main gallery, showing work Liquor Liquor of the finest regional and Stolichnaya Vodka OUR/Detroit Vodka national contemporary Bombay Sapphire Gin Valentine Vodka artists. Our main floor gallery Tanqueray Gin Valentine Gin leads to the walled garden. Crown Royal Whiskey Two James Gin WALLED GARDEN Jack Daniels Whiskey Coppercraft Rum Blooming from Spring Makers Mark Bourbon Ugly Dog Rum through late Fall the walled Johnny Walker Black Scotch Valentine Bourbon/ Whiskey English garden is a beautiful Martel V.S. Cognac Grantraverse corn Whiskey backdrop for a sunny El Jimador Tequila Beer garden ceremony or cool Bacardi Rum MCBW Ghettoblaster evening gala. Sailor Jerry’s Spiced Rum MCBW Nut Brown Kahlua MCBW Bohemian Lager LOUNGE with warm wood Bailey’s Irish Cream Wine paneling and beams signed by Beer Michigan Gamay Noir notable artist since 1928, the Molson, Molson Light, Heineken Michigan Semi Dry Riesling lounge provides an intimate Wine Mixers and Non-Alcoholic atmosphere for meeting, Premium Cabernet Faygo Products & Juice dinners and receptions. Premium Chardonnay Mixers and Non-Alcoholic House * Coke/Diet, Sprite, Ginger Ale, 4-5 hours - $26 per person MELANIE REYES PHOTOGRAPHY Soda water, Tonic, Orange Juice Sobieski Vodka Bombay Gin ROOM RENTAL and Cranberry Juice. Bacardi Rum Beer & Wine* Canadian Club Whiskey Members and Non-profit Organizations Non-Members (Serving no alcohol) 4-5 hours - $21 per person Jim Beam Bourbon Rooms Weekday Rate Weekend Rate Rooms Weekday Rate Weekend Rate Beer J&B Scotch Day Evening Day Evening Day Evening Day Evening Molson, Molson Light Beer Wine MGD/Miller Light 1st & 2nd Floors $145/hr. -
Art in Architecture Acknowledgments
art in architecture Acknowledgments It is a pleasure to thank those who helped to make this exhibition a success. First and foremost, I would like to thank the Michigan Humanities Council, an affiliate of the National Endowment for the Humanities, whose generous support made this exhibition possible. I owe my deepest gratitude to the institutions from whose collections we borrowed objects for inclusion in this exhibition. My heartfelt thanks goes out to Leslie Edwards, Robbie Terman, and Laurie Kay at the Cranbrook Archives; Roberta Frey Gilboe at the Cranbrook Art Museum; David Schneider and Tracy Irwin at the Detroit Historical Museum; Jim Joyce at the Friedman Real Estate Group; Meredith Long at Meadow Brook Hall; and Jan Durecki at the Rabbi Leo M. Franklin Archives. Working with these individuals has been a joy and I truly appreciate all of the time and energy they spent preparing for the loan of these objects. Thank you also to the numerous archives, museums, historical societies and libraries throughout the state and the country who granted permission for the museum to use their photographs in the exhibition. Additionally, I would like to express my gratitude to the Flickr photographers who generously allowed the museum to include their photographs in the exhibition. It has been a pleasure to work with all of you. I wish to thank Tawny Ryan Nelb for her insightful essay that appears in this catalog. John Gallagher, Architecture Critic and Urban Development Writer at the Detroit Free Press, and Jennifer Baross, Partner, Destination Detroit Media, were gracious in accepting the museum’s invitation to give lectures during the course of the exhibition. -
In Duchamp's Shadow : Dadaist in the City of Machines
d IN DUCHAMP’S SHADOW: Dadaist in the City of Machines John Cohassey In Detroit’s Scarab Club, a charming brick 1920s arts and crafts structure is Marcel Duchamp’s signature—thirteen small cryptic letters on a wooden ceiling beam. This talismanic auto graph stirred my interest in finding out why and when Duchamp added his name to the collection of signatures in the club’s lounge. I was aware that Duchamp came to Detroit in November 1961 to speak at the Detroit Institute of Arts and re ceive an honorary degree from Wayne State University. This being the only information about Duchamp having visited De troit of which I knew, I set out to find a link between the Scarab Club signature and his coming to Detroit in 1961. We may never know why Duchamp—who never spoke fondly of history, especially its art movements and “isms” and rejected all facets of aesthetic commercialism—accepted an honorary degree from an urban university so far from the powerful centers of the art world. But for an artist fascinated by the machine and mechanical drawings, Detroit may have been a fitting place for such an honor. At the time of Duchamp’s visit, the seventyfouryearold artist had emerged from a relatively isolated life in New York City to appear on television and at museum and gallery events. After nearly a half century of bachelorhood (he was married briefly in 1927), Duchamp married again in 1955 and became an American citizen. Unlike many other influential artists, he 11 avoided a selfdestructive path. -
(CCS) 2195 Rushmore Drive 201 East Kirby Troy, MI 48083 Detroit, MI 4820
JOSEPH JOHN BERNARD College for Creative Studies (CCS) 2195 Rushmore Drive 201 East Kirby Troy, MI 48083 Detroit, MI 48202 (313) 366-2288 Cell August 1972 to May 2007 [email protected] Professor Emeritus – Fine Arts www.josephbernard.com EDUCATION: 1970-72 MFA: School of the Art Institute of Chicago, Chicago, IL Painting. Studied with Ray Yoshida, Ken Josephson, Stan Brakhage 1967-70 BFA: University of Hartford - Hartford Art School, West Hartford, CT Painting (Summa Cum Laude) 1965-67 Southern Connecticut State University, New Haven, CT 1964-65 University of Bridgeport, Bridgeport, CT AWARDS AND HONORS: 2019 Prismatic Music was placed into the collection of The Film Archives at the Cineteca, Bologna, Italy 2016 Jorgensen Guest Filmmaker Lecture Series; Indiana University Cinema; Bloomington, IN 2015 Woodward Lecture Series; Presentation and premiere screening of PRISMATIC MUSIC: College for Creative Studies; Detroit, MI Acceptance of 40 original films into The Academy Film Archive at The Academy of Motion Picture Arts and Sciences, Los Angeles, CA 2007 Professor Emeritus, College for Creative Studies; Detroit, MI 2006 Marshal of the 2006 Commencement; College for Creative Studies; Detroit, MI 2003 Mixed Media Award; Saginaw Art Museum; Saginaw, MI 1997 Sabbatical: Spring 1998; Center for Creative Studies; Detroit, MI 1993 Juror’s Award; 12th Annual Michigan Fine Arts Competition; Birmingham, MI 1990 Sabbatical: Fall, Center for Creative Studies; Detroit, MI National “Awards in the Visual Arts/10”; painting nominee; Washington,