Ghosts in the Cloisters
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The Adventures of Mr. Verdant Green [Electronic Resource]: an Oxford
. SjHasajj;--: (&1&MF 1 THE VENTURES tw MM **> 'SkSSi *"3 riLLlAM PATEiiSGN, EDINBURGH Um LOKLOj , . fJ tl^OTWltiBttt y :! THE ADVENTURES OF MR. VERDANT GREEN. : ic&m MMwmmili¥SlW-ia^©IMS OF yVLiMR. Verbint ^Tf BY CUTHBERT BEDE, B.A., WITH HalaUSTHANIONS 38 Y THE AUTHOR, LONDON JAMES BLACKWOOD & CO., LOVELL'S COURT, PATERNOSTER ROW. : — THE ADVENTURES MR. VERDANT GREEN, %n (f^forb Jfwsjimatr. BY CUTHBERT BEDE, B.A. ttlj ^ximcrouS iFIludtrattond DESIGNED AND DRAWN ON THE WOOD BY THE AUTHOR. —XX— ' A COLLEGE JOKE TO CURE THE DUMPS.' SlUlft. ONE HUNDRED AND TWENTY-SIXTH THOUSAND. LONDON JAMES BLACKWOOD & CO., LOVELL'S COURT, PATERNOSTER ROW. CONTENTS. CHAPTER I. PACE Mr. Verdant Green's Relatives and Antecedents .... I CHAPTER II. Mr. Verdant Green is to be an Oxford-man y CHAPTER III. Mr. Verdant Green leaves the Home of his Ancestors ... 13 CHAPTER IV. Mr. Verdant Green becomes an Oxford Undergraduate . .24. CHAPTER V. Mr. Verdant Green matriculates, and makes a sensation . .31 CHAPTER VI. Mr. Verdant Green dines, breakfasts, and goes to Chapel . .40 CHAPTER VII. " Mr. Verdant Green calls on a Gentleman who is licensed to sell " . 49 CHAPTER VIII. Mr. Verdant Green's Morning Reflections are not so pleasant as his Evening Diversions 58 vi Contents. CHAPTER IX. ,AGE Mr. Verdant Green attends Lectures, and, in despite of Sermons, has dealings with Filthy Lucre 67 CHAPTER X. Mr. Verdant Green reforms his Tailors' Bills and runs v^ "'h°rs. He also appears in a rapid act of Horsemanship, and i.-Js Isis cool in Summer 73 CHAPTER XI. -
The Townesends of Oxford: a Firm of Georgian Master-Masons and Its Accounts’, the Georgian Group Journal, Vol
Howard Colvin, ‘The Townesends of Oxford: A firm of Georgian master-masons and its accounts’, The Georgian Group Journal, Vol. X, 2000, pp. 43–60 TEXT © THE AUTHORS 2000 THE TOWNESENDS OF OXFORD: A FIRM OF GEORGIAN MASTER-MASONS AND ITS ACCOUNTS HOWARD COLVIN he place of the Townesends in Oxford’s almost entirely from the archives of the Oxford colleges Tarchitectural history has been well-known since who were their principal clients, plus those of the , when W.G. Hiscock, the assistant librarian of Radcliffe Trustees and the first Duke of Marlborough. Christ Church, published an article about them in At Cambridge too it is the college archives which the Architectural Review . Though over anxious to reveal the Grumbolds as the leading builder-architects see William Townesend as Hawksmoor’s equal as an there from about until Robert Grumbold’s death architectural designer, Hiscock established his in . Elsewhere the records of government offices, importance as the great mason-contractor of Georgian municipal and ecclesiastical corporations and the Oxford, and, rather less clearly, as the architectural aristocracy have provided most of the information understudy of Dean Aldrich and Dr George Clarke. that we have about the other great English master- More came to light in the University volume of the builders of the seventeenth and eighteenth centuries, Victoria County History , published in , and the such as the Strongs of Taynton, the Bastards of state of knowledge about the Townesends and their Blandford, the Smiths of Warwick, the Fitchs of work was summarised in the successive editions of London, the Patys of Bristol. -
Fur Dress, Art, and Class Identity in Sixteenth- and Seventeenth-Century England and Holland by Elizabeth Mcfadden a Dissertatio
Fur Dress, Art, and Class Identity in Sixteenth- and Seventeenth-Century England and Holland By Elizabeth McFadden A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art and the Designated Emphasis in Dutch Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Elizabeth Honig, Chair Professor Todd Olson Professor Margaretta Lovell Professor Jeroen Dewulf Fall 2019 Abstract Fur Dress, Art, and Class Identity in Sixteenth- and Seventeenth-Century England and Holland by Elizabeth McFadden Doctor of Philosophy in History of Art Designated Emphasis in Dutch Studies University of California, Berkeley Professor Elizabeth Honig, Chair My dissertation examines painted representations of fur clothing in early modern England and the Netherlands. Looking at portraits of elites and urban professionals from 1509 to 1670, I argue that fur dress played a fundamentally important role in actively remaking the image of middle- class and noble subjects. While demonstrating that fur was important to establishing male authority in court culture, my project shows that, by the late sixteenth century, the iconographic status and fashionability of fur garments were changing, rendering furs less central to elite displays of magnificence and more apt to bourgeois demonstrations of virtue and gravitas. This project explores the changing meanings of fur dress as it moved over the bodies of different social groups, male and female, European and non-European. My project deploys methods from several disciplines to discuss how fur’s shifting status was related to emerging technologies in art and fashion, new concepts of luxury, and contemporary knowledge in medicine and health. -
The Medieval Period (1205-1540)
OXFORD ARCHAEOLOGICAL RESOURCE ASSESSMENT 2011 THE MEDIEVAL PERIOD (1205-1540) Compiled by Ruth Beckley and David Radford Version: 30/1/2012 ii Introduction ............................................................................................................... 4 Nature of evidence base.......................................................................................... 4 Notable standing structure surveys ......................................................................... 6 Notable excavations by theme ................................................................................ 6 Key themes.............................................................................................................. 7 The landscape ........................................................................................................... 9 Inheritance............................................................................................................... 9 Chronology (the development of the medieval city) ................................................ 9 Key characteristics of the landscape..................................................................... 10 Urban development................................................................................................. 14 Documentary evidence.......................................................................................... 14 The development of domestic and commercial town houses................................ 14 Archaeological evidence for the principal street -
Oxford Heritage Walks Book 6
Oxford Heritage Walks Book 6 On foot from the High to Trill Mill by Malcolm Graham © Oxford Preservation Trust, 2020 This is a fully referenced text of the book, illustrated by Edith Gollnast with cartography by Alun Jones, which was first published in 2020 Also included are a further reading list and a list of common abbreviations used in the footnotes. The published book is available from Oxford Preservation Trust, 10 Turn Again Lane, Oxford, OX1 1QL – tel 01865 242918 Contents: Carfax to Alfred Street 1 – 5 Alfred Street to Oriel Street 5 – 9 Oriel Street to Merton Street 9 – 15 Merton Street to Magdalen Bridge 15 – 18 Eastgate Hotel to Merton College 19 – 23 Magpie Lane to Oriel Square 24 – 28 Bear Lane to Blue Lamp Alley 28 - 31 Botanic Garden to Rose Lane 31 – 36 Christ Church Meadow 36 – 42 Folly Bridge to Speedwell Street 42 – 47 Speedwell Street to Christ Church 47 – 53 Pembroke Street to Town Hall 53 - 56 Abbreviations 57 Further Reading 57 - 60 Chapter One – Carfax to Alfred Street High Street originated in c.900 as one of the principal roads of the Saxon burh. Initially, High Street probably terminated at an east gate where St Mary the Virgin Church now stands, but Oxford’s defences are thought to have been extended eastwards in the early 11th century to a point near the present Eastgate Hotel.1 This extension created High Street’s famous curve, noted in Wordsworth’s description of ‘the stream-like windings of that glorious street.’2 Houses and churches were built on both sides, and university halls and colleges began to appear among them in the 12th century. -
Scottish Folk-Lore
SCOTTISH FOLK-LORE BY THE REV. DUNCAN ANDERSON, M.A. AUTHOR OF "THB LAYS OF CANADA," ETC. Eheu! fugaees labuntur anni. TORONTO GEORGE N MORANG & COMPANY LIMITED 1899 of Entered according to Act of Parliament hundred Canada, in the year one thousand eight N. MORANG & and ninety-nine, by GEORGE COMPANY, LIMITKD, in the office of the Minister of Agriculture, TO THEIR EXCELLENCIES, Cfje <2arl anb Countess of 2Iberbeen, THIS HI-MULE WORK IS DEDICATED BY SPECIAL PERMISSION ; DEDICATED, IN ACKNOWLEDGMENT OF SELF-DENYING LABORS, ON TWO CONTINENTS, TO PROMOTE HUMAN HAPPINESS ; IN ADMIRATION OF UNTIRING PERFORMANCE OF EVERY TOBLIC AND PRIVATE DUTY; AND, ESPECIALLY, AS AN EXPRESSION OF THE HEARTIEST SYMPATHY WITH THAT NOBLEST OF TASKS THAT THEY HAVE CHOSEN AS PECULIARLY THEIR OWN- TO BUILD UP AND FOSTER AMONGST ALL, A HIGHER, A PURER, A HOLIER BROTHERHOOD. MONYKUSK, November, 1895. GOVERNMENT HOUSE, OTTAWA, October 15, 1895. DEAR MR. ANDERSON, To be associated with any of your literary or other work, and more especially in the case of what can- not fail to be a very interesting narrative, would be to Aberdeen and therefore agreeable Lady myself ; I cordially assent to your kind proposal regarding the dedication of your forthcoming book. With best wishes, I remain, very truly yours, ABERDEEN. CONTENTS. CHAPTER I. MY PINAFORE. PACK Introductory. The Pinafore I wore. The cobbler's window broken. Interrupted friendship. Remorse. 5 CHAPTER II. SILLERTON AND ITS SURROUNDINGS. Products : Timber and whisky. Sillerton's geographi- cal position. The black board for advertisements. Standing stone for the beadle. Public notices cried on Sunday. -
Somewhere There Are People Like Me First Published As an Ebook 2016 © Nicholas Currie
‘Inexcusable to travel — or even live — without taking notes. The deathly feeling of the monotonous passing of the days is made impossible.’ Kafka ‘Once the life of the mind renounces the duty and liberty of its own pure objectification, it has abdicated.’ Adorno 1980 Tuesday, January 1st The day’s first engagement, Kenny Everett at 3.35, presented David Bowie in a padded cell (Kafka’s metaphor for the world) and a kitchen with exploding appliances and windows, singing ‘Space Oddity’. His expression was of bewilderment, fear, his Little Boy Lost manner, used to uneasy effect. Meanwhile the media paraded predictions, people projecting their own psyches onto the future. Soon I returned to my two-track machine to regain the purposeful & creative element so necessary. The chief achievement was ‘Catalogues’, starting as a rhythm track with tin, bottle and shoebox percussion, then gathering layers. Finally it had a stereo vocal, an alliterative, nonsense-cum-critical lyric with stuttering rhythm. I worked some time on different versions, very tensed and eager. Listened to it on the stereo while Father and Chris Garner (colleague in Midnight at the Tron Kirk, with a crowd as far as the eye can see. Cheering and Athens) talked shop; predictions again. Some very bitter coffee compounded the shouting is all one can hear. I followed Mark and Nick Gardiner as we wandered effects of my nervous mood, and I continued my bizarre habits regarding upstream and down, swigging champagne and beer, shaking hands and kissing sleeping hours. self-consciously those who offered themselves. If I wasn’t drunk, I very quickly assumed the characteristics. -
Christ Church, Oxford: Archaeological Appraisal of Proposed Resurfacing in Canterbury Quad, Peckwater Quad, and the Passageway to Tom Quad
Christ Church, Oxford: archaeological appraisal of proposed resurfacing in Canterbury Quad, Peckwater Quad, and the passageway to Tom Quad INTRODUCTION Christ Church proposes to resurface Canterbury and Peckwater Quads, as well as the passageway from Peckwater to Fell Tower and Tom Quad. These form a continuous sequence of open spaces enclosed by buildings, and represent one of the House’s most important means of access and circulation. The Canterbury Quad gate off Oriel Square is an important means of access and egress, while the route from here to Tom Quad and its eponymous tower is of exceptional importance within the daily life of the college, its Senior and Junior Members. The buildings which define Canterbury and Peckwater Quads are Grade I listed,1 while the flank walls between Peckwater and Tom are Grade II listed.2 The open spaces are part of the Grade I registered park and garden at Christ Church.3 The buildings were erected at various times during the 18th century, replacing former halls and inns which had been part of the later medieval and earlier post-medieval collegiate system around Christ Church. The quadrangles became important formal spaces within the college, with Peckwater apparently laid out with quadripartite lawns from an early date (Figure 1). The present arrangement is modern. Figure 1: Extract from Williams’s 1737 survey of Christ Church. The open spaces in Canterbury Quad, Peckwater Quad and through to Tom Quad still look much like this but have not always done so. Ordnance Survey maps down to the early decades of the 20th century do not show the four lawns in Peckwater, and a 1920s photograph confirms that it was a simple courtyard without lawns then. -
Cloth in Middleton's City Comedy Melanie Ann Russell
“The Fashion of Playmaking”: Cloth in Middleton’s City Comedy By: Melanie Ann Russell A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield School of English Faculty of Arts and Humanities 2019 M. Russell “The Fashion of Playmaking” 2 M. Russell “The Fashion of Playmaking” 3 Abstract This thesis focuses on the dramatic uses of cloth within the works of the playwright Thomas Middleton (1580-1627). In a developing urban setting within which cloth enjoyed increasing cultural significance, the evolving London cloth trade augmented Jacobean dramatists’ material lexicon. The individual and collaborative efforts of Thomas Middleton reveal a particularly dense amount of references to foreign and domestic cloth, cloth merchants, and the overall cloth trade. This project examines in detail how cloth functioned as a tangible center around which Middleton could build a common frame of reference, creating a conduit for social content and commentary. Five Middleton city comedies are discussed (two are solely authored by Middleton, three are collaborative works), based on their density of cloth references, as detailed in an appendix. These plays are: The Patient Man and the Honest Whore (1604), Michaelmas Term (1606), Your Five Gallants (1608), The Roaring Girl (1611), and Anything for a Quiet Life (1621). This project works to demonstrate how a cloth-centered analysis allows for fruitful discussion of expectations, inconsistencies, tensions, and boundaries during the early modern period. This thesis explores the tension surrounding the expectations of patient masculinity in a commercial setting in Chapter One, the contradictory nature of a social system based on unreliable visual markers in Chapter Two, the inconsistency-generated identity of the prodigal gallant of display in Chapter Three, the tension generated by unconventional display and malleable gender expectations in Chapter Four, as well as the shifting perceptions of England’s cloth trade in a post-Cokayne climate in Chapter Five. -
Post Medieval (1540-1800)
OXFORD ARCHAEOLOGICAL RESOURCE ASSESSMENT 2011 POST MEDIEVAL (1540-1800) Compiled by Ruth Beckley and David Radford Version: 28/1/2012 Abbreviations ............................................................................................................ 3 Introduction ............................................................................................................... 5 Nature of evidence base.......................................................................................... 5 Key themes.............................................................................................................. 6 Notable post-medieval buildings and structures (excluding colleges buildings)...... 7 Notable archaeological investigations for the post-medieval period:....................... 7 Chronology .............................................................................................................. 9 The landscape ......................................................................................................... 10 Inheritance and development ................................................................................ 10 Changes in the urban and suburban townscape ................................................... 10 Urban settlement..................................................................................................... 12 Developments in vernacular building..................................................................... 12 Archaeological evidence.......................................................................................