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The Adventures of Mr. Verdant Green [Electronic Resource]: an Oxford
. SjHasajj;--: (&1&MF 1 THE VENTURES tw MM **> 'SkSSi *"3 riLLlAM PATEiiSGN, EDINBURGH Um LOKLOj , . fJ tl^OTWltiBttt y :! THE ADVENTURES OF MR. VERDANT GREEN. : ic&m MMwmmili¥SlW-ia^©IMS OF yVLiMR. Verbint ^Tf BY CUTHBERT BEDE, B.A., WITH HalaUSTHANIONS 38 Y THE AUTHOR, LONDON JAMES BLACKWOOD & CO., LOVELL'S COURT, PATERNOSTER ROW. : — THE ADVENTURES MR. VERDANT GREEN, %n (f^forb Jfwsjimatr. BY CUTHBERT BEDE, B.A. ttlj ^ximcrouS iFIludtrattond DESIGNED AND DRAWN ON THE WOOD BY THE AUTHOR. —XX— ' A COLLEGE JOKE TO CURE THE DUMPS.' SlUlft. ONE HUNDRED AND TWENTY-SIXTH THOUSAND. LONDON JAMES BLACKWOOD & CO., LOVELL'S COURT, PATERNOSTER ROW. CONTENTS. CHAPTER I. PACE Mr. Verdant Green's Relatives and Antecedents .... I CHAPTER II. Mr. Verdant Green is to be an Oxford-man y CHAPTER III. Mr. Verdant Green leaves the Home of his Ancestors ... 13 CHAPTER IV. Mr. Verdant Green becomes an Oxford Undergraduate . .24. CHAPTER V. Mr. Verdant Green matriculates, and makes a sensation . .31 CHAPTER VI. Mr. Verdant Green dines, breakfasts, and goes to Chapel . .40 CHAPTER VII. " Mr. Verdant Green calls on a Gentleman who is licensed to sell " . 49 CHAPTER VIII. Mr. Verdant Green's Morning Reflections are not so pleasant as his Evening Diversions 58 vi Contents. CHAPTER IX. ,AGE Mr. Verdant Green attends Lectures, and, in despite of Sermons, has dealings with Filthy Lucre 67 CHAPTER X. Mr. Verdant Green reforms his Tailors' Bills and runs v^ "'h°rs. He also appears in a rapid act of Horsemanship, and i.-Js Isis cool in Summer 73 CHAPTER XI. -
The Record 2012/13
The Record 2012/13 The Record 2012/13 contents 5 Letter from the Warden 6 The Fellowship 9 Fellowship Elections and Appointments 9 Fellows’ Obituaries 13 JCR & MCR Elections 13 Undergraduate Scholarships 15 Matriculation 18 College Awards and Prizes 21 Academic Distinctions 22 Higher Degrees 23 Fellows’ Publications 30 Sports and Games 35 Clubs and Societies 37 The Chapel 38 Parishes Update 39 The Library and Archive 40 Old Members’ Obituaries 52 News of Old Members letter from the warden I write this as the autumn season is clearly beginning and I watch that change through the leaves of the marvellous copper beech in Pusey Quad. Sadly, during August, a large branch fell off in the middle of the night, victim so the experts said to the phenomenon of ’summer drop’. Much to our relief we have been assured that the tree is otherwise in good health, subject to some pruning to balance what remains. So far as I’m aware that is the only negative change in the physical aspect of the College that I need to report. Work has continued on aspects of the fabric to ensure that the original Butterfield buildings are preserved and, where appropriate, enhanced. This has included a further phase of refurbishment of the rooms in Liddon Quad and of some of the floor tiling in the Hall. The main elements of a new lighting scheme in the Chapel have also been completed and, as a result, three valuable outcomes have been achieved: the mosaics are now visible,The Light of the World is lit to much better effect and the choir is able to read the music its members so ably perform. -
Fur Dress, Art, and Class Identity in Sixteenth- and Seventeenth-Century England and Holland by Elizabeth Mcfadden a Dissertatio
Fur Dress, Art, and Class Identity in Sixteenth- and Seventeenth-Century England and Holland By Elizabeth McFadden A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art and the Designated Emphasis in Dutch Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Elizabeth Honig, Chair Professor Todd Olson Professor Margaretta Lovell Professor Jeroen Dewulf Fall 2019 Abstract Fur Dress, Art, and Class Identity in Sixteenth- and Seventeenth-Century England and Holland by Elizabeth McFadden Doctor of Philosophy in History of Art Designated Emphasis in Dutch Studies University of California, Berkeley Professor Elizabeth Honig, Chair My dissertation examines painted representations of fur clothing in early modern England and the Netherlands. Looking at portraits of elites and urban professionals from 1509 to 1670, I argue that fur dress played a fundamentally important role in actively remaking the image of middle- class and noble subjects. While demonstrating that fur was important to establishing male authority in court culture, my project shows that, by the late sixteenth century, the iconographic status and fashionability of fur garments were changing, rendering furs less central to elite displays of magnificence and more apt to bourgeois demonstrations of virtue and gravitas. This project explores the changing meanings of fur dress as it moved over the bodies of different social groups, male and female, European and non-European. My project deploys methods from several disciplines to discuss how fur’s shifting status was related to emerging technologies in art and fashion, new concepts of luxury, and contemporary knowledge in medicine and health. -
Badgerlands 2Nd 28/05/2013 15:16 Page 13
Badgerlands 2nd 28/05/2013 15:16 Page 13 2 Meles meles Badgerlands 2nd 28/05/2013 15:16 Page 14 Badgerlands 2nd 28/05/2013 15:16 Page 15 A dome of dark-leaved trees smothering a broad hill, Wytham Woods appears to hover, like a fecund flying saucer, over the floodplain of the Thames. These 1,000 acres of ash, maple and hazel are the epicentre of Badgerland. Here, four miles west of Oxford, lives a higher density of badgers than anywhere in the world. But although the wood on the hill may be perfect for badgers, when I arrived there one early summer evening it seemed that humans were not so welcome. Wytham’s owners were determined to keep hoi polloi at bay. Unsignposted, the wood was reached via a road marked ‘private – no thoroughfare’. At the gate there were further instructions – members of the public could visit but must first apply for a permit. Once granted, by the ‘conser- vator’ of the property, the visitor must stick to the footpaths, depart before dusk and obey a long list of bylaws, which prohibited fun: nothing must be collected or removed from the wood and there must be no dogs or horses, no bikes, no fires, no metal detectors and, heaven forbid, ‘no playing of radios, tape recorders and musical instruments’. 15 Badgerlands 2nd 28/05/2013 15:16 Page 16 BADGERLANDS Most importantly of all, the scientific equipment must not be touched. This sobriety was because Wytham was dedicated to science. Since it was bequeathed to Oxford University during the Second World War, the wood had become the most renowned natural laboratory in the country. -
Ghosts in the Cloisters
GHOSTS IN THE CLOISTERS ANIL BALAN KINDLE EDITION COPYRIGHT 2011 ANIL BALAN All rights reserved. No part of this e-book may be reproduced in any form other than that in which it was purchased and without the written permission of the author. This e-book is licensed for your personal enjoyment only. This e-book may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, please return it to amazon.com and purchase your own copy. Thank you for respecting the hard work of this author. GHOST WALK Jennifer did not know who she blamed more for her present predicament – Professor Hodge for making that oblique comment about her essays on English Medieval History ‘lacking sufficient empathy’, her best friend Gillian for suggesting that she do an interview with a guide from one of the city’s infamous ghost tours to gain the said empathy, or herself for listening to either of them. ‘Hear spine-chilling stories from Oxford’s past’ proclaimed the lurid red on black letters on the sign in front of Trinity College. Jennifer saw a figure, presumably the tour guide that she was supposed to be meeting, dressed distinctively in a top hat and flowing black robes like a Victorian undertaker standing on Broad Street just outside the famous blue gates and railings of Trinity – an attempt to heighten the eerie atmosphere she guessed. -
Issue 1587.Indb
www.felixonline.co.uk @felixImperial /FelixImperial [email protected] Keeping the cat free since 1949 issue no. 1587 November 7th 2014 The Bumper Arts Issue Inside... Imperial announces Felix Arts explores fashion, theatre and radical nudes new fl ying robot lab Arts, page 30 Another News 3 rugby team Felix is let loose at the MCM Comic Con suspended after Features 12-13 Imperial Twitch Plays Pokemon: six months on Medicals smash coach Games 20 What is the future of window space travel? PHILIPPA SKETT were travelling to Bristol on their Several sources have alleged that the public. FELIX EDITOR “School’s Tour” last Wednesday student responsible was a first year Said the company on the behaviour when the incident took place. The student, although this is yet to be of the team, “Our supplier has been in double glazed window on the side confirmed. business 40 years and they have never of the coach was smashed with an A source that works for the coach seen anything like it.” edic rugby players have emergency hammer: the inner pane company, Blue Ribbon Network, “We will never book with them been suspended pending was shattered, but the driver was said that the team, as soon as they again.” Minvestigation after only made aware of the damage upon got on board, proceeded to “trash the Blue Ribbon Network said they smashing a window in a moving arriving in Bristol. whole vehicle.” Blue Ribbon Network just want the costs of the damage coach. It is uncertain as to when exactly organises, with other suppliers, to recovered and aren’t interested in The players, members of the the window was smashed, or how provide vehicles for bookings made “pursuing police involvement.” Science 17 Imperial Medicals Rugby Club, fast the coach was going at the time. -
Somewhere There Are People Like Me First Published As an Ebook 2016 © Nicholas Currie
‘Inexcusable to travel — or even live — without taking notes. The deathly feeling of the monotonous passing of the days is made impossible.’ Kafka ‘Once the life of the mind renounces the duty and liberty of its own pure objectification, it has abdicated.’ Adorno 1980 Tuesday, January 1st The day’s first engagement, Kenny Everett at 3.35, presented David Bowie in a padded cell (Kafka’s metaphor for the world) and a kitchen with exploding appliances and windows, singing ‘Space Oddity’. His expression was of bewilderment, fear, his Little Boy Lost manner, used to uneasy effect. Meanwhile the media paraded predictions, people projecting their own psyches onto the future. Soon I returned to my two-track machine to regain the purposeful & creative element so necessary. The chief achievement was ‘Catalogues’, starting as a rhythm track with tin, bottle and shoebox percussion, then gathering layers. Finally it had a stereo vocal, an alliterative, nonsense-cum-critical lyric with stuttering rhythm. I worked some time on different versions, very tensed and eager. Listened to it on the stereo while Father and Chris Garner (colleague in Midnight at the Tron Kirk, with a crowd as far as the eye can see. Cheering and Athens) talked shop; predictions again. Some very bitter coffee compounded the shouting is all one can hear. I followed Mark and Nick Gardiner as we wandered effects of my nervous mood, and I continued my bizarre habits regarding upstream and down, swigging champagne and beer, shaking hands and kissing sleeping hours. self-consciously those who offered themselves. If I wasn’t drunk, I very quickly assumed the characteristics. -
Cloth in Middleton's City Comedy Melanie Ann Russell
“The Fashion of Playmaking”: Cloth in Middleton’s City Comedy By: Melanie Ann Russell A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield School of English Faculty of Arts and Humanities 2019 M. Russell “The Fashion of Playmaking” 2 M. Russell “The Fashion of Playmaking” 3 Abstract This thesis focuses on the dramatic uses of cloth within the works of the playwright Thomas Middleton (1580-1627). In a developing urban setting within which cloth enjoyed increasing cultural significance, the evolving London cloth trade augmented Jacobean dramatists’ material lexicon. The individual and collaborative efforts of Thomas Middleton reveal a particularly dense amount of references to foreign and domestic cloth, cloth merchants, and the overall cloth trade. This project examines in detail how cloth functioned as a tangible center around which Middleton could build a common frame of reference, creating a conduit for social content and commentary. Five Middleton city comedies are discussed (two are solely authored by Middleton, three are collaborative works), based on their density of cloth references, as detailed in an appendix. These plays are: The Patient Man and the Honest Whore (1604), Michaelmas Term (1606), Your Five Gallants (1608), The Roaring Girl (1611), and Anything for a Quiet Life (1621). This project works to demonstrate how a cloth-centered analysis allows for fruitful discussion of expectations, inconsistencies, tensions, and boundaries during the early modern period. This thesis explores the tension surrounding the expectations of patient masculinity in a commercial setting in Chapter One, the contradictory nature of a social system based on unreliable visual markers in Chapter Two, the inconsistency-generated identity of the prodigal gallant of display in Chapter Three, the tension generated by unconventional display and malleable gender expectations in Chapter Four, as well as the shifting perceptions of England’s cloth trade in a post-Cokayne climate in Chapter Five.