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Ak Büyü / Sh'chur Geç Evlilik / Late Marriage Or (Hazinem) / Or (My Treasure)
Pera Film, toplumun sınırlarına karşı özgürlüğü için mücadele eden çarpıcı kadın karakterleri canlandırmış Ronit Elkabetz’e saygı duruşu niteliğinde bir seçki sunuyor. Ak Büyü / Sınırların Ötesi, Elkabetz’in aile, gelenekler, evlilik ve devletin kurumsal dayatmaları Sh’Chur karşısında özgürlükleri için mücadele eden ve bu nedenle toplumda sıradışı kabul edilen kadınlarla ilgili olarak yarattığı bir dizi unutulmaz karakter sayesinde, hem İsrail Yönetmen / Director: Shmuel Hasfari hem de Avrupa sinemasında bir dönüşüme imza attığı çalışmalarını izleyiciyle Oyuncular / Cast: Gila Almagor, Ronit Elkabetz, 7 – 28 Kasım | November 2018 Eti Adar, Hanna Azoulay Hasfari buluşturuyor. İsrail / Israel, 1994, 98’, renkli / color İbranice; Türkçe altyazılı / Sınırların Ötesi programı, Elkabetz’in kimi zaman oyuncu kimi zaman da yönetmen Hebrew with Turkish subtitles olarak yer aldığı, kariyerinde büyük bir öneme sahip dokuz filme yer veriyor. İsrail’de yaşayan Fas topluluğunun renkli ve tutku dolu kültürünü betimleyen Ak Büyü, aile ve Ak Büyü, İsrail’de yaşayan Fas topluluğunun renkli ve tutku dolu kültürüne evlilik kavramlarını genç bir adamın yaşadıkları üzerinden trajikomik bir anlatıyla odaklanıyor. Film, tamamen Batılılaşmış genç bir Sabra kızı olan 13 yaşındaki gösteren Geç Evlilik, hayatı üzerindeki tüm kontrolünü yitirmiş Ruthie’yle, ona başka Rachel’in aile üyelerinin düzenli olarak yaptıkları ak büyüyü (Sh’Chur) anlamaya ve bir iş bulmaya çalışan kızının hikayesini anlatan Or (Hazinem), hem eşi hem de onunla uzlaşmaya çalışmasını anlatıyor. -
Hommes & Migrations, 1280 | 2009
Hommes & migrations Revue française de référence sur les dynamiques migratoires 1280 | 2009 Les Turcs en France : quels ancrages ? Jaffa Film israélien de Keren Yedaya André Videau Édition électronique URL : http://journals.openedition.org/hommesmigrations/333 DOI : 10.4000/hommesmigrations.333 ISSN : 2262-3353 Éditeur Musée national de l'histoire de l'immigration Édition imprimée Date de publication : 1 juillet 2009 Pagination : 169-170 ISSN : 1142-852X Référence électronique André Videau, « Jaffa », Hommes & migrations [En ligne], 1280 | 2009, mis en ligne le 29 mai 2013, consulté le 22 septembre 2020. URL : http://journals.openedition.org/hommesmigrations/333 ; DOI : https://doi.org/10.4000/hommesmigrations.333 Ce document a été généré automatiquement le 22 septembre 2020. Tous droits réservés Jaffa 1 Jaffa Film israélien de Keren Yedaya André Videau 1 Depuis Mon trésor, son premier long métrage (2003), Keren Yedaya revendique un cinéma populaire et militant aux orientations résolument féministes. Avec Jaffa, sa deuxième fiction romanesque, elle confirme ses choix. Dans la forme narrative tout d’abord. Fidèle au cinéma égyptien que projetait généreusement la télévision de son enfance, elle ne craint pas de s’emparer des schémas traditionnels du mélodrame pour développer son propos, avec la certitude d’y intéresser un plus vaste public. Les querelles intestines au sein d’une même famille autour des statuts si hiérarchisés des hommes et des femmes, des garçons et des filles. Les amours impossibles et autres mésalliances pour incompatibilité d’origine, de fortune, de classe sociale, de religion. Arabes et Juifs, Palestiniens et Israéliens, reformulant les griefs des Armagnacs et des Bourguignons, des Guelfes et des Gibelins… Le crime impardonnable de l’innocent et le châtiment du provocateur. -
Directed by Keren Yedaya Israeli
JAFFA Directed by Keren Yedaya “Absorbing and Touching!” -Ray Bennett, The Hollywood Reporter Israeli | 2009 | Drama Hebrew with English subtitles | 90 min. | 1.85 : 1 | Dolby Digital Film Movement Press Contact: Claire Weingarten │ 109 W. 27th Street, Suite 9B │ New York, NY 10001 │ tel: (212) 941-7744 x 208 │ fax: (212) 941-7812 │ [email protected] Film Movement Theatrical Contact: Rebeca Conget │ 109 W. 27th Street, Suite 9B │ New York, NY 10001 │ tel: (212) 941-7744 x 213 │ [email protected] SYNOPSIS In the heart of the Israeli city of Jaffa, Reuven's garage is a family-run business. The garage workers consist of Reuven’s beautiful daughter Mali, his violent and distant son Meir, as well as a young Palestinian, Toufik. No one suspects that Mali and Toufik have been in love for years, and that Mali is pregnant with Toufik’s child. As the two lovers secretly make their wedding arrangements, tension steadily builds between Toufik and Meir, who openly voices his disdain and prejudices about Arabs. As these relationships continue to intensify, emotions begin to boil, resulting in an astonishing conclusion. FESTIVALS AND AWARDS Nominated – Best Actress, Dana Igvy – Awards of the Israeli Film Academy Nominated – Best Music – Awards of the Israeli Film Academy Official Selection: Cannes Int’l Film Festival Toronto Int’l Film Festival Palm Springs Int’l Film Festival Rio de Janeiro Int’l Film Festival Hamptons Int’l Film Festival Warsaw Film Festival São Paulo Int’l Film Festival Warsaw Jewish Film Festival INTERVIEW WITH THE DIRECTOR Keren Yedaya What was the starting point of the film? I began thinking about Jaffa when I finished the script for Or – My Treasure. -
Agudas Achim Congregation 401 E
Agudas Achim Congregation 401 E. Oakdale Blvd., Coralville. IA 52241 Phone: (319) 337-3813 www.agudasachimic.org March 2015 Adar —Nisan 5775 Schedule of Services Purim Thursday, March 4 7pm Children’s Service (At Agudas Achim) Friday, March 5 8:30 am & 5:00 pm(At Chabad House) Shabbat Ki Tisa (Exodus 30:11-34:35) Friday, March 6 Shabbat Across Iowa 6:00 pm dinner RSVPs requested 7:45 pm Services Mishkan Tefillah Saturday, March 7 9:30 am Siddur Mishkan Tefillah Shabbat Vayakhel-Pekude/Shabbat Parah (Exodus 35:1-40:38, Numbers 19:1-22) This is the third of four special Shabbatot before Passover. The maftir section from Numbers details the matter of the red heifer. In Temple days the priest would use the ashes of the red heifer to purify people who were ritually impure which would have prevented them from eating of the Passover sacrifice. Friday, March 13 7:45 pm Siddur Sim Shalom Musical Service with Rabbi Rebecca Kushner Saturday, March 14 9:30 am Siddur Sim Shalom Shabbat Vayikra/Rosh Hodesh/Shabbat Hachodesh (Leviticus 1:1-5:26, Numbers 28:9-15, Exodus 12:1-20) ) This is the last of the four special Shabbatot before Passover. It falls on the Shabbat before Nisan unless Nisan begins on Shabbat as it does this year. In this case Shabbat Hachodesh coincides with Rosh Hodesh. That’s why there are three Torahs: One for the regular from Leviticus, the second one from Numbers for Rosh Hodesh and the third one from Exodus which states that the month in which Passover occurs is the first month of the year. -
Contents & Festival Strands
CONTENTS & FESTIVAL STRANDS SPONSORS 1 Drama 39-55 UK TOUR 2 LOVE TRILOGY 40-41 WELCOME MESSAGE: 3 TV DRAMA 43 Michael Etherton ISRAELI DRAMA 44-49 WELCOME MESSAGE: 5 Jonathan Lewis Comedy 56-61 UK JEWISH FILM FESTIVAL 6-9 AWARDS A CRYSTAL BALL 60-61 A GUIDE TO THE PROGRAMME: 11 Shorts Programmes 63-71 Nir Cohen PEARS SHORT FILM FUND AT Galas 12-16 UK JEWISH FILM 64-65 Documentary 17-33 SPECIAL EVENTS 72-76 The Alan Howard 18-22 GUESTS 77-80 International Documentary Strand PEOPLE AND THANKS 81 EDUCATION 23 VENUES AND BOOKING 83 INFORMATION JEWISH WAYS OF SEEING 24-25 LONDON TIMETABLE 84-85 BEHIND THE MUSIC 26-27 Through The Maelstrom: 34-38 INDEX 86 Women And The Holocaust FESTIVAL PROGRAMME SPONSORS Alan Toni Schiff Howard Memorial Fund Media Partner Hotel Partner Festival Partner Festival Partner Shoresh The Sybil The John Charitable Shine Memorial S Cohen The Kobler Hirschel Trust Trust Foundation Trust Foundation PRESIDENT’S CIRCLE PATRONS David and Judy Dangoor Louise and Hilton Nathanson Carolyn and Harry Black The Diana and Allan Wendy Fisher Bianca and Stuart Roden Muriel and Gus Coren Morgenthau Charitable Alan Howard Isabelle and Ivor Seddon Charitable Foundation Trust David and Annie Lass Dr Edward and Mrs AWARD SPONSORS Andrew Stone Nadine Wojakovski Sponsored by: Sponsored by: DORFMAN BEST AUDIENCE BEST FILM The Diana and DOCUMENTARY Kirsh AWARD AWARD Allan Morgenthau AWARD Foundation Charitable Trust FUNDING CONTRIBUTORS FILM SPONSORS Anonymous Sharon and Jonathan Goldstein Anne Joseph and The Gerald and Gail Ronson Edward -
An Introduction to Israeli Cinema
Israeli Series Autumn/Winter 2016-2017 An Introduction to Israeli Cinema Cinema of Israel Article sourced from Wikiwand: http://www.wikiwand.com/en/Cinema_of_Israel History Movies were made in Mandatory Palestine from the beginning of the silent film era although the development of the local film industry accelerated after the establishment of the state. Early films were mainly documentary or news roundups, shown in Israeli cinemas before the movie started. One of the pioneers of cinema in Israel was Baruch Agadati. Agadati purchased cinematographer Yaakov Ben Dov's film archives in 1934 when Ben Dov retired from filmmaking and together with his brother Yitzhak established the AGA Newsreel. He directed the early Zionist film entitled This is the Land (1935). In 1948, Yosef Navon, a soundman, and Yitzhak Agadati, producer of the first Hebrew-language film with his brother, Baruch Agadati, found an investor, businessman Mordechai Navon, who invested his own money in film and lab equipment. Agadati used his connections among Haganah comrades to acquire land for a studio. In 1949 the Geva film labs were established on the site of an abandoned woodshed in Givatayim. .(הישראלי הסרט לעידוד החוק) In 1954, the Knesset passed the Law for the Encouragement of Israeli Films Leading filmmakers in the 1960s were Menahem Golan, Ephraim Kishon, and Uri Zohar. The first Bourekas film was Sallah Shabati, produced by Ephraim Kishon in 1964. In 1965 Uri Zohar produced the film Hole in the Moon, influenced by French New Wave films. In the first decade of the 21st century, several Israeli films won awards in film festivals around the world. -
The Kibbutz and Israeli Cinema : Deterritorializing Representation and Ideology
UvA-DARE (Digital Academic Repository) The kibbutz and Israeli cinema : deterritorializing representation and ideology Kedem, E.M. Publication date 2007 Document Version Final published version Link to publication Citation for published version (APA): Kedem, E. M. (2007). The kibbutz and Israeli cinema : deterritorializing representation and ideology. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 The Kibbutz and Israeli Cinema: Deterritorializing Representation and Ideology ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof.dr. J.W. Zwemmer ten overstaan van een door het college voor promoties ingestelde commissie, in het openbaar te verdedigen in de Aula der Universiteit op dinsdag 11 september 2007, te 12:00 uur door Eldad Meshulam Kedem geboren te Kibbutz Maagan, Tiberias Faculteit der Geesteswetenschappen Promotiecommissie: promotor: prof.dr. -
Directed by Victor Fleming the WIZARD of OZ, GONE with the WIND and Much, Much More!
ISSUE 49 AFI SILVER THEATRE AND CULTURAL CENTER NOVEMBER 24, 2010– FEBRUARY 3, 2011 Directed by Victor Fleming THE WIZARD OF OZ, GONE WITH THE WIND and much, much more! Festival of New Spanish Cinema Washington Jewish Film Festival 50th Anniversaries: THE APARTMENT and PSYCHO CARLOS Holiday Classics November 24–27 AFI.com/Silver The Full-Length Roadshow Edition Contents Festival of New Spanish Cinema 2010 Festival of New Spanish Cinema 2010 .... 2 November 12 - December 1 Directed by Victor Fleming ...................... 4 For the first time ever, AFI Silver hosts the Festival of New Spanish Cinema, a traveling series of some of Special Engagements ............................ 6 the best films to come out of Spain this year. The Courtesy of Pragda Washington Jewish Film Festival ............. 7 series will play as a special sidebar to this year’s AFI European Union Film Showcase (November 4-23) in Holiday Classics ..................................10 recognition of Spain’s just-ended tenure holding the EU Presidency. Special thanks to Marta Sanchez, festival Year In Review ...................................12 organizer; Pragda; the Tourist Office Spain; and the Special Programs ................................14 Embassy of Spain in Washington, DC, for making this series possible. About AFI ..........................................14 For film information, trailers and more, please visit Calendar ............................................15 www.pragda.com. Coming Soon .....................................16 All films in Spanish with English subtitles unless otherwise indicated. AFI Member passes will be accepted at all films in LOOK FOR THE the Festival of New Spanish Cinema series, unless otherwise noted AFI Member passes accepted for designated screenings. To find out how to become a Member of AFI, Schedule see page 14. -
Jaffa : Zoom Sur Un Cinéma Populaire En Apparence / Kalat Hayam — Israël / France / Allemagne 2009, 106 Minutes]
Document generated on 09/30/2021 11:49 p.m. Séquences La revue de cinéma Jaffa Zoom sur un cinéma populaire en apparence Kalat Hayam — Israël / France / Allemagne 2009, 106 minutes Mathieu Séguin-Tétreault Cinéma et propagande Number 266, May–June 2010 URI: https://id.erudit.org/iderudit/63484ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Séguin-Tétreault, M. (2010). Review of [Jaffa : zoom sur un cinéma populaire en apparence / Kalat Hayam — Israël / France / Allemagne 2009, 106 minutes]. Séquences, (266), 54–54. Tous droits réservés © La revue Séquences Inc., 2010 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 54 Les films | Critiques Jaffa Zoom sur un cinéma populaire en apparence Caméra d’or à Cannes en 2004, Or de Keren Yedaya tirait sa force de son dispositif radical, juxtaposant plans-séquences et immobilité du cadre. Bien que la réalisatrice israélienne s’empare cette fois, avec Jaffa, des codes narratifs et esthétiques du cinéma populaire, parti pris a priori repoussant, elle signe un deuxième long-métrage plus complexe et important qu’il n’y paraît en apparence. -
UKJFF 2014 Programme
UK JEWISH FILMAL 6–23FES NOVEMBERTIV 2014 Films to sh over 150 screeningsout .a . bout www.ukjewishfilm.org twitter.com/UKJewishFilm Facebook.com/UKJewishFilmFestival SPONSORS UK Shoresh JEWISH FILM Charitable Trust Courtesy of Guy Avshalom MEDIA PARTNER HOTEL SPONSOR The Kobler Phyllis Ellis Trust Trust Fund FESWELCOMETIVAL PATRONS Alan Howard SUPPORTERS Kirsh Foundation Carolyn and Harry Black Andrew Stone The Black Family Philip Lewis Welcome to the 18th UK At the heart of everything we Isabelle and Ivor Seddon Stuart and Erica Peters Sir Trevor and The Klabin Family Jewish Film Festival. do is you the audience, and Alan Brill Paul and Keren Ristvedt Lady Susan Chinn David Lewis Jeremy Coller Arthur Matyas and Barbara and Mick Richard and Philippa We live in challenging times your vibrancy and diversity is Peter and Leanda Englander Edward Wojakovski Davis Mintz and maybe it would have been reflected in the sheer scale David Gaventa Charitable Foundation Lloyd Dorfman CBE unrealistic to think that the and breadth of this year’s FUNDING CONTRIBUTORS Festival was exempt from UK Jewish Film Festival, these challenges. And, as you may know, the which features 95 films and 159 screenings. Film Festival recently became embroiled in Our 2014 films are selected from 27 countries a difficult situation, acted out in a very public ranging far beyond Europe, USA and Israel, forum. Film frequently mirrors the demands to include Argentina, Egypt, Lebanon, the and provocations of life back to us in stark Philippines, Rwanda and Venezuela. reality or makes us long for escapist entertainment through the softer edge of love This year we have taken the opportunity and romance. -
Filmtage 12–19
FILMTAGE ZÜRICH | KINO HOUDINI KINO RIFFRAFF ARTHOUSE UTO & LE PARIS | YESH.CH 12–19|3|20 Für die grosszügige Unterstützung danken wir OPENING: folgenden Institutionen und Privatpersonen THE OPERATIVE 8 Hauptpartner Isaac Dreyfus-Bernheim Stiftung A TRAMWAY IN JERUSALEM 10 Partner Jakob und Werner Wyler Stiftung ALS HITLER DAS ROSA KANINCHEN STAHL 10 -- Stiftung Abendländische Ethik und Kultur ASK DR. RUTH 12 Lucie und Louis Weil-Bloch Stiftung Georges und Jenny Bloch-Stiftung AUTONOMIES 12 Otto und Régine Heim-Stiftung BACK TO MARACANÃ 14 Werner und Gabriele Merzbacher-Stiftung -- BORN IN JERUSALEM AND STILL ALIVE 14 Jetty, Aron und Simon Blum-Stiftung Evangelisch-reformierte Landeskirche des Kantons Zürich CAUSE OF DEATH 16 Daniel Gablinger Stiftung CHAINED 16 Stiftung für Kultur und Jugend der ICZ Kanton Zürich Fachstelle Kultur CURTIZ 18 Katholische Kirche im Kanton Zürich Sacha Lifschitz DOLCE FINE GIORNATA 18 Stadt Zürich Kultur DOUZE POINTS 20 -- AKL, Augustin Keller-Loge FIDDLER: A MIRACLE OF MIRACLES 20 Johnny Braunschweig Madeleine und Albert Erlanger-Wyler Stiftung FLAWLESS 22 Evi & Sigi Feigel Loge Max und Erika Gideon Stiftung FRAU STERN 22 Schweizerischer Israelitischer Gemeindebund (SIG) GOLDA 24 Adolf und Mary Mil-Stiftung Jüdische Liberale Gemeinde Or Chadasch INCITEMENT 24 Jizchak und Denise Schächter Stiftung Alfred und Ilse Stammer-Mayer Stiftung IT MUST BE HEAVEN 32 Marlyse Turkavka-Gut LEONA 32 Anthony und Melanie Young Monica und Leslie Young LOVE IN SUSPENDERS 34 Schulprogramm-Partner 93QUEEN 34 Schule&Kultur, -
Dani Izraelskog Filma Days of Israeli Films
UTORAK, 17. SRPNJA 2018. / TUESDAY, JULY 18, 2018 SRIJEDA, 18. SRPNJA 2018. / WEDNESDAY, JULY 18, 2018 ČETVRTAK, 19. SRPNJA 2018. / THURSDAY, JULY 19, 2018 PETAK, 20. SRPNJA 2018. / FRIDAY, JULY 20, 2018 ORGANIZATORI/ORGANIZERS Veleposlanstvo Države Izrael Pulski filmski festival Embassy of the State of Israel Pula Film Festival DANI IZRAELSKOG FILMA 19:00 OPROŠTAJNA ZABAVA 19:00 BEZ MOTIVACIJE 19:00 BETLEHEM 19:00 GET: SLUČAJ VIVIANE AMSALEM THE FAREWELL PARTY ZERO MOTIVATION BETHLEHEM GETT: THE TRIAL OF VIVIANE AMSALEM DAYS OF ISRAELI FILMS Izrael, 2014.|95 minuta Izrael, 2014.|100 minuta Izrael / Belgija / Njemačka, 2013.|99 minuta Francuska / Njemačka / Izrael, 2014.|115 minuta Israel, 2014|95 minutes Israel, 2014|100 minutes Israel / Belgium / Germany, 2013|99 minutes France / Germany / Israel, 2014|115 minutes Režija / Directors: Sharon Maymon, Tal Granit Režija / Director: Talya Lavie Režija / Director: Yuval Adler Režija / Directors: Ronit Elkabetz, Shlomi Elkabetz Scenarij / Screenplay: Sharon Maymon, Tal Granit Scenarij / Screenplay: Talya Lavie Scenarij / Screenplay: Yuval Adler, Ali Wakad Scenarij / Screenplay: Ronit Elkabetz, Shlomi Elkabetz Kamera / Cinematography: Tobias Hochstein Kamera / Cinematography: Yaron Scharf Kamera / Cinematography: Yaron Scharf Kamera / Cinematography: Jeanne Lapoirie 15. 7. 2018. – 20. 7. 2018. Montaža / Editing: Einat Glaser-Zarhin Montaža / Editing: Arik Leibovitch Montaža / Editing: Ron Omer Montaža / Editing: Joëlle Alexis Scenografija / Set Decoration: Arad Sawat Scenografija / Set Decoration: