Erik Von Kuehnelt-Leddihn: the Intelligent American's Guide to Europe (1979) Study Guide, 2002-2014
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Aalto and History
Keynote - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland Aalto and history Aino Niskanen Professor Aalto University, School of Arts, Design and Architecture Department of Architecture Finland [email protected] Publisher Alvar Aalto Museum ISSN-L 2323-6906 ISSN 2323-6906 www.alvaraalto.fi www.alvaraaltoresearch.fi Keynote - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland www.alvaraaltoresearch.fi In the present seminar the history of Alvar Aalto’s work is being dealt with on many different levels. As an introduction, I should like to discuss Aalto’s relationship with history. Many of the presentations over the course of the seminar will no doubt take these issues further. What do we know about Aalto’s formative years as an architect? During the period he was studying at the Helsinki Institute of Technology, 1916-1921, the teaching there had a strong emphasis on history: examples from the antiquities beckoned as a foundation for everything new. (Fig 1) Fig 1. Alvar Aalto in 1916. Photo: Schildt, Göran: The Early Years, p. 75. Nevertheless, those teachers considered important by Aalto were, according to Göran Schildt, above all important as pedagogues of attitudes: Usko Nyström, who taught the history of architecture of the antiquities and Middle Ages, emphasised the values of modesty, humanity, vitality, comfort and practicality. Armas Lindgren, who taught more recent architectural history, awoke a love in Aalto for Italian Renaissance architecture and an understanding of the organic thinking of Jugend architecture.1 In the paintings he made during his youth Aalto often portrayed historically layered urban milieus. -
The Archaeology of the Prussian Crusade
Downloaded by [University of Wisconsin - Madison] at 05:00 18 January 2017 THE ARCHAEOLOGY OF THE PRUSSIAN CRUSADE The Archaeology of the Prussian Crusade explores the archaeology and material culture of the Crusade against the Prussian tribes in the thirteenth century, and the subsequent society created by the Teutonic Order that lasted into the six- teenth century. It provides the first synthesis of the material culture of a unique crusading society created in the south-eastern Baltic region over the course of the thirteenth century. It encompasses the full range of archaeological data, from standing buildings through to artefacts and ecofacts, integrated with writ- ten and artistic sources. The work is sub-divided into broadly chronological themes, beginning with a historical outline, exploring the settlements, castles, towns and landscapes of the Teutonic Order’s theocratic state and concluding with the role of the reconstructed and ruined monuments of medieval Prussia in the modern world in the context of modern Polish culture. This is the first work on the archaeology of medieval Prussia in any lan- guage, and is intended as a comprehensive introduction to a period and area of growing interest. This book represents an important contribution to promot- ing international awareness of the cultural heritage of the Baltic region, which has been rapidly increasing over the last few decades. Aleksander Pluskowski is a lecturer in Medieval Archaeology at the University of Reading. Downloaded by [University of Wisconsin - Madison] at 05:00 -
Alvar Aalto and the Theory of Play: Through Analysis on Alvar Aalto’S Furniture Design
Alvar Aalto and the theory of play: Through analysis on Alvar Aalto’s furniture design Mayu Kamamoto / Osaka University / Osaka / Japan Blucher Design Abstract Proceedings November 2016, Play was an important concept for Finnish architect and designer Alvar Aalto (1898-1976). He Number 1, Volume 1 http://www.proceeding emphasized the importance of play in design activities. Aalto seems to have been influenced by s.blucher.com.br/articl Yrjö Hirn (1870-1952), a Finnish aesthetician and author of Barnlek [Child’s play, 1916]. From e-list/icdhs2016/list the late 1920s to 1940s, Aalto designed not only buildings, but also furniture. In functionalism, which spread from the early 1920s, experimentation with wood for furniture played a very im- portant role for Aalto. He emphasized that this experimentation was closely related to the idea of play. This study demonstrates Aalto’s suggestive idea through an analysis of his furniture de- sign. It can be said that the concept of play guided him to develop this idea. Keywords Alvar Aalto, Yrjö Hirn, play, furniture design, functionalism Introduction Alvar Aalto (1898-1976) was a Finnish architect and talented designer of furniture, glassware, lamps, and so on. He placed a lot of emphasis on play, a trait he shared with the Finnish aesthetician Yrjö Hirn (1870-1952). In 1916, Hirn wrote the book Barnlek [Child’s play], where he explained the importance of play. Aalto wrote an article entitled ‘Koetalo, Muuratsalo’ [Experimental house at Muuratsalo], pub- lished in the Finnish architectural journal Arkkitehti [Architect], where he stated the following: Whether or not Yrjö Hirn was the direct cause, at any rate the influence of his personality con- tributed to my firm conviction and instinctive feeling that in the midst of our laboring, calculating, utilitarian age, we must continue to believe in the crucial significance of play when building a society for human beings, those grown-up children. -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal . -
Who Were the Prusai ?
WHO WERE THE PRUSAI ? So far science has not been able to provide answers to this question, but it does not mean that we should not begin to put forward hypotheses and give rise to a constructive resolution of this puzzle. Great help in determining the ethnic origin of Prusai people comes from a new branch of science - genetics. Heraldically known descendants of the Prusai, and persons unaware of their Prusai ethnic roots, were subject to the genetic test, thus provided a knowledge of the genetics of their people. In conjunction with the historical knowledge, this enabled to be made a conclusive finding and indicated the territory that was inhabited by them. The number of tests must be made in much greater number in order to eliminate errors. Archaeological research and its findings also help to solve this question, make our knowledge complemented and compared with other regions in order to gain knowledge of Prusia, where they came from and who they were. Prusian people provinces POMESANIA and POGESANIA The genetic test done by persons with their Pomesanian origin provided results indicating the Haplogroup R1b1b2a1b and described as the Atlantic Group or Italo-Celtic. The largest number of the people from this group, today found between the Irish and Scottish Celts. Genetic age of this haplogroup is older than that of the Celt’s genetics, therefore also defined as a proto Celtic. 1 The Pomerania, Poland’s Baltic coast, was inhabited by Gothic people called Gothiscanza. Their chronicler Cassiodor tells that they were there from 1940 year B.C. Around the IV century A.D. -
Lecture 22 Alvar Aalto and the Nordic Tradition
5/18/16 Lecture 22! ! ! ! ! ! ! ! ! ! Alvar Aalto and the Nordic Tradition Alvar Aalto 1898-1975 *Eliel Saarinen Hvitträsk *Eliel Saarinen Luomo, Finland, 1903 Hvitträsk Luomo, Finland, 1903 *Eliel Saarinen, Hvitträsk, Luomo, Finland, 1903 *Asplund, Stockholm Public Library, Stockholm, 1920-28 Erik Gunnar Asplund (1885-1940), *Stockholm Public Library, Stockholm, Sweden, 1920-28 *Eliel Saarinen, Hvitträsk, Luomo, Finland, 1903 1 5/18/16 *Asplund, Stockholm Public Library, Stockholm, 1920-28 *Asplund, Stockholm Public Library, 1920-28 *Asplund, Stockholm Public Library, 1920-28 Boullee, National Library project Stockholm Public Library *Asplund, Stockholm Public Library, 1920-28 Aalto, Civil Guard Buildings: Stables, Seinajoki, Finland, 1924-26 Alvar Aalto (1898-1975) Aalto, Villa Vekara Karstula, Finland, 1924 Turun Sanomat News, Turku, Finland, 1928 Aalto, House for Terho Manner, Töyszä, Finland, 1923 2 5/18/16 * Alvar Aalto, * Alvar Aalto, Library, Library, Viipuri, Viipuri, Finland, 1927-35 * Alvar Aalto, Library, Viipuri, Finland, 1927-35 Finland, 1927-35 * Alvar Aalto, Library, Viipuri, Finland, 1927-35 * Alvar Aalto, Library, * Alvar Aalto, Library, Viipuri, Finland, 1927-35 Viipuri, Finland, 1927-35 * Alvar Aalto, (Tuberculosis) Sanitorium, Paimio, Finland, 1928-33 *(Tuberculosis) Sanitorium, Paimio, Finland *Alvar Aalto, (Tuberculosis) Sanitorium, Paimio, Finland 3 5/18/16 * Alvar Aalto, (Tuberculosis) Sanitorium, Paimio, Finland, 1928-33 *Alvar Aalto, (Tuberculosis) Sanitorium, Paimio, Finland Alvar Aalto, three-legged stacking -
The Utzon Paradigm
THE UTZON PARADIGM Roger Tyrrell Co-Director of the Jørn Utzon Research Network (JURN) and Adrian Carter Co- Director of the Jørn Utzon Research Network (JURN), Director of the Utzon Research Center, Aalborg University. RE-CONSIDERING UTZON “Comparable in subtle ways to the protean achievements of Le Corbusier, Utzon’s architecture emerges today as paradigmatic at many levels not least of which is the manner in which, from the beginning of his career, he would challenge the assumed superiority of Eurocentric culture.” (Frampton. K. 2003 p 6) This Paper strives to address three objectives. The first is to discuss the Utzon’s oeuvre from a paradigmatic perspective, the second to layer that paradigm within two distinct but interconnected frameworks. The third objective is to explore the fusion of this dichotomous paradigm through the concept of ‘poetic conjunction’. Jørn Utzon (1918-2008) is now internationally recognised as one of the most original, innovative and socially concerned of modern architects, perhaps the last great exponent of the humanistic Nordic tradition within modern architecture. He is the architect of what is still widely considered the most noble and humane housing built in Denmark, a simple, yet poetic modern church at Bagsværd and the most iconic and popular building of the 20th Century, his great unfinished masterpiece, the Sydney Opera House. (Fig 1) The Opera House has become the symbol of not just Sydney, but also Australia; that owes it origins to the maritime environment of Aalborg, where Jørn Utzon spent his youth, and the inspiration of his father Aage Utzon, an esteemed yacht designer. -
Atrocities Against Hungarians in Transylvania-Romania in The
THE WHITE BOOK ATROCITIES AGAINST HUNGARIANS IN THE AUTUMN OF 1944 (IN TRANSYLVANIA, ROMANIA) RMDSZ (DAHR) KOLOZSVÁR, 1995 by Mária Gál Attila Gajdos Balogh Ferenc Imreh Published originally in Hungarian by the Political Section of the Acting Presidium of the DEMOCRATIC ALLIANCE OF HUNGARIANS IN ROMANIA (DAHR) Publisher: Barna Bodó Editor: Mária Gál Lector: Gábor Vincze Corrector: Ilona N. Vajas Technical editor: István Balogh Printed by: Écriture Press Printing House Manager in charge: Gyula Kirkósa Technical manager: György Zoltán Vér Original title: Fehér könyv az 1944. öszi magyarellenes atrocitásokról. Foreword 75 years have passed since Trianon, the humiliating and unfair event that has been a trauma for us, Hungarians ever since. Even though we had 22 years at our disposal for analyzing and defining political and social consequences, the next disastrous border adjustment once again driven us to the losers’ side. Since then, the excruciating questions have just multiplied. When was the anti-Hungarian nature of the second universal peace agreement decided upon? What were the places and manners of this fatal agreement, which, although unacceptable to us, seemed to be irrevocable? Some questions can probably never be answered. Devious interests have managed to protect certain archives with non- penetrable walls, or even succeeded in annihilating them. Other vital events have never really been recorded. Lobbying procedures are not the invention of our age... State authorities could easily ban prying into some delicate affairs if special cases – like ours – occurred. There seemed to be no possibility for answering the question of the bloodshed in the autumn 1944 in North Transylvania. -
A Deep Organic Re-Reading of Alvar Aalto's Design Approach
A Deep Organic Re-reading of Alvar Aalto’s Design Approach Ari Hynynen Tampere University of Technology [email protected] Abstract The conceptual framework of ’organic architecture’ is the most common theory used in analysing Alvar Aalto’s life’s work. Actually, it could not be considered a real theory, but a quite fuzzy concept due to its many miscellaneous interpretations. Aalto himself talked about organic architecture without never explicating properly what it means. In this respect, more research should be done. For example, Aalto’s regional plans deserve to be analysed from this point of view. Perhaps the most favourable case is the Kokemäenjoki valley regional plan, for it offers new keys for interpretation due to its emphasis on textual representation. The other key used in this study is Goethe’s philosophy of science. Many writers have noticed its resemblance to Aalto’s thinking and approach. Unfortunately the argumentation is too often superficial, although more thorough processing seems to evoke new ideas on Aalto’s design approach, as well as on organic architecture on a more general level. Surprisingly these ideas appear quite topical in our digitalizing world. Introduction A vast number of different kinds of analyses have been published on the life’s work of architect Alvar Aalto (1898-1976). One of the most often applied interpretational frameworks has been the theory of organic architecture. The term ‘theory’ in this context, however, is misleading, in that there are almost as many interpretations of organic architecture as there are writers. The term ‘organic’ includes ‘naturalness’ – a concept that has been interpreted as equally often as the imitation of natural forms as the imitation of natural processes. -
Alvar Aalto and Jean-Jacques Baruël
Working papers - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland Alvar Aalto and Jean-Jacques Baruël Jaime J. Ferrer Forés Ph D. Architect Barcelona School of Architecture. Barcelona TECH Spain [email protected] Publisher Alvar Aalto Museum ISSN-L 2323-6906 ISSN 2323-6906 www.alvaraalto.fi www.alvaraaltoresearch.fi Working papers -Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland www.alvaraaltoresearch.fi Introduction Alvar Aalto has a prominent place among modern architecture's masters and his widely acclaimed work spanning the decades between 1921 and 1976, with classicist beginnings, a functionalist period and a maturity characterized by the search for a synthesis between tradition and modernity is extraordinary, not only on account of its, but also because of the instruments, methods and reflections about the design process that his works offered: Aalto's architecture, all too frequently contemplated as a purely personal architecture, contains deep-rooted lessons and even its organic approach, if wisely applied, is transmissible. Aalto’s dedicated explorations and refining of significant universal themes in architecture provides an enormous resource for architects in the future. His timeless organic approach to design, rather than historic style ensures his continued relevance. This article explores Aalto's influence on the career of the Danish Architect Jean-Jacques Baruël. The article is divided in several sections. Firstly, the article present briefly Jean-Jacques Baruël's career. Secondly, the article will introduce the main distinctive characteristics of Jean-Jacques Baruël's architecture and Aalto's influence. It does not to attempt to describe his extensive work and projects, but to point out the central elements in his efforts. -
Ld1 in PURSUIT of TRUTH
IN PURSUIT OF TRUTH Essays on the Philosophy of Karl Popper on the Occasion of His 80th Birthday Edited by PA UL LEVINSON \ with Fore words by (t 21). Isaac Asimov and Helmut Schmidt Chancellor, Federal Republic of Germany I1b2. f'.- t4 z;-Ld1 HUMANITIES PRESS INC. Atlantic Highlands, NJ 248 liv PURSUIT OP TROT/I hope and no proof is Stoicism and Judeo-Christian religion, in which irrationalism and stoicism alternate. Yet there is no inconsistency in the philosophy of hope without proof, especially as a moral injunction to oiler the benefit of doubt wherever at all possible. Now, the philosophy of hope without proof is not exactly Popper's. It began with T. H. Huxley, the famous militant Darwinian, and H. C. Wells. Its best expression is in Bertrand Russell's Free A Popperian Harvest0 Man's Worship," the manifesto of hope born out of despair, clinging to both despair and reason most heroically. This famous paper, published in Russell's W. W. BARTLEY, III Philosophical Essays of 1910, is a sleeper. It was hardly noticed by It is by its methods rather than its subject-matter that philosophy contemporaries and followers, yet now it is the expression of current religion, is to be distinguished from other arts or sciences. ofcurrent scientific ethos. Here, I think, Popper's philosophy of science gave it A. J. Ayer, 1955' substance. Philosophers arc as free as others to use any method in searching Or perhaps Russell's "Free Man's Worship" gives Popper's philosophy of truth. There is no tnethod peculiar to philosophy. -
“What Sort of Communists Are You?” the Struggle Between Nationalism and Ideology in Poland Between 1944 and 1956
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2017 “What sort of communists are you?” The struggle between nationalism and ideology in Poland between 1944 and 1956 Jan Ryszard Kozdra Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the European History Commons, and the Political Science Commons Recommended Citation Kozdra, J. R. (2017). “What sort of communists are you?” The struggle between nationalism and ideology in Poland between 1944 and 1956. https://ro.ecu.edu.au/theses/1955 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1955 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth).