BUILDERS and CONTRACTORS

Total Page:16

File Type:pdf, Size:1020Kb

BUILDERS and CONTRACTORS APRIL, 1908 TWENTY-FIVE CENTS mSter/^el Bros. f©. JAMES L. STUART, MANTELS Constructing Wc carry the largest line of imported ENGLISH, DUTCH and FRENCH tiles for mantel work in the city. Contractors Engineer.. _... and makers of IN/pE T I L E 341 Sixth Ave., Pittsburgh, Pa. ... ;•••. files and Fire place goods of all descriptions. - Contracts taken for all Classes of Building . ^I&jg Market Street,Office Buildings, Industrial Plants, Power Plants, Reinforced Concrete, Etc, ^PITTSBURGH. Bell Phone Orant 3158. •• 'Phon«it B«U, Court 37TG. P. <&. A., Main SSI. Bell Phone 3133 Court. McGully-Hickman Go, Limited. W. F. TRIMBLE & SONS CO. o~ ^ Building General Bill Hactors, Contractors No. 1719 Greenwood Street, . ALLEGHENY, PA. 801-2 Pittsburg Bank for Savings. PlftSBCRO, I»A. -' I>AXJXv \ZV. MoOUlvIyY, MCr. THE BUILDER 3 gO<C=>0)<^>)0<rr>00<=>00<^>00<r>00<3>00<rr>00<=>CO<Z>0'5i ^0<C^00<=>00<^>00<^^0<^=-00<r>0()<C^00<^O0<==>00<^>0^ ENAMELING AND GILDING FOR INTERIOR DECORATIONS Sheet Copper Statuary JOHN DEWAR, House Painting. Enameling and Gilding. FINISHING AND RE-FINISHING OF HARD WOODS. Bell 'Phone 211 Cedar. 850 North Avenue, West, Allegheny. ASSOCIATED WITH DEWAR & CLINTON LIFE-SIZE WON MADE IN SHEET COPPER FIRE-PROOF METAL WINDOWS SKYLIGHTS- -CORNICES -FINIALS Dewar, Clinton & Alexander Co. METAL TILE ROOFING SHEET METAL ORNAMENTAL WORK PENNAVENUE, PITTSBURGH, PA. n If Catalogue of any line you are interested in sent free on request. 1 Prices quoted on special designs made Bell 'Phone 1383 Court. from architects' drawings. If We solicit your corres­ pondence. v^O<cr>00<:^>0()<C=>00<=^^0<C^<()<3>0()<Z>00<r>00<^>00<CI>0/7 *7(X^X)0<=>00<3>00' >00< >00<=>00= XHK=>0t72i ST The W. H. MULLINS CO. U^^lo - T H NICOLA BUILDING CO Building . Contractors FARMERS BANK BUILDING PITTSBURGH, PA. 222884 THE BUILDER // Fire Protection Without Cost" FIREFIGHT PAINTS As its name indicates, Firefight is a fire-retarding paint, and must not be construed as being in the same class with the many so-called fireproof paints. We guarantee that Firefight is a strictly pure linseed oil paint, the pigment being ground in and thinned with pure linseed oil and the drier used being of the best quality procurable. We guarantee that buildings and woodwork protected by Firefight will be rendered fireproof to a degree not obtainable by the use of any other paint. Firefight Paint Company PITTSBURGH, PENN'A. Atlantic Terra Cotta Company Successors to THE ATLANTIC TERRA COTTA. CO. PERTH AMBOY TERRA COTTA CO. EXCELSIOR TERRA COTTA CO. STANDARD TERRA COTTA WORKS. The Largest Manufacturers of ARCHITECTURAL TERRA COTTA In the World. T\7e are prepared at all times to offer invaluable information to Architects as to the economical use of Terra Cotta, and to advise with them as to proper con­ struction. Architects desiring" approximate and actual estimates and prices for the substitution of our Terra Cotta for more expensive but less desirable building material, may always be sure of receiving prompt attention. PITTSBURGH OFFICE, 1113-1114 FULTON BUILDING FRANKS G. EVATT, DISTRICT MANAGER THE BUILDER Mii^sni&''<^i^i'-:i&i4t ing Fixtures. It is the "cleanest" spot because it contains ever •mnliance for the promotion of personal cleanliness and refinenu Msf Illlljljlyt ImlSj 6 THE BUILDER Wm. Miller & Sons7 Go. Contractors and Builders 530 to 534 Federal Street, PITTSBURGH, PA. Bell Phone, 145 Grant P. & A., 2289 Main The B. P. Young Go. Krum Granite & Stone Go. MARBLE, MOSAIC and TILEEstimates Furnished for all kinds Granite and Stone 530 to 534 Federal Street 530 to 534 Federal Street S Bell Phone, 1405 Grant Bell Phone, 1405 Grant Mill Office Phone, 494 Schenley i Miller Brick Go. Win. Miller & Sons, Inc. MANUFACTURERS OF MANUFACTURERS OF VITRIFIED FACE BRICK Mill Work and Fine Interior Woodwork ROCHESTER, PA. MILLS, ROCHESTER, PA. Bell Phone, 76 Rochester, Pa. Bell Phone, 19 Rochester, Pa. fy^^a*^!,**^**/***-**^****^^ THE U I L D E R THE THE Jos, l^rennan Co.W . S. TYLER Dealers and Contractors in COM PANY MOSAIC, TILE and ORNAMENTAL MARBLE IRON AND BRONZE Tile cMantels a Specialty. 714- Mag'ee Building PITTSBURGH, PA. BESSEMER BUILDING Phone 3417 Court. PITTSBURGH, PA. *• *i* ****** *$*-^t*J*-^M$*-^*-,^*2*-*$*-^*-*$*-»$*-»$*-»$*-i3* *********+** *+* >******t*****T.**I********I*1^ *i« -*$• >T< *t* * <j- Bernard Gloekler Co.it MAKER OF THE I! THE % Celebrated Eclipse Refrigerator BVILDER V • 1 IS ALWAYS ON SALE I *** • ! BY t i i ! R. S. DAVIS & CO.£ i ! t X 441 Wood Street v* X t I t >«-. f t Of Any Design For All Purposes. t OFFICE, FACTORY AND DISPLA Y ROOM Booksellers and Stationers 1127 to 1133 Penn Avenue i and who Handle all Home and Foreign Books and Periodicals t PITTSBURGH, PA. I X >**** V V 1*JHJMJHJHJHJMJMJ » <JHJHJHJ* •JHJHJMJHJHJI ^«**»^J^J«J«-»J*+J+*** *•**•* *•* *** *$HJHJHJHJHJMJ* ************ * THE B U I L D' E R Diebold Lumber and \ SCOTT A. WHITE f* | LEWIS BUILDING Manufacturing Co. J 0«cr>C 0 0<rr>0 I AKRON VITRIFIED ALL KINDS OF | ROOFING TILE LUMBER and i i | SHAPES: Spanish, French, Roman, Gre- £ MILL WORK J cian, Norman and Shingle Tile ^ COLORS: Red, Green, Glaze, Brown, 1 Black, Silver, Mottled Green, Fine Interior Hardwood Work, Em­ ? Buff and Gray Glaze bossed Mouldings Northwestern Terra Cotta Bath Portland Cement OFFICE AND MILL PHONES 93 to 105 Wabash St. Bell 9 Walnut West End Bell 249 Walnut glate Asphalt and Gravel Roofing MATTHEWS BROS' James Stewart & Go. MANUFACTURING GENERAL CONTRACTORS COMPANY Office and Railway Buildings, Manufacturing Plants, >00<^00<=>00< >00<Z>00<=>00<=>00< Reinforced Concrete, Structural Steel, Terminals and Subways, Fine Interior Wood Work Dredging, Dock Work, Heavy Masonry, Grain Elevators. Bank and Office Fittings OFFICES Furniture, Mantels, Etc. 135 Broadway, - - - New York. Lincoln Trust Building, St. Louis. 0<Z>00=>00<^00<=>00<=>00=>00'^>00<=>00<:^>0 | Fisher Building, Chicago. Hibernia Bank Building, - ? OFFICE AND FACTORY - New Orleans. No. 14 Grant Avenue, - - San Francisco. I 61 to 69 FOURTH STREET WESTINGHOUSE BUILDING, I MILWAUKEE, WIS. PITTSBURGH, PA. ? J! ? THE BUILDER STEINER & VOEGTLY A Good Tin Roof is the Most Weather-Proof That Can Be Had at Any Cost. DEALERS IN Sargent's Fine Builders' Hardware "HAMILTON'S Luitink, Acme Lane & Coburn BEST" Sliding Door Hangers Brand of Roofing Plate is Both Weather-Proof and Fire-Proof. Starrett's Machinists' Tools Tree Brand MANUFACTURED BY Cutlery & Razors Manufacturers of JOHN HAMILTON Geisey Casement OFFICE AND FACTORY ON LINE OF THE B. a O. R. R. NEAR TECUMSEH STREET, WINDOW CLOSED. WINDOW OPEN. GIESEY'S ELEVATING CASEMENT WINDOW HINGE. WindoW PiVOtS TWENTY-THIRD WARD, PATENTED JVV 19"^ IB9B. STEINER & VOEGTLY, 310 WOOD ST., PITTSBURG PA. g^J Uj^geS PITTSBURGH, PA. ' BELL HAZEL 6 LONG DISTANCE TELEPHONES 230-234 Diamond Street PITTSBURG, PA. I P. a A PARK 2BO The Malonc Stone Co. CLEVELAND, OHIO iflL4 ft i. ftfete^ _ (r ==^ Cabot's Shingle Stains Amherst Blae THE ORIGINAL AND STANDARD and Buff Stone THE only Shingle Stains that contain No Kerosene, Benzine or Other Cheapener. Made of the Best ^= Pigments, Pure Linseed Oil and Creosote, "the Best Wood Preservative Known." •M SAMPLES SENT ON REQUEST SAMUEL CABOT, Sole Manufacturer BRANCHES BOSTON, MASS. D. C. THOR.NBURG, Urgent, Pittsburgh Pittsburgh Chicago New York 10 THE BUILDER A & S.WILSON COMPANY Contractors •and= Builders PITTSBURGH PENNSYLVANIA THE MAHONING COUNTY COURT HOUSE, YOUNGSTOWN, OHIO. OWSLEY, BOUCHERLE & CO.. Architects. THE BVILDER Vol. 26 PITTSBURGH, PA., APRIL, 1908 No. 1 PUBLISHED MONTHLY theatre was believed to be fire-proof, and in fact its walls were not badly damaged during the conflagra­ BY tion, but the interior construction was of such a charac­ T. M. WALKER ter that not only were a large number of lives lost, but the interior of the building was practically an entire HEEREN BUILDING PITTSBURGH, PA. loss. If more attention had been given to the neces­ Entered at the Post office at Pittsburgh, Pa., as Second-Class Matter. sary exits, fire-curtains and sprinklers, etc., it is safe to say that many of the lives which were sacrificed would have been saved. SUBSCRIPTION, INVARIABLY IN ADVANCE, ONE YEAR, $2 A later fire that has caused considerable comment was that of the Parker Building in New York city. This building was erected some years ago and was by FIRE COST AND PREVENTION courtesy called fire-proof. Its outer walls were of Ever}' little while we hear of the destruction of stone, brick and terra cotta, its skeleton of steel and its one of our so-called "fire-proof" buildings and for a time floor filling of hollow tile. Very good so far, but let the daily papers are filled with excuses as to why they us look into the manner of construction more closelv, burned, and the public wonder if indeed there is really and we find that the steel girders were unprotected at any such thing as a truly fireproof structure. their vulnerable points, the windows were of ordinary The answer is simple. It is possible to erect a glass protected only by an inferior grade of iron shut­ thoroughly fireproof building, but there are a great ter and the elevators were open to every floor, no at­ many buildings put up ever}' year, which though they tempt having been made to protect the building from are built of brick, stone and probably steel and hollow the spread of flames at this point. The water supplv tile, are yet very far from fire-proof. The reason is was so noor that the firemen could reach only to the found in the improper and careless construction, the fifth floo"r.
Recommended publications
  • Vitruv Alberti Serlio Blum Vignola Palladio Perrault Durand Chitham Stuart Revett
    Vitruv Alberti Serlio Blum Vignola Palladio Perrault Durand Stuart_Revett Chitham Gebaelk Gebaelk Gebaelk Gebaelk Gebaelk Gebaelk Entablement Gebaelk Gebaelk entablature Gebaelk Entablement Gebaelk Gebaelk / na. Durm Gebaelk Gebaelk Gesims corona Gesims Gesims Gesims Corinthia Gesims Corniche Gesims Gesims cornice Gesims Corniche Gesims Sima / na. Durm Gesims Gesims Leiste Kyma reversa Dachtraufe Leiste Leiste Blaettlein Leiste Listeau Leiste Leiste fillet Echinus Quard de rond droit Abschlussleiste Leiste Kyma Kehle Kyma Cymatium Kyma Karnies Kehle Cavet Kyma Gola diritta Kyma cymaise Platte Plinte Kyma reversa Kyma Kyma Leiste Platte Haengeplatte Leiste Leiste Leiste Reglet Leiste Leiste fillet Platte Plinte Platte Platte Leiste Kyma reversa Kehle Sims Kyma reversa Cyma Kyma reversa Karnieslein Kyma reversa Talon Kyma reversa Gola riuersa Kyma reversa ogee Leiste Leiste Platte Laibung Platte Platte Mutulen Platte Corona Platte Ausladung Platte Larmier Platte Platte square Leiste Leiste Leiste Leiste Echinus Fussboden Kyma reversa Cyma Leiste Kyma reversa ogee Kyma reversa Kehle Kehle Sohlbank Kyma reversa Karnieslein Platte square Platte Leiste fillet Echinus Kehle hollow Leiste Triglyphenkopf capital of triglyphs Triglyphenkopf Triglyphenkopf Fries zophorus Fries Fries Fries Fries Fries Frise Fries Fries freeze Fries Frise Fries Fries / na. Durm Fries Fries Triglyphenkopf Leiste Baendchen Triglyphenkopf Capital Triglyphenkopf Triglyphenkopf Kyma Echinus Ouolo Fries freeze Platte Frise Rundstab Astragal / na. Durm Fries Fries Fries Platte
    [Show full text]
  • 1 Classical Architectural Vocabulary
    Classical Architectural Vocabulary The five classical orders The five orders pictured to the left follow a specific architectural hierarchy. The ascending orders, pictured left to right, are: Tuscan, Doric, Ionic, Corinthian, and Composite. The Greeks only used the Doric, Ionic, and Corinthian; the Romans added the ‘bookend’ orders of the Tuscan and Composite. In classical architecture the selected architectural order for a building defined not only the columns but also the overall proportions of a building in regards to height. Although most temples used only one order, it was not uncommon in Roman architecture to mix orders on a building. For example, the Colosseum has three stacked orders: Doric on the ground, Ionic on the second level and Corinthian on the upper level. column In classical architecture, a cylindrical support consisting of a base (except in Greek Doric), shaft, and capital. It is a post, pillar or strut that supports a load along its longitudinal axis. The Architecture of A. Palladio in Four Books, Leoni (London) 1742, Book 1, plate 8. Doric order Ionic order Corinthian order The oldest and simplest of the five The classical order originated by the The slenderest and most ornate of the classical orders, developed in Greece in Ionian Greeks, characterized by its capital three Greek orders, characterized by a bell- the 7th century B.C. and later imitated with large volutes (scrolls), a fascinated shaped capital with volutes and two rows by the Romans. The Roman Doric is entablature, continuous frieze, usually of acanthus leaves, and with an elaborate characterized by sturdy proportions, a dentils in the cornice, and by its elegant cornice.
    [Show full text]
  • The Architecture of the Hera I Temple of Paestum: an Archaeological Comparative Study
    The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt Cover photo: Hera I temple at Paestum (Norbert Nagel/Wikimedia Commons, License: CC BY-SA 3.0) The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt, S1237047 Bachelor thesis Classical Archaeology Supervisor: Dr. M. E. J. J. van Aerde Leiden University, Faculty of Archaeology Leiden, 15 December 2017, Final version 2 Table of content 1. Introduction ....................................................................................................................................... 4 1.1 Research question .......................................................................................................................... 4 1.2 Greek colonisation and Magna Graecia ........................................................................................ 4 1.3 A historical overview of Poseidonia/Paestum ............................................................................... 7 1.4 The excavations of the Paestum area ............................................................................................. 8 1.5 Surroundings and site context ....................................................................................................... 8 1.6 The temples of Paestum .............................................................................................................. 10 2. The first Hera temple at Paestum .................................................................................................
    [Show full text]
  • A Treatise on the Decorative Part of Civil Architecture
    >» >t V»» >:« m» y.:>>. > >^»~>» r>-». _>">»03»r> >>TS»3J*> "»> a-v»» :>•> »-> »2soe> ••>» > X>> »>* >"' S3H»!X»-2» > ^N0»">rf 5> » »>.Ty:>»/>i3JB*TS»s> :> T»> 3»s>->» »> g»T>->» .:»:>~36**ap B^-^ > > >j >5SS£X»' >> > O >J> i>> J* > > -> » » - '> _>JB»> «S > 7 >' 3 v,; - SHB£>- -> >> 3* v>"53 . €» >3«tee> > 1> ^«?5^ ~~ < < «< <• ««< ; < «« <: «c < «Sf<*«*5, «<,<; '5 5<<<* U( <t« - - - r«<*i<"' . «*< , *¥i << Co, <-.<*»««*• i£ £^ • • « <* 5 <sc at x « « ^^; . .^ ^ c«s « « am Si<<* ^^S« t fi ' ,«;.< < £1 «« >,«s«ats&<: «*e<«: OS rcc«HH§Si <"2oc: jg ««««?« «H; Sit «st i«c - ;sa^W IS -ftr< =; tt<r gac*sc Sg- ^^^L< «.C< <«* SS.. Ci^ i '<« gr«: c**^*.,;?. «c^ <"<g: ^c<, > ess «:<:<< <£» ;«'«:< 3G ^ co<«• CStE «: «: 5<J C CC <C CC<3 5SE <: «<L -„<'«: ;S<f C i <r<z ^<S<L c ijatx <K Z<C c •OP -c. 2^- C2i< «• <3C "' «r t<<t-'> «r c '^ < ft *£& ; ^SSs® .,c.<. eg:*: < ^sr ^^«88< SCO JSCC«3(: < cc<ar r <xccr ** r Digitized by the Internet Archive in 2011 wittn funding from Research Library, The Getty Research Institute http://www.archive.org/details/treatiseondecora01cham <^_v E St N. A TREATISE OX THE DECORATIVE PART OF CIVIL ARCHITECTURE, ETC. VOL. I. G. WOODKALL. ANCEI. COIRT, SKINNER STREET, I.OSDON. : TREATISE DECORATIVE PART CIVIL ARCHITECTURE, BY SIR WILLIAM CHAMBERS, K.P.S. F.R.S. F.S.A. F.S.S.S. ILLUSTRATIONS, NOTES, AND AN EXAMINATION OF GRECIAN ARCHITECTURE, BY JOSEPH GWILT, Architect, F.S.A. LONDON PRIESTLEY AND WEALE. MDCCCXXV. CONTENTS. PAGE Dedication ™ List of Subscribers xm Preface to this Edition xxxv Life of Sir William Chambers 3 Of the Elements of Beauty in Architecture 14 Of the Origin of Grecian Architecture Architecture 34 Of the Progress and Perfection of Grecian ...
    [Show full text]
  • The First Book of Architecture
    •^^^ ^.1 '^ X. m. ''***" f > V•^ V /\ / / .^, v^ ^ ^.j L ^ /^ /v ^ / ^ 1 yp r ^'** K^^islatedoiit ofItalian n^ &t^ ^' ^^^^ ^/zW 7iec^sarj^ to Tfl mm i'ii|il!!iH!!l : THE FIRST B Q O K Tirchitecture J^DREA FALLADIO, Tranflated out of J^ALIAN^ With an A P PEN DIX touching DOORS and WINDOWS, By P^- Le MUE ST*, Archited tq the French King. Tranflated into EngliJJj, by GoDfRiy Richards, '^he Whole illufirated with above Se'venty Copper Cuts. ALSO Kules and Demonjlratms, with (ieveral Defigns, for the Framing of any manner of Roofs , either Above Pitchy or Under Pitch whether Square or Be'vel never before ^ Publi/hed : By that Ingenious Archited:, Mr. William Pope WITH of Lojidon, Defigns of Floes of Variety of Small Pieces of Wood Inlaid^ lately made in the Palace of S^jtuerfet-Houfe ; a Curiofity never pradifed before in Ertgland. The SItuf If?l) Ctsittcn, CorreSfed and Enlarged : With a Ne-jj ]\/;odel ( the Cathedral oi Sc Pr.ul, London, ^s\t is now Rcbuilr, L N D O Ny Printed for in- A. Bettefivorth and C. Hitch^ and , y. shorn Prrferfnofier-Kciv Hodges- ; S. Birt in A^ve-Mary-Lnne,^ and J. on London- Bridge. Isl pcc 'nxxiir* ^ The FREFACE to the READER. Siihje^ of this Tranjlation being Akchitocture, doth PSe(^ THEin the Opinion of Sir Henry Wotton, need no Commaidn- ,| ^ tion, there are ''"^ ^' where nohle Men or noble Minds : 'There- ^ JjJjall only gi've you an ' fore Account of the Authors^, and my cwH - Concernments herem : He was Andrea Palladio, a Famous Arcbit^^i I taly of J where taking notice of the Irregularities and c Deformities ip \ t» ^v in Buildings introduced by Jnvafions the Goths, of and other Bar- .
    [Show full text]
  • Architecture and Polite Culture in Eighteenth-Century England: Blackstone' S Architectural Manuscripts'
    ARCHITECTURE ÂND POLITE CULTURE IN EIGHTEENTH-CE,NTURY ENGLAND : BLÁ.CKSTONE'S,\RCHITECTUR-,\L MANUSCRIPTS By Catol Matthews BA (F{ons) Discþline of History, School of History and Politics University of Adelaide March,2007 'Architecture and Polite Culture in Eighteenth-Century England: Blackstone' s Architectural Manuscripts' Thesis Abstract Sir William Blackstone (1723 - 1780) is a significant historical figure, known to historians as a judge and as the author of the highly influential Commentaries on the Laws of England (1765 - 1769). An enormous scholarly literature has been devoted to Blackstone's legal thought. As Prest recently observed however, biographers have long acknowledged the existence of Blackstone's interest in architecture, yet its "duration, depth and significance [has] never been properly explored or appreciated".l This thesis takes up that challenge, arguing that an understanding of hìs unpublished architectural treátise, 'Elemenis of Architecture' (1746 - ll47),2 enriches our understanding of Blackstone and of his jurisprudence. The thesis seeks to establish, for the first time, architecture's role in Blackstone's life and intellectual development. It endeavours, most importantly, to determine the extent to which the use of architectural metaphor in his great legal text might offer a new perspective on his reputation as an arch conservative and upon the methodology and very genesis of the Commentaries. The thesis has three major aims: to situate Blackstone's treatise within its biographical, historical and intellectual contexts, to concluct a rletailed examination of the manuscript and, thirdly, to identifu key issues and questions worthy of further research. Thus, it adopts an innovative methodology: that of a scholarly edition of Blackstone's 'Elements of Architecture'.
    [Show full text]
  • Components Alpha
    FISH TERMINOLOGIES Components Thesaurus Report Format: Hierarchical listing - alpha Notes: A thesaurus for the recording of the component parts of a monument. Date: February 2021 A FRAME STEAM ENGINE from where the oracle was delivered. Now used SN A simple, single cylinder vertical steam engine for any private chamber or sanctuary. with its cylinder mounted directly on a baseplate, CL AREAS AND SPACES driving an overhead crankshaft which is BT ROOM supported by two A-shaped frames AEDICULE (FRAME) CL MACHINERY BT STEAM ENGINE SN The framing of a door or window with two columns piers or pilasters which support a A STRUT lintel,entablature etc. SN A strut with a reflecting counterpart that forms CL STRUCTURAL COMPONENT the letter A on either side of a king post. RT DOOR CL STRUCTURAL COMPONENT NICHE BT STRUT WINDOW NT SPANDREL STRUT AEDICULE (SHRINE) ABACUS SN An opening or shrine, usually containing a statue, SN The flat slab at the top of a capital. framed by a pair of pilasters or columns CL STRUCTURAL COMPONENT supporting an entablature and pediment. BT CAPITAL CL FIXTURES AND FITTINGS BT SHRINE ABUTMENT AGED MENS WARD UF Butment SN Solid masonry placed to counteract the lateral SN Series of rooms within a workhouse where thrust of a vault or arch. elderly men were housed. CL STRUCTURAL COMPONENT CL BUILDING COMPONENT ACANTHUS AGIASTERIUM SN A long much indented leaf usually curled over at SN The area of the Basilica, especially in the early the tip which is a standard form of foliage in church, in which the altar resides.
    [Show full text]
  • The Vitruvian Lexicon in Sixteenth-Century France Frédérique Lemerle
    The Vitruvian Lexicon in Sixteenth-Century France Frédérique Lemerle To cite this version: Frédérique Lemerle. The Vitruvian Lexicon in Sixteenth-Century France. Vitruvianismus. Ursprünge und Transformationen – Vitruvianism. Its Origins and Transformations Conference, Sanvito, Paolo, Jul 2011, Berlin, Germany. halshs-01673845 HAL Id: halshs-01673845 https://halshs.archives-ouvertes.fr/halshs-01673845 Submitted on 1 Jan 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Frédérique Lemerle CNRS, Centre d’études supérieures de la Renaissance, Tours The Vitruvian Lexicon in Sixteenth-Century France1 One of the most important architectural publications in sixteenth-century France was Jean Martin's 1547 translation of Vitruvius' De Architectura.2 Previously, Vitruvius had only been available in Latin – the most recent editions were published in Lyon in 15233 and Strasbourg in 1543,4 – and Italian – Cesariano (1521),5 Durantino (1524, 1535)6 and Caporali (1536).7 Vitruvius thus remained the reserve of humanists and men of letters, who, with the exception of a few brilliant figures such as the Lyon-based antique dealer Guillaume du Choul, the scholar Guillaume Budé, who had followed Fra Giocondo's lectures in Paris, and the learned Guillaume Philandrier, initiated into architectural theory by Serlio himself, tended to be rather ignorant about architecture and its terminology.
    [Show full text]
  • Components Class
    FISH TERMINOLOGIES Components Thesaurus Report Format: Hierarchical listing - class Notes: A thesaurus for the recording of the component parts of a monument. Date: February 2021 AREAS AND SPACES CLASS LIST CHAPEL APSE CHAPEL CHANTRY CHAPEL GALILEE LADY CHAPEL RADIATING CHAPEL DANCE FLOOR ENTRANCE ADIT CARRIAGE ENTRANCE CREEP CROSS ENTRY DOORWAY ENTRANCE HALL GATEWAY EXTERNAL AREA OR SPACE AMBITUS AMBULATORY (EXTERNAL) CLOISTER ANTEPORTICO ATRIUM (ECCLESIASTICAL) BAILEY INNER BAILEY OUTER BAILEY BOATING POOL COURTYARD ANTECOURT BASE COURT CLOISTER GARTH FORECOURT COVERED WAY EXERCISE YARD PADDLING POOL PARADISE PARVIS PERGOLA INTERNAL AREA OR SPACE AGIASTERIUM AMBITUS ANTECHAPEL ANTECHOIR APOTHESIS ARENA ATRIUM (SECULAR) AUCTION ROOM BAPTISTERY CHANCEL CHEVET CHOIR CLOSET CONFESSIONAL CORRIDOR CROSSING FERETORY 2 AREAS AND SPACES CLASS LIST HAYLOFT LOGGIA NAVE OFFERTORIUM ORATORY ORCHESTRA PIT ORGAN BLOWING CHAMBER PASSAGE AISLE AMBULATORY (INTERIOR) CARREL (AISLE) PASSAGE AISLE CROSS PASSAGE ENTERCLOSE SCREENS PASSAGE SERVICE PASSAGE TRIFORIUM WALKWAY WALL PASSAGE PENTHOUSE (APARTMENT) PRESBYTERY RETROCHOIR RINGING CHAMBER ROOM ADYTUM ALMONRY ANCHORAGE ANTEHALL ANTEROOM APARTMENT APODYTERIUM ARTISTS STUDIO AUDITORIUM CONFERENCE ROOM LECTURE THEATRE BALLROOM BANKING HALL BAR ROOM BELFRY BLEEDING ROOM BOILER ROOM BOX OFFICE BURSARY CABINET CALDARIUM CAMERA (SUITE) CASEMATE CELL CHANGING ROOM CHINESE ROOM CLOAKROOM CONFESSIO CONTROL ROOM 3 AREAS AND SPACES CLASS LIST CRYPT ARCOSOLIUM RING CRYPT DINING ROOM BANQUETING HALL BREAKFAST ROOM
    [Show full text]
  • 282 the Temple of Apollo at Delphi. the Temple
    282 THE TEMPLE OF APOLLO AT DELPHI. THE TEMPLE OF APOLLO AT DELPHI. IN many respects Delphi and its varied cults possess an interest which is not to be rivalled by that of any other Hellenic site. The lofty precipices, the dark deeply-cleft ravines, the mysterious caves, and the bubbling springs of pure water, combine to give the place a romantic charm and a fearfulness of aspect which no description can adequately depict. Again Delphi stands alone in the catholic multiplicity of the different cults which were there combined. In primitive times it was the awfulness of Nature which impressed itself on the imaginations of the inhabitants. In an early stage of development the mind of man tends to gloomy forms of religion : his ignorance and comparative helplessness tend to fill his brain with spiritual terrors and forebodings. Thus at Delphi the primitive worship was that of the gloomy Earth and her children, the chasm-rending Poseidon, and the Chthonian Dionysus, who, like Osiris, was the victim of the evil powers of Nature. It was not till later times that the bright Phoebus Apollo came to Delphi to slay the earth-born Python, just as the rising sun dissipates the shadows in the depths of the Delphian ravines, or as in the Indian legend the god Indra kills with his bright arrows the great serpent Ahi—symbol of the black thunder-cloud. With him Apollo brings his mother and sister, Leto and Artemis, his usual companions, and then later still Athene* is added to the group of celestial deities who were worshipped by the side of the Chthonians, and by degrees took the foremost place in the religious conceptions of the worshippers at Delphi.2 Moreover as an oracular shrine Delphi stands quite alone among the many oracles of the Greeks.
    [Show full text]
  • The Classical Orders of Architecture.Pdf
    CHIT-FM.QXD 17/11/04 10:51 AM Page 1 THE CLASSICAL ORDERS OF ARCHITECTURE CHIT-FM.QXD 17/11/04 10:51 AM Page 2 Dedicated to the memory of Cecil Burns, Architect, who introduced me to the work of James Gibbs and taught me how to set out the entasis of columns. CHIT-FM.QXD 17/11/04 10:51 AM Page 3 THE CLASSICAL ORDERS OF ARCHITECTURE SECOND EDITION ROBERT CHITHAM Incorporating James Gibbs and the American Classical Tradition, by Calder Loth CHIT-FM.QXD 17/11/04 10:51 AM Page 4 Architectural Press An imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Drive, Burlington, MA 01803 First published 1985 Second edition 2005 Copyright © Robert Chitham 1985, 2005. All rights reserved The right of Robert Chitham to be identified as the author of this work has been asserted in accordance with the Copyright, Design and Patents Act 1988 No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England WIT 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publishers Permissions may be sought directly from Elsevier’s Science and Technology Rights Department in Oxford, UK: phone: (+44) (0) 1865 843830; fax: (+44) (0) 1865 853333; e-mail: [email protected].
    [Show full text]