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The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
View Nomination
NOMINATION OF HISTORIC BUILDING, STRUCTURE, SITE, OR OBJECT PHILADELPHIA REGISTER OF HISTORIC PLACES PHILADELPHIA HISTORICAL COMMISSION SUBMIT ALL ATTACHED MATERIALS ON PAPER AND IN ELECTRONIC FORM (CD, EMAIL, FLASH DRIVE) ELECTRONIC FILES MUST BE WORD OR WORD COMPATIBLE 1. ADDRESS OF HISTORIC RESOURCE (must comply with an Office of Property Assessment address) Street address:__________________________________________________________3910 Chestnut St ________ Postal code:_______________19104 Councilmanic District:__________________________3 2. NAME OF HISTORIC RESOURCE Historic Name:__________________________________________________________James A. Connelly House ________ Current/Common Name:________Casa Vecchia___________________________________________ ________ 3. TYPE OF HISTORIC RESOURCE Building Structure Site Object 4. PROPERTY INFORMATION Occupancy: occupied vacant under construction unknown Current use:____________________________________________________________Office space ________ 5. BOUNDARY DESCRIPTION See attached. 6. DESCRIPTION See attached. 7. SIGNIFICANCE Please attach the Statement of Significance. Period of Significance (from year to year): from _________1806 to _________1987 Date(s) of construction and/or alteration:_____________________________________1866; reconstructed 1896 _________ Architect, engineer, and/or designer:________________________________________Horace Trumbauer, architect _________ Builder, contractor, and/or artisan:__________________________________________Doyle & Doak, contractors _________ Original -
Lemma Italiano Qualifglossfiltro Materia Traduzione Iamerican Eglosse
lemma italiano qualifglossfiltro materia traduzioneAmerican i Eglosse inglesolo E/I francese tedesco commento aeroporto m MGH AER airport aeroporto galleggiante m MGH AER seadrome aerostazione f MGH AER air terminal a bandiera #f COSTR cantilevered a bilico #m di ponte COSTR bascule attr., of a bridge I a bilico #m COSTR pivot attr. a bilico #m COSTR pivoting a bilico #m COSTR bascule attr. E a bordo squadrato #m COSTR square-edged a C #f C-shaped E a C #f channel attr. E Dopo C-shaped a cantilever #m ingl con parti sporgenti COSTR cantilevered a cerniera #f COSTR hinge attr. a cerniera #f COSTR hinged a coda di rondine #f COSTR dovetail attr. a coda di rondine #f COSTR dovetailed a croce #f COSTR cross attr. a crociera #f COSTR cross attr. a cupola #f COSTR dome-shaped a doppia parete ##f COSTR double-walled a doppia parete ##f COSTR two-walled a due ante ##f pl di armadio ARRED double-door of a cupboard a due battenti ##m pl di finestra COSTR double-hinged of windows a due battenti ##m pl di finestra COSTR two-hinged of windows a due battenti ##m pl di porta COSTR double-leaf attr., of doors a due battenti ##m pl di porta COSTR two-leaf attr., of doors a due falde ##f pl COSTR two-pitched a due piani ##m pl COSTR bi-level attr. a faccia a vista #f COSTR exposed face attr. a facciavista #f COSTR exposed face attr. a ferro di cavallo #m COSTR horseshoe attr. a forcella #m COSTR fork attr. -
National Register of Historic Places Inventory-Nomination
National Historic Landmarks Nominations NPS Form 10-900 OMB No. 1024-0018 (3-82) Theme VII America at Work: Architecture Exp.10-31-84 United States Department of the Interior National Park Service For NPS use only National Register of Historic Places received Inventory Nomination Form date entered See instructions in How to Complete National Register Forms Type all entries complete applicable sections______ 1, Name________________ historic Shadow j-awh _ _ ____ and or common WoodrOW Wilson Hall 2. Location street & number f.Prlar AvPniie & Norwood Avenue not for publication city, town West Long Branch __ vicinity of state New Jersey code 034 county Monmouth code 025 3. Classification Category Ownership St«itus Present Use __ district __ public _x_ occupied agriculture museum _X- building(s) _x private unoccupied commercial park structure both work in oroaress x educational private residence site Public Acquisition Accessible entertainment religious object in process yes: restricted government scientific being considered .. yes: unrestricted __ industrial transportation no _ military other: 4. Owner of Property name Monmouth College street & number city, town West Long Branch ___ vicinity of state New Jersey 5. Location of Legal Description courthouse, registry of deeds, etc. Monmouth County Courthouse street & number city, town Freehold state New Jersey 6, Representation in Existing Surveys tHIe New Jersy Historic S"[te Inventory has this property been determined eligible? yes no date 1977 federal >c state county local depository for survey records Labor and Industry Building city, town Trenton state New Jersey 7. Description Condition Check one Check one _ X_ excellent deteriorated unaltered X original site __ good __ ruins X altered moved date fair _ unexposed Describe the present and original (if known) physical appearance The present central building of Monmouth College is the second Shadow Lawn. -
Horace Trumbauer: a Life in Architecture
THE PennsylvanialMagazine OF HISTORY AND BIOGRAPHY Horace Trumbauer: A Life in Architecture IXT ITHIN MONTHS after g legal age, Horace Trumbauer pened his architectural office in Philadelphia. Before he died V in his native city nearly ha a century later, he had brought forth well over a thousand works. Remembered best for his mansions, he in fact devised buildings and alterations of virtually every size and purpose. Most stand in Philadelphia or its suburbs, although structures north to Maine and south to Florida, west to Colorado and east to England make him far from a local architect. While he had many gifted employees, their purpose was to carry out his intentions. Today he ranks as Phiadelphia's representative among the top tier of American architects of the Gilded Age. His life was dosely interwoven with the opulent era of architecture through which he lived. Born soon after the Civil War, the boy grew up in a nation freshly emerged as a world power, whose architects cast aside regional customs in favor of historic styles firmly within the European mainstream. Europe's own use of such styles had grown overly mannered so that the United States now led in architecture no less than in industry. First fruits of this period were still arising when Horace quit school at age fourteen to apprentice at an architectural firm. Going on his own in 1890, the twenty-one-year-old won instant approval from prosperous clients. Chief THE PENNSYLVANIA MAGAZINE OF HISTORY AND BIOGRAPHY Vol. CXXV,No. 4 (October 2001) FREDERICK PLAIT October celebrities of the era were its tycoons, and almost at once he began erecting immense residences for them. -
HAMMOND-HARWOOD HOUSE ARCHITECTURAL TOUR Prepared by Sarah Benson March 2008
HAMMOND-HARWOOD HOUSE ARCHITECTURAL TOUR Prepared by Sarah Benson March 2008 Major themes: their interests. Don’t be intimidated if * materials and methods of house building visitors know more about colonial * the status of the architect in colonial architecture than you do or if they are America themselves architects. Invite them to * the forms and meanings of Anglo- bring their expertise to bear on the tour. Palladian architecture in America and the power of the classical tradition Order of the tour: Gallery The tour materials include: EXTERIOR Narrative script p. 2 Maryland Avenue façade Outline version p. 30 Garden façade Important characters p. 37 SERVICE AREAS Glossary p. 37 Basement Bibliography p. 39 Kitchen FIRST FLOOR The narrative script will give you a full Best Bedchamber background for the tour, while the outline Study emphasizes the key points. Draw on the Passage narrative and your own experiences in Dining Room leading tours of the house to flesh out the Parlour outline. A bibliography directs you to Stair Passage further reading if there are topics you SECOND FLOOR wish to explore in greater depth. Stair Passage Study Chamber Your audience is likely to include people Upper Passage with a range of knowledge about colonial Northeast Chamber architecture. Visitors may or may not Gaming Room have heard of Andrea Palladio and may or Ballroom / Withdrawing Room may not have visited other colonial houses in the region. Draw them out to discover NARRATIVE SCRIPT INTRODUCTION GALLERY The house was begun in 1774 for MATTHIAS HAMMOND, a wealthy planter who also served in the Maryland state legislature. -
Vitruv Alberti Serlio Blum Vignola Palladio Perrault Durand Chitham Stuart Revett
Vitruv Alberti Serlio Blum Vignola Palladio Perrault Durand Stuart_Revett Chitham Gebaelk Gebaelk Gebaelk Gebaelk Gebaelk Gebaelk Entablement Gebaelk Gebaelk entablature Gebaelk Entablement Gebaelk Gebaelk / na. Durm Gebaelk Gebaelk Gesims corona Gesims Gesims Gesims Corinthia Gesims Corniche Gesims Gesims cornice Gesims Corniche Gesims Sima / na. Durm Gesims Gesims Leiste Kyma reversa Dachtraufe Leiste Leiste Blaettlein Leiste Listeau Leiste Leiste fillet Echinus Quard de rond droit Abschlussleiste Leiste Kyma Kehle Kyma Cymatium Kyma Karnies Kehle Cavet Kyma Gola diritta Kyma cymaise Platte Plinte Kyma reversa Kyma Kyma Leiste Platte Haengeplatte Leiste Leiste Leiste Reglet Leiste Leiste fillet Platte Plinte Platte Platte Leiste Kyma reversa Kehle Sims Kyma reversa Cyma Kyma reversa Karnieslein Kyma reversa Talon Kyma reversa Gola riuersa Kyma reversa ogee Leiste Leiste Platte Laibung Platte Platte Mutulen Platte Corona Platte Ausladung Platte Larmier Platte Platte square Leiste Leiste Leiste Leiste Echinus Fussboden Kyma reversa Cyma Leiste Kyma reversa ogee Kyma reversa Kehle Kehle Sohlbank Kyma reversa Karnieslein Platte square Platte Leiste fillet Echinus Kehle hollow Leiste Triglyphenkopf capital of triglyphs Triglyphenkopf Triglyphenkopf Fries zophorus Fries Fries Fries Fries Fries Frise Fries Fries freeze Fries Frise Fries Fries / na. Durm Fries Fries Triglyphenkopf Leiste Baendchen Triglyphenkopf Capital Triglyphenkopf Triglyphenkopf Kyma Echinus Ouolo Fries freeze Platte Frise Rundstab Astragal / na. Durm Fries Fries Fries Platte -
Downloaded from Brill.Com10/10/2021 01:00:04AM Via Free Access
Chapter 9 The Neugebäude Figure 9.1 Nicolas Neufchatel, Emperor Maximilian ii, 1566, Vienna, Kunsthistorisches Museum. © dirk jacob jansen, ���9 | doi:�0.��63/9789004359499_0�� This is an open access chapter distributed under the terms of the prevailing cc-by-ncDirk-nd Jacob License. Jansen - 9789004359499 Downloaded from Brill.com10/10/2021 01:00:04AM via free access <UN> The Neugebäude 431 9.1 The Tomb of Ferdinand i and Anna in Prague; Licinio’s Paintings in Pressburg While in the act of drawing his proposals for the Munich Antiquarium, Strada appears to have been quite busy with other concerns. It is likely that these con- cerns included important commissions from his principal patron, the Emperor Maximilian ii [Fig. 9.1], who had been heard to express himself rather dis- satisfied with Strada’s continued occupation for his Bavarian brother-in-law. Already two year earlier, when Duke Albrecht had ‘borrowed’ Strada from the Emperor to travel to Italy to buy antiquities and works of art and to advise him on the accommodation for his collections, Maximilian had conceded this with some hesitation, telling the Duke that he could not easily spare Strada, whom he employed in several projects.1 Unfortunately Maximilian did not specify what projects these were. They certainly included the tomb for his parents in St Vitus’ Cathedral in Prague, that was to be executed by Alexander Colin, and for which Strada had been sent to Prague already in March of 1565 [Figs. 9.2–9.3]. As with his earlier in- volvement in the completion of the tomb of Maximilian -
Collection V36
Collection V36 Horace Trumbauer Collection ca. 1898-ca. 1947 2 boxes, 112 flat files, 16 rolled items, 4 lin. feet Contact: The Historical Society of Pennsylvania 1300 Locust Street, Philadelphia, PA 19107 Phone: (215) 732-6200 FAX: (215) 732-2680 http://www.hsp.org Inventoried by: Cary Majewicz Inventory Completed: May 2008 Restrictions: None © 2008 The Historical Society of Pennsylvania. All rights reserved. Horace Trumbauer collection Collection V36 Horace Trumbauer Collection, ca. 1898-ca. 1947 2 boxes, 112 flat files, 16 rolled items, 4 lin. feet Collection V36 Abstract Horace Trumbauer was born in Philadelphia in 1868 and became one of the city’s leading architects in the early middle part of the 20th century. He established his own firm in 1890 and, with a team of talented designers, began designing mostly private residences. In 1894, he completed “Grey Towers” for William Welsh Harrison in Glenside, Pennsylvania. Several years later, he designed “Chelton House” for George W. Elkins and “Lynnewood Hall” for P.A.B. Widener, both in Elkins Park, Pennsylvania. He also created residences in other states such as New Jersey, New York, and Rhode Island. By the middle of his career, Trumbauer had begun designing commercial and public buildings as well. Locally, he designed the Philadelphia Museum of Art in Fairmount Park and parts of the Free Library. He also designed buildings for Jefferson Medical College and the Hahnemann Medical College. He designed several college and university buildings throughout the country, most notably much of Duke University’s campus in Durham, North Carolina. He also designed Widener Library at Harvard University in Cambridge, Massachusetts. -
1 Classical Architectural Vocabulary
Classical Architectural Vocabulary The five classical orders The five orders pictured to the left follow a specific architectural hierarchy. The ascending orders, pictured left to right, are: Tuscan, Doric, Ionic, Corinthian, and Composite. The Greeks only used the Doric, Ionic, and Corinthian; the Romans added the ‘bookend’ orders of the Tuscan and Composite. In classical architecture the selected architectural order for a building defined not only the columns but also the overall proportions of a building in regards to height. Although most temples used only one order, it was not uncommon in Roman architecture to mix orders on a building. For example, the Colosseum has three stacked orders: Doric on the ground, Ionic on the second level and Corinthian on the upper level. column In classical architecture, a cylindrical support consisting of a base (except in Greek Doric), shaft, and capital. It is a post, pillar or strut that supports a load along its longitudinal axis. The Architecture of A. Palladio in Four Books, Leoni (London) 1742, Book 1, plate 8. Doric order Ionic order Corinthian order The oldest and simplest of the five The classical order originated by the The slenderest and most ornate of the classical orders, developed in Greece in Ionian Greeks, characterized by its capital three Greek orders, characterized by a bell- the 7th century B.C. and later imitated with large volutes (scrolls), a fascinated shaped capital with volutes and two rows by the Romans. The Roman Doric is entablature, continuous frieze, usually of acanthus leaves, and with an elaborate characterized by sturdy proportions, a dentils in the cornice, and by its elegant cornice. -
Lewis & Valentine Company Records, 1916-1971
Lewis & Valentine company records, 1916-1971 Marca Woodhams 1995 Archives of American Gardens P.O. Box 37012 Capital Gallery West, Suite 3300, MRC 506 Washington, DC 20013-7012 [email protected] http://www.aag.si.edu Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Arrangement note............................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Trade Literature and Publications............................................................. 4 Subseries : Miscellaneous Files and Clippings........................................................ 5 Series : Garden Images........................................................................................... 7 Series 3: Videotape.............................................................................................. 106 Lewis & Valentine company records AAG.LVC Collection Overview Repository: Archives of American Gardens Title: Lewis & Valentine company -
The Architecture of the Hera I Temple of Paestum: an Archaeological Comparative Study
The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt Cover photo: Hera I temple at Paestum (Norbert Nagel/Wikimedia Commons, License: CC BY-SA 3.0) The architecture of the Hera I temple of Paestum An archaeological comparative study Jolan van der Stelt, S1237047 Bachelor thesis Classical Archaeology Supervisor: Dr. M. E. J. J. van Aerde Leiden University, Faculty of Archaeology Leiden, 15 December 2017, Final version 2 Table of content 1. Introduction ....................................................................................................................................... 4 1.1 Research question .......................................................................................................................... 4 1.2 Greek colonisation and Magna Graecia ........................................................................................ 4 1.3 A historical overview of Poseidonia/Paestum ............................................................................... 7 1.4 The excavations of the Paestum area ............................................................................................. 8 1.5 Surroundings and site context ....................................................................................................... 8 1.6 The temples of Paestum .............................................................................................................. 10 2. The first Hera temple at Paestum .................................................................................................