DOCSLIB.ORG

View Entire Issue As

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

IN Step • LesBiCay Wisconsin's Community Newspaper • Founded in 1984 October 29, 1998 • Vol. XV, Issue XXII • $2.95 outside of Wisconsin SECTION ONE: NEWS: Budget Shortfall at ARCW, full story on page 3 Politics: Action Wisconsin's Voters Guide PLUS: The Latest Dish • Qups E Quotes • Legally Speaking and Much More! SECTION Q: INTERVIEW: Sir Ian McKellen PLUS:Fun?Game • len Benka • Gordon Parks Retrospective • REVIEW:Pleasantville The (lassies • Ethan Green • Keepin' IN Step with lame • The Guide 11. Before you cast your vote on a November &dm **- GET AIL THE FACTS... Access the ACTION WISCONSIN A Congress for Human Rights 1998 GIRT VOTER'S GUIDE ailableat mudlexeci iv The only gay voter's guide to survey all the Wisconsin candidates for Governor, U. S. Senate and House of Representatives Read the candidate's views in their own words Unbiased information - not political pundit's "spin" Printed copies also available at selected GIBT-friendly locations throughout Wisconsin Can't access the Internet and can't find a copy? Contact ACTION WISCONSIN A Congress for Human Rights P.O. Box 342 • Madison, Wisconsin 53701-0342 (608) 283-3251 V [email protected] Grand Opening Set Shortfall Leads to Cutbacks at ARCW for Milwaukee by William Attewell According to internal ARCW memos obtained by IN Step, a effect of the IN Step Staff hiring freeze initiated in August of this year will remain in until Jan. 1, 1999. Other cost cutting measures outlined in an Community Center Milwaukee — A 4% decrease in revenue for 1998 and a pro- Aug. 14 memo include a freeze on the purchase of office equip- Center of Milwaukee — Two years of planning, jected deficit for 1999 has caused the AIDS Resource ment and supplies, program service provider, to 10 town hall meetings, 150 volunteers and Wisconsin (ARCW), the state's largest AIDS materials, and marketing. Addi- measures, including the 250 members later, the Milwaukee Les- implement a number of cost cutting tionally, ARCW's management bian/Gay/Bisexual/Transgender Commu- permanent elimination of seven administrative positions, in order staff saw a temporary reduction in nity Center will welcome the LGBT com- to avoid budget deficits. salary for the remainder of 1998. with HIV and AIDS. We will munity, allies and public officials to its "Our commitment is to people "I am determined that ARCW anything to assure we will Grand Opening Ceremonies on Tuesday, not let them down, and I will do avoid the mistake of other agen- HIV/AIDS community," Nov. 10, 1998 from 5:30 to 9 p.m. always meet our commitment to the cies that have incurred a deficit Resource Center "Community centers are the engine of Doug Nelson, executive director of the AIDS and taken years to recover," The our liberation. Milwaukee deserves a of Wisconsin, told IN Step. Aug. 14 memo from Nelson reads. eliminated was based strong safe home for its LGBT communi- The decision on which positions to be "Because of ARCW's diversified position would impair ty," said Carmen Vasquez, Director of on a functional assessment of whether the base of funding from the public Nelson. Among Public Policy at the Lesbian and Gay. services and programs to clients, according to and private sectors, we continue to Community Services Center of New York. be in a strong financial position Nelson "From the heart of the New York Center, ARCW executive director, Doug now and in the future." we extend our best wishes and congratula- "Our programs and services will Nelson indicated to IN Step that a number of factors were tions on your new home," Vasquez added. not be affected." responsible for the current shortfall. According to Nelson, AIDS Sheila Zelenski, Milwaukee LGBT Walk totals were down $130,000 in 1998. Additionally, private Community Center co-president said, sector and corporate donations also shrunk by 3.5%. "We invite the local community, allies and the positions eliminated are the Regional Director for the North- "We are in the midst of a change in the dynamics of AIDS our brother and sister centers across the east Region, the Director of Volunteer Resources for the South- funding," says Nelson. "But we have prided ourselves on sound country to join us as we celebrate this his- east Region and the Deputy Director of Community Relations. financial management." toric milestone. It is truly a significant ARCW currently has 130 employees. Nelson told IN Step that the agency has seen an increase in moment we can all take pride in sharing." "The reductions in force will ensure that ARCW abides by individual gifts and donations and expressed optimisim that "We have been motivated throughout the highest standards of cost effectiveness. Our administrative ARCW would increase its fund-raising revenue in 1999. He also this two year process by the support we and fund-raising costs are going to be lean and mean. Our pro- indicated a commitment to grow the AIDS Walk back to dollar have received from Milwaukee's LGBT grams and services will not be affected," Nelson added. levels achieved in previous years. community," said Neil Albrecht, Center According to Nelson, the force reduction will save ARCW "I hope that the gay community is reassured by what we are co-president. "The efforts of many dedi- $300,000 in 1999. While other cost-cutting measures imple- doing to avoid a deficit without reducing our service level, says cated volunteers now come to fruition. mented earlier will assure that ARCW does not run a deficit in Nelson. "It is what the community expects of us." Hundreds of people are coming forward 1998. ARCW's budget for 1998 is $8.5 million. to tell us `This is great, this is what the community needs, thank you,— said Albrecht. decision to come out because of what hap- The Grand Opening will be an oppor- Candace Gingrich Supports State pened. And other people begin to under- tunity for the community to explore the stand when they know someone who is gay. new facility, meet the Center Board of Then it was time for the endorsement directors, and welcome public officials and Democrats at Milwaukee Rally talks, and the crowd, about 100 or so, local personalities. In addition, representa- filled the two rooms and pressed around tives from LGBT community social and Braun," she said. the impromptu stage. service organizations will be on hand with On this tour her appearances are coor- John Griffiths of the Human Rights information about their organizations. dinated by the Democratic party, and she League, made the introductions. First off Albrecht noted, "The formation of will spend the last three days before the Julia La Loggia, owner of the bar, wished to this Center will benefit the community in election in Madison working for Tammy state her own endorsement of Jon. Richards countless ways, including the expansion of Baldwin. But her main job is as manager in his bid for an Assembly seat. Next came supportive services for people newly out, of the national Coming Out Project for the HRL endorsement for Ed Garvey, run- youth services, and the establishment of the Human Rights League. ning against Tommy Thompson. one central access point for community "You don't come out one day a year," Garvey recounted a tragic incident members to learn about or become she said earnestly, "because every day of which, he said, changed his life. involved with other LGBT organizations." our lives we face coming out or not. Two of his Jewish friends, and their The new facility supports the Center's "Of course, Coming Out Day, the two children, were bludgeoned to death mission to provide a home for organiza- Conduce Gingrich. Photo: Dorothy Austin 10th anniversary, is pretty big. In San by a fanatic from the Aryan Nation. That tions, businesses, culture and diversity, Francisco we had thousands turn out, and forever changed his outlook, he said. advocate for and provide programs and by Dorothy Austin Ellen DeGeneres was there. Then Garvey declared that his long services to meet the needs of our commu- of the IN Step Staff "But we have to work at change all and uphill campaign had its good side. "I feel lucky, because through family nities and educate the public and our Milwaukee — Candace Gingrich, 32, the time," she said emphatically. support and friends, we have had a won- communities about our lives. nationally known gay activist and half-sis- She spoke of the agonizingly slow pace derful experience in going all over the "This Grand Opening has been made ter of Newt Gingrich, was devoting her of the social change which lesbians, gays, state. And we're talking about the joy ... of possible by the many pioneers in our com- energy in the last few days before the elec- bisexuals and transgendered persons need. munity taking back democracy from those who paved the way for this per- tion to getting out the vote. "The change ... is glacial," she said. She who manent have the big checkbooks. home," said Albrecht. Albrecht She plainly enjoyed her mission, her recalled a quote from Dr. Martin Luther, added Garvey that historically, this is the third chats with like-minded peers, and urged Jr. King, to the effect that change does not objected vigorously to attempt to form a center Thompson's recent for Milwaukee's her colleagues in the LGBT community happen overnight, but we must work as if statement that dese- LGBT cration of the flag community. In the 1970's, the Gay to work for candidates friendly to gay and it does. should be included in People's Union opened a site on Milwau- lesbian issues.
Recommended publications
  • An Actor's Life and Backstage Strife During WWII

    An Actor's Life and Backstage Strife During WWII

    Media Release For immediate release June 18, 2021 An actor’s life and backstage strife during WWII INSPIRED by memories of his years working as a dresser for actor-manager Sir Donald Wolfit, Ronald Harwood’s evocative, perceptive and hilarious portrait of backstage life comes to Melville Theatre this July. Directed by Jacob Turner, The Dresser is set in England against the backdrop of World War II as a group of Shakespearean actors tour a seaside town and perform in a shabby provincial theatre. The actor-manager, known as “Sir”, struggles to cast his popular Shakespearean productions while the able-bodied men are away fighting. With his troupe beset with problems, he has become exhausted – and it’s up to his devoted dresser Norman, struggling with his own mortality, and stage manager Madge to hold things together. The Dresser scored playwright Ronald Harwood, also responsible for the screenplays Australia, Being Julia and Quartet, best play nominations at the 1982 Tony and Laurence Olivier Awards. He adapted it into a 1983 film, featuring Albert Finney and Tom Courtenay, and received five Academy Award nominations. Another adaptation, featuring Ian McKellen and Anthony Hopkins, made its debut in 2015. “The Dresser follows a performance and the backstage conversations of Sir, the last of the dying breed of English actor-managers, as he struggles through King Lear with the aid of his dresser,” Jacob said. “The action takes place in the main dressing room, wings, stage and backstage corridors of a provincial English theatre during an air raid. “At its heart, the show is a love letter to theatre and the people who sacrifice so much to make it possible.” Jacob believes The Dresser has a multitude of challenges for it to be successful.
  • J Ohn F. a Ndrews

    J Ohn F. a Ndrews

    J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors.
  • To Download Rupert Christiansen's Interview

    To Download Rupert Christiansen's Interview

    Collection title: Behind the scenes: saving and sharing Cambridge Arts Theatre’s Archive Interviewee’s surname: Christiansen Title: Mr Interviewee’s forename(s): Rupert Date(s) of recording, tracks (from-to): 9.12.2019 Location of interview: Cambridge Arts Theatre, Meeting Room Name of interviewer: Dale Copley Type of recorder: Zoom H4N Recording format: WAV Total no. of tracks: 1 Total duration (HH:MM:SS): 00:31:25 Mono/Stereo: Stereo Additional material: None Copyright/Clearance: Assigned to Cambridge Arts Theatre. Interviewer’s comments: None Abstract: Opera critic/writer and Theatre board member, Rupert Christiansen first came the Theatre in 1972. He was a regular audience member whilst a student at Kings College, Cambridge and shares memories of the Theatre in the 1970s. Christiansen’s association was rekindled in the 1990s when he was employed to author a commemorative book about the Theatre. He talks about the research process and reflects on the redevelopment that took place at this time. He concludes by explaining how he came to join the Theatre’s board. Key words: Oxford and Cambridge Shakespeare Company, Elijah Moshinsky, Sir Ian McKellen, Felicity Kendall, Contemporary Dance Theatre, Andrew Blackwood, Judy Birdwood, costume, Emma Thompson, Hugh Laurie, Stephen Fry, Peggy Ashcroft and Alec Guinness, Cambridge Footlights, restaurant, The Greek Play, ETO, Kent Opera and Opera 80, Festival Theatre, Sir Ian McKellen, Eleanor Bron. Picturehouse Cinema, File 00.00 Christiansen introduces himself. His memories of the Theatre range from 1972 to present, he is now on the Theatre’s board of trustees. Christiansen describes his first experience of the Theatre seeing a production of ‘As You Like It’ featuring his school friend Sophie Cox as Celia, by the Oxford and Cambridge Shakespeare Company and directed by Elijah Moshinsky [b.
  • “Revenge in Shakespeare's Plays”

    “Revenge in Shakespeare's Plays”

    “REVENGE IN SHAKESPEARE’S PLAYS” “OTHELLO” – LECTURE/CLASS WRITTEN: 1603-1604…. although some critics place the date somewhat earlier in 1601- 1602 mainly on the basis of some “echoes” of the play in the 1603 “bad” quarto of “Hamlet”. AGE: 39-40 Years Old (B.1564-D.1616) CHRONO: Four years after “Hamlet”; first in the consecutive series of tragedies followed by “King Lear”, “Macbeth” then “Antony and Cleopatra”. GENRE: “The Great Tragedies” SOURCES: An Italian tale in the collection “Gli Hecatommithi” (1565) of Giovanni Battista Giraldi (writing under the name Cinthio) from which Shakespeare also drew for the plot of “Measure for Measure”. John Pory’s 1600 translation of John Leo’s “A Geographical History of Africa”; Philemon Holland’s 1601 translation of Pliny’s “History of the World”; and Lewis Lewkenor’s 1599 “The Commonwealth and Government of Venice” mainly translated from a Latin text by Cardinal Contarini. STRUCTURE: “More a domestic tragedy than ‘Hamlet’, ‘Lear’ or ‘Macbeth’ concentrating on the destruction of Othello’s marriage and his murder of his wife rather than on affairs of state and the deaths of kings”. SUCCESS: The tragedy met with high success both at its initial Globe staging and well beyond mainly because of its exotic setting (Venice then Cypress), the “foregrounding of issues of race, gender and sexuality”, and the powerhouse performance of Richard Burbage, the most famous actor in Shakespeare’s company. HIGHLIGHT: Performed at the Banqueting House at Whitehall before King James I on 1 November 1604. AFTER: The play has been performed steadily since 1604; for a production in 1660 the actress Margaret Hughes as Desdemona “could have been the first professional actress on the English stage”.
  • Sagawkit Acceptancespeechtran

    Sagawkit Acceptancespeechtran

    Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................
  • Atonement (2007) Compiled by Jay Seller

    Atonement (2007) Compiled by Jay Seller

    Literature to Film, lecture on Atonement (2007) Compiled by Jay Seller Atonement (2007) Universal Pictures Director: Joe Wright Screenwriter: Christopher Hampton Novel: Ian McEwan 123 minutes Cast Cecilia Tallis Keira Knightley Robbie Turner James McAvoy Briony Tallis,Briony Romola Garai Older Briony Vanessa Redgrave Briony Taliis,Briony Saoirse Ronan Grace Turner Brenda Blethyn Singing Housemaid Allie MacKay Betty Julia Ann West Lola Quincey Juno Temple Jackson Quincey Charlie Von Simpson Leon Tallis Patrick Kennedy Paul Marshall Benedict Cumberbatch Emily Tallis Harriet Walter Fiona MacGuire Michelle Duncan Sister Drummond Gina McKee Police Constable Leander Deeny Luc Cornet Jeremie Renier Police Sergeant Peter McNeil O’Connor Tommy Nettle Daniel Mays Danny Hardman Alfie Allen Pierrot,Pierrot Jack Harcourt Frenchmen Michel Vuillemoz Jackson,Jackson Ben Harcourt Frenchmen Lionel Abelanski Frank Mace Nonso Anozie Naval Officer Tobias Menzies Crying Soldier Paul Stocker Police Inspector Peter Wright Solitary Sunbather Alex Noodle Vicar John Normington Mrs. Jarvis Wendy Nottingham Beach Soldier Roger Evans, Bronson Webb, Ian Bonar, Oliver Gilbert Interviewer Anthony Minghella Soldier in Bray Bar Jamie Beamish, Johnny Harris, Nick Bagnall, Billy Seymour, Neil Maskell Soldier With Ukulele Paul Harper Probationary Nurse Charlie Banks, Madeleine Crowe, Olivia Grant, Scarlett Dalton, Katy Lawrence, Jade Moulla, Georgia Oakley, Alice Orr-Ewing, Catherine Philps, Bryony Reiss, DSarah Shaul, Anna Singleton, Emily Thomson Hospital Admin Assistant Kelly Scott Soldier at Hospital Entrance Mark Holgate Registrar Ryan Kiggell Staff Nurse Vivienne Gibbs Second Soldier at Hospital Entrance Matthew Forest Injured Sergeant Richard Stacey Soldier Who Looks Like Robbie Jay Quinn Mother of Evacuees Tilly Vosburgh Evacuee Child Angel Witney, Bonnie Witney, Webb Bem 1 Primary source director’s commentary by Joe Wright.
  • Shakespeare Uncovered Viewing Guide

    Shakespeare Uncovered Viewing Guide

    © 2013 WNET. All rights reserved. Teaching Colleagues, Shakespeare Uncovered, a six-part series airing on PBS beginning on January 25 th , is a teacher’s dream come true. Each episode gives us something that we teachers almost never get: a compelling, lively, totally accessible journey through and around a Shakespeare play, guided by brilliant and plain-spoken experts--all within one hour. I’m not given to endorsements, but oh, I love this series. Why will we teachers love it and why do we need it? • Because, as we learned from the very start of the Folger Library’s Teaching Shakespeare Institute, teachers tend to be more confident, better teachers if they have greater and deeper knowledge of the plays themselves. • Because no matter what our relationship with the plays – we love them, we struggle with them, we’re tired of teaching the same ones, we’re afraid of some of them – we almost never have the time to learn more about them. We are teachers, after all: always under a deadline, we’re reading, grading, prepping, mindful of the next deadline. (And then there’s the rest of our lives . ) Shakespeare Uncovered is your chance to take a deep, pleasurable dive into a handful of plays—ones you know well, others that may be less familiar to you. In six episodes, Shakespeare Uncovered takes on eight plays: Macbeth, Hamlet, The Tempest, Richard II, Twelfth Night and As You Like It, Henry IV, Part I, and Henry V . The host of each episode has plenty of Shakespeare cred--Ethan Hawke, Jeremy Irons, Joely Richardson and her mom, Vanessa Redgrave, for example--but each wants to learn more about the play.
  • Playing It for Real – Review

    Playing It for Real – Review

    Performance Paradigm 7 (July 2011) Playing for Real: Actors on Playing Real People, edited By Tom Cantrell and Mary Luckhurst (UK: Palgrave Macmillan 2010) Glen McGillivray This collection of interviews of actors who have played ‘real people’ on stage and screen, edited by Tom Cantrell and Mary Luckhurst, comes out of some preliminary research for a larger project which Luckhurst is currently undertaking. One feels that, keeping in mind a continuing public interest in actors and acting, the opportunity to present the words of internationally known actors such as Ian McKellen, Simon Callow and Jeremy Irons, was a publishing opportunity too good to miss and, as such, this book should find its audience amongst a general readership and undergraduate students. Cantrell and Luckhurst, perhaps in deference to their ongoing work, have allowed this collection to wear its theory lightly choosing instead to ‘let the interviews stand because we would have needed to conduct many more interviews to make informed theoretical assertions’ (3). Nonetheless, they do use three rubrics to organise their approach to the subject – “Researching the part”, “Acting strategies” and “Performer and audience” – and these underpin the questions they ask. By allowing their interviewees to speak freely in response to gently directed questioning, Cantrell and Luckhurst are able to evoke several insights into their processes. These range from Jeremy Irons’ reflecting on his awareness of the limits of his celebrity when portraying Harold Macmillan (‘One thing I discovered is that Jeremy Irons doesn’t do bad teeth! I thought about it *…+ but I decided against it’ (88)) to Siân Phillips’ delightfully idiosyncratic obsession with wigs (‘I worked quite hard on the wig.
  • SHAKESPEARE in PERFORMANCE Some Screen Productions

    SHAKESPEARE in PERFORMANCE Some Screen Productions

    SHAKESPEARE IN PERFORMANCE some screen productions PLAY date production DIRECTOR CAST company As You 2006 BBC Films / Kenneth Branagh Rosalind: Bryce Dallas Howard Like It HBO Films Celia: Romola Gerai Orlando: David Oyelewo Jaques: Kevin Kline Hamlet 1948 Two Cities Laurence Olivier Hamlet: Laurence Olivier 1980 BBC TVI Rodney Bennett Hamlet: Derek Jacobi Time-Life 1991 Warner Franco ~effirelli Hamlet: Mel Gibson 1997 Renaissance Kenneth Branagh Hamlet: Kenneth Branagh 2000 Miramax Michael Almereyda Hamlet: Ethan Hawke 1965 Alpine Films, Orson Welles Falstaff: Orson Welles Intemacional Henry IV: John Gielgud Chimes at Films Hal: Keith Baxter Midni~ht Doll Tearsheet: Jeanne Moreau Henry V 1944 Two Cities Laurence Olivier Henry: Laurence Olivier Chorus: Leslie Banks 1989 Renaissance Kenneth Branagh Henry: Kenneth Branagh Films Chorus: Derek Jacobi Julius 1953 MGM Joseph L Caesar: Louis Calhern Caesar Manluewicz Brutus: James Mason Antony: Marlon Brando ~assiis:John Gielgud 1978 BBC TV I Herbert Wise Caesar: Charles Gray Time-Life Brutus: kchard ~asco Antony: Keith Michell Cassius: David Collings King Lear 1971 Filmways I Peter Brook Lear: Paul Scofield AtheneILatenla Love's 2000 Miramax Kenneth Branagh Berowne: Kenneth Branagh Labour's and others Lost Macbeth 1948 Republic Orson Welles Macbeth: Orson Welles Lady Macbeth: Jeanette Nolan 1971 Playboy / Roman Polanslu Macbe th: Jon Finch Columbia Lady Macbeth: Francesca Annis 1998 Granada TV 1 Michael Bogdanov Macbeth: Sean Pertwee Channel 4 TV Lady Macbeth: Greta Scacchi 2000 RSC/ Gregory
  • Shakespeare's Richard III on Film

    Shakespeare's Richard III on Film

    ‘An interwoven pattern of history and legend’: Shakespeare’s Richard III on Film Kate Wilkinson Sheffield Hallam University It is now generally acknowledged that Shakespeare’s history of Richard III is not historically accurate; in fact, we might fairly call it fictitious. Nevertheless, the play has become inextricably linked to impressions of the history of England. As Stuart Hampton-Reeves has written, Shakespeare’s English history plays have been seen as England’s, or perhaps more problematically, Britain’s, ‘national epic’, creating a sense of ‘national consciousness’ (Hampton-Reeves 229). The melding of fact and fiction can be seen in both theatre and film productions of Richard III. Bill Alexander’s 1984 production for the Royal Shakespeare Company stated that the play is largely based on fact, whereas Laurence Olivier’s 1955 film acknowledged the role of fiction within the narrative. However, in spite of such attempts to reference fact or fiction, Maria Jones has written that ‘the work of performance touches the social life of Shakespeare’s scripts’ (Jones 4). In this, Jones implies that the historical founding moment of the script is always present in performance regardless of whether or not it is acknowledged. Jones takes this historicist approach towards the recurring presence of Shakespeare’s historical context and culture and applies it to modern performances. As an apparent extension of this argument, Judith Buchanan states that the historicising of film productions is ‘one of the tasks of the critic’ (Buchanan 9). Therefore, we can assume that, should the two approaches merge together, the critic of Shakespearean performance should historicise both Shakespeare’s and the production’s context.
  • The Impact of Conversations – Sponsor One (1) Conversations Program Donation Amount: $10,000

    The Impact of Conversations – Sponsor One (1) Conversations Program Donation Amount: $10,000

    conversations with oprah winfrey and cast of greenleaf conversations with the cast of this is us Sponsorship Opportunities the impact of Conversations – Sponsor one (1) conversations program Donation amount: $10,000 company/organization will receive: Over 200 live career retrospectives and Q&As in Los sponsor signage Angeles and New York annually Sponsor signage in the green room where actors lounge prior to screenings An online archive of over 500 streaming videos Logo placement on slide/title card on screen during Q&A sagaftra.foundation/video-gallery Logo on pre-show presentation at screenings and panels seen by youtube.com/sagaftrafoundation 33,000+ attendees annually Available online 24 hours/day, 7 days/week Online and collateral branding Logo on SAG-AFTRA Foundation website linked to your site A total of more than 2.3 million views of recorded Logo on title card pre-roll at the top of video of each Conversations program panels, Q&As and career retrospectives Logo on all Conversations materials as official sponsor PR and Marketing Logo and/or name included in all media, press releases and promotional help preserve the history of the craft materials Social media posts and mentions on SAG-AFTRA Foundation Facebook, Instagram and Twitter with over 200,000 followers Logo and/or name included in E-blast to over 45,500 emails hospitality Four (4) seats to career retrospectives and/or screenings with Q&As in Los Angeles or New York conversations sponsor for 1 year of programming Donation amount capped at: $1,000,000 company/organization will receive: Package includes everything listed above for Conversations program - signage, branding, collateral materials, PR and marketing, hospitality Ten (10) tickets to the SAG-AFTRA Foundation’s 3rd Annual Patron of the Artists Awards on November 8, 2018 at the at the world-class Wallis Annenberg Theater for the Performing Arts in Beverly Hills, California conversations with thandie newton of westworld Join Our Cast.
  • Interview with Sir Ian Mckellen

    Interview with Sir Ian Mckellen

    Read the text. 1 Interview with Sir Ian McKellen Macbeth (1979) Gods and Monsters (1998) X-Men (2000) Lord of the Rings (2003) Sir Ian McKellen is one of Britain’s greatest actors. He was born in Burnley in the north of England on 25 May 1939. He first became well known as an actor for his roles in Shakespeare’s plays, e.g. Hamlet and Macbeth. In recent years he has had many important film roles including James Whale in Gods and Monsters, Gandalf in The Lord of the Rings trilogy, and Magneto in X-Men. English File third edition Elementary • Student’s Book • Unit 12C, pp.96–97 © Oxford University Press PHOTOCOPIABLE 1 Your tastes 2 What kind of music do you like? I hardly ever listen to music at home – I prefer going to concerts. I enjoy classical music and pop, but my favourite kind of music is traditional American jazz. What book are you reading at the moment? I’m reading The Hammersteins, a biography of the American theatre family written by Oscar Andrew Hammerstein. Who’s your favourite historical character? Perhaps William Shakespeare. 2 What time do you usually get up in the morning? If I am working, I get up one hour before I have to leave the house. If I am not working, and I went to bed late the night before, I get up at about 10 in the morning. How much time do you spend a day on the internet? I can very easily spend three or four hours on the internet, answering emails, reading the news, etc.