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Quilts.Com Shows@Quilts.Com QUILTS.COM INTERNATIONAL QUILT FEST I VAL 2020 SEE more than 550 great quilts and fiber art works LONG BEACH, CA on display! SHOP at nearly 300 booths! Show Dates FREE demos! And 35+ classes. July 9-11 (10 AM-5 PM) Classes AND take a look at the slate begin July 9 of great classes and Tours MAKE YOUR special events–with class begin July 8 PLANS NOW! project photos! Admission AT THE LONG BEACH General: $10 Quilts.com CONVENTION CENTER Seniors 65+/Students/Military: $8 300 E. Ocean Blvd. Children 10 and under free [email protected] Long Beach, CA 90802 with paid admission Full Show Pass: $25 SCHEDULE OF EVENTS 2020 • LONG BEACH WEDNESDAY July 8 9 AM-5 PM LA Fashion District Tour InternatIonal 8-11 AM & 2-5 PM Onsite Enrollment Desk/Kiosks Open (online enrollment always available through Quilts.com) THURSDAY July 9 QuIlt FestIval 7:30 AM-4 PM Onsite Enrollment Desk/Kiosks Open TABLE OF CONTENTS (online enrollment always available through Quilts.com) 8:30 AM-5 PM RJR/Hoffman Fabrics Tour Schedule of Events 2 8 AM-5 PM Longarm Classes Show Info 3 9 AM-5:00 PM Classes Special Exhibits 4 10 AM-5 PM SHOW FLOOR OPEN International Quilt Association 6 FRIDAY July 10 Faculty 7 7:30 AM-4 PM Onsite Enrollment Desk/Kiosks Open (online enrollment always available through Quilts.com) Class and Event Listings 8 8 AM-5 PM Longarm Classes Open StudiosTM/Room to Sew 10 9 AM-5 PM Classes Classes by Category 11 10 AM-5 PM SHOW FLOOR OPEN ■ Thursday, July 9 12 1-2 PM Lecture—David Taylor—Who Am I to Judge? ■ Friday, July 10 14 SATURDAY July 11 7:30 AM-2 PM Onsite Enrollment Desk/Kiosks Open ■ Saturday, July 11 16 (online enrollment always available through Quilts.com) Tool Time 18 8 AM-5 PM Longarm Classes Festival Rules 19 SCHEDULE OF EVENTS & TABLE OF CONTENTS OF & TABLE EVENTS OF SCHEDULE 9 AM-5 PM Classes Enrollment Instructions 19 10 AM-5 PM SHOW FLOOR OPEN 1-2 PM Lecture—Charlotte Angotti, Kimberly Einmo, Festival App BC Karen K. Stone—Progressive Reveal COVER QUILT: Rainbow Stars (detail), by Clydene Sigle and quilted by Joy Johnson. Design source: Chris Stiasny pattern/Absolutely Positively Quilt Designs. Any questions? Call 713-781-6864; fax 713-781-8182; Photo by Sarah Heller. email [email protected], or access Quilts.com ADMISSION General: $10 • Seniors 65+/Students/Military: $8 • Full Show Pass: $25 • Important Note: If you enroll in classes, you do not need additional daily admission tickets. Your enrollee badge serves as your entrance to the show floor. Beginning in April, advance tickets will be available on our website (Quilts.com) that you can pay for online and print at home. ORGANIZATION & TOUR GROUP ADMISSION (GROUPS OF 25 OR MORE) Please call 713-781-6864 or email [email protected] to make arrangements. Tickets and packages must be purchased by June 26, 2020. • Discount Single Day Admission + Show Program—$9 per person • Each additional day admission—$8 per person • No group discount Full Show passes. Note: For group or tour participants enrolling for classes, please see the enrollment instructions. 2 FOR YOUR INFORMATION FOR YOUR INFORMATION FOR YOUR QUILT ANGELS NEEDED! HOW TO GET THERE AND GET AROUND Pre-qualify for a halo in Quilt Festival has negotiated special discounts with the following businesses. Heaven by becoming a Quilt Contact them directly and be sure to mention International Quilt Festival. Angel here on earth! You’ll gently handle the special AIRLINES exhibit quilts as a “white glove” guardian—protecting UNITED DELTA/KLM/AIR FRANCE quilts from being touched by Contact United’s MeetingWorks™ Desk at Delta Airlines is pleased to offer special 1-800-426-1122 Mon.-Fri. from 7 am-9 pm, discounts for Quilts, Inc. Call the Meeting eager fingers and showing or Sat. & Sun. from and 8 am-6 pm (CT). You Services Reservation Desk at 1-800-328-1111, them to visitors who want must mention Agreement Code 124087 Mon.-Fri. from 7 am-7:30 pm, (CT). Mention to see the back or check out and Z Code ZHTK to receive the discount. Meeting Ticket Designator code NMTSW. a detail. Or book online at United.com and enter Visit the Long Beach Festival section at ZHTK124087 under “Offer Code.” Quilts.com under airline link to book Three hours earns you a spe- online. The discount is only good for flights cially-designed Quilt Angel originating in the U.S. or Canada. pin. All Angels who serve six volunteer hours receive the pin and a free class catalog CAR RENTAL & SHUTTLE and priority advance enroll- HERTZ SUPERSHUTTLE ment for next year’s Festival. Call 1-800-654-2240 in the U.S./Canada For a discount of 10% in participating cities, To volunteer, there will be or 1-405-749-4434 elsewhere. You must reserve online at SuperShuttle.com and a link and information on mention the show and refer to discount code input QUILT as the discount code. You can your class confirmation email. CV#02TQ0021. Visit the Long Beach Festival also call 1-800-BLUE-VAN, but the discount Follow the instructions and section at Quilts.com under car rental link to will not apply. then you will be contacted book online. by IQA’s Quilt Angel coordi- nator. Questions? Email [email protected]. HOTEL The discounted room price is good to the capacity of Festival’s room block and does not include state and local taxes or parking fees. Any offers from other lodging facilities are not endorsed by Quilt Festival Long Beach. QUESTIONS? CONNECT WITH US! RENAISSANCE LONG BEACH HOTEL* Quilts.com 111 East Ocean Boulevard [email protected] Long Beach, CA 90802 Phone: 1-562-437-5900 Dates: Mon., July 6–Sun., July 12 Rates: Single/Double $169 • Triple $184 • Quad $199 Cut-off Date: June 15, 2020 /QuiltFestival *All reservations must be accompanied by a first night room deposit. You can also book online at Quilts.com in the “Long Beach Festival > Travel & Lodging” link. IMPORTANT NOTE ABOUT ROLLING TOTES! @QuiltFestival Due to safety and security concerns, Festival attendees are not allowed to bring rolling totes, luggage, carries, or suitcases on the show floor. If you have a legitimate medical need for one of these items, please contact the Festival offices (713-781-6864 or [email protected]). Or you may bring a doctor’s note or medical papers to the @QuiltFestival Information Desk/Exhibitor Registration in the lobby to apply for a special pass. 3 ART NOUVEAU – CRAFT AS ART From the 1880s until World War I, west- ern Europe and the United States saw specIal the development and ascent of the Art Nouveau style. Taking inspiration from the unruly aspects of the natural world, Art Nouveau influenced art and archi- xhIbIts tecture, the applied arts, graphic work, e THE 10TH ANNIVERSARY: TRASH TO and illustration. Some of its best-known TREASURE PINEAPPLE CHALLENGE, TAKE 2 practitioners include Toulouse-Lautrec, Tiffany & Company, Alphonse Mucha, SPECIAL EXHIBITS Sponsored by Colourful Stitches and William Morris. Under the cheerleading of teacher/ artist Gyleen X. Fitzgerald, quilters BACKYARD ESCAPES from around the globe have created This special Sacred Threads exhibit is scrappy and stylized Pineapple quilts. designed to be seen as if in a sterile The quilts here show how this one clas- hospital setting. What brings peace in sic, but versatile block can be adapted a backyard? Either real or imaginary, to create works in traditional, contem- urban or rural, it can be something porary, Modern, or any other quiltmak- small like a blade of grass or large ing genre with just a simple placement like an expansive view of a lake. What of fabric. brings tranquility? The color palette, or the light in morning or evening? The THE 1876 CENTENNIAL QUILT PROJECT artists here let their imagination inspire Organized by Anne Dawson and them to create something beautiful for Karen B. Alexander patients and their families as viewed in a hospital setting. After discovering an extraordinary antique quilt in an online quilt history BEST OF THE WEST COAST GUILDS: forum and securing permission from its AWARD-WINNING TRADITIONAL QUILTS owner, a group of women from north- western Washington began the journey The west coast of the United States of patterning and creating “new” ver- is home to scores of quilt guilds and sions of what was the 1876 Centennial groups where members meet to share Quilt. Set in a unique Medallion-style friendship, experiences, and create arrangement, each work features more new works. This exhibit features some than 70 different patterns apiece. of the best traditional work done by quilters of all styles—appliquéd, APPLIQUÉ: THE TIMELESS BEAUTY pieced, wholecloth—and skill levels. OF BRODERIE PERSE BOTH SIDES NOW Curated by Cynthia Collier This collection of quilts by Kathy York Chintz and broderie perse quilts first proves — and very visually — that became popular in the late 18th to mid- th there really are “two sides to every 19 centuries. Fueled by a passion for story.” The front of each work here tells chintz, toile, and pillar print reproduc- a tale from one point of view, while the tion fabrics, today’s traditional-minded back artwork counters with the oppo- quilters are carrying on this important site perception. It makes for a really part of textile history with their own unique exhibit and invites the viewer to beautiful examples. be swayed…either way! (Top) Mediterranean Rose (57" x 57") by Susan Arnold, inspired by a block in Quiltmaker magazine.
Recommended publications
  • VQF Modern Broderie Perse Supply List
    Modern Broderie Perse Maria Shell www.mariashell.com www.talesofastitcher.com [email protected] Supply List • Assortment of 10-12 pieces of fabric that measure about 18” by 8”. Smaller or larger is fine, but I like the 18” by 8” because it is the size of a fat eight and because it works well with the size of the Wonder-Under fusible. Please read the below comments about selecting fabric. • A quality pair of small scissors. I like the five inch size for this kind of work. • 3-4 pastel or light print fat quarters for your background choices. • 3-4 darker prints for the “table cloth” fabric. • 3 yards of Wonder-Under or your favorite heat activated fusible. • Pressing sheet • Sewing Machine with 1/4” foot, walking foot, and quilting (hopping/darning) foot • Generous fat quarter for quilt back (at least 18” by 22”) • Generous fat quarter of batting (at least 18” by 22”) Fabric When making a Modern Broderie Perse floral bouquet, I have found that there are several types of prints that work really well. Here are some suggestions- • Bold Geometrics, for example, circles, stripes, plaids, zigzags in HIGH contrast col- ors. You should be able to read the print from far away. • Fabrics that read as solids • Fabrics that have prints you can easily use as guidelines for cutting • Two color prints preferably without black and white. For example, a pink and black fabric is good, but a pink and blue fabric would be more interesting. • Black and White prints of all sorts. Sharing Fabric If we all bring in 10 scraps of fabric that are approximately 5” by 18” or smaller to share we will have plenty of fabric to share with each other.
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  • Martha's Quilt
    MARTHA’S QUILT Jennifer Brett Roxborogh Martha’s Quilt The history of a Broderie Perse quilt made in Armagh, Ireland in 1795 and the people who have been its guardians. Part One The Family In 1881, a young woman of 27 boarded a ship in Belfast and set sail for New Zealand to marry her fiancé George Hill Willson Mackisack. In her trousseau she had a broderie perse quilt made for her grandmother at her marriage in1795. Both grandmother and granddaughter were named Martha Alicia Brett. The Martha Alicia Brett who migrated to New Zealand was my great grandmother. Martha’s grandmother, Martha (or Matilda) Alicia Black, was born into an Armagh Church of Ireland merchant family in1765 and in December 1795 she married Charles Brett of Belfast. The Black family were well established and although Martha’s father’s first name is not known, her mother’s name was Ann. Martha had two sisters, Maria and Elizabeth and there may have been another sister, Catherine. 1 In 1795, Charles Brett (b. 1752) descended from a family of possibly Anglo-Norman settlers who had been in Ireland from at least the 16 th century, was also Church of Ireland. He was a successful merchant and had recently built a comfortable house named Charleville in Castlereagh on the outskirts of Belfast 2. In November 1795, his mother, Molly, died but three weeks later he was celebrating his marriage to Martha Black. Charles was 43 and Martha 30. 3 An established businessman, Charles had been taking care of his widowed mother since his father died in 1878.
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  • The Social History of Quilt Making in America
    The Social History of Quilt Making in america In his seminal book, The Shape of Time: “Artistic production, whilst distinct, belongs to the ‘whole range of Remarks on the History of Things (1962), man-made things, including all tools and written’ and ’such things George Kubler expressed the view that the mark the passage of time with greater accuracy than we know, and concept of art should be expanded to include they fill with shapes of a limited variety’… ‘Everything made now is all man-made objects. His approach either a replica or a variant of some thing made a little time ago and eliminates the distinction between artifacts so on back without break to the first morning of human time’. and “major” art – architecture, painting, (.Kubler, 2007: 1) The demarcation between art and craft, an invention sculpture. Drawing on the fields of of the Renaissance mind, therefore, becomes unimportant when anthropology and linguistics, Kubler replaced considering objects of utilitarian nature. This suggests that quilts, and the notion of style as the basis for histories specifically American quilts, rightfully deserve the distinction of art, of art with the concept of historical sequence without qualification. and continuous change across time. Quilts of Gee’s Bend When the exhibition of the quilts of Gee’s Bend * first opened at the Whitney Museum of American Art in 2003, an article in the Wall Street Journal began, in part: “Museum curators have a lot to worry about in these tough times: attendance, security, damaged art. And now…bedbugs. Created by four generations of African-American Some of the biggest blockbuster exhibits of recent years have nothing to quilters from the isolated hamlet of Gee’s Bend, do with Van Gogh and Vermeer – they are all about quilts.
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  • 2019 Show Book
    $2.00 or Free with Admission SHOW Daytona Beach, FL 2019 Show Book Detail: BARBARA’S CIRCLE by Beth Nufer and Clem Buzick February 27–March 2, 2019 NATIONAL BRAND PARTNER Wednesday–Friday, 9am–5pm, Saturday, 9am–4pm VENUE: Ocean Center • 101 North Atlantic Avenue, Daytona Beach, FL 32118 Horizon Memory Craft 9450 QCP SERIES Professional Features You’ll Love AcuFeed™ is an integrated system Ruler Work is made simple with 3 included Quick Change Needle that flawlessly feeds your fabric the 11” bed, speed control for Plates for better piecing, top from both the top and the bottom, modified stitch regulation, and 3 stitching, and curves. including the new AcuFeed HP2 included free motion feet. foot for even more control. Visit Citrus Sew & Vac in Booth 1001 to learn about this great machine and other amazing show specials. Visit Janome.com to learn more about the Janome line. janome.com janome.com SHOW Daytona Beach, FL CONTACT US EXECUTIVE SHOW DIRECTOR . [email protected] DIRECTOR OF SHOW OPERATIONS . [email protected] DIRECTOR OF EDUCATION [email protected] GENERAL INFORMATION [email protected] ADMISSIONS [email protected] SPONSORSHIPS [email protected] EXHIBITORS ................ [email protected] . [email protected] MEDIA [email protected] TOUR GROUPS [email protected] CLASS REGISTRATIONS ....... [email protected] . [email protected] INSTRUCTOR APPLICATIONS [email protected] CONTESTANTS [email protected] SHIPPING QUILTS [email protected] APPRAISALS [email protected] MEMBERSHIP [email protected] CUSTOMER SERVICE [email protected] DESIGN [email protected] .
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  • Jane's Exotic Garden Quilt Is Done in the Broderie Perse Style, a 19Th
    An original quilt by Jane Sassaman for FreeSpirit Fabrics. Approximately 30" x 50". Place the frame shaped interfacing on the back of the Little Leaf fabric. Be sure that it is lined up squarely with the leaf print and fuse. Now cut on your outline through the interfacing/fabric. You should now have an empty frame of fabric. Figure 1. 2. Now we need to design our central character, the tree. Trace the tree shape from the photo on to tracing paper and take it to your local copy shop for enlarging. The tree should extend beyond the inside edges of the fabric border. Figure 3. Figure 2. Do not include the black spirals at the base of the tree, they are separate pieces. 3. Now you need to transfer the tree out- line to another piece of interfacing. If you want your tree to look exactly like Jane’s Exotic Garden Quilt is done in the broderie perse this picture you will need to flip your drawing over and retrace the design on style, a 19th century appliqué technique which imitates Figure 3. embroidered fabrics and oriental rugs. Originally, broderie the back side of the paper. Then trace perse quilts were made using groups of individually cut the reversed design on to the non-stick out chintz flowers which were applied to a whole cloth side of your interfacing. It will turn right background. But for our 21st century quilt we are using after it gets adhered to the fabric and FreeSpirit’s elegant cotton prints from the Jane’s Exotic is cut out.
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  • 06-0003 ETF TOC J.Indd
    06-0003 ETF_39_45_j 6/16/06 12:50 PM Page 39 ONGRESS C IBRARY OF © L Two women put the final touches on a quilt featuring a fan design that was popular in the 1930s. The quilt is stretched on a frame to make it easier for the women to work on it. Quilting An American Craft BY P HYLLIS M C I NTOSH quilt can warm a bed, decorate a wall, comfort a child in her crib or a AA soldier at war. A quilt also can tell a story, commemorate an event, honor the dead, unite a community, and reflect a culture. Quite a resume for a piece of needlework! And evidence, too, that quilts have captured the hearts and imaginations of Americans unlike any other form of folk art. Quilting has enjoyed a long tradition in the United States and today is more popular than ever. According to a 2003 survey by Quilters Newsletter Magazine, there are more than 21 million American quilters (representing 15 percent of U.S. households), and they spend $2.27 billion a year on their craft. The most dedicated among them are like- ly to have an entire room in their house devoted to quilting and to own more than $8,000 worth of quilting supplies. Their creations range from everyday items such as bed coverings, clothing, and table mats to treasured heirlooms and museum quality works of art. The word quilt itself has come to describe far more than stitched pieces of fabric. Civil rights activist Jesse Jackson used the word to describe American society when he said: “America is not like a blanket––one piece of unbroken cloth, the same color, the same texture, the same size.
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  • CLASS CATALOG March 2 - March 7, 2020 Williamsburg, Virginia
    CLASS CATALOG March 2 - March 7, 2020 Williamsburg, Virginia For Information Contact: [email protected] call : 757-565-5299 Kingsmill Resort, 1010 Kingsmill Road, Williamsburg, Virginia, 23185 The Academy of Applique is held at the world renowned Kingsmill Resort in Historic Williamsburg, VA. A block of rooms has been set-aside for our attendees. Students are responsible for their own reservations. Discounted room rates are as follows – Resort Guestrooms $109.00/night Resort One-Bedroom Suite $135.00/night Deluxe Guestrooms $109.00/night Deluxe One-Bedroom Suite $153.00/night River Guestrooms $135.00/night River One-Bedroom Suite $183.00/night (all rates are subject to applicable state and county taxes) Please reference ID# APPLIQUE2020 when making your reservation, so that the resort will know that you are with the Academy. Free shuttle buses run from the rooms to the Conference Center where the classes are held. The Kingsmill Resort website is www.kingsmill.com; simply click on the reservation button or phone (800) 832-5665. August 3, 2019 Dear Fellow Appliquer, Welcome to the Sixth Annual Academy of Applique! I would like to personally invite you to attend this weeklong conference dedicated to the teaching and sharing of all forms of appliqué. Fix yourself a cool glass of ice tea, a hot cup of coffee, or perhaps a relaxing glass of wine – put your feet up, and enjoy the enclosed catalog. All forms of appliqué from Baltimore to Broderie Perse, from Whimsical to Modern are offered. Similarly, all techniques are taught from needle turn to glue, from freezer paper to back basting, and prepared edge for machine applique.
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  • July 5 - 9, 2021 1 Welcome to the 2021 Quilter’S Affair Class & Event Guide!
    July 5 - 9, 2021 1 Welcome to the 2021 Quilter’s Affair Class & Event Guide! Thank you to all who visited the Stitchin’ Post, in person or online, watched our YouTube videos during the week of quilt show, and watched the virtual Sisters Outdoor Quilt Show last year. It is always a pleasure to see familiar faces and a joy to make new friends. You honor us with your patronage, and we treasure you. We are hard at work preparing for a fantastic Quilter’s Affair 2021. My staff and I strive to make your experience positive and we listen to your suggestions for improvements. As part of that, we are happy to debut a new website and registration process. New website features include: searching classes by teacher or day, teacher pages with bios and classes, cart hold, and easy navigation to all the information you need. We have added a worksheet to this guide to help you plan your visit (see p. 48). This year, lunches will be provided by Melvin’s, our local market–their food is outstanding, and we think you will love it. Thank you for all of your suggestions and your patience, as we strive to create a special experi- ence for you. 2021 will bring back lots of our favorite teachers and some new faces. We hope to have some special guests from Egypt, The Tent Makers of Cairo, coming to teach Egyptian appliqué all week long. They are the special event program for the Sisters Outdoor Quilt Show on Wednesday night. You won’t want to miss it.
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  • 4-H Fiber Arts Project Guide
    4-H Fiber Arts Project Guide In the Oregon 4-H Fiber Arts project, youth learn to manipulate fiber through one or more steps to a finished product. Fibers include those from plants and animals, as well as some that are human-made. Members can learn the various ways to handle each kind. Most techniques in this proj- ect have existed for many years, and their uses have adapted as times have changed. The 4-H Fiber Arts Project gives 4-H youth the opportunity to explore 13 techniques of working with fiber: • Weaving • Embroidery • Basketry • Needlepoint • Spinning • Appliqué • Felting • Patchwork • Macramé and knotting • Quilting • Braiding • Papermaking • Hooking Once members learn basic techniques, there are endless opportunities for them to Contents develop their creativity and design sense. Role of a 4-H Project Leader .................2 This project guide gives a short over- Elements and Principles of Design ........3 view of each technique. These are not Weaving ..................................................4 instructions for teaching the specific tech- niques, but rather a description and some Basketry...................................................7 suggestions on where and how to start. Each Spinning ..................................................9 overview describes methods, skill building, Felting ...................................................11 project ideas, and standards for evaluating Macramé and Knotting ........................13 the work. Some resource books and videos Braiding ................................................15
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  • Wonderful World of Appliqué 3-Day Workshop Workshop Supply List
    Nancy Lee Chong Queen of Needleturn Appliqué www.quiltchong.com [email protected] Wonderful World of Appliqué 3-day Workshop Workshop Supply List Let’s travel the world to discover the beautiful hand appliqué quilt styles made in these exciting, exotic places: • United States (Baltimore Album) • Ireland (Celtic) • France (Stained Glass) • Polynesia (Hawaiian and Tahitian) Plus, one of the following options chosen by your workshop organizer: • India (Broderie Perse) • Lilliput (Miniature) • Panama (Mola) Let appliqué be your passport as we delve into each style and explore its history, its unique qualities, and the techniques they have in common. In addition to working on these appliqué styles, we will look at the present-day options for sewing and marking tools, and choosing fabrics. This workshop is about learning new techniques, not starting an award-winning quilt. So, if you have wanderlust, come join me on this exciting journey! All skill levels welcome, even motivated beginners. Before coming to class, wash all fabrics to make sure they are pre-shrunk and colorfast. Background Fabrics: 8-10 18" x 18" (or larger) light-color or white, relatively plain without an obvious print. Appliqué fabrics: 4-8 fat quarters that are solid or nearly-solid, in medium to dark values; include one black or dark grey fat quarter for the Stained Glass block. Plus additional smaller scraps in an assortment of colors (green, yellow, blue, peach, red, orange, purple, etc.). If India (Broderie Perse) was selected to complete your 3-day workshop, you will need the following additional fabric. Check with your workshop organizer if you are not sure which option was chosen.
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