DOCSLIB.ORG

Radiohead Ok Computer Album Download Radiohead - OK Computer Album Flac

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Radiohead Ok Computer Album Download Radiohead - OK Computer Album Flac radiohead ok computer album download Radiohead - OK Computer album flac. Released May 21, 1997. OK Computer Tracklist. The result was 1997’s OK Computer, which was designed as a deliberate reaction against the grunge movement of the 1990s. Then new-ish engineer and future Radiohead mainstay Nigel Godrich told Rolling Stone of the recording sessions: They were the band of my dreams. There were no constraints. OK Computer OKNOTOK is a reissue of the 1997 album OK Computer by the English alternative rock band Radiohead. It was released in June 2017, the album's 20th anniversary, following the acquisition of Radiohead's back catalogue by XL Recordings from EMI in 2016. The album is remastered and includes B-sides released on OK Computer singles, plus three previously unreleased songs: "I Promise", "Man of War", and "Lift". OK Computer is the third album by the English rock band Radiohead, released in 1997. It reached on the UK Albums Chart and marked Radiohead's highest entry into the American market at the time, where it debuted at OK Computer expanded the band's worldwide popularity, becoming the last Radiohead album to have a delayed release outside of the United Kingdom. As of 2007, it has been certified triple platinum in the UK and double platinum in the US. OK Computer included the singles "Paranoid Android", "Karma Police" and "No Surprises". OK Computer obviously wasn’t it. But there has always been a tantalizing alternate-history version of Radiohead’s third LP lurking behind the finished product. Their sessions weren’t exactly a deep-dive into hell, despite the record’s now-concrete reputation as a piece of digital-age prophecy. The most fun to be had with OKNOTOK is in these line-blurring moments, hearing how the lost material informs the original album. After The Bends, Radiohead were briefly lumped in with the other bands in the Britpop scene, an association they never relished. If Palo Alto had seen official release, it would have stamped them with the brand for life; with the lava-lamp psychedelia of its winding central guitar riff, it is very nearly a Kula Shaker song, and it also happens to be the song that gave OK Computer its name. OK Computer, though, is a complicated and difficult record: an album about the way machines dehumanize people that's almost entirely un- electronic; an album by a British "new wave of new wave" band that rejects speed and hooks in favor of languorous texture and morose details; a sad and humanist record whose central moment is Thom Yorke crooning "We hope that you. choke. Radiohead's third album got compared to Pink Floyd a lot when it came out, and its slow drama and conceptual sweep certainly put it in that category. OK Computer, though, is a complicated and difficult record: an album about the way machines dehumanize people that's almost entirely un-electronic; an album by a British "new wave of new wave" band that rejects speed and hooks in favor of languorous texture and morose details; a sad and humanist record whose central moment is Thom Yorke crooning "We hope that you. The members of Radiohead self-produced the album with Nigel Godrich, an arrangement they have used for their subsequent albums. Other than the song "Lucky", which was recorded in 1995, Radiohead recorded the album in Oxfordshire and Bath between 1996 and early 1997, mostly in the historic mansion St Catherine's Court. OK Computer. OK Computer is the third album by the English rock band Radiohead, released in 1997. It reached #1 on the UK Albums Chart and marked Radiohead's highest entry into the American market at the time, where it debuted at #21. OK Computer expanded the band's worldwide popularity, becoming the last Radiohead album to have a delayed release outside of the United Kingdom. As of 2007, it has been certified triple platinum in the UK and double platinum in the US. OK Computer included the singles "Paranoid Android", "Karma Police" and "No Surprises". The album was recorded in rural Oxfordshire and Bath, England with Nigel Godrich, who would work with the band on all their future recordings. Although OK Computer was dominated by guitar, its expansive sound and wide range of influences set it apart from many of the Britpop and alternative rock bands popular at the time, laying the groundwork for Radiohead's later, more experimental work. The lyrics, by Thom Yorke, and the album's artwork by Yorke and frequent collaborator Stanley Donwood, emphasised themes such as consumerism, social disconnection, political stagnation and modern malaise, though the band denied they set out to make a concept album. Upon its release, OK Computer received almost unanimously positive reviews. Consensus among critics was that the album was a landmark of its time and would have far-reaching impact and importance. NME gave the album a ten out of ten score, and reviewer James Oldham wrote "Here are 12 tracks crammed with towering lyrical ambition and musical exploration; that refuse to retread the successful formulas of before and instead opt for innovation and surprise; and that vividly articulate both the dreams and anxieties of one man without ever considering sacrifice or surrender. In short, here is a landmark record of the 1990s, and one that deserves your attention more than any other released this year." Taylor Parkes of Melody Maker connected the album's release to the era's feeling of paranoia and alienation about millenarianism, and said "It's as pained and as slow-moving as the emotions that inspired it. … In one way or another, Radiohead have excelled themselves." Q awarded the album five out of five stars, with writer David Cavanagh stating that "the majority of OK Computer's 12 songs … takes place in a queer old landscape: unfamiliar and ominous, but also beautiful and unspoiled. … It's a huge, mysterious album for the head and soul." Nick Kent wrote in Mojo that "Others may end up selling more, but in 20 years time I'm betting OK Computer will be seen as the key record of 1997, the one to take rock forward instead of artfully revamping images and song-structures from an earlier era." In a four out of five stars review, Caroline Sullivan of The Guardian wrote that the album "is surprising and sometimes inspiring but its intensity makes for a demanding listen." The album was also favourably received by critics in North America. Rolling Stone gave the album four out of five stars. Reviewer Mark Kemp wrote that the album is "a stunning art-rock tour de force … On OK Computer, Radiohead take the ideas they had begun toying with on The Bends into the stratosphere. … OK Computer is evidence that Radiohead are one rock band still willing to look the devil square in the eyes", but warned "OK Computer is not an easy listen." An Entertainment Weekly review by David Browne gave the album a B+, and wrote that "When the arrangements and lyrics meander or sprout pretensions, the album grows ponderous and soggy. For all of Radiohead's growing pains, though, their aim — to take British pop to a heavenly new level — is true." In an article for The New Yorker, writer Alex Ross praised OK Computer for its progressiveness, and contrasted Radiohead's risk-taking with the more musically conservative "dadrock" of their contemporaries Oasis. Ross wrote that "Throughout the album, contrasts of mood and style are extreme This band has pulled off one of the great art-pop balancing acts in the history of rock." Ryan Schreiber wrote, in a highly enthusiastic ten out of ten review in his online music magazine Pitchfork, that "Radiohead's third piece of incredible work, OK Computer, is not only their best yet, but one of the year's greatest releases. The record is brimming with genuine emotion, beautiful and complex imagery and music, and lyrics that are at once passive and fire-breathing." Despite OK Computer's widespread praise, it also received some criticism. Robert Christgau of the Village Voice granted OK Computer a B− but ranked it as the "Dud of the Month" in his consumer guide; Christgau commented that the album lacked "soul", calling it "arid" and "ridiculous" and comparing it unfavourably to Pink Floyd. Andy Gill wrote for The Independent in an otherwise positive review, "For all its ambition, OK Computer is not, finally, as impressive as The Bends, which covered much the same sort of emotional knots, but with better tunes. It is easy to be impressed by, but ultimately hard to love, an album that so luxuriates in its despondency". While a review in Time was largely positive, particularly praising the songs "Airbag", "Paranoid Android", and "Let Down", reviewer Christopher John Farley criticised the second half of the album. Farley stated, "While the first half-dozen tracks reward repeated listenings with melodies that grow and bloom with familiarity, there is often no structure to be found in the remaining half-dozen numbers." At the end of 1997, OK Computer appeared in many critics' lists and listener polls for best album of the year. OK Computer topped the year-end polls of the magazines Mojo, Vox, Entertainment Weekly, Hot Press, Muziekkrant OOR, HUMO, Eye Weekly, and Inpress, and tied for first place with Daft Punk's Homework in The Face. The album placed second in NME, Melody Maker, Rolling Stone, Village Voice, Spin and Uncut. Q and Les Inrockuptibles both listed OK Computer in their unranked year-end polls. OK Computer was a nominee for the 1997 Mercury Prize, a prestigious award recognizing the best British or Irish album of the year.
Load more

Recommended publications
  • Paranoid Android. Everything the Commission Got Wrong in Its War on Google Massimiliano Trovato, Research Fellow at Instituto Bruno Leoni
    Paranoid Android. Everything the Commission got wrong in its war on Google Massimiliano Trovato, Research Fellow at Instituto Bruno Leoni The Commission’s decision to fine Google for unfair practice was based off of a misunderstanding of the Android ecosystem and a mistaken definition of the relevant market. This allowed Google’s activities to be wrongly cast as those of a monopoly abusing its position. Furthermore, such action as the Commission has taken is unlikely to be effective in achieving the Commissions stated goals. This paper examines the background to the case and goes through the flaws in the Commissions approach, and the arguments used to justify the fines imposed on Google. Introduction On April 15, 2015, less than six months into the job, EU Commissioner for Competition Margrethe Vestager picked Google as the opponent which would define her tenure as chief of the European Union Competition Authority. She did so by waging war on the company through a pincer movement: on one side, she formalized charges in the Shopping case (European Commission, Google Search (Shopping), 2017), regardless of the fact that on three different occasions her predecessor Joaquín Almunia had almost closed the proceedings by accepting the binding commitments offered by Google; on the other side, she started a separate fight with the Android case (European Commission, Google Android, 2018), launching an investigation into Google’s alleged abuses in the market for smartphone OSs.1 When the Shopping case concluded in June 2017 with a € 2,42 billion fine, the highest in antitrust history at the time, the amount of the penalty mostly captured the public’s interest; similarly, when the € 4,34 billion fine levied by the same authority on the same undertaking in the Android case crashed the previous record on July 18, all reactions focused on the decision’s monetary impact.
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • Hyperreality in Radiohead's the Bends, Ok Computer
    HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A Thesis Presented as Partial Fulfillment of the Requirements for the Attainment of the Sarjana Sastra Degree in English Language and Literature By: Azzan Wafiq Agnurhasta 08211141012 STUDY PROGRAM OF ENGLISH LANGUAGE AND LITERATURE DEPARTMENT OF ENGLISH LANGUAGE EDUCATION FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2014 APPROVAL SHEET HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A THESIS By Azzan Wafiq Agnurhasta 08211141012 Approved on 11 June 2014 By: First Consultant Second Consultant Sugi Iswalono, M. A. Eko Rujito Dwi Atmojo, M. Hum. NIP 19600405 198901 1 001 NIP 19760622 200801 1 003 ii RATIFICATION SHEET HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A THESIS By: AzzanWafiqAgnurhasta 08211141012 Accepted by the Board of Examiners of Faculty of Languages and Arts of Yogyakarta State University on 14July 2014 and declared to have fulfilled the requirements for the attainment of the Sarjana Sastra degree in English Language and Literature. Board of Examiners Chairperson : Nandy Intan Kurnia, M. Hum. _________________ Secretary : Eko Rujito D. A., M. Hum. _________________ First Examiner : Ari Nurhayati, M. Hum. _________________ Second Examiner : Sugi Iswalono, M. A. _________________
    [Show full text]
  • Pink Floyd - Dark Side of the Moon Speak to Me Breathe on the Run Time the Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse
    Pink Floyd - Dark Side of the Moon Speak to Me Breathe On the Run Time The Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse Pink Floyd – The Wall In the Flesh The Thin Ice Another Brick in the Wall (Part 1) The Happiest Days of our Lives Another Brick in the Wall (Part 2) Mother Goodbye Blue Sky Empty Spaces Young Lust Another Brick in the Wall (Part 3) Hey You Comfortably Numb Stop The Trial Run Like Hell Laser Queen Bicycle Race Don't Stop Me Now Another One Bites The Dust I Want To Break Free Under Pressure Killer Queen Bohemian Rhapsody Radio Gaga Princes Of The Universe The Show Must Go On 1 Laser Rush 2112 I. Overture II. The Temples of Syrinx III. Discovery IV. Presentation V. Oracle: The Dream VI. Soliloquy VII. Grand Finale A Passage to Bangkok The Twilight Zone Lessons Tears Something for Nothing Laser Radiohead Airbag The Bends You – DG High and Dry Packt like Sardine in a Crushd Tin Box Pyramid song Karma Police The National Anthem Paranoid Android Idioteque Laser Genesis Turn It On Again Invisible Touch Sledgehammer Tonight, Tonight, Tonight Land Of Confusion Mama Sussudio Follow You, Follow Me In The Air Tonight Abacab 2 Laser Zeppelin Song Remains the Same Over the Hills, and Far Away Good Times, Bad Times Immigrant Song No Quarter Black Dog Livin’, Lovin’ Maid Kashmir Stairway to Heaven Whole Lotta Love Rock - n - Roll Laser Green Day Welcome to Paradise She Longview Good Riddance Brainstew Jaded Minority Holiday BLVD of Broken Dreams American Idiot Laser U2 Where the Streets Have No Name I Will Follow Beautiful Day Sunday, Bloody Sunday October The Fly Mysterious Ways Pride (In the Name of Love) Zoo Station With or Without You Desire New Year’s Day 3 Laser Metallica For Whom the Bell Tolls Ain’t My Bitch One Fuel Nothing Else Matters Master of Puppets Unforgiven II Sad But True Enter Sandman Laser Beatles Magical Mystery Tour I Wanna Hold Your Hand Twist and Shout A Hard Day’s Night Nowhere Man Help! Yesterday Octopus’ Garden Revolution Sgt.
    [Show full text]
  • The Most Depressive Songs of Radiohead
    The most depressive songs of Radiohead 150 000 1 500 000 listeners at listeners at Last.fm Last.fm 15 Step Jigsaw Falling Into Place Feral Fitter Happier There, There Bodysnatchers Cheerful Backdrifts Separator Go To Sleep My Iron Lung Airbag Packt Like Sardines In a Crushed Tin Box Burn the Witch Sulk House Of Cards Lotus Flower Little By Little Optimistic Myxomatosis A Punch Up At a Wedding Anyone Can Play Guitar Idioteque Sit Down. Stand Up I Might Be Wrong In Limbo Where I End and You Begin Bones Thinking About You Morning Mr Magpie Vegetable Morning Bell Lurgee (Nice Dream) The National Anthem Just 2 + 2 = 5 High And Dry Identikit Subterranean A Wolf At the Door Present Tense Homesick Alien Electioneering Bloom The Bends Karma Police You Blow Out Stop Whispering Black Star Prove Yourself Planet Telex I Can't How Do You? Decks Dark Ripcord Scatterbrain Climbing Up the Walls Morning Bell/Amnesiac Faust Arp Reckoner How To Disappear Paranoid Android Like Spinning Plates Lucky Completely Weird Fishes/ Arpeggi Knives Out Ful Stop Exit Music (For a Film) I Will Kid A Nude Give Up The Ghost Pulk/Pull Revolving Desert Island Disk Street Spirit (Fade Out) Let Down Doors Fake Plastic Trees No Surprises You And Whose Army? The Gloaming Daydreaming Depressing Creep Dollars & Cents All I Need Tinker Tailor Soldier Bullet Proof ... I Wish I Sailor Rich Man Poor Hunting Bears Was Treefingers Man Beggar Man Thief Pyramid Song Codex Everything In Its Right Glass Eyes Life In a Glasshouse Sail To The Moon Videotape The Tourist Place The Numbers Motion Picture We Suck Young Blood True Love Waits Soundtrack Hail To the The King Of A Moon Pablo Honey The Bends OK Computer Kid A Amnesiac In Rainbows Thief Limbs Shaped Pool Data source: https://data.world/rcharlie/gloom-index-of-radiohead-songs.
    [Show full text]
  • Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice&
    DOI: 10.1111/musa.12085 BRAD OSBORN ROCK HARMONY RECONSIDERED:TONAL,MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD A great deal of the harmony and voice leading in the British rock group Radiohead’s recorded output between 1997 and 2011 can be heard as elaborating either traditional tonal structures or establishing pitch centricity through purely contrapuntal means.1 A theory that highlights these tonal and contrapuntal elements departs from a number of developed approaches in rock scholarship: first, theories that focus on fretboard-ergonomic melodic gestures such as axe- fall and box patterns;2 second, a proclivity towards analysing chord roots rather than melody and voice leading;3 and third, a methodology that at least tacitly conflates the ideas of hypermetric emphasis and pitch centre. Despite being initially yoked to the musical conventions of punk and grunge (and their attendant guitar-centric compositional practice), Radiohead’s 1997– 2011 corpus features few of the characteristic fretboard gestures associated with rock harmony (partly because so much of this music is composed at the keyboard) and thus demands reconsideration on its own terms. This mature period represents the fullest expression of Radiohead’s unique harmonic, formal, timbral and rhythmic idiolect,4 as well as its evolved instrumentation, centring on keyboard and electronics. The point here is not to isolate Radiohead’s harmonic practice as something fundamentally different from all rock which came before it. Rather, by depending less on rock-paradigmatic gestures such as pentatonic box patterns on the fretboard, their music invites us to consider how such practices align with existing theories of rock harmony while diverging from others.
    [Show full text]
  • OK Computer Ou L'émergence D'un Rock Syncrétique Chez Radiohead
    OK Computer ou l’émergence d’un rock syncrétique chez Radiohead Benjamin Lassauzet To cite this version: Benjamin Lassauzet. OK Computer ou l’émergence d’un rock syncrétique chez Radiohead. Lisa, 2019, XVI (1). hal-03244408 HAL Id: hal-03244408 https://hal.uca.fr/hal-03244408 Submitted on 1 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Benjamin Lassauzet OK Computer ou l’émergence d’un rock syncrétique chez Radiohead « Dans deux décennies, [OK Computer] sera envisagé comme un album clé, un chef-d’œuvre expérimental et iconoclaste qui osa entraîner le rock bien loin des images et constructions d’antan » Nick Kent, Libération, 17 juin 19971. Après plus de vingt ans d’existence, l’album OK Computer n’a pas fini de fasciner. Et si l’étonnement initial tend à s’émousser, la portée de son message apparaît plus clairement qu’à sa sortie. Il n’est qu’à consulter les critiques rédigées suite à la parution de l’album, qui font apparaître deux remarques récurrentes. D’une part, les commentateurs reconnaissent avoir sous-estimé le groupe sur la base de leurs deux premiers albums (Pablo Honey, 1993 ; The Bends, 1995) : trop vite considéré comme un énième avatar post-Nirvana suite au succès planétaire de « Creep » (avec ses paroles auto-dépréciatrices et ses oppositions dynamiques très marquées), Radiohead peinait, en effet, à s’extraire d’une image encombrante le poursuivant depuis ses débuts.
    [Show full text]
  • The BG News November 4, 1999
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 11-4-1999 The BG News November 4, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News November 4, 1999" (1999). BG News (Student Newspaper). 6559. https://scholarworks.bgsu.edu/bg-news/6559 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. OPINION NOW 9 WORLD NEWS 4 SPORTS 6 i Columnist Jud Laipply 1 ■ Toledo Museum of ■ U.S. Justice Department files suit BG running back advocates thinking critically Art exhibits quilts that against electric companies in Joe Alls has been a about lite in order to live it. display history from Midwest and East Coast that are bright spot for the o as early as 1800. violating environmental laws. Falcons this season. Weather Today: Thursday sunny November 4. 1999 High 53. Low 38 Volume 87 & Issue 51 The BGA doily independent News student press Local video Parental notification attempts to curb promotes current problem with binge drinking diversity By BRANDI BARHITE Excessive drinking on campus attention is needed or the stu- the 988 alcohol violations. est in the education and wel- awareness The BG News was a major motivator for the dent demonstrates reckless dis- Parental concern was also a fare of their children and notifi- The University is enact- decision, according to Jill Carr, regard for one's safety or oth- reason behind the policy cation, at the appropriate time, By GRETA HALE ing their right to notify associate dean of students.
    [Show full text]
  • Britainâ•Žs Radiohead Gets a Musical Makeover by Lawrence Jazz
    Lawrence University Lux Press Releases Communications 3-1-2011 Britain’s Radiohead Gets a Musical Makeover by Lawrence Jazz Department Lawrence University Follow this and additional works at: http://lux.lawrence.edu/pressreleases © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Britain’s Radiohead Gets a Musical Makeover by Lawrence Jazz Department" (2011). Press Releases. Paper 444. http://lux.lawrence.edu/pressreleases/444 This Press Release is brought to you for free and open access by the Communications at Lux. It has been accepted for inclusion in Press Releases by an authorized administrator of Lux. For more information, please contact [email protected]. Britain’s Radiohead Gets a Musical Makeover by Lawrence Jazz Department Posted on: March 1st, 2011 by Rick Peterson The music of the inventive and popular English alternative rock band Radiohead gets a major makeover in Lawrence University’s ambitious Radiohead Jazz Project. A dozen Radiohead songs, rearranged for large jazz ensemble format by an international array of composers, make their world premiere March 8-9 in a pair of performances by the Lawrence University Jazz Ensemble and the Lawrence University Jazz Band. The project was hatched last summer, when Fred Sturm, Lawrence’s director of jazz studies and improvisational music and colleague Patty Darling, director of the jazz band, discussed the feasibility of a Radiohead large jazz ensemble arranging initiative to bring added relevancy to the music their students play. “I’ve heard too many collegiate jazz concerts that don’t include a single selection composed within the lifetime of the students,” said Sturm.
    [Show full text]
  • Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
    Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr.
    [Show full text]
  • Luca Joass Better Band | Artist Song List
    LUCA JOASS BETTER BAND | ARTIST SONG LIST Free Falling (Tom Petty) Loyal (Dave Dobbyn) They Thought I was Asleep (Paul Kelly) Personal Jesus (Johnny Cash) Hurt (Johnny Cash) Folsom Prison Blues (Johnny Cash) Solitary man (Niel DiamonD) Mercy Seat (Nick Cave) I’m on Fire (Bruce Springsteen) Wagon Wheel (OlD Crow MeDicine Show) WonDerwall (Oasis) Skin & Bone (Foo Fighters) Big Me (Foo Fighters) My Hero (Foo Fighters) Hey There Delilah (Plain White Tees) Yellow (Coldplay) The Scientist (Coldplay) Blame it on me (George Ezra) BuDapest (George Ezra) I’m Yours (Jason Mraz) Listen to the Music (Doobie Brothers) RiptiDe (Vance Joy) SomeboDy I UseD to Know (Gotye) BETTER BAND | 021 1795953 | [email protected] Lonely Boy (The Black Keys) Naïve (The Kooks) Use SomeboDy (Kings of Leon) Fake Plastic Trees (RaDioheaD) No Surprises (RaDioheaD) ParanoiD AnDroiD (RaDioheaD) Creep (Radiohead) High & Dry (RaDioheaD) Run (Snow Patrol) Chasing Cars (Snow Patrol) Don’t Dream it’s Over (CrowDed House) Better be Home Soon (CrowDed House) Neon (John Mayer) Don’t Look Back in Anger (Oasis) Champagne Supernova (Oasis) ReaD my MinD (The Killers) Mr BrightsiDe (The Killers) HolD Back the River (James Bay) Lion Man (Mumford anD Sons) Here Comes the Sun (The Beatles) Yesterday (The Beatles) BlackbirD (The Beatles) Come Together (The Beatles) In Spite of All the Danger (The Quarrymen) Happy Now (ZeDD) Mrs Robinson (Simon anD Garfunkel) Lonesome Traveller (The Weavers) Heartbeats (Jose Gonzales) Dinosaurs (Ruby FielDs) BETTER BAND | 021 1795953 | [email protected]
    [Show full text]
  • Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
    Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S.
    [Show full text]