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Galicia, Irlanda Y El Impacto De La Música En La Poesía De P. Hutchinson

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Galicia, Irlanda Y El Impacto De La Música En La Poesía De P. Hutchinson Galicia, Irlanda y el impacto de la música tradicional en la poesía de Pearse Hutchinson José Luis Prieto Montero Director: José Miguel Alonso Giráldez SEPTIEMBRE 2015 Pearse Hutchinson (fuente: The Gallery Press) Agradecimientos .............................................................................................................. i Lista de abreviaturas ..................................................................................................... iii Notas ................................................................................................................................ v 1. Introducción ................................................................................................................ 7 1.1. Experiencia investigadora...................................................................................... 7 1.2. Justificación y objetivo .......................................................................................... 8 1.3. Metodología y elaboración de la investigación ................................................... 11 2. Marco teórico ............................................................................................................ 17 2.1. Concepto de literatura .......................................................................................... 17 2.1.1. Definiciones estructurales............................................................................. 18 2.1.2. Definición funcional ..................................................................................... 19 2.1.3. Definiciones semióticas ................................................................................ 19 2.2. Funciones de la literatura ..................................................................................... 20 2.3. Concepto de oralitura........................................................................................... 22 2.4. Concepto de música ............................................................................................. 23 2.5. Literatura y música .............................................................................................. 25 2.6. Las cantigas, ejemplo de simbiosis entre literatura y música .............................. 28 2.7. Literatura y música en Irlanda ............................................................................. 33 2.8. Seamus Heaney, el bardo telúrico ....................................................................... 43 2.9. Paul Muldoon y otros autores .............................................................................. 51 3. Pearse Hutchinson .................................................................................................... 53 3.1. Biografía .............................................................................................................. 53 3.2. Perfiles ................................................................................................................. 59 3.2.1. Perfil vital ..................................................................................................... 59 3.2.2. Perfil estilístico ............................................................................................. 61 3.3. ¿Poeta clásico o innovador? ................................................................................ 66 3.4. Contexto literario ................................................................................................. 70 3.5. Relación no literaria con la música...................................................................... 73 4. La música en la literatura de Pearse Hutchinson .................................................. 77 4.1. La música asociada al origen: la identificación cultural ...................................... 77 4.2. Música y clases sociales ...................................................................................... 89 4.3. La música como elemento vital ........................................................................... 97 4.4. La música como eje central del poema .............................................................. 109 4.4.1. Canciones populares ................................................................................... 110 4.4.2. Música como rasgo definitorio del motivo del poema ............................... 115 4.4.3. Sonoridad .................................................................................................... 117 4.5. Otros usos y referencias musicales .................................................................... 121 4.6. Hutchinson, el bardo moderno........................................................................... 126 5. Música y forma ....................................................................................................... 139 5.1. Rimas ................................................................................................................. 140 5.2. Métrica y ritmo .................................................................................................. 146 5.3. La sonoridad a través de la organización........................................................... 157 5.3.1. Formatos únicos .......................................................................................... 158 5.3.2. Repetición de estructuras ............................................................................ 164 5.3.3. Contrapuntos ............................................................................................... 172 5.3.4. Poemas como canciones ............................................................................. 175 5.4. Recursos estilísticos ........................................................................................... 176 5.4.1. Recursos gramaticales ................................................................................ 176 5.4.2. Recursos fónicos ......................................................................................... 179 5.5. La inclusión de otros idiomas ............................................................................ 181 6. Listening to Bach ..................................................................................................... 185 6.1. Música asociada al origen: la identificación cultural ........................................ 186 6.2. Música y clases sociales .................................................................................... 190 6.3. Música como elemento vital .............................................................................. 191 6.4. La música como eje central del poema .............................................................. 193 6.5. Otros usos y referencias musicales .................................................................... 196 6.6. Hutchinson como bardo moderno ..................................................................... 198 6.7. Rimas ................................................................................................................. 199 6.8. Métrica y ritmo .................................................................................................. 200 6.9. Sonoridad y organización .................................................................................. 203 6.9. Recursos estilísticos ........................................................................................... 206 6.10. Otros idiomas ................................................................................................... 210 6.11. Valoración de Listening to Bach dentro del estilo literario de Hutchinson ..... 211 7. Géneros tradicionales irlandeses en Pearse Hutchinson ..................................... 213 7.1. La balada............................................................................................................ 213 7.2. El sean-nós ........................................................................................................ 224 7.3. El aisling ............................................................................................................ 230 8. Galicia a través de la música ................................................................................. 235 8.1. Done into English: cantigas ............................................................................... 236 8.2. Done into English: autores gallegos .................................................................. 240 8.3. Influencia de las cantigas en la poesía de Hutchinson....................................... 244 9. Conclusiones ............................................................................................................ 253 Anexos ............................................................................................................................... I I. Bibliografía ................................................................................................................... I I.I. Obras citadas ............................................................................................................ I I.II. Obras consultadas ............................................................................................... VII II. Entrevistas ........................................................................................................... XXIII II.II. David McLoghlin ........................................................................................... XXX II.III. Eiléan Ni Chuilleanáin ............................................................................... XXXV II.IV. Jorge
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