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AP Human Geography Summer Assignment
AP Human Geography Summer Assignment Taking You Places Introduction Congratulations on your decision to take AP Human Geography. Geography is an exciting subject and completing this class will help youfind success during the rest of your high school career. In AP Human Geography you will learn to make connections and ask questions in all of your other classes. You will establish the study habits and the dicipline needed to suceed in upper level courses. A basic knowledge of Geography will help you understand the way the world around you works and help you spot opportunities for success. This Summer Assignment has been created to help you prepare for the year ahead by giving you a chance to view the world through a Geographers perspective or lens. It will serve as several important grades when you start the year. It is important that you invest the time to work on this assignment because you will not be able to complete it overnight. You can choose to complete the activites in any order you wish, they will all help you prepare for the course. Remember, Geography can take you far! AP Human Geography World Regions: A Closer Look World regions maps: Many of the regions overlap or have treansitional boundaries, such as Brazil, which is part of Latin America, but has Portuguese colonial heritage. Although some regions are based on culture, others are defined by physigraphic features, such as sub-Saharan Africa, which is the part of the continent south of the Sahara Desert. Not all geographers agree on how each region is defined. -
Guide to the Estelle Ellis Collection
Guide to the Estelle Ellis Collection NMAH.AC.0423 NMAH Staff undated Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 4 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 2: Business Materials, 1953-1994............................................................... 41 Series : Research Files.......................................................................................... 45 Series 4: Audiovisual Materials, 1979-2004........................................................... 47 Estelle Ellis Collection NMAH.AC.0423 Collection Overview Repository: Archives -
Asian Americans and the Cultural Economy of Fashion / Thuy Linh Nguyen Tu
UIF #&"65*'6-HFOFSBUJPO UIF #&"65*'6-HFOFSBUJPO >PF>K>JBOF@>KP BOEUIF @RIQRO>IB@LKLJV PGC>PEFLK 5IVZ-JOI/HVZFO5V ARHBRKFSBOPFQVMOBPP AROE>J>KAILKALK ∫ 2011 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by Heather Hensley Typeset in Scala by Keystone Typesetting, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. To my mother CONTENTS acknowledgments ix introduction Fashion, Free Trade, and the ‘‘Rise of the Asian Designer’’ 1 Part I 1. Crossing the Assembly Line: Skills, Knowledge, and the Borders of Fashion 31 2. All in the Family? Kin, Gifts, and the Networks of Fashion 63 Part II 3. The Cultural Economy of Asian Chic 99 4. ‘‘Material Mao’’: Fashioning Histories Out of Icons 133 5. Asia on My Mind: Transnational Intimacies and Cultural Genealogies 169 epilogue 203 notes 209 bibliography 239 index 253 ACKNOWLEDGMENTS This book would not have been possible without the time, energy, and imagination of many friends, colleagues, and kind strangers. It is a pleasure to be able to acknowledge them here. I want to begin by thanking all the designers who allowed me to talk with them, hang around their shops, and learn from them. Knowing what I now know about the demands of their work, I am even more amazed that they could find so much time for me. Without their generosity, I would not have this story to tell. The seeds of this book were planted many years ago, but they really grew in conversation with the wonderful colleagues, at di√er- ent institutions, who have read, heard, or talked about these ideas with me, including Christine Balance, Luz Calvo, Derek Chang, Beth Coleman, Iftikhar Dadi, Maria Fernandez, Wen Jin, James Kim, Nhi Lieu, Christina Moon, Viranjini Munsinghe, Mimi Ngu- yen and Minh-Ha Pham (and their spot-on blog, Threadbared), Je√rey Santa Anna, Barry Shank, Julie Sze, Elda Tsou, K. -
Page 1 2 0 0 7 a N N U a L R E P O R T
2007 ANNUAL REPORT IN SEARCH OF LASTING SOLUTIONS TO HIV/AIDS THE FOUNDATION FOR AIDS RESEARCH amfAR, THE FOUNDatION F O R A ID S R E S E ar C H , I S DEDICatED TO ENDING THE GLOBAL AIDS EPIDEMIC T H R O U G H I N N O V at I V E RESEARCH. Cover photos (from top): TREAT Asia Community Programs Manager Jennifer I-Ching Ho holds an HIV-positive child (photo: Karl Grobl); Dr. Nolwenn Jouvenet, Aaron Diamond AIDS Research Center (photo: Dr. Rowena Johnston); Shan Grant, Miguel Rivera, and Robert Green (photo: Winnie McCroy). FROM THE CHAIRMAN 02 A Global Force Against a Global Epidemic FROM THE CHIEF EXECUTIVE OFFICER 03 Good Research Drives Good Policy PEOPLE LIVING WITH HIV/AIDS 04 MAJOR ACCOMPLISHMENTS 06 RESEARCH 08 GLOBAL INITIATIVES 15 PUBLIC POLICY 22 EDUCATION AND INFORMATION 26 GIVING 30 Individual Giving Institutional Giving In-Kind Contributions Planned Giving Volunteer Support Workplace Giving FINANCIAL SUMMARY 44 From the Treasurer and the Chair of the Finance and Budget Committee Statement of Activities and Changes in Net Assets Statement of Financial Position LEADERSHIP AND ADVISORY COMMITTEES 46 ACKNOWLEDGMENTS FROM THE CHAIRMAN A Global FORCE AGAINST A Global EPIDEMIC Of the 33 million people living with HIV/AIDS, more than 90 percent are in the develop- ing world. For most of its 23 years at the leading edge of the fight against AIDS, amfAR has brought AIDS research, prevention, and education to countries hard hit by the epidemic. A global health threat demands nothing less than a global response. -
Windmill Theatre, GIRL ASLEEP Is a Journey Into the Absurd, Scary and Beautiful Heart of the Teenage Mind
1 WINNER ADEL AIDE FILM FESTIVAL FOXTEL MOVIES AUDIENCE AWARDS MOST POPULAR FEATURE Girl Asleep bags most popular feature at Adelaide Film Festival. IF MAGAZINE It’s in Myers’s commitment to eccentricity that Girl Asleep – an art-house film made firmly with a teenage audience in its sight – finds its heart. THE GUARDIAN AUSTRALIA Girl Asleep is the stylish, formally exuberant debut of theatre director Rosemary Myers. A funny and imaginative portrait of growing pains. THE HOLLYWOOD REPORTER With the endless production of superhero films and film remakes these days, it is refreshing to see a film with such raw acting and originality from start to finish. It’s hard not to fall in love with the characters in Girl Asleep, and be left with the warmth of the film long after the credits have stop rolling. THE UPSIDE NEWS Inventive and confidently executed... bright and occasionally subversive take on teen growing pains that gives fresh legs to a familiar genre. We’re lucky to call this one our own. RIP IT UP Profoundly funny. SCENESTR Wildly funny and deeply moving in equal measure, it is a work rich in larrikin character but universal in its themes and appeal. As Greta embraces her blossoming self, so to does Australian cinema welcome another memorable movie heroine. SCREEN SPACE A memorable, comic balance of poise and chaos. ADELAIDE REVIEW Colourful, eccentric... production about a girl navigating the pitfalls of puberty with a casual side of magical realism... one for fans of coming-of-age dramas and colourful Wes Anderson-style quirkfests. -
HCC at Work Building Tomorrow’S Workforce
SPRING 2012 HOUSTON COMMUNITY COLLEGE ALUMNI ASSOCIATION & FOUNDATION STUDENTS OPPORTUNITY ADVANCEMENT RECOGNITION HCC AT WORK BUILDING TOMORROW’s WORKFORCE See Inside: HCC Foundation 2011 Annual Report HCC Has A WELCOME MessaGE frOM HCC’S ChaNceLLOR STUDENTS OPPORTUNITY ADVANCEMENT RECOGNITION SOAR is published by the Houston Community College Alumni Association and the HCC Foundation, “From cosmetology to in collaboration with the HCC Communications Department. We greatly appreciate the participation of those who allowed us to share their stories. radiography to petroleum Executive Director, HCC Foundation KELLY J. ZUNIGA, Ed.D., CFRE engineering technology, Director, Foundation Development and HCC is preparing Communications CYDNEY PETErs 7 5 320 756 875 Houstonians for success in , Director of Advancement Services SOPHIA COREY HCC Chancellor Dr. Mary S. Spangler their careers and beyond.” Coordinator, Alumni Relations LaUREN STroMAN Reasons to Give Contributing Writers Dear Friend, MarcUS CHAMBERLAND AMY YEATTS Welcome to our spring edition of HCC’s alumni magazine, SOAR. This special Contributing Photographers double issue includes our HCC Foundation 2011 Annual Report and an update on JESSIca HAM fundraising successes. MIGUEL RIVEra We are pleased to spotlight in our cover story the many workforce programs here HCC student Alan Lim ’13 is at HCC. The College is leading the way in Texas with twenty-five of our workforce among our 75,000+ students, programs achieving exemplary status. From cosmetology to radiography to of which more than 5,000 received associate degrees, petroleum engineering technology, HCC is preparing Houstonians for success certificates or their GED from in their careers and beyond. You will be pleased to hear we are the number one HCC this spring. -
The Creative Economy of Houston
JULY 2012 THECREATIVE ECONOMY OF HOUSTON A comprehensive sTUDY OF creaTIVE-SECTor INDUStrieS and their IMPACT ON THE HOUSTON ECONOMY Commissioned by Houston Arts Alliance and University of Houston in partnership with Greater Houston Partnership Data and Analysis by EMSI Thank you to all of the many thoughtful participants in bringing this study to a reality. Nearly three years WELCOME LETTER ago, Houston Arts Alliance and University of Houston convened a group of creative, academic and policy leaders to discuss the broad creative sector in Houston. A few preliminary take-aways have informed the work since then. Among them is the sense that the delineation between the for-profit creative sectors and the non-profit arts is now highly porous. Artists and other creatives move fluidly between work in major arts institutions, community-based organizations, film, design and other creative endeavors. The “arts” today are about creative expression and creative experience, and don’t fall neatly within for-profit and non-profit parameters. We need to shift the perception from the arts as a quality of life attraction for a well-qualified workforce, to the creative sectors as a tremendously powerful component of the economy unto itself. I believe this study reflects these early ideas. This is a conservative study. By design, we asked our colleagues at EMSI to mirror the study as much as possible to successful studies in other major US cities, but to tailor it to Houston. The result are findings that are defendable, easy to grasp, and are presented within the context of Houston’s job sectors. -
The Burqa in Vogue: Fashioning Afghanistan Ellen Mclarney
The Burqa in Vogue: Fashioning Afghanistan Ellen McLarney Journal of Middle East Women's Studies, Volume 5, Number 1, Winter 2009, pp. 1-20 (Article) Published by Indiana University Press For additional information about this article http://muse.jhu.edu/journals/jmw/summary/v005/5.1.mclarney.html Access Provided by Duke University Libraries at 12/16/10 9:17PM GMT ELLEN McLARNEY 1 THE BURQA IN VOGUE: Fashioning Afghanistan Ellen McLarney ABSTRACT In the months leading up to 9/11 and in its immediate aft ermath, the media demonized the burqa as “Afghanistan’s veil of terror,” a tool of extremists and the epitome of political and sexual repression. Around the time of Afghanistan’s presidential and parliamentary elections in 2004 and 2005, there were noticeable shift s in apprehen- sions of the burqa in the Western media. In Fall 2006, burqa images even appeared on the Paris runways and in Vogue fashion spreads. Th is article charts the burqa’s evolution from “shock to chic” and the process of its commodifi cation in the Western media. Th e article specifi cally analyzes Vogue magazine’s appropriation of the burqa as haute couture. I’ve long believed that the content of fashion does not materialize spon- taneously but, in ways both mysterious and uncanny, emerges from the fabric of the times. Th at fabric has recently been darkly threaded by war and uncertainty. (Wintour 2004) n the months leading up to 9/11 and in its immediate aftermath, Amer- Iican and British media demonized the burqa as “Afghanistan’s veil of terror,” a tool of extremists and the epitome of political and sexual repres- sion (Shah 2001). -
Windblown but Not Bothered in Columbia Sportswear's Triteca
BY JORDAN K. SPEER, JESSICA BINNS, DEENA M. AMATO-MCCOY & SARAH ROBBINS Windblown but not bothered in Columbia Sportswear's Triteca Softshell, featuring Omni-Wind Block, a technically advanced membrane that provides ultrabreathable wind protection -— the wind chill is kept from coming in but perspiration is allowed to escape. 14 MAY 2012 • www.apparelmag.com TOP INNOVATORS VF Corp. (Vans) Greensboro, N.C. | www.vfc.com NOMINATED BY: Manhattan Associates | www.manh.com Corporation is a low-risk com- fill demand from the U.S. retail stores that ing the current operation, VF then expanded “VFpany,” says Terry Brown, the apparel account for 50 percent of its business. VF the distribution center footprint, splitting enterprise’s director of common systems. sought to improve the brand’s supply chain footwear and apparel operations between “We like to take risk out of the process.” and accomplished this by expanding Vans’ two buildings and implementing optimized And yet Vans — an action sports-ori- dedicated fulfillment center from 317,000 fulfillment for footwear. ented apparel and footwear brand that square feet to 530,000 square feet. It also Since then service-level agreements with joined the VF family in 2007 — caters to worked with Manhattan Associates to retailers have improved by 90 percent, and one of the most high-risk demographics deploy warehouse management and labor its wholesale service performance is up out there: high-flying, fate-tempting, thrill- management solutions, a “disruptive inno- 32 percent. What’s more, thanks to the seeking skateboarders, surfers, BMX bik- vation” that has achieved notable results, technology upgrade, Vans is doing a bet- ers and snowboarders. -
Trench Dressing
WOLFGANG LEY’S NEW ROLE/4 CELEBRITY UNDERWEAR/10 WWDWomen’s Wear Daily • The Retailers’MONDAY Daily Newspaper • October 24, 2005 • $2.00 Accessories/Innerwear/Legwear Trench Dressing LOS ANGELES — A new day has dawned at St. John. In its first Los Angeles show under the new regime on Thursday night, the firm presented a smart, youthful collection. While knits remain the house’s bread and butter, there were also plenty of wovens, like the black trench shown here. For more on the collections, see pages 6 and 7. Hilfiger in Five Years: Firm Said to Forecast Wholesale Will Halve By Jean Palmieri NEW YORK — The long-term picture for the U.S. wholesale business at Tommy Hilfiger Corp. isn’t a pretty one. Meanwhile, the chances of Hilfiger being acquired by Wal-Mart Stores Inc. no longer seems so far-fetched; one investment banker pegged them at “50-50.” According to investment sources who have seen the company’s offering memorandum, Hilfiger is projecting that U.S. wholesale sales will drop by more than half, to just more than $400 million, by fiscal year 2009, from just under $900 million in fiscal year 2004. See Tommy, Page50 PHOTO BY DONATO SARDELLA DONATO PHOTO BY 4 WWD, MONDAY, OCTOBER 24, 2005 WWD.COM Escada’s Ley Ready for New Role By Marc Karimzadeh plans to add stores in the U.S. WWDMONDAY Instead, Ley said the plan is to NEW YORK — “On Jan. 31, they utilize the existing stores bet- Accessories/Innerwear/Legwear fire me,” Wolfgang Ley, Escada’s ter. -
Movie Museum MAY 2010 COMING ATTRACTIONS
Movie Museum MAY 2010 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY IT'S COMPLICATED Hawaii Premiere! PIRATE RADIO Mother's Day Hawaii Premiere! (2009) THE FIRST DAY OF THE aka The Boat that Rocked Hawaii Premiere! DEFAMATION in widescreen REST OF YOUR LIFE (2009-UK/Germany/US/ THE FIRST DAY OF THE aka Hashmatsa (2008-France) France) REST OF YOUR LIFE (2009-Israel/Denmark/US/ with Meryl Streep, Steve in French with English in widescreen (2008-France) Austria) Martin, Alec Baldwin, John subtitles & in widescreen with Philip Seymour in French with English in Hebrew/English with English Krasinski, Lake Bell, with Jacques Gamblin, Zabou Hoffman, Bill Nighy, Tom subtitles & in widescreen subtitles & in widescreen Mary Kay Place. Breitman, Déborah François. Sturridge, Nick Frost. with Jacques Gamblin, Zabou A documentary exploring anti- Breitman, Déborah François. Semitism's significance today. Written and Directed by Written and Directed by Written and Directed by Written and Directed by Written and Directed by Nancy Meyers. Rémi Bezançon. Richard Curtis. Rémi Bezançon. Yoav Shamir. 12:15, 2:30, 4:45, 7:00 & 12:30, 2:30, 4:30, 6:30 12:15, 2:30, 4:45, 7:00 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 9:15pm 6 & 8:30pm 7 & 9:15pm 8 & 8:30pm 9 & 8:30pm 10 Hawaii Premiere! Hawaii Premiere! Armed Forces Day Hawaii Premiere! Hawaii Premieres! TETRO DEFAMATION Hawaii Premieres! TETRO ECHOES OF HOME (2009-US/Italy/Spain/ aka Hashmatsa THE WINTER WAR (2009-US/Italy/Spain/ (2007-Switzerland/Germany) Argentina) (2009-Israel/Denmark/US/ (1989-Finland) Argentina) A delightful documentary on in widescreen Austria) in Finnish with English in widescreen yodeling in the 21st century. -
GTM Fashion Take the Challenge AK 02 03 11 FINAL
Math in Fashion: Take the Challenge Answer Key Chloe Dao, Project Runway Season 2 winner, uses math in her work as a fashion designer. She uses algebraic reasoning to figure out the pricing of finished pieces. Chloe has designed a beaded top whose current retail cost is $40.65. Chloe needs to change the design so that it is less expensive and has a retail cost of $35 or less. Your challenge is to change the design in order to hit that price point. 1. The current retail price is $40.65, which includes materials, labor and a markup of 220%. • 220% of the wholesale cost should not exceed the target retail price of $35. • Calculate the maximum wholesale cost . Show your work. Strategies and Solutions: • Strategy 1: o Discuss the fact that more than $5 must be reduced from the retail price to reach the price point of $35. o Use a ratio to express the fact that every dollar of the wholesale price equals $2.20 in the retail price of the shirt: Retail = $2.20 Wholesale 1 o To find the wholesale cost needed for a $35 top, set up the following proportion: 35 = 2.20 w 1 35 = 2.20 w 35 = 2.20 w 2.20 2.20 $15.91 = w Chloe’s wholesale cost cannot exceed $15.91 to hit a retail price point of $35. • Strategy 2: ○ Discuss the fact that 220% of the costs of materials and labor, or wholesale, must come in under the QVC price point of $35. ○ Write a mathematical model in words: 220% of the wholesale cost (materials and labor) is less than thirty-five dollars.