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Checklist for the Exhibition Marilyn Minter Takashi Murakami MULTIPLES Christian Marclay Claes Oldenburg Niki de Saint Phalle Shit-Kicker, 2006 Inochi Commercials, 2004. Bottled Water, 1990. ‘Airflow’ Box, 1966. Petit Nana Rose (Little Pink Nana), 2002. Billboard. Dimensions vary with installation ©2004 Takashi Murakami/Kaikai Kiki Joseph Beuys Sealed bottle with text-printed label and New York: Newsweek, 1966 Inflatable PVC sculpture, 25 inches high. Adrian Piper ADVERTISING Courtesy of the artist and Salon 94/ NY Co., Ltd. All Rights Reserved. Holzpostkarte (Wood Postcard), 1974. prerecorded magnetic tape inside, Four color offset lithograph published on Jnf Productions, Paris. Village Voice Ad #13, Mythic Being, Heidelberg: Edition Staeck 12 1/2 x 4 inches. coated paper cover of Art News 64, no. Private Collection. Cycle 1: [End of Cycle 1], advertisement MAGAZINES & NEWSPAPERS MTV Artbreaks, 1985-1992: Silkscreen on pine New Museum Editions. 10 (February 1966). Edition of c. 36000 in The Village Voice (New York): Edition: unlimited, unsigned, unnumbered Edition of 150. unsigned and unnumbered copies. Various Artists September 26, 1974, 38. TV ADS Marcel Duchamp Charles Clough (c. 600 copies signed and some stamped), Private Collection. 2 x 5 x 2 inches (when constructed) on SMS (Shit Must Stop), 1968. Private Collection. Archie Pen Co., full-page advertisement in Joan Logue (White Version), 1985, 20 seconds. 4 x 6 x 1 1/2 inches. cover 1 1/4 inches. (William Copley, Editor) The Arts 1 (February-March 1921): 64. 30-Second Portraits/Spots (New York Private Collection. Christian Marclay Private Collection. Issue 5, 1968 . Adrian Piper Private Collection. Artists), 1980-82 Portraits by Joan Logue; Charles Clough Untitled (Music Box), 2005. Edition of 2000. Village Voice Ad #17, Mythic Being, Co-Produced, Directed, Videographer, and Bigfoot, 12 seconds. Joseph Beuys Wooden box embossed with text and Claes Oldenburg Mixed media. Cycle 2: [Thanks], advertisement in The Ray Johnson Edited; Executive Producers The Kitchen Jonathan Borofsky Filzpostkarte (Felt Postcard), 1985. music box mechanism, NYC Pretzel, 1994. Each issue: 13 5/8 x 7 1/2 x 1 3/4 Village Voice (New York): February 3, 8 Man Show, advertisement in The Village NYC; Production; Howard Grossman, Ruby Dream, 1985, 30 seconds. Heidelberg: Edition Staeck 2 3/4 x 5 x 31/2 inches closed. Printed cardboard, inches; contents variable dimensions. 1975, 97. Private Collection. Voice (New York): 30 July 1964, 9. Private Camera, Lighting; Funded by NEA, New Silkscreen on felt. Unlimited edition plus 6 1/2 x 6 x 3/4 inches. Publisher: The Letter Edged in Black Press, Collection. York State Council on the Arts and Joan Richard Prince 100 signed, numbered Vik Muniz I C Editions, New York. NYC. Private Collection. United Art Contractors Logue. Including: John Cage, Composer; 1985, 20-seconds. 4 x 6 x 1/2 inches. Untitled (Medusa Plate), 1999. Private Collection. Amuse Us, advertisement in Artforum [Andy Warhol] Meredith Monk, Composer; Arnie Zane Private Collection. Photographic image on porcelain + Kosuth texts from issue #3 22, no.5, (January 1984): 92. Private Ray Johnson, advertisement in The Village and Bill T. Jones Choreographers; Richard Tuttle 12 3/8 (diameter) collection. We’re Desperate: We Want to Voice (New York), 17 September Maryanne Amacher, Composer; Robert 1985, 17 seconds. George Brecht Peter Norton Family Christmas Art Projects Self-Portrait with Imaginary Frame, 1965. Kara Walker Buy Our Way Into a Show, advertisement 1964, 13. Private Collection. Ashley, Composer Writer; Charlemagne Water Yam (Editions Leeber Hossman), Private Collection. Distributed by Yoko Ono and Fluxus. Freedom, a Fable: A Curious Interpretation in Artforum 22, no.7, (March 1984): Palestine, Composer; Simone Forti, Luigi Ontani 1986. Cardboard box with event cards 1 3/4 x 1 3/4 inches (portrait). of the Wit of a Negress in Troubled Times, 112. Private collection. Yoko Ono Be Our Yoko Ono Choreographer; Carles Santos, Composer, 1985, 10 seconds. 6 3/4 x 6 3/4 x 1 3/4 inches. Takashi Murakami 5 1/2 x 3 inches (envelope). 1997. Pop-up book, 9 ½ x 8 x ¾ inches. Patron, advertisement in Artforum 22, no.8 IsReal Gallery: Draw Circle Event, Performance; Spalding Gray, Writer Private Collection. DOB, 1999. Private Collection. Peter Norton Family Christmas Art Projects. (April 1984): 94. Private collection. Your advertisement in New York Arts Calendar Performer; Richard Teitelbaum, Composer; Jean Michel Basquiat Plush toy, 12 inches high. Private Collection. Ideas May Already Be Worth a Clock, 2, no. 6 (March 1965): n.p. Steve Reich, Composer; George Lewis, 24 seconds. Jim Dine and Rory McEwen ©1999 Takashi Murakami/Kaikai Kiki Yoko Ono and George Maciunas advertisement in Artforum 22, no.10 Private Collection. Composer; Tony Ramos, Performance; Songs-Poems-Prints, 1969. Co., Ltd. All Rights Reserved. Fluxus Wallpaper (Assholes Wallpaper), Andy Warhol (Summer 1984): 107. Private collection. David Behrman, Composer; Charlemagne /R. Kovich Phonograph LP record with Mylar prints Private Collection. 1968/1973. Aspen: The Magazine in a Box, Issue 3. Brilliant New Work by United Art Yoko Ono Palestine, Performance; Alvin Lucier, 30 seconds. in gatefold sleeve,12 inches square Offset lithograph on paper, (Fab issue), 1966. Contractors, advertisement in Artforum IsReal Gallery: Drill Hole Event, Composer; Douglas Ewart, Composer; Published by MoMA/Atlantic Takashi Murakami 22 1/4 x 17 inches. Mixed media, 12 1/4 x 9 x 5/8 inches. 23, no.1 (September 1984); 16. Private advertisement in New York Arts Calendar Max Neuhaus, Composer; Joan Jonas, Tony Cragg Records, 1969. Oval (Peter Norton Christmas Project), Private Collection. Private Collection. collection. United Art Contractors Ride 2, no. 7 (April 1965): n.p. Performance; Steve Reich, Composer; Liz 1986, 29 seconds. 2000, polychromed plastic containing Andy Warhol’s Coattails to Success, Private Collection. Phillips, Composer Sound Installation; Arnie Marcel Duchamp a mini-CD, 10 inches high. Yoko Ono Andy Warhol advertisement in Artforum 23, no.3 Zane and Bill T. Jones, Choreographers; Dara Birnbaum Rotoreliefs (Optical Disks), 1935. Edition of 5000. Box of Smile (One-to-One version), 1972. Campbell’s Special Edition Andy Warhol (November 1984):118. Private collection. Ed Ruscha Philip Glass, Composer; Laurie Anderson, Artbreak, MTV Networks, Inc., 1987. Cologne: König Postkartenverlag (1987 Produced by Cube. Cardboard and mylar, Tomato Soup Cans, 2004. You Get What You Pay For: “No Talents Ed Ruscha Says Goodbye to College Joys, Composer; Yoshi Wada, Composer; (Music/Audio Collaboration: Dara edition) discs 7 7/8 inches (diameter) ©2000 Takashi Murakami/Kaikai Kiki 3 x 3 1/4 x 3 1/4 inches. Special four-pack Campbell’s tomato Buy Their Way In”, advertisement in advertisement in Artforum 5, no. 5, Joan Jonas, Performance; Lucinda Childs, Birnbaum, Peter Eggers. Commissioned by Private Collection. Co., Ltd. All Rights Reserved Private Collection. soup distributed exclusively through Giant Artforum 23, no.5 (January 1985): 31. (January 1967): 7. Choreographer; Nam June Paik, Fluxus MTV Networks, Inc.), 30 seconds. © Dara Collection of Margo Crutchfield. Eagle supermarkets. The pack features Private collection. Please Tell Us How Private collection. Composer; all ©1981. Birnbaum. Courtesy of the artist. Marcel Duchamp Yoko Ono the Warhol-inspired labels instead of the Pretty We Look, advertisement in Artforum Rotoreliefs (Optical Disks), 1935. Takashi Murakami A Box of Smile, 1984. trademark red and white labels that have 24, no.1 (September 1985): 46. Private Marilyn Minter Jenny Holzer Cologne: König Postkartenverlag (2000 Superflat Museum Convenience Store New York: ReFlux Editions, 1984. adorned the can for more than 100 years. collection. We Caused the Shuttle Disaster, Figurative, advertisement in Harper’s 100 Food Porn Commercial, 1989 Truisms: Power, Action, Alienation, edition) discs 7 7/8 inches (diameter). Edition, 2003. 2 1/2 x 2 1/2 x 2 1/2 inches. 4 x 5 1/4 x 5 1/4 inches (4 can pack). advertisement in Artforum 26, no.1 Bazaar, (March 1968): 90. 30-second television advertisement Inactivity, Boredom, Deviants, Stupid, Private Collection. Plastic figures and figure assembly kits Edition of 1170. Private Collection. (September 1986): 62. Private collection. Private collection. Courtesy of Marilyn Minter and Salon Contempt, Babies, Murder, Crime, Boys & packaged with gum, brochures, Private Collection. We Can’t Get our Hair Right, 94 Gallery. Girls, Revolution, Madness, and Wishing Jenny Holzer and certificates, 5 x 3 1/2 x 1 1/2 Kehnde Wiley advertisement in Artforum 26, no.3 Stephen Kaltenbach (each approximately 7 seconds). Truisms, 1996. inches (box). Yoko Ono After La Negresse, 1872, 2006. (November 1987): 179. Private collection. Art Works, advertisement in Artforum 7, Laurie Anderson Survival Series: Environment, Explode, Silkscreened postcards on balsa wood, Private Collection. Freight Train, 2005. Cast Marble dust and resin, Grand Lawyering: A Legacy of Understated no. 3 (November 1968): 72. Personal Service Announcements, 1990. Government, Bloodbath, Spit, Urge, 31/2 x 5 1/2 inches each. Mixed media (with internal lighting system 11 x 10 x 9 inches. Elegance, in Artforum 28, no.3 (November Private collection. Johnny Appleseed, Including: Television PSA (:55); Women Communists, Men, Extreme, Secret War, Published by the artist. Yoshitomo Nara and accompanying audio compact disc), Produced by CerealArt, edition of 250. 1989): 179. Private collection. Still Wet advertisement in Artforum 7, no. 4 and Money PSA (1:45); National Anthem Poor People, Protect, Killing, Picnicking, Dish (Too Young to Die), 2002. 7 1/2 x 16 x 4 3/4 inches including Private Collection. Your Pants at Age 40?, advertisement in (December 1968): 74. Private collection. PSA (1:45); Military Research PSA (1:10); and Silly Holes (each between 6 and Jasper Johns Ceramic.10 (diameter) x 1 1/4 inches. base. ed. 19/60. Artforum 28, no.5 (January 1990): 166. Art, advertisement in Artforum 7, no. 5 and National Debt PSA (2:10). Produced 10.5 seconds). Target, 1971. Open edition. Private Collection. Private Collection. Private collection. (January 1969): 15. Private collection. by Michael Owen. Directed by Laurie Living Series: Noses, False, Knifing Victim, Three examples, one framed Tell a Lie, advertisement in Artforum 7, no. Anderson. © 1990 Warner Bros. Records Sleep, Sensation, Damage, Students, Accompanies the exhibition: Technics and Yoshitomo Nara Niki de Saint Phalle Jeff Koons 6 (February 1969): 71. Private collection. Inc. Courtesy of the artist. Little Queenie, Fragile, Drooling, Gifted Creativity: Gemini G.E.L Little Wanderer, 2003. Le Serpent (Snake), 2002. Advertisement, in Artforum 27, no.3 Start a Rumor, 1969, advertisement Children, Worry, Devices, Bodies, and , New York Plastic, 12 inches high. Inflatable PVC sculpture, 36 inches high. (November 1988): 23. Private collection. in Artforum 7, no, 7 (March 1969): Yoko Ono Unappealing (each between 7 and 16 May-6 July 1971 Private Collection. Jnf Productions, Paris Advertisement, in Art in America 76, no.11 96. Private collection. Perpetrate a Bottoms Commercial, 1967. seconds), all 1989. © Jenny Holzer. Lithography, watercolor cakes, and paint Private Collection. (November 1988): 51. Private collection. Hoax, advertisement in Artforum, (April Black and white film transferred to Courtesy of the artist. Brush in plastic case with catalogue Yoshitomo Nara Advertisement, in Arts 63, no. 3 1969): 80. Private collection. Teach video, 2:40. Yes TV Spots (Planet 11 x 9 x 2 1/4 inches. Pup Cup, 2003. Niki de Saint Phalle (November 1988): 23. Private collection. Art, advertisement in Artforum 8, no. 1 Propaganda for Walker Art Center): Robert Longo Private Collection. Plastic (with battery-operated motor), Nana Jaune (Yellow Nana), 2002. Advertisement, in FlashArt 143 (September 1969): 69. Private collection Sphere, Water, and Yes, 2001. 3 Men in the Cities, Imperial City, Popcorn; 9 1/2 x 8 x 8 inches. Inflatable PVC sculpture, 32 inches high. (November/December 1988): 86. You Are Me, 1969, advertisement in 30-second television advertisements. History Lesson; Tonight, Tonight, Tonight; Roy Lichtenstein Open edition. Private Collection. Jnf Productions, Paris. Private collection. Artforum 8, no.4 (December 1969): 75. Courtesy of the artist; © Yoko Ono, 2014. and Barrage, 1989. Each 20 seconds. Paper Plate, 1969. Private Collection. Private collection. © Robert Longo. Courtesy of the artist. Silkscreen on white cardboard plate 10 1/4 inches (diameter). BILLBOARDS (documentation) Xavier Cha Joseph Kosuth Human Advertisement Series, 2004. The Wooster Group Private Collection. Synopsis of Categories: Category One Digital video, color, sound and posters Hunchback, 1992 (Director: Elizabeth Geoffrey Hendricks “Existence”, 1969 From the Second (variable dimensions with installation) LeCompte; Performers: Kate Valk and Sky Billboard, 1966/2008 Investigation series, advertisement in TRT: 1 minute, 1 second. Jeff Webster; Editor: Laura Belsey), 60 Billboard. Dimensions vary with installation Artforum 7, no. 5 (January 1969): 18. Courtesy of the artist and Taxter & seconds. © The Wooster Group 1992. Courtesy Geoffrey Hendricks Private collection. Spengemann, New York. Courtesy of the artists. John Lennon and Yoko Ono Terry Fugate-Wilcox Takashi Murakami War Is Over!, 1969 Billboard. Dimensions Jean Freeman Gallery/Justine Dane Superflat Monogram, 2003 vary with installation. Courtesy of Lenono advertisement in Art in America 58, no. 6 Created by Takashi Murakami Archive/Studio One, New York (November/December 1970): 28 Producer: Tsuyoshi Takashiro Co-producer: Takeshi Himi Felix Gonzalez-Torres Adrian Piper Director: Mamoru Hosoda “Untitled” (The New Plan). 1991 Village Voice Ad #11, Mythic Being, Executive Producer: LVMH Louis Vuitton Billboard. Dimensions vary with installation Cycle 1:7/14/71, advertisement in The Time: Approximately 5 minutes Collection Andrea Rosen and The Estate of To Market We Go: Art, Advertising, and the Multiple | Sept. 24th – Oct. 11th, 2014 Village Voice (New York): July 23, 1974, Format: DVD. ©2003 Takashi Murakami/ Felix Gonzalez-Torres Armory Gallery | Virginia Tech | 203 Draper Road | Blacksburg, VA 24061 31. Private Collection. Kaikai Kiki Co., Ltd. All Rights Reserved Courtesy of the Artist. Brochure design by FourDesign, a Center at Virginia Tech | www.WeAreFourDesign.com To Market We Go: Art, Advertising, and the Multiple explores two aspects of contemporary art practice that challenge long-held notions of craft, technical skill, and transcendent affect in unique works of art as defining features of art itself. A generation of artists emerged in the 1960s as broader cultural attitudes towards authority, power and money took a left turn, in many cases upending the notion of the “uniqueness” of the art object. The art of the sixties often reflects this—perhaps nowhere moreso than in the genres of art for advertising media and the multiple. And not surprisingly, both genres emerge in the work of Dada artist Marcel Duchamp in the early twentieth century, a major influence on artists of the 1960s and later.

As the marketplace for contemporary art began to heat up in While Murakami, Jeff Koons, and others problematize the the Pop era of the early 1960s, artists began to tackle to gallery narrative of market criticality with their apparently celebratory system itself in playful, yet clearly critical works that took the works, Murakami, at least, successfully collapses the notions of form of conceptual art in the form of advertising. Ray Johnson’s high and low, producing not only phenomenally expensive Robin Gallery is a purely fictional enterprise, as is Yoko Ono’s works of art, but convenience store “collections” within the reach IsReal Gallery. Implicitly addressing the commodification of the of consumers working with childhood allowances. art object, Ono offers circles and holes, purely conceptual and literally immaterial works. Years later, United Art Contractors The exhibition is presented in conjunction with the course, tackle art world politics more directly. Art, Advertising and the Multiple, taught by Professor Kevin Concannon. Students in the class worked on didactic materials

The multiple, a mass-produced art object, served, at least for the exhibition: Grace Barry, Diana Bayless, Briana 1. Marcel Duchamp 4. Yoko Ono 7. Marcel Duchamp 10. Andy Warhol initially, to circumnavigate the gallery system, offering affordable Blanchard, Katie Choe, Casey Davis, Brandon De Aguero, Rotoreliefs (Optical Discs), 1935 Bottoms Commercial, 1967 Archie Pen Co., 1921 Ray Johnson, 1964 art to the masses. Duchamp’s Rotoreliefs, for example, were Christin Guthrie, Mariah Jones, Samantha Keck, Erica Kowalski, offered to consumers at a trade fair, completely outside the Kathryn Laverdiere, Kelsey Lucas, Shannon MacArthur, Meghan 2. Emily Berezin 5. Claes Oldenburg 8. United Art Contractors 11. Ray Johnson gallery system. As we arrive in the twenty first century, we see Macera, Jessica Marsh, Briana Marshall, Dale Mina, Janai Parasitic Advertising (Nike Strider), “Airflow” Box, 1966 We’re Desperate: We Want to 8 Man Show, 1964 2005 Buy Our Way Into a Show, 1984 more and more artists that have come to terms with market Rau, Kelley Schrader, Rhakim Smith, Henry Thompson, 6. Claes Oldenberg forces with notables such as Takashi Murakami designing for Maxwell Vandervliet, Emily Walden, and Chloe Young. 3. Marilyn Minter N.Y.C. Pretzel, 1994 9. Marilyn Minter luxury brands such as Louis Vuitton. Billboard (Shitkickers), 2006 Still from 100 Food Porn TV Commercial, 1989 To Market We Go: Art, Advertising, and the Multiple explores two aspects of contemporary art practice that challenge long-held notions of craft, technical skill, and transcendent affect in unique works of art as defining features of art itself. A generation of artists emerged in the 1960s as broader cultural attitudes towards authority, power and money took a left turn, in many cases upending the notion of the “uniqueness” of the art object. The art of the sixties often reflects this—perhaps nowhere moreso than in the genres of art for advertising media and the multiple. And not surprisingly, both genres emerge in the work of Dada artist Marcel Duchamp in the early twentieth century, a major influence on artists of the 1960s and later.

As the marketplace for contemporary art began to heat up in While Murakami, Jeff Koons, and others problematize the the Pop era of the early 1960s, artists began to tackle to gallery narrative of market criticality with their apparently celebratory system itself in playful, yet clearly critical works that took the works, Murakami, at least, successfully collapses the notions of form of conceptual art in the form of advertising. Ray Johnson’s high and low, producing not only phenomenally expensive Robin Gallery is a purely fictional enterprise, as is Yoko Ono’s works of art, but convenience store “collections” within the reach IsReal Gallery. Implicitly addressing the commodification of the of consumers working with childhood allowances. art object, Ono offers circles and holes, purely conceptual and literally immaterial works. Years later, United Art Contractors The exhibition is presented in conjunction with the course, tackle art world politics more directly. Art, Advertising and the Multiple, taught by Professor Kevin Concannon. Students in the class worked on didactic materials

The multiple, a mass-produced art object, served, at least for the exhibition: Grace Barry, Diana Bayless, Briana 1. Marcel Duchamp 4. Yoko Ono 7. Marcel Duchamp 10. Andy Warhol initially, to circumnavigate the gallery system, offering affordable Blanchard, Katie Choe, Casey Davis, Brandon De Aguero, Rotoreliefs (Optical Discs), 1935 Bottoms Commercial, 1967 Archie Pen Co., 1921 Ray Johnson, 1964 art to the masses. Duchamp’s Rotoreliefs, for example, were Christin Guthrie, Mariah Jones, Samantha Keck, Erica Kowalski, offered to consumers at a trade fair, completely outside the Kathryn Laverdiere, Kelsey Lucas, Shannon MacArthur, Meghan 2. Emily Berezin 5. Claes Oldenburg 8. United Art Contractors 11. Ray Johnson gallery system. As we arrive in the twenty first century, we see Macera, Jessica Marsh, Briana Marshall, Dale Mina, Janai Parasitic Advertising (Nike Strider), “Airflow” Box, 1966 We’re Desperate: We Want to 8 Man Show, 1964 2005 Buy Our Way Into a Show, 1984 more and more artists that have come to terms with market Rau, Kelley Schrader, Rhakim Smith, Henry Thompson, 6. Claes Oldenberg forces with notables such as Takashi Murakami designing for Maxwell Vandervliet, Emily Walden, and Chloe Young. 3. Marilyn Minter N.Y.C. Pretzel, 1994 9. Marilyn Minter luxury brands such as Louis Vuitton. Billboard (Shitkickers), 2006 Still from 100 Food Porn TV Commercial, 1989 To Market We Go: Art, Advertising, and the Multiple explores two aspects of contemporary art practice that challenge long-held notions of craft, technical skill, and transcendent affect in unique works of art as defining features of art itself. A generation of artists emerged in the 1960s as broader cultural attitudes towards authority, power and money took a left turn, in many cases upending the notion of the “uniqueness” of the art object. The art of the sixties often reflects this—perhaps nowhere moreso than in the genres of art for advertising media and the multiple. And not surprisingly, both genres emerge in the work of Dada artist Marcel Duchamp in the early twentieth century, a major influence on artists of the 1960s and later.

As the marketplace for contemporary art began to heat up in While Murakami, Jeff Koons, and others problematize the the Pop era of the early 1960s, artists began to tackle to gallery narrative of market criticality with their apparently celebratory system itself in playful, yet clearly critical works that took the works, Murakami, at least, successfully collapses the notions of form of conceptual art in the form of advertising. Ray Johnson’s high and low, producing not only phenomenally expensive Robin Gallery is a purely fictional enterprise, as is Yoko Ono’s works of art, but convenience store “collections” within the reach IsReal Gallery. Implicitly addressing the commodification of the of consumers working with childhood allowances. art object, Ono offers circles and holes, purely conceptual and literally immaterial works. Years later, United Art Contractors The exhibition is presented in conjunction with the course, tackle art world politics more directly. Art, Advertising and the Multiple, taught by Professor Kevin Concannon. Students in the class worked on didactic materials

The multiple, a mass-produced art object, served, at least for the exhibition: Grace Barry, Diana Bayless, Briana 1. Marcel Duchamp 4. Yoko Ono 7. Marcel Duchamp 10. Andy Warhol initially, to circumnavigate the gallery system, offering affordable Blanchard, Katie Choe, Casey Davis, Brandon De Aguero, Rotoreliefs (Optical Discs), 1935 Bottoms Commercial, 1967 Archie Pen Co., 1921 Ray Johnson, 1964 art to the masses. Duchamp’s Rotoreliefs, for example, were Christin Guthrie, Mariah Jones, Samantha Keck, Erica Kowalski, offered to consumers at a trade fair, completely outside the Kathryn Laverdiere, Kelsey Lucas, Shannon MacArthur, Meghan 2. Emily Berezin 5. Claes Oldenburg 8. United Art Contractors 11. Ray Johnson gallery system. As we arrive in the twenty first century, we see Macera, Jessica Marsh, Briana Marshall, Dale Mina, Janai Parasitic Advertising (Nike Strider), “Airflow” Box, 1966 We’re Desperate: We Want to 8 Man Show, 1964 2005 Buy Our Way Into a Show, 1984 more and more artists that have come to terms with market Rau, Kelley Schrader, Rhakim Smith, Henry Thompson, 6. Claes Oldenberg forces with notables such as Takashi Murakami designing for Maxwell Vandervliet, Emily Walden, and Chloe Young. 3. Marilyn Minter N.Y.C. Pretzel, 1994 9. Marilyn Minter luxury brands such as Louis Vuitton. Billboard (Shitkickers), 2006 Still from 100 Food Porn TV Commercial, 1989 Checklist for the Exhibition Marilyn Minter Takashi Murakami MULTIPLES Christian Marclay Claes Oldenburg Niki de Saint Phalle Shit-Kicker, 2006 Inochi Commercials, 2004. Bottled Water, 1990. ‘Airflow’ Box, 1966. Petit Nana Rose (Little Pink Nana), 2002. Billboard. Dimensions vary with installation ©2004 Takashi Murakami/Kaikai Kiki Joseph Beuys Sealed bottle with text-printed label and New York: Newsweek, 1966 Inflatable PVC sculpture, 25 inches high. Adrian Piper ADVERTISING Courtesy of the artist and Salon 94/ NY Co., Ltd. All Rights Reserved. Holzpostkarte (Wood Postcard), 1974. prerecorded magnetic tape inside, Four color offset lithograph published on Jnf Productions, Paris. Village Voice Ad #13, Mythic Being, Heidelberg: Edition Staeck 12 1/2 x 4 inches. coated paper cover of Art News 64, no. Private Collection. Cycle 1: [End of Cycle 1], advertisement MAGAZINES & NEWSPAPERS MTV Artbreaks, 1985-1992: Silkscreen on pine New Museum Editions. 10 (February 1966). Edition of c. 36000 in The Village Voice (New York): Edition: unlimited, unsigned, unnumbered Edition of 150. unsigned and unnumbered copies. Various Artists September 26, 1974, 38. TV ADS Marcel Duchamp Charles Clough (c. 600 copies signed and some stamped), Private Collection. 2 x 5 x 2 inches (when constructed) on SMS (Shit Must Stop), 1968. Private Collection. Archie Pen Co., full-page advertisement in Joan Logue (White Version), 1985, 20 seconds. 4 x 6 x 1 1/2 inches. cover 1 1/4 inches. (William Copley, Editor) The Arts 1 (February-March 1921): 64. 30-Second Portraits/Spots (New York Private Collection. Christian Marclay Private Collection. Issue 5, 1968 . Adrian Piper Private Collection. Artists), 1980-82 Portraits by Joan Logue; Charles Clough Untitled (Music Box), 2005. Edition of 2000. Village Voice Ad #17, Mythic Being, Co-Produced, Directed, Videographer, and Bigfoot, 12 seconds. Joseph Beuys Wooden box embossed with text and Claes Oldenburg Mixed media. Cycle 2: [Thanks], advertisement in The Ray Johnson Edited; Executive Producers The Kitchen Jonathan Borofsky Filzpostkarte (Felt Postcard), 1985. music box mechanism, NYC Pretzel, 1994. Each issue: 13 5/8 x 7 1/2 x 1 3/4 Village Voice (New York): February 3, 8 Man Show, advertisement in The Village NYC; Production; Howard Grossman, Ruby Dream, 1985, 30 seconds. Heidelberg: Edition Staeck 2 3/4 x 5 x 31/2 inches closed. Printed cardboard, inches; contents variable dimensions. 1975, 97. Private Collection. Voice (New York): 30 July 1964, 9. Private Camera, Lighting; Funded by NEA, New Silkscreen on felt. Unlimited edition plus 6 1/2 x 6 x 3/4 inches. Publisher: The Letter Edged in Black Press, Collection. York State Council on the Arts and Joan Richard Prince 100 signed, numbered Vik Muniz I C Editions, New York. NYC. Private Collection. United Art Contractors Logue. Including: John Cage, Composer; 1985, 20-seconds. 4 x 6 x 1/2 inches. Untitled (Medusa Plate), 1999. Private Collection. Amuse Us, advertisement in Artforum [Andy Warhol] Meredith Monk, Composer; Arnie Zane Private Collection. Photographic image on porcelain + Kosuth texts from issue #3 22, no.5, (January 1984): 92. Private Ray Johnson, advertisement in The Village and Bill T. Jones Choreographers; Richard Tuttle 12 3/8 (diameter) Yoko Ono collection. We’re Desperate: We Want to Voice (New York), 17 September Maryanne Amacher, Composer; Robert 1985, 17 seconds. George Brecht Peter Norton Family Christmas Art Projects Self-Portrait with Imaginary Frame, 1965. Kara Walker Buy Our Way Into a Show, advertisement 1964, 13. Private Collection. Ashley, Composer Writer; Charlemagne Water Yam (Editions Leeber Hossman), Private Collection. Distributed by Yoko Ono and Fluxus. Freedom, a Fable: A Curious Interpretation in Artforum 22, no.7, (March 1984): Palestine, Composer; Simone Forti, Luigi Ontani 1986. Cardboard box with event cards 1 3/4 x 1 3/4 inches (portrait). of the Wit of a Negress in Troubled Times, 112. Private collection. Yoko Ono Be Our Yoko Ono Choreographer; Carles Santos, Composer, 1985, 10 seconds. 6 3/4 x 6 3/4 x 1 3/4 inches. Takashi Murakami 5 1/2 x 3 inches (envelope). 1997. Pop-up book, 9 ½ x 8 x ¾ inches. Patron, advertisement in Artforum 22, no.8 IsReal Gallery: Draw Circle Event, Performance; Spalding Gray, Writer Private Collection. DOB, 1999. Private Collection. Peter Norton Family Christmas Art Projects. (April 1984): 94. Private collection. Your advertisement in New York Arts Calendar Performer; Richard Teitelbaum, Composer; Jean Michel Basquiat Plush toy, 12 inches high. Private Collection. Ideas May Already Be Worth a Clock, 2, no. 6 (March 1965): n.p. Steve Reich, Composer; George Lewis, 24 seconds. Jim Dine and Rory McEwen ©1999 Takashi Murakami/Kaikai Kiki Yoko Ono and George Maciunas advertisement in Artforum 22, no.10 Private Collection. Composer; Tony Ramos, Performance; Songs-Poems-Prints, 1969. Co., Ltd. All Rights Reserved. Fluxus Wallpaper (Assholes Wallpaper), Andy Warhol (Summer 1984): 107. Private collection. David Behrman, Composer; Charlemagne Lynda Benglis/R. Kovich Phonograph LP record with Mylar prints Private Collection. 1968/1973. Aspen: The Magazine in a Box, Issue 3. Brilliant New Work by United Art Yoko Ono Palestine, Performance; Alvin Lucier, 30 seconds. in gatefold sleeve,12 inches square Offset lithograph on paper, (Fab issue), 1966. Contractors, advertisement in Artforum IsReal Gallery: Drill Hole Event, Composer; Douglas Ewart, Composer; Published by MoMA/Atlantic Takashi Murakami 22 1/4 x 17 inches. Mixed media, 12 1/4 x 9 x 5/8 inches. 23, no.1 (September 1984); 16. Private advertisement in New York Arts Calendar Max Neuhaus, Composer; Joan Jonas, Tony Cragg Records, 1969. Oval (Peter Norton Christmas Project), Private Collection. Private Collection. collection. United Art Contractors Ride 2, no. 7 (April 1965): n.p. Performance; Steve Reich, Composer; Liz 1986, 29 seconds. 2000, polychromed plastic containing Andy Warhol’s Coattails to Success, Private Collection. Phillips, Composer Sound Installation; Arnie Marcel Duchamp a mini-CD, 10 inches high. Yoko Ono Andy Warhol advertisement in Artforum 23, no.3 Zane and Bill T. Jones, Choreographers; Dara Birnbaum Rotoreliefs (Optical Disks), 1935. Edition of 5000. Box of Smile (One-to-One version), 1972. Campbell’s Special Edition Andy Warhol (November 1984):118. Private collection. Ed Ruscha Philip Glass, Composer; Laurie Anderson, Artbreak, MTV Networks, Inc., 1987. Cologne: König Postkartenverlag (1987 Produced by Cube. Cardboard and mylar, Tomato Soup Cans, 2004. You Get What You Pay For: “No Talents Ed Ruscha Says Goodbye to College Joys, Composer; Yoshi Wada, Composer; (Music/Audio Collaboration: Dara edition) discs 7 7/8 inches (diameter) ©2000 Takashi Murakami/Kaikai Kiki 3 x 3 1/4 x 3 1/4 inches. Special four-pack Campbell’s tomato Buy Their Way In”, advertisement in advertisement in Artforum 5, no. 5, Joan Jonas, Performance; Lucinda Childs, Birnbaum, Peter Eggers. Commissioned by Private Collection. Co., Ltd. All Rights Reserved Private Collection. soup distributed exclusively through Giant Artforum 23, no.5 (January 1985): 31. (January 1967): 7. Choreographer; Nam June Paik, Fluxus MTV Networks, Inc.), 30 seconds. © Dara Collection of Margo Crutchfield. Eagle supermarkets. The pack features Private collection. Please Tell Us How Private collection. Composer; all ©1981. Birnbaum. Courtesy of the artist. Marcel Duchamp Yoko Ono the Warhol-inspired labels instead of the Pretty We Look, advertisement in Artforum Rotoreliefs (Optical Disks), 1935. Takashi Murakami A Box of Smile, 1984. trademark red and white labels that have 24, no.1 (September 1985): 46. Private Dan Graham Marilyn Minter Jenny Holzer Cologne: König Postkartenverlag (2000 Superflat Museum Convenience Store New York: ReFlux Editions, 1984. adorned the can for more than 100 years. collection. We Caused the Shuttle Disaster, Figurative, advertisement in Harper’s 100 Food Porn Commercial, 1989 Truisms: Power, Action, Alienation, edition) discs 7 7/8 inches (diameter). Edition, 2003. 2 1/2 x 2 1/2 x 2 1/2 inches. 4 x 5 1/4 x 5 1/4 inches (4 can pack). advertisement in Artforum 26, no.1 Bazaar, (March 1968): 90. 30-second television advertisement Inactivity, Boredom, Deviants, Stupid, Private Collection. Plastic figures and figure assembly kits Edition of 1170. Private Collection. (September 1986): 62. Private collection. Private collection. Courtesy of Marilyn Minter and Salon Contempt, Babies, Murder, Crime, Boys & packaged with gum, brochures, Private Collection. We Can’t Get our Hair Right, 94 Gallery. Girls, Revolution, Madness, and Wishing Jenny Holzer and certificates, 5 x 3 1/2 x 1 1/2 Kehnde Wiley advertisement in Artforum 26, no.3 Stephen Kaltenbach (each approximately 7 seconds). Truisms, 1996. inches (box). Yoko Ono After La Negresse, 1872, 2006. (November 1987): 179. Private collection. Art Works, advertisement in Artforum 7, Laurie Anderson Survival Series: Environment, Explode, Silkscreened postcards on balsa wood, Private Collection. Freight Train, 2005. Cast Marble dust and resin, Grand Lawyering: A Legacy of Understated no. 3 (November 1968): 72. Personal Service Announcements, 1990. Government, Bloodbath, Spit, Urge, 31/2 x 5 1/2 inches each. Mixed media (with internal lighting system 11 x 10 x 9 inches. Elegance, in Artforum 28, no.3 (November Private collection. Johnny Appleseed, Including: Television PSA (:55); Women Communists, Men, Extreme, Secret War, Published by the artist. Yoshitomo Nara and accompanying audio compact disc), Produced by CerealArt, edition of 250. 1989): 179. Private collection. Still Wet advertisement in Artforum 7, no. 4 and Money PSA (1:45); National Anthem Poor People, Protect, Killing, Picnicking, Dish (Too Young to Die), 2002. 7 1/2 x 16 x 4 3/4 inches including Private Collection. Your Pants at Age 40?, advertisement in (December 1968): 74. Private collection. PSA (1:45); Military Research PSA (1:10); and Silly Holes (each between 6 and Jasper Johns Ceramic.10 (diameter) x 1 1/4 inches. base. ed. 19/60. Artforum 28, no.5 (January 1990): 166. Art, advertisement in Artforum 7, no. 5 and National Debt PSA (2:10). Produced 10.5 seconds). Target, 1971. Open edition. Private Collection. Private Collection. Private collection. (January 1969): 15. Private collection. by Michael Owen. Directed by Laurie Living Series: Noses, False, Knifing Victim, Three examples, one framed Tell a Lie, advertisement in Artforum 7, no. Anderson. © 1990 Warner Bros. Records Sleep, Sensation, Damage, Students, Accompanies the exhibition: Technics and Yoshitomo Nara Niki de Saint Phalle Jeff Koons 6 (February 1969): 71. Private collection. Inc. Courtesy of the artist. Little Queenie, Fragile, Drooling, Gifted Creativity: Gemini G.E.L Little Wanderer, 2003. Le Serpent (Snake), 2002. Advertisement, in Artforum 27, no.3 Start a Rumor, 1969, advertisement Children, Worry, Devices, Bodies, and Museum of Modern Art, New York Plastic, 12 inches high. Inflatable PVC sculpture, 36 inches high. (November 1988): 23. Private collection. in Artforum 7, no, 7 (March 1969): Yoko Ono Unappealing (each between 7 and 16 May-6 July 1971 Private Collection. Jnf Productions, Paris Advertisement, in Art in America 76, no.11 96. Private collection. Perpetrate a Bottoms Commercial, 1967. seconds), all 1989. © Jenny Holzer. Lithography, watercolor cakes, and paint Private Collection. (November 1988): 51. Private collection. Hoax, advertisement in Artforum, (April Black and white film transferred to Courtesy of the artist. Brush in plastic case with catalogue Yoshitomo Nara Advertisement, in Arts 63, no. 3 1969): 80. Private collection. Teach video, 2:40. Yes TV Spots (Planet 11 x 9 x 2 1/4 inches. Pup Cup, 2003. Niki de Saint Phalle (November 1988): 23. Private collection. Art, advertisement in Artforum 8, no. 1 Propaganda for Walker Art Center): Robert Longo Private Collection. Plastic (with battery-operated motor), Nana Jaune (Yellow Nana), 2002. Advertisement, in FlashArt 143 (September 1969): 69. Private collection Sphere, Water, and Yes, 2001. 3 Men in the Cities, Imperial City, Popcorn; 9 1/2 x 8 x 8 inches. Inflatable PVC sculpture, 32 inches high. (November/December 1988): 86. You Are Me, 1969, advertisement in 30-second television advertisements. History Lesson; Tonight, Tonight, Tonight; Roy Lichtenstein Open edition. Private Collection. Jnf Productions, Paris. Private collection. Artforum 8, no.4 (December 1969): 75. Courtesy of the artist; © Yoko Ono, 2014. and Barrage, 1989. Each 20 seconds. Paper Plate, 1969. Private Collection. Private collection. © Robert Longo. Courtesy of the artist. Silkscreen on white cardboard plate 10 1/4 inches (diameter). BILLBOARDS (documentation) Xavier Cha Joseph Kosuth Human Advertisement Series, 2004. The Wooster Group Private Collection. Synopsis of Categories: Category One Digital video, color, sound and posters Hunchback, 1992 (Director: Elizabeth Geoffrey Hendricks “Existence”, 1969 From the Second (variable dimensions with installation) LeCompte; Performers: Kate Valk and Sky Billboard, 1966/2008 Investigation series, advertisement in TRT: 1 minute, 1 second. Jeff Webster; Editor: Laura Belsey), 60 Billboard. Dimensions vary with installation Artforum 7, no. 5 (January 1969): 18. Courtesy of the artist and Taxter & seconds. © The Wooster Group 1992. Courtesy Geoffrey Hendricks Private collection. Spengemann, New York. Courtesy of the artists. John Lennon and Yoko Ono Terry Fugate-Wilcox Takashi Murakami War Is Over!, 1969 Billboard. Dimensions Jean Freeman Gallery/Justine Dane Superflat Monogram, 2003 vary with installation. Courtesy of Lenono advertisement in Art in America 58, no. 6 Created by Takashi Murakami Archive/Studio One, New York (November/December 1970): 28 Producer: Tsuyoshi Takashiro Co-producer: Takeshi Himi Felix Gonzalez-Torres Adrian Piper Director: Mamoru Hosoda “Untitled” (The New Plan). 1991 Village Voice Ad #11, Mythic Being, Executive Producer: LVMH Louis Vuitton Billboard. Dimensions vary with installation Cycle 1:7/14/71, advertisement in The Time: Approximately 5 minutes Collection Andrea Rosen and The Estate of To Market We Go: Art, Advertising, and the Multiple | Sept. 24th – Oct. 11th, 2014 Village Voice (New York): July 23, 1974, Format: DVD. ©2003 Takashi Murakami/ Felix Gonzalez-Torres Armory Gallery | Virginia Tech | 203 Draper Road | Blacksburg, VA 24061 31. Private Collection. Kaikai Kiki Co., Ltd. All Rights Reserved Courtesy of the Artist. Brochure design by FourDesign, a Center at Virginia Tech | www.WeAreFourDesign.com Checklist for the Exhibition Marilyn Minter Takashi Murakami MULTIPLES Christian Marclay Claes Oldenburg Niki de Saint Phalle Shit-Kicker, 2006 Inochi Commercials, 2004. Bottled Water, 1990. ‘Airflow’ Box, 1966. Petit Nana Rose (Little Pink Nana), 2002. Billboard. Dimensions vary with installation ©2004 Takashi Murakami/Kaikai Kiki Joseph Beuys Sealed bottle with text-printed label and New York: Newsweek, 1966 Inflatable PVC sculpture, 25 inches high. Adrian Piper ADVERTISING Courtesy of the artist and Salon 94/ NY Co., Ltd. All Rights Reserved. Holzpostkarte (Wood Postcard), 1974. prerecorded magnetic tape inside, Four color offset lithograph published on Jnf Productions, Paris. Village Voice Ad #13, Mythic Being, Heidelberg: Edition Staeck 12 1/2 x 4 inches. coated paper cover of Art News 64, no. Private Collection. Cycle 1: [End of Cycle 1], advertisement MAGAZINES & NEWSPAPERS MTV Artbreaks, 1985-1992: Silkscreen on pine New Museum Editions. 10 (February 1966). Edition of c. 36000 in The Village Voice (New York): Edition: unlimited, unsigned, unnumbered Edition of 150. unsigned and unnumbered copies. Various Artists September 26, 1974, 38. TV ADS Marcel Duchamp Charles Clough (c. 600 copies signed and some stamped), Private Collection. 2 x 5 x 2 inches (when constructed) on SMS (Shit Must Stop), 1968. Private Collection. Archie Pen Co., full-page advertisement in Joan Logue (White Version), 1985, 20 seconds. 4 x 6 x 1 1/2 inches. cover 1 1/4 inches. (William Copley, Editor) The Arts 1 (February-March 1921): 64. 30-Second Portraits/Spots (New York Private Collection. Christian Marclay Private Collection. Issue 5, 1968 . Adrian Piper Private Collection. Artists), 1980-82 Portraits by Joan Logue; Charles Clough Untitled (Music Box), 2005. Edition of 2000. Village Voice Ad #17, Mythic Being, Co-Produced, Directed, Videographer, and Bigfoot, 12 seconds. Joseph Beuys Wooden box embossed with text and Claes Oldenburg Mixed media. Cycle 2: [Thanks], advertisement in The Ray Johnson Edited; Executive Producers The Kitchen Jonathan Borofsky Filzpostkarte (Felt Postcard), 1985. music box mechanism, NYC Pretzel, 1994. Each issue: 13 5/8 x 7 1/2 x 1 3/4 Village Voice (New York): February 3, 8 Man Show, advertisement in The Village NYC; Production; Howard Grossman, Ruby Dream, 1985, 30 seconds. Heidelberg: Edition Staeck 2 3/4 x 5 x 31/2 inches closed. Printed cardboard, inches; contents variable dimensions. 1975, 97. Private Collection. Voice (New York): 30 July 1964, 9. Private Camera, Lighting; Funded by NEA, New Silkscreen on felt. Unlimited edition plus 6 1/2 x 6 x 3/4 inches. Publisher: The Letter Edged in Black Press, Collection. York State Council on the Arts and Joan Richard Prince 100 signed, numbered Vik Muniz I C Editions, New York. NYC. Private Collection. United Art Contractors Logue. Including: John Cage, Composer; 1985, 20-seconds. 4 x 6 x 1/2 inches. Untitled (Medusa Plate), 1999. Private Collection. Amuse Us, advertisement in Artforum [Andy Warhol] Meredith Monk, Composer; Arnie Zane Private Collection. Photographic image on porcelain + Kosuth texts from issue #3 22, no.5, (January 1984): 92. Private Ray Johnson, advertisement in The Village and Bill T. Jones Choreographers; Richard Tuttle 12 3/8 (diameter) Yoko Ono collection. We’re Desperate: We Want to Voice (New York), 17 September Maryanne Amacher, Composer; Robert 1985, 17 seconds. George Brecht Peter Norton Family Christmas Art Projects Self-Portrait with Imaginary Frame, 1965. Kara Walker Buy Our Way Into a Show, advertisement 1964, 13. Private Collection. Ashley, Composer Writer; Charlemagne Water Yam (Editions Leeber Hossman), Private Collection. Distributed by Yoko Ono and Fluxus. Freedom, a Fable: A Curious Interpretation in Artforum 22, no.7, (March 1984): Palestine, Composer; Simone Forti, Luigi Ontani 1986. Cardboard box with event cards 1 3/4 x 1 3/4 inches (portrait). of the Wit of a Negress in Troubled Times, 112. Private collection. Yoko Ono Be Our Yoko Ono Choreographer; Carles Santos, Composer, 1985, 10 seconds. 6 3/4 x 6 3/4 x 1 3/4 inches. Takashi Murakami 5 1/2 x 3 inches (envelope). 1997. Pop-up book, 9 ½ x 8 x ¾ inches. Patron, advertisement in Artforum 22, no.8 IsReal Gallery: Draw Circle Event, Performance; Spalding Gray, Writer Private Collection. DOB, 1999. Private Collection. Peter Norton Family Christmas Art Projects. (April 1984): 94. Private collection. Your advertisement in New York Arts Calendar Performer; Richard Teitelbaum, Composer; Jean Michel Basquiat Plush toy, 12 inches high. Private Collection. Ideas May Already Be Worth a Clock, 2, no. 6 (March 1965): n.p. Steve Reich, Composer; George Lewis, 24 seconds. Jim Dine and Rory McEwen ©1999 Takashi Murakami/Kaikai Kiki Yoko Ono and George Maciunas advertisement in Artforum 22, no.10 Private Collection. Composer; Tony Ramos, Performance; Songs-Poems-Prints, 1969. Co., Ltd. All Rights Reserved. Fluxus Wallpaper (Assholes Wallpaper), Andy Warhol (Summer 1984): 107. Private collection. David Behrman, Composer; Charlemagne Lynda Benglis/R. Kovich Phonograph LP record with Mylar prints Private Collection. 1968/1973. Aspen: The Magazine in a Box, Issue 3. Brilliant New Work by United Art Yoko Ono Palestine, Performance; Alvin Lucier, 30 seconds. in gatefold sleeve,12 inches square Offset lithograph on paper, (Fab issue), 1966. Contractors, advertisement in Artforum IsReal Gallery: Drill Hole Event, Composer; Douglas Ewart, Composer; Published by MoMA/Atlantic Takashi Murakami 22 1/4 x 17 inches. Mixed media, 12 1/4 x 9 x 5/8 inches. 23, no.1 (September 1984); 16. Private advertisement in New York Arts Calendar Max Neuhaus, Composer; Joan Jonas, Tony Cragg Records, 1969. Oval (Peter Norton Christmas Project), Private Collection. Private Collection. collection. United Art Contractors Ride 2, no. 7 (April 1965): n.p. Performance; Steve Reich, Composer; Liz 1986, 29 seconds. 2000, polychromed plastic containing Andy Warhol’s Coattails to Success, Private Collection. Phillips, Composer Sound Installation; Arnie Marcel Duchamp a mini-CD, 10 inches high. Yoko Ono Andy Warhol advertisement in Artforum 23, no.3 Zane and Bill T. Jones, Choreographers; Dara Birnbaum Rotoreliefs (Optical Disks), 1935. Edition of 5000. Box of Smile (One-to-One version), 1972. Campbell’s Special Edition Andy Warhol (November 1984):118. Private collection. Ed Ruscha Philip Glass, Composer; Laurie Anderson, Artbreak, MTV Networks, Inc., 1987. Cologne: König Postkartenverlag (1987 Produced by Cube. Cardboard and mylar, Tomato Soup Cans, 2004. You Get What You Pay For: “No Talents Ed Ruscha Says Goodbye to College Joys, Composer; Yoshi Wada, Composer; (Music/Audio Collaboration: Dara edition) discs 7 7/8 inches (diameter) ©2000 Takashi Murakami/Kaikai Kiki 3 x 3 1/4 x 3 1/4 inches. Special four-pack Campbell’s tomato Buy Their Way In”, advertisement in advertisement in Artforum 5, no. 5, Joan Jonas, Performance; Lucinda Childs, Birnbaum, Peter Eggers. Commissioned by Private Collection. Co., Ltd. All Rights Reserved Private Collection. soup distributed exclusively through Giant Artforum 23, no.5 (January 1985): 31. (January 1967): 7. Choreographer; Nam June Paik, Fluxus MTV Networks, Inc.), 30 seconds. © Dara Collection of Margo Crutchfield. Eagle supermarkets. The pack features Private collection. Please Tell Us How Private collection. Composer; all ©1981. Birnbaum. Courtesy of the artist. Marcel Duchamp Yoko Ono the Warhol-inspired labels instead of the Pretty We Look, advertisement in Artforum Rotoreliefs (Optical Disks), 1935. Takashi Murakami A Box of Smile, 1984. trademark red and white labels that have 24, no.1 (September 1985): 46. Private Dan Graham Marilyn Minter Jenny Holzer Cologne: König Postkartenverlag (2000 Superflat Museum Convenience Store New York: ReFlux Editions, 1984. adorned the can for more than 100 years. collection. We Caused the Shuttle Disaster, Figurative, advertisement in Harper’s 100 Food Porn Commercial, 1989 Truisms: Power, Action, Alienation, edition) discs 7 7/8 inches (diameter). Edition, 2003. 2 1/2 x 2 1/2 x 2 1/2 inches. 4 x 5 1/4 x 5 1/4 inches (4 can pack). advertisement in Artforum 26, no.1 Bazaar, (March 1968): 90. 30-second television advertisement Inactivity, Boredom, Deviants, Stupid, Private Collection. Plastic figures and figure assembly kits Edition of 1170. Private Collection. (September 1986): 62. Private collection. Private collection. Courtesy of Marilyn Minter and Salon Contempt, Babies, Murder, Crime, Boys & packaged with gum, brochures, Private Collection. We Can’t Get our Hair Right, 94 Gallery. Girls, Revolution, Madness, and Wishing Jenny Holzer and certificates, 5 x 3 1/2 x 1 1/2 Kehnde Wiley advertisement in Artforum 26, no.3 Stephen Kaltenbach (each approximately 7 seconds). Truisms, 1996. inches (box). Yoko Ono After La Negresse, 1872, 2006. (November 1987): 179. Private collection. Art Works, advertisement in Artforum 7, Laurie Anderson Survival Series: Environment, Explode, Silkscreened postcards on balsa wood, Private Collection. Freight Train, 2005. Cast Marble dust and resin, Grand Lawyering: A Legacy of Understated no. 3 (November 1968): 72. Personal Service Announcements, 1990. Government, Bloodbath, Spit, Urge, 31/2 x 5 1/2 inches each. Mixed media (with internal lighting system 11 x 10 x 9 inches. Elegance, in Artforum 28, no.3 (November Private collection. Johnny Appleseed, Including: Television PSA (:55); Women Communists, Men, Extreme, Secret War, Published by the artist. Yoshitomo Nara and accompanying audio compact disc), Produced by CerealArt, edition of 250. 1989): 179. Private collection. Still Wet advertisement in Artforum 7, no. 4 and Money PSA (1:45); National Anthem Poor People, Protect, Killing, Picnicking, Dish (Too Young to Die), 2002. 7 1/2 x 16 x 4 3/4 inches including Private Collection. Your Pants at Age 40?, advertisement in (December 1968): 74. Private collection. PSA (1:45); Military Research PSA (1:10); and Silly Holes (each between 6 and Jasper Johns Ceramic.10 (diameter) x 1 1/4 inches. base. ed. 19/60. Artforum 28, no.5 (January 1990): 166. Art, advertisement in Artforum 7, no. 5 and National Debt PSA (2:10). Produced 10.5 seconds). Target, 1971. Open edition. Private Collection. Private Collection. Private collection. (January 1969): 15. Private collection. by Michael Owen. Directed by Laurie Living Series: Noses, False, Knifing Victim, Three examples, one framed Tell a Lie, advertisement in Artforum 7, no. Anderson. © 1990 Warner Bros. Records Sleep, Sensation, Damage, Students, Accompanies the exhibition: Technics and Yoshitomo Nara Niki de Saint Phalle Jeff Koons 6 (February 1969): 71. Private collection. Inc. Courtesy of the artist. Little Queenie, Fragile, Drooling, Gifted Creativity: Gemini G.E.L Little Wanderer, 2003. Le Serpent (Snake), 2002. Advertisement, in Artforum 27, no.3 Start a Rumor, 1969, advertisement Children, Worry, Devices, Bodies, and Museum of Modern Art, New York Plastic, 12 inches high. Inflatable PVC sculpture, 36 inches high. (November 1988): 23. Private collection. in Artforum 7, no, 7 (March 1969): Yoko Ono Unappealing (each between 7 and 16 May-6 July 1971 Private Collection. Jnf Productions, Paris Advertisement, in Art in America 76, no.11 96. Private collection. Perpetrate a Bottoms Commercial, 1967. seconds), all 1989. © Jenny Holzer. Lithography, watercolor cakes, and paint Private Collection. (November 1988): 51. Private collection. Hoax, advertisement in Artforum, (April Black and white film transferred to Courtesy of the artist. Brush in plastic case with catalogue Yoshitomo Nara Advertisement, in Arts 63, no. 3 1969): 80. Private collection. Teach video, 2:40. Yes TV Spots (Planet 11 x 9 x 2 1/4 inches. Pup Cup, 2003. Niki de Saint Phalle (November 1988): 23. Private collection. Art, advertisement in Artforum 8, no. 1 Propaganda for Walker Art Center): Robert Longo Private Collection. Plastic (with battery-operated motor), Nana Jaune (Yellow Nana), 2002. Advertisement, in FlashArt 143 (September 1969): 69. Private collection Sphere, Water, and Yes, 2001. 3 Men in the Cities, Imperial City, Popcorn; 9 1/2 x 8 x 8 inches. Inflatable PVC sculpture, 32 inches high. (November/December 1988): 86. You Are Me, 1969, advertisement in 30-second television advertisements. History Lesson; Tonight, Tonight, Tonight; Roy Lichtenstein Open edition. Private Collection. Jnf Productions, Paris. Private collection. Artforum 8, no.4 (December 1969): 75. Courtesy of the artist; © Yoko Ono, 2014. and Barrage, 1989. Each 20 seconds. Paper Plate, 1969. Private Collection. Private collection. © Robert Longo. Courtesy of the artist. Silkscreen on white cardboard plate 10 1/4 inches (diameter). BILLBOARDS (documentation) Xavier Cha Joseph Kosuth Human Advertisement Series, 2004. The Wooster Group Private Collection. Synopsis of Categories: Category One Digital video, color, sound and posters Hunchback, 1992 (Director: Elizabeth Geoffrey Hendricks “Existence”, 1969 From the Second (variable dimensions with installation) LeCompte; Performers: Kate Valk and Sky Billboard, 1966/2008 Investigation series, advertisement in TRT: 1 minute, 1 second. Jeff Webster; Editor: Laura Belsey), 60 Billboard. Dimensions vary with installation Artforum 7, no. 5 (January 1969): 18. Courtesy of the artist and Taxter & seconds. © The Wooster Group 1992. Courtesy Geoffrey Hendricks Private collection. Spengemann, New York. Courtesy of the artists. John Lennon and Yoko Ono Terry Fugate-Wilcox Takashi Murakami War Is Over!, 1969 Billboard. Dimensions Jean Freeman Gallery/Justine Dane Superflat Monogram, 2003 vary with installation. Courtesy of Lenono advertisement in Art in America 58, no. 6 Created by Takashi Murakami Archive/Studio One, New York (November/December 1970): 28 Producer: Tsuyoshi Takashiro Co-producer: Takeshi Himi Felix Gonzalez-Torres Adrian Piper Director: Mamoru Hosoda “Untitled” (The New Plan). 1991 Village Voice Ad #11, Mythic Being, Executive Producer: LVMH Louis Vuitton Billboard. Dimensions vary with installation Cycle 1:7/14/71, advertisement in The Time: Approximately 5 minutes Collection Andrea Rosen and The Estate of To Market We Go: Art, Advertising, and the Multiple | Sept. 24th – Oct. 11th, 2014 Village Voice (New York): July 23, 1974, Format: DVD. ©2003 Takashi Murakami/ Felix Gonzalez-Torres Armory Gallery | Virginia Tech | 203 Draper Road | Blacksburg, VA 24061 31. Private Collection. Kaikai Kiki Co., Ltd. All Rights Reserved Courtesy of the Artist. Brochure design by FourDesign, a Center at Virginia Tech | www.WeAreFourDesign.com