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Narrative Section of a Successful Application
Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Humanities Connections Planning guidelines at https://www.neh.gov/grants/education/humanities-connections-planning-grants for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Education Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: The Life, Works, and Legacy of Paul Laurence Dunbar: Interdisciplinary Curriculum Development Institution: University of Dayton Project Director: Minnita Daniel-Cox, Jennifer Speed, and Ju Shen Grant Program: Humanities Connections Planning 400 7th Street, SW, Washington, DC 20024 P 202.606.8500 F 202.606.8394 [email protected] www.neh.gov TABLE OF CONTENTS Summary 1 Narrative Project Rationale & Desired Outcomes 2-5 Intellectual Content 5-7 Planning Committee 7-10 Planning Process 10-11 -
August 26, 2014 (Series 29: 1) D.W
August 26, 2014 (Series 29: 1) D.W. Griffith, BROKEN BLOSSOMS, OR THE YELLOW MAN AND THE GIRL (1919, 90 minutes) Directed, written and produced by D.W. Griffith Based on a story by Thomas Burke Cinematography by G.W. Bitzer Film Editing by James Smith Lillian Gish ... Lucy - The Girl Richard Barthelmess ... The Yellow Man Donald Crisp ... Battling Burrows D.W. Griffith (director) (b. David Llewelyn Wark Griffith, January 22, 1875 in LaGrange, Kentucky—d. July 23, 1948 (age 73) in Hollywood, Los Angeles, California) won an Honorary Academy Award in 1936. He has 520 director credits, the first of which was a short, The Adventures of Dollie, in 1908, and the last of which was The Struggle in 1931. Some of his other films are 1930 Abraham Lincoln, 1929 Lady of the Pavements, 1928 The Battle of the Sexes, 1928 Drums of Love, 1926 The Sorrows of Satan, 1925 That Royle Girl, 1925 Sally of the Sawdust, 1924 Darkened Vales (Short), 1911 The Squaw's Love (Short), 1911 Isn't Life Wonderful, 1924 America, 1923 The White Rose, 1921 Bobby, the Coward (Short), 1911 The Primal Call (Short), 1911 Orphans of the Storm, 1920 Way Down East, 1920 The Love Enoch Arden: Part II (Short), and 1911 Enoch Arden: Part I Flower, 1920 The Idol Dancer, 1919 The Greatest Question, (Short). 1919 Scarlet Days, 1919 The Mother and the Law, 1919 The Fall In 1908, his first year as a director, he did 49 films, of Babylon, 1919 Broken Blossoms or The Yellow Man and the some of which were 1908 The Feud and the Turkey (Short), 1908 Girl, 1918 The Greatest Thing in Life, 1918 Hearts of the World, A Woman's Way (Short), 1908 The Ingrate (Short), 1908 The 1916 Intolerance: Love's Struggle Throughout the Ages, 1915 Taming of the Shrew (Short), 1908 The Call of the Wild (Short), The Birth of a Nation, 1914 The Escape, 1914 Home, Sweet 1908 Romance of a Jewess (Short), 1908 The Planter's Wife Home, 1914 The Massacre (Short), 1913 The Mistake (Short), (Short), 1908 The Vaquero's Vow (Short), 1908 Ingomar, the and 1912 Grannie. -
THOMAS GODFREY: PROTEGE of WILLIAM SMITH (Part Two)
THOMAS GODFREY: PROTEGE OF WILLIAM SMITH (Part Two) By ALBERT FRANK GEGENHEIMER The University of Arizona F OR one of his age and lack of educational advantages Godfrey's lperformance was genuinely amazing and testified not only to his innate powers but likewise to the powers of his mentor, William Smith. The poem abounds in mythological and historical ref- erences, all handled in a manner demonstrating familiarity. Its pattern is of course derivative, and many of the lines echo the two sources cited by Evans. This fact in itself proves Godfrey's first-hand acquaintance with these masters. His poem is not, however, a mere imitation of Chaucer with traces of Popean influence. Godfrey had assimilated his sources and out of the fusion of them with his own mind produced a new work of real merit. While in Philadelphia superintending the publication of The Court of Fancy Godfrey kept his eye out for further and more lucrative employment. His chief friend of influence, William Smith, was in Philadelphia for little of the year 1762 before going to England on his mission for the college. Godfrey, . finding nothing offer, that was advantageous, . determined to make another voyage abroad; and, ac- cordingly, procured some small commissions, and went, as a super-cargo, to the Island of New-Providence, where he was for some months, but met with no great en- couragement. From New-Providence, . he sailed, once more, to North-Carolina. 3 0 Smith did not allow his absence from Philadelphia to halt his efforts on behalf of his prot6g6. With him he carried the manu- script of the latter's poem "Victory," which was published, surely at his recommendation, in an English periodical, The Library, :°Thomas Godfrey, Juvenile Poemns, p. -
1928 CONGRESSIONAL RECORD-SENATE 1917 SENATE L\1R
1928 CONGRESSIONAL RECORD-SENATE 1917 SENATE l\1r. HALE. I give notice that I shall move to take it up at the earliest possible moment; if not before, immediately follow TUESDAY, Januart; ~4, 19~8 ing the final disposition of the pending unfinished business, the merchant marine bill. (Legi-~:~latilve aa.y of Monilay, Ja;nuary ~3, 1928) Mr~ SIMMONS. Mr. President, in this connection I ask The Senate reassembled at 12 o"clock meridian, on the expira unanimous consent to have printed in the REcoRD an article tion of the recess. entitled u What is the truth about the S-4?" written by Mr. Mr. CURTIS. Mr. President, I suggest the absence of a Courtenay Terrett, a · newspaper correspondent who was pres quorum. ent all the while during the activities of the Government to Tbe VICE PRESIDENT. The clerk will eall the roll. recover the submarine and rescue its inmates. The article The legislative clerk called tbe roll, and the following Sena appears in the Outlook for January 11, 1928. I bad intended tors answered to their names : · to have it read to the Senate, but it is too long, so I am going .Ashurst Fess McKellar Shortridge to content myself by asking unanimous consent to have it Barkley Fletcher McMaster Simmons printed in the RECoRD. But I want to call the attention of Bayard Frazier McNary Smith Smoot Senators to the article, written by this newspaper man of ~Fagam ~~f~e ~:l~tfid Steck repute, I understand, as being worthy of their reading and Rlaine Gillett Moses Steiwer consideration. -
The University of Chicago in Praise of Praise a Dissertation Submitted to the Faculty of the Division of the Humanities in Candi
THE UNIVERSITY OF CHICAGO IN PRAISE OF PRAISE A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF PHILOSOPHY BY DANIEL J. TELECH CHICAGO, ILLINOIS AUGUST 2018 ACKNOWLEDGMENTS I thank my dissertation committee. I am incredibly fortunate to have had Agnes Callard and Brian Leiter direct my dissertation project. Their support, wisdom, and generosity have meant a great deal to me—philosophically and personally—over the past several years. Joint dissertation meetings with Agnes and Brian unfailingly left me with a sense of urgency, demandingness, and encouragement that remains with me, at least on good days, when doing philosophy. Before they were my advisors, they were my teachers. Agnes’ seminar on deliberation, on the one hand, and Brian’s workshop on free will and responsibility, on the other, played significant roles in my becoming gripped by the questions animating this project. I hope to be able to live up to the ideals that working and studying with them has allowed me, however incipiently, to appreciate. I thank Paul Russell for being an excellent committee member. Paul has helped me stay attuned to the complexity and humanness of issues of agency and responsibility. This dissertation owes much to insightful conversations with him. I also thank Derk Pereboom. Derk supervised a valuable visit of mine to Cornell in the fall of 2016, and became something of an unofficial committee member, providing me with generous and instructive comments on the majority of the dissertation. There are many others to whom I am grateful for support with and valuable discussion on, parts of my project, and its earlier and attendant stages. -
The Progressive Stages of the Black Aesthetic in Literature
Notes 1. TOTAL LIFE IS WHAT WE WANT: THE PROGRESSIVE STAGES OF THE BLACK AESTHETIC IN LITERATURE 1. This was the problem of nomenclature that had bogged down some of Douglass' thoughts toward the correction of racism. He was tom, as was true of many black leaders, between a violent response to white violence and arrogance, and his own Christian principles. Yet this dissonance did not lead to inaction: cf., the commentary preceding The Life and Times of Frederick Douglass' in Early American Negro Writers, edited by Benjamin Brawley (New York: Dover, 1970). 2. Although I have chosen as the focus of my inquiry Major, Baker, Gayle, and Baraka because of the quantity and quality of their comments, and because of their association with Reed, it is still an arbitrary choice which excludes many other critics who were import ant to the formation of the new black aesthetic. Certainly Hoyt Fuller, the former editor of Black World, deserves his place among the leading black aestheticians, as does Larry Neal. An excellent reference for a more full discussion of other personalities in the new black aesthetic is Propaganda and Aesthetics: The Literary Politics of Afro-American Maga zines in the Twentieth Century, by Abby A. Johnson and Ronald Mayberry Johnson (Amherst: University of Massachusetts Press, 1979). 3. This method of delivery was one of the mainstays of effective communication for those obsessed with the power of the word in the 1960s: Baraka, Cleaver, Sonia Sanchez, even Jane Fonda. Ntozake Shange would write in 1980 that blacks had so claimed 'the word' that it hardly mattered who spoke or what was said; the listener was immediately comfortable with simply the grace and rhythm of the words issuing forth. -
'Where We Would Extend the Moral
‘WHERE WE WOULD EXTEND THE MORAL POWER OF OUR CIVILIZATION’: AMERICAN CULTURAL AND POLITICAL FOREIGN RELATIONS WITH CHINA, 1843-1856 A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Mathew T. Brundage December 2015 © Copyright All rights reserved Except for previously published materials Dissertation written by Mathew T. Brundage B.A., Capital University, 2005 M.A., Kent State University, 2007 Ph.D., Kent State University, 2015 Approved by ________________________________ Chair, Doctoral Dissertation Committee Mary Ann Heiss, Ph.D. ________________________________ Kevin Adams, Ph.D. ________________________________ Gang Zhao, Ph.D. ________________________________ James Tyner, Ph.D. Accepted by ________________________________ Chair, Department of History Kenneth Bindas, Ph.D. ________________________________ Dean, College of Arts and Sciences James L. Blank, Ph.D. TABLE OF CONTENTS………………………………………………….. iii LIST OF FIGURES………………………………………………………... iv PREFACE ………………………………………………………………... vi ACKNOWLEDGEMENTS……………………………………………….. vii INTRODUCTION………………………………………………………… 1 CHAPTERS I. Chapter 1: China as Mystery ……………………………… 30 II. Chapter 2: China as Opportunity ..………………………… 84 III. Chapter 3: China as a Flawed Empire………………………146 IV. Chapter 4: China as a Threat ………………………………. 217 V. Chapter 5: Redefining “Success” in the Sino-American Relationship ……………………………………………….. 274 CONCLUSION…………………………………………………………….. 317 APPENDIX………………………………………………………………… 323 BIBLIOGRAPHY…………………………………………………………. -
Walt Whitman, Clarence Major, and Changing Thresholds of American Wonder Linda Furgerson Selzer
Volume 29 | Number 4 (2012) pps. 159-170 Special Focus: Whitman's Influence Walt Whitman, Clarence Major, and Changing Thresholds of American Wonder Linda Furgerson Selzer ISSN 0737-0679 (Print) ISSN 2153-3695 (Online) Copyright © 2012 by The nivU ersity of Iowa. Recommended Citation Selzer, Linda Furgerson. "Walt Whitman, Clarence Major, and Changing Thresholds of American Wonder." Walt Whitman Quarterly Review 29 (2012), 159-170. Available at: http://dx.doi.org/10.13008/2153-3695.2032 This Essay is brought to you for free and open access by Iowa Research Online. It has been accepted for inclusion in Walt Whitman Quarterly Review by an authorized administrator of Iowa Research Online. For more information, please contact [email protected]. WALT WHITMAN, CLARENCE MAJOR, AND CHANGING THRESHOLDS OF AMERICAN WONDER LINDA FURGERSON SELZER ALTHOUGH WALT WHITMAN never ventured further into the West than his 1879 trip to Colorado, his imagined Western landscapes play a central role in the distinctively American poetic voice that energizes the mul- tiple editions of Leaves of Grass. Contemporary African American poet, novelist, and painter Clarence Major has lived and worked for much of his adult life in the West, so it is not surprising that its material and figurative landscapes are also central to his multiple artistic projects. In addition, Major consciously engages Whitman’s imagined West in his essays and poetry, and his poem set on the coast of Northwestern California, “September Mendocino,” is a direct response to Whitman’s better-known “Song of the Redwood-Tree.” Whitman’s poem, com- posed in the year after his paralytic stroke on January 23, 1873, was first published inHarper’s New Monthly Magazine in 1874. -
The Easton Family of Southeast Massachusetts: the Dynamics Surrounding Five Generations of Human Rights Activism 1753--1935
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2006 The Easton family of southeast Massachusetts: The dynamics surrounding five generations of human rights activism 1753--1935 George R. Price The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Price, George R., "The Easton family of southeast Massachusetts: The dynamics surrounding five generations of human rights activism 1753--1935" (2006). Graduate Student Theses, Dissertations, & Professional Papers. 9598. https://scholarworks.umt.edu/etd/9598 This Dissertation is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of Montana Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. **Please check "Yes" or "No" and provide signature** Yes, I grant permission No, I do not grant permission ___________ Author's Signature: Date: 7 — 2 ~ (p ~ O b Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. 8/98 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
Racial Ideas of the Nineteenth Century in Dunbar's Lyrics of Lowly
A Reflection of the Times: Racial Ideas of the Nineteenth Century in Dunbar’s Lyrics of Lowly Life Nerlande Adolphe Adolphe 1 Before Lyrics of Lowly Life: Paul Laurence Dunbar and the Influence of his Race In 1872, five years before the end of Reconstruction, Paul Laurence Dunbar was born. The time Dunbar was born is significant it speaks to how Dunbar grew up during a time when the racial tenor was signified by pervading theories of racial hierarchies and racial caricatures, socio-political entrenchment for African Americans, and growing black scholarship. In this social context, Dunbar flourished as a poet and influential figure and became the first African-American commercially recognized poet. As William Dean Howells’s cannot help noting in the introduction of Dunbar’s Lyrics of Lowly Life (1896), Paul Laurence Dunbar was the child of once enslaved people; his father escaped to Kentucky and his mother was freed during the Civil war (xiv). This particular detail of his life is not a defining marker of Dunbar’s identity as a poet or man, but it becomes integral, for it reveals Dunbar’s racial identity. Furthermore, similar to Phyllis Wheatley, Dunbar’s history and race are factors that attract some of his admirers, especially those who identify with his poems written in African American dialect. Additionally, Dunbar further developed his talent and acquired connections through his education, which later assisted with his literary popularity. Paul Laurence Dunbar was the only African-American in his high school class in Dayton, Ohio. During his time in Central High School, Dunbar involved himself with programs that involved writing; he was the president of the literary Philomathean Society, editor-in-chief of the school newspaper, and class poet. -
TABLE of CONTENTS GRADES 6–12 OPEN a WORLD of IDEAS It Is Important to Understand That Learning Is Different in the 21St Century Than It Was in the 20Th Century
TABLE OF CONTENTS GRADES 6–12 OPEN A WORLD OF IDEAS It is important to understand that learning is different in the 21st century than it was in the 20th century. For many of us educated in the 20th century, our learning modalities are closer to Gutenberg than Zuckerberg! Learning changes as technologies change. We’re moving from what would have been a receptive learning ecology to an interactive and productive one. The 21st century is about producing knowledge. It’s a century where students need to develop unique and powerful voices plurally and consider the following questions: How do I speak to different audiences? How do I understand the rhetorical situation? How do I know what my audience needs to hear from me? How do I meet them where they are? There’s not just one generic academic voice; there are multiple voices. It’s also about learning to consider and engage diverse perspectives. —Dr. Ernest Morrell, myPerspectives Author ERNEST MORRELL, Ph.D., Coyle Professor and the Literacy Education Director at the University of Notre Dame 2 TABLE OF CONTENTS myPerspectives ensures that students read and understand a variety of complex texts across multiple genres such as poetry, myths, realistic fiction, historical fiction, speeches, dramas, literary criticism, letters, speeches, articles, short stories, and more. These varied texts allow students to encounter new perspectives, rethink ideas, and deepen their knowledge of contemporary, traditional, and classic literature. STUDENT EDITION UNITS Grade 6 . .. 6 Grade 7 . .. 9 Grade 8 . 13 Grade 9 . 16 Grade 10 . .. 21 American Literature . 26 British and World Literature . -
Keith Byerman
Keith Byerman EDUCATION: Purdue University, Ph.D., 1978; American Studies/English; Major Field: American Literature, Minor Field: Intellectual History, Special Field: Black Studies. Dissertation: "Two Warring Ideals:The Dialectical Thought of W.E.B. Du Bois." Indiana University, 1970-72, American Studies. Anderson College, B.A., 1970; English, American Studies. UNIVERSITY POSITIONS: Professor, Department of English, Indiana State University, 1991-present; Associate Editor, African American Review, 1987-present; Affiliate Faculty, Women’s Studies, 1997-; Associate Professor,1987-1991; Interim Director, Interdisciplinary Programs, 2010-2011 Administrative Fellow for Research, College of Arts andSciences, 2003; Interim Director, University Honors Program, 2005-06 Visiting Professor, Department of Language and Literature, Columbus College, 1986-87 Fulbright Professor, University of Vienna, 1985-86 Assistant Professor, Department of English, University of Texas at Austin, 1979-85 HONORS/GRANTS: Sylvia Rendell Award for Scholarship, Charles Chesnutt Association, 2008 P.I., “Race and Politics,” Japan Foundation, 2006 P.I., “Current Trends in African American Studies,” Japan-US Friendship Commission, 2004, $40,000. Renewed 2005, $40,300 Dreiser Award for Excellence in Research, 2004 International Travel Grant to Asia, ISU, 2002, 2004, 2006 University Research Grant, ISU, 1988, 1990, 1996, 2001, 2008, 2010 Classroom Development Grant, Center for Teaching and Learning, ISU, 1997 Educational Excellence Award, College of Arts and Sciences, Indiana State University, 1995 Fulbright Group Travel Award to Africa, Summer 1993 Lila Wallace Foundation, 1992-94 (African American Review) Georgia Endowment for the Humanities, 1987 D. Abbott Turner Foundation, 1987 (Carson McCullers Conference) Columbus College Foundation, 1987 Fulbright Fellowship, University of Vienna, 1985-86 PUBLICATIONS: Books: The Life and Works of John Edgar Wideman.