Media Equation in TV Shows

Total Page:16

File Type:pdf, Size:1020Kb

Media Equation in TV Shows Media Equation in TV Shows “How television shows portray human-media interaction.” for Dr. Cindy Peterson in partial fulfillment of requirements for Comm 4901: Communication Research: Thesis April 4, 2014 MidAmerica Nazarene University ABSTRACT This paper examined Media Equation theory, which states, “media equal real life” (Reeves & Nass, 1996, p.5). People often become attached to their media and treat it as they would a real human being. This study attempted to discover if characters in recent television support this theory. The study looked at four television shows that have aired in the last ten years: The Big Bang Theory, Numb3rs, Scrubs and Phineas and Ferb. Each show was analyzed for media interaction. Results show that characters in television illustrate Media Equation when interacting with media in a personal interaction, but do not support the theory in a professional interaction. ACKNOWLEDGMENTS Thank you to Dr. Mark Hamilton for his advising throughout my undergraduate career; Dr. Cindy Peterson for her assistance with this paper and all of its components; Dr. Mark Hayse for his guidance on how to conduct research; and Sarah Schmalzried for encouraging me as I worked on this study and for editing out my errors. i TABLE OF CONTENTS ABSTRACT ..................................................................................................................................... i CHAPTER I - INTRODUCTION .................................................................................................. 1 Background of the Theory ................................................................................................................................................ 1 Research Question ................................................................................................................................................................ 2 Experimental Hypothesis .................................................................................................................................................. 2 Justification .............................................................................................................................................................................. 2 Terms ......................................................................................................................................................................................... 3 CHAPTER II – REVIEW OF THE LITERATURE ....................................................................... 4 Background of the Theory ................................................................................................................................................ 4 CHAPTER III - METHODOLOGY ............................................................................................. 12 Experimental Setting & Description .......................................................................................................................... 12 Subjects .................................................................................................................................................................................. 12 Characteristics of Subjects ............................................................................................................................................. 13 Experimental Variables ................................................................................................................................................... 14 Timing ..................................................................................................................................................................................... 14 Procedures ............................................................................................................................................................................ 14 Limitations ............................................................................................................................................................................ 15 CHAPTER IV - RESULTS AND DISCUSSION ........................................................................ 16 Results (Hypothesis and Data Tables) ...................................................................................................................... 16 Contaminants ....................................................................................................................................................................... 18 Conclusions ........................................................................................................................................................................... 18 Recommendations for Future Studies ...................................................................................................................... 19 APPENDIX A ............................................................................................................................... 22 APPENDIX B ............................................................................................................................... 32 REFERENCES ............................................................................................................................. 35 ii CHAPTER I - INTRODUCTION Background of the Theory Everyday, people interact with some form of electronic media: computer, phone, television, radio, GPS or any other electronic device. As more devices are released, the prevalence of the digital or electronic media increases. As time has gone by, patterns of how people interact with their electronic media have emerged. Byron Reeves and Clifford Nass introduced a Theory of Media Equation that posits, “media equal real life” (1996, p. 5). Their research showed that many people communicate with electronic media as if it were a real human being. Through a series of experiments, they found that people assign a gender to media, find attraction to and from media, act polite toward media, and follow many other social rules when dealing with their media. The assignment of gender often comes from the voices that the media use to communicate with users. Car manufacturers in Germany learned that giving a GPS a female voice gave users the belief that the GPS was a female. When German users believed that they were receiving directions from a woman, they were not happy and quickly began complaining that they would not take directions from a woman (Flatow, n.d.). Even though the GPS would give the same directions whether it was in a female voice or a male voice, the users believed that it was a female and that made the directions less credible to them. Apple has learned a similar lesson with iPhone’s Siri. When originally released, Siri had a female voice allowing users to ask any question they wanted. Siri would then search the Internet and find the answer within seconds. With the release of iOS 7, Apple introduced a male voice of Siri, saying that it would increase credibility for some users to hear the answers from a male (International Business, 2013). 1 Reeves and Nass (1996) prove many that more social principles, such as interpersonal distance, arousal, image size and flattery, are true with the Media Equation, thus showing that “media equal real life” (p. 5). The theory only becomes more and more prevalent as the amount of media in the world increases. Media equation is something that can be seen everywhere. It takes the form of very subtle ideas users have about their media, even if they do not realize it, and it spans all the way to much more noticeable expressions towards media. A blatant example is the recent movie Her; the premise of the movie is that the main character, a human, begins to fall in love with his computer (Annapurna Pictures, 2014). Many questions arise with the ever-growing evidence of the Media Equation in the world. Although research in this area continues, there is little about the presence of the Media Equation in television series. Research Question This paper will seek to answer the following question: RQ: In relation to The Media Equation, do fictional characters in present-day television shows treat electronic media as if it were a human being? Experimental Hypothesis This research hypothesis is proposed in response to the question: H: Characters in television shows aired in the past 10 years will treat electronic devices as if they are human. Justification This experiment is important because it will show whether Media Equation is significant enough in real life that a writer will put it into a television show. If a writer puts Media Equation into scripts for television shows, this means it is likely that he or she has seen Media Equation in everyday life and wants to portray it in their shows. This can also have an effect on audience 2 members. Television viewers may see the characters treating media in ways that are true to the Media Equation and either begin treating media the same way in their own lives or they may see it as absurd and intentionally not treat media in accordance with the Media Equation. Terms The following terms will be used throughout this study as a guide for research: 1. Electronic media – Any electronic device that allows users to gain information through the use of a screen. Examples include TV’s, computers, cellphones, watches, etc. 2. Human-media interaction – Any use of electronic media for any reason. Simply picking up a cell-phone or typing on a computer will count for this experiment.
Recommended publications
  • Pártos Boglárka Andrea: NUMB3RS a Középiskolában
    Eötvös Loránd Tudományegyetem Természettudományi Kar Pártos Boglárka Andrea NUMB3RS a középiskolában SZAKDOLGOZAT Matematika BSc tanári szakirány Témavezető: Szabó Csaba Egyetemi tanár Budapest, 2012. Tartalomjegyzék 1. Bevezetés, célkitűzés 3 1.1. Motiváció ..................................... 3 1.2. AGyilkosszámokról .............................. 4 1.3. Amatematikatanításfontossága . ...... 5 2. Matematikuskép 6 3. Matematikai tartalom - Steiner-fák 8 4. Feladatok 11 4.1. Euklideszigeometria . ... 11 4.2. Taxisgeometria ................................. 19 2 1. Bevezetés, célkitűzés 1.1. Motiváció A matematika tanításának alapvető, de mégis egyik legnehezebb feladata a tanulók érdek- lődésének felkeltése. Az érdeklődés hiánya legtöbbször a meg nem értésből származó kudarcélményekből fa- kad, hiszen a sorozatos kudarcok az önmagukkal szembeni elvárások, igényszintjük csökke- néséhez, így érdeklődésük elvesztéséhez, egyfajta érzelmi elutasításhoz vezetnek [1]. Ezt az érzelmi elutasítást azonban nem lehet értelmi szinten feloldani (például az anyagrész fontos- ságának, gyakorlati hasznának hangsúlyozásával), hanem sikerélményekre, pozitív vissza- csatolásra, megerősítésre van szükség. Kurt Lewin szerint a tanuláskor egy konfliktus keletkezik, amely abban áll, hogy egy régi szokás, viselkedés, hozzáállás feladására és újabbak elsajátítására van szükség. Az egyén ugyanis (nem feltétlenül tudja, hogy) érzelmileg ragaszkodik a szokásos viselkedés- mintákhoz, azok elhagyása bizonytalanságérzetet okozhat. Ezzel az érzelmi szinttel szem- ben
    [Show full text]
  • Doogie Howser, MD
    CHARLIE STRUGGLES TO SOLVE AN EQUATION THAT MAY SAVE A LIFE Neil Patrick Harris (“Doogie Howser, M.D.”) Guest Stars “Prime Suspect (#006) - Charlie struggles to help solve an impossible equation in order to save the life of a kidnapped little girl on NUMB3RS, Friday, February 18, 2005 (10:00-11:00 PM, ET/PT) on CBS. Lesli Linka Glatter directed the episode written by Doris Egan. When a 5-year-old girl is kidnapped from her birthday party, Don and Terry are called to lead the investigation, but must rely on Charlie when they learn the girl's father, Ethan (Neil Patrick Harris), is a mathematician who is close to solving Riemann's Hypothesis, one of the word’s most difficult math problems. Charlie struggles to help solve the impossible equation when the kidnappers ransom the life of Ethan’s daughter for the solution to Riemann’s Hypothesis, which if solved, could break the code for internet security; thus unlocking one of the world's biggest financial secrets. Meanwhile, Charlie becomes upset when his father, Alan, decides to put the family home up for sale. CAST GUEST STARRING Rob Morrow....................................DON EPPES Navi Rawat ....................... AMITA RAMANUJAN David Krumholtz .....................CHARLIE EPPES Neil Patrick Harris ..................ETHAN BURDICK Judd Hirsch ................................. ALAN EPPES Susan Egan...........................BECKY BURDICK Alimi Ballard ............................DAVID SINCLAIR Emma Prescott.......................EMILY BURDICK Sabrina Lloyd................................TERRY LAKE Greg Zola ......................... CARL MITTENDORF Peter MacNicol ................. LARRY FLEINHARDT Ian Barford ............................................ MIKEY Tom Irwin...................DR. STEPEHN ATWOOD Jamie McShane....................... PAUL BALLARD Fay Wolf...............................................KYONO Murphy Cross................................. MEREDITH Michael J. Cutt.....................PAROLE OFFICER Matthew Yang King..
    [Show full text]
  • 112508NU-Ep512-Goldenrod Script
    “Jacked” #512/Ep. 91 Written by Don McGill Directed by Stephen Gyllenhaal Production Draft – 10/30/08 Rev. FULL Blue – 11/6/08 Rev. FULL Pink – 11/11/08 Rev. Yellow – 11/13/08 Rev. Green – 11/17/08 Rev. Goldenrod – 11/25/08 (Pages: 48.) SCOTT FREE in association with CBS PARAMOUNT NETWORK TELEVISION, a division of CBS Studios. © Copyright 2008 CBS Paramount Network Television. All Rights Reserved. This script is the property of CBS Paramount Network Television and may not be copied or distributed without the express written permission of CBS Paramount Network Television. This copy of the script remains the property of CBS Paramount Network Television. It may not be sold or transferred and must be returned to: CBS Paramount Network Television Legal Affairs 4024 Radford Avenue Administration Bldg., Suite 390, Studio City, CA 91604 THE WRITING CREDITS MAY OR MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH TELEVISION LEGAL DEPARTMENT. “Jacked” Ep. #512 – Production Draft: Rev. Goldenrod – 11/25/08 SCRIPT REVISION HISTORY COLOR DATE PAGES WHITE 10/30/08 (1-58) REV. FULL BLUE 11/6/08 (1-58) REV. FULL PINK 11/11/08 (1-59) REV. YELLOW 11/13/08 (1,3,4,6,10,11,17,18,19, 21,25,27,29,30,30A,40,42, 47,49,49A,50,51,53,55, 55A,56,56A,57,59,60.) REV. GREEN 11/17/08 (3,6,19,21,35.) REV. GOLDENROD 11/25/08 (48.) “Jacked” Ep. #512 – Production Draft: Rev. FULL Pink – 11/11/08 CAST LIST DON EPPES CHARLIE EPPES ALAN EPPES DAVID SINCLAIR LARRY FLEINHARDT AMITA RAMANUJAN COLBY GRANGER LIZ WARNER TIM KING BUCKLEY LEN WALSH JACK SHULER/HAWAIIAN SHIRT GUY CAITLIN TODD BUS DRIVER MOTHER BUS TECH N.D.
    [Show full text]
  • Kulin Júlia: Matematika És Média
    Matematika és média – Matematika a Gyilkos számok tévésorozatban Integrált szakdolgozat Írta: Kulin Júlia Matematikus szak, Matematikatanári kiegészítő szak Témavezető: Korándi József, műszaki tanár Matematikatanítási és Módszertani Központ Eötvös Loránd Tudományegyetem Természettudományi Kar 2012 Tartalomjegyzék Bevezetés3 1. Matematika a Gyilkos számok néhány epizódjában4 1.1. 4. évad, 1. rész: Bizalom (Trust Metric).................4 1.2. 4. évad, 4. rész: Tizenhárom (Thirteen).................7 1.2.1. A Fibonacci-sorozathoz kapcsolódó pár feladat.........8 1.2.2. Kis számok erős törvénye..................... 15 1.3. 4. évad, 16. rész: 33-as atomszám (Atomic No. 33.).......... 18 Összegzés 21 Irodalomjegyzék 22 2 Bevezetés A Gyilkos számok (angol címén: Numb3rs) egy amerikai tévésorozat. Az Amerikai Egyesült Államokban 2005-ben mutatták be az első részét, és 2010-ben ért véget, hat évadot élt meg. Magyarországon 2006-ban kezdték sugározni, és szintén 2010-ben mutatták be itthon is az utolsó epizódot[3]. A sorozat középpontjában egy testvérpár áll: Charlie Eppes matematikus és Don Eppes, aki az amerikai Szövetségi Nyomozóirodánál (FBI) dolgozik. Rajtuk keresztül kapcsolat alakul ki néhány matematikus és egy nyomozócsoport között, melynek ré- vén a matematika segítségével göngyölítenek fel különböző bűnügyeket. Egy tipikus rész valamilyen bűntettel kezdődik, ennek a nyomozását követheti szemmel a néző a rész során. A felderítésében valamilyen módon mindig kritikus szerepet játszik a matematika[10]. Szakdolgozatomban a Gyilkos számok néhány részét vizsgálom abból a szem- pontból, hogy helyesek-e a bennük szereplő matematikai következtetések, reális és megvalósítható-e a matematikai elmélet alkalmazása, a magyar fordítás helyesen adja-e vissza az eredeti szöveg értelmét. Legfontosabb célom pedig az, hogy talál- jak néhány olyan elemet, amit a matematikatanítás során is fel lehet használni, ami felkeltené a diákok érdeklődését a matematika iránt, illetve segítené az adott matematikai probléma jobb megértését.
    [Show full text]
  • NUMB3RS a Középiskolában TDK
    Eötvös Loránd Tudományegyetem Természettudományi Kar Pártos Boglárka NUMB3RS a középiskolában TDK Témavezető: Szabó Csaba Budapest, 2011. 1. Bevezetés, célkitűzés 1.1. Dolgozatom célja "Bármit tanítunk, tanítsuk úgy, mint előttünk lévő dolgot, melynek biztos haszna van. Tud- niillik kell, hogy lássa a diák, hogy mindaz amit tanul, nem utópia vagy a platóni ideák világából való, hanem ezek minket körülvevő igazi dolgok, melyeknek helyes ismerete az élet- nek valódi hasznára van. Így a szellem buzgóbban kezd majd hozzá és helyesen különböztet meg." Comenius [6] Általános megfigyelés, hogy a matematika szó hallatára a legtöbb embert kirázza a hideg, csodálkoznak, és felnéznek arra az emberre, aki matematikával foglalkozik, vagy az iskolában szerette a matekot. Véleményem szerint ez a rossz hozzáállás főként a meg nem értésből származó kudarcélményekből fakad, hiszen senki sem szereti azt csinálni amit nem ért, főleg ha nem látja értelmét, gyakorlati hasznát. A matematikaórán előforduló feladatokon, problémákon gyakran nem látszik gyakorlati hasznuk, így ezek nem jelentenek motivációt azoknak a gyerekeknek, akiknek több időre, elmélyedésre lenne szükségük egyes módszerek elsajátítására. Fontosnak tartom, hogy a különösebb tehetséggel nem rendelkező gyerekek, akik talán lassabban, vagy kevésbé értik meg a bonyolultnak tűnő matematikai képleteket, gondolko- dásmódot, ne úgy nézzenek a matekra, ahogyan Somfai is írja [20]-ben, mint valami felsőbb tudásra, amit csak a beavatottak értenek meg, hanem egy számukra is megérthető, érdekes, szép és hasznos tárgyra. Dolgozatommal célom tehát a matematika iránti érdeklődés felkeltése, a megértésre való törekvés elindítása. Kiváló lehetőséget biztosít erre egy olyan tévésorozat, amely elsősor- ban szórakoztat, kikapcsolódást nyújt, és emelett tanít, népszerüsíti a matematikát. Ezért választottam dolgozatom témájául a Gyilkos számokat.
    [Show full text]
  • 110508NU-Ep511-Yellow Script
    “Arrow of Time” #511/Ep. 90 Written by Ken Sanzel Directed by Ken Sanzel Production Draft – 10/17/08 Rev. FULL Blue – 10/30/08 Rev. Pink – 11/4/08 Rev. Yellow – 11/5/08 (Pages: 41,46,50,55.) SCOTT FREE in association with CBS PARAMOUNT NETWORK TELEVISION, a division of CBS Studios. © Copyright 2008 CBS Paramount Network Television. All Rights Reserved. This script is the property of CBS Paramount Network Television and may not be copied or distributed without the express written permission of CBS Paramount Network Television. This copy of the script remains the property of CBS Paramount Network Television. It may not be sold or transferred and must be returned to: CBS Paramount Network Television Legal Affairs 4024 Radford Avenue Administration Bldg., Suite 390, Studio City, CA 91604 THE WRITING CREDITS MAY OR MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH TELEVISION LEGAL DEPARTMENT. “Arrow of Time” Ep. #511 – Production Draft: Rev. Yellow – 11/5/08 SCRIPT REVISION HISTORY COLOR DATE PAGES WHITE 10/17/08 (1-57) REV. FULL BLUE 10/30/08 (1-57) REV. PINK 11/4/08 (2,3,4,6,7,18,19,20,27,33, 34,39,41,42,49,50,51,55.) REV. YELLOW 11/5/08 (41,46,50,55.) “Arrow of Time” Ep. #511 – Production Draft: Rev. FULL Blue – 10/30/08 CAST LIST DON EPPES CHARLIE EPPES ALAN EPPES DAVID SINCLAIR LARRY FLEINHARDT AMITA RAMANUJAN COLBY GRANGER NIKKI BETANCOURT LIZ WARNER ROBIN BROOKS BUCK WINTERS RAFE LANSKY GRAY McCLAUGHLIN JOE THIBODEAUX * DEANNE DRAKE TOBY TIM PYNCHON SECOND MARSHAL “Arrow of Time” Ep.
    [Show full text]
  • Numb3rs Episode Guide Episodes 001–118
    Numb3rs Episode Guide Episodes 001–118 Last episode aired Friday March 12, 2010 www.cbs.com c c 2010 www.tv.com c 2010 www.cbs.com c 2010 www.redhawke.org c 2010 vitemo.com The summaries and recaps of all the Numb3rs episodes were downloaded from http://www.tv.com and http://www. cbs.com and http://www.redhawke.org and http://vitemo.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 Pilot ...............................................3 2 Uncertainty Principle . .5 3 Vector ..............................................7 4 Structural Corruption . .9 5 Prime Suspect . 11 6 Sabotage . 13 7 Counterfeit Reality . 15 8 Identity Crisis . 17 9 Sniper Zero . 19 10 Dirty Bomb . 21 11 Sacrifice . 23 12 Noisy Edge . 25 13 Man Hunt . 27 Season 2 29 1 Judgment Call . 31 2 Bettor or Worse . 33 3 Obsession . 37 4 Calculated Risk . 39 5 Assassin . 41 6 Soft Target . 43 7 Convergence . 45 8 In Plain Sight . 47 9 Toxin............................................... 49 10 Bones of Contention . 51 11 Scorched . 53 12 TheOG ............................................. 55 13 Double Down . 57 14 Harvest . 59 15 The Running Man . 61 16 Protest . 63 17 Mind Games . 65 18 All’s Fair . 67 19 Dark Matter . 69 20 Guns and Roses . 71 21 Rampage . 73 22 Backscatter . 75 23 Undercurrents . 77 24 Hot Shot . 81 Numb3rs Episode Guide Season 3 83 1 Spree .............................................
    [Show full text]
  • 102808NU-Ep510-Goldenrod Script
    “Frienemies” #510/Ep. 89 Written by Cheryl Heuton & Nicolas Falacci Directed by Steve Boyum Production Draft – 10/10/08 Rev. Blue – 10/15/08 Rev. FULL Pink – 10/20/08 Rev. Yellow – 10/23/08 Rev. Green – 10/24/08 Rev. Goldenrod – 10/28/08 (Pages: 32,36.) SCOTT FREE in association with CBS PARAMOUNT NETWORK TELEVISION, a division of CBS Studios. © Copyright 2008 CBS Paramount Network Television. All Rights Reserved. This script is the property of CBS Paramount Network Television and may not be copied or distributed without the express written permission of CBS Paramount Network Television. This copy of the script remains the property of CBS Paramount Network Television. It may not be sold or transferred and must be returned to: CBS Paramount Network Television Legal Affairs 4024 Radford Avenue Administration Bldg., Suite 390, Studio City, CA 91604 THE WRITING CREDITS MAY OR MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH TELEVISION LEGAL DEPARTMENT. “Frienemies” Ep. #510 – Production Draft: Rev. Goldenrod – 10/28/08 SCRIPT REVISION HISTORY COLOR DATE PAGES WHITE 10/10/08 (1-55) REV. BLUE 10/15/08 (1,2,4,5,8,12,14,19,21, 22,26,27,29,31,33,35, 37,41.) REV. FULL PINK 10/20/08 (1-56) REV. YELLOW 10/23/08 (1,2,3,6,8,13,15,16,18, 19,20,28,34,36,38,39, 40,40A,47,48,54,55.) REV. GREEN 10/24/08 (14,34,36,55.) REV. GOLDENROD 10/28/08 (32,36.) “Frienemies” Ep.
    [Show full text]
  • 306Goldenrodrev9.12 Script
    GOLDENROD REV: 9/12/06 GREEN REV: 9/11/06 YELLOW REV: 9/08/06 PINK FULL: 9/07/06 BLUE FULL: 9/06/06 “Longshot” #306/Ep.43 Written by J. David Harden Directed by John Behring SCOTT FREE in association with CBS PARAMOUNT NETWORK TELEVISION, a division of CBS Studios. Copyright 2006 CBS Paramount Network Television. All Rights Reserved. This script is the property of CBS Paramount Network Television and may not be copied or distributed without the express written permission of CBS Paramount Network Television. This copy of the script remains the property of CBS Paramount Network Television. It may not be sold or transferred and must be returned to: CBS Paramount Network Television Legal Affairs 4024 Radford Avenue Administration Bldg., Suite 390, Studio City, CA 91604 THE WRITING CREDITS MAY OR MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH TELEVISION LEGAL DEPARTMENT. GOLDENROD Rev September 12th, 2006 #306/Ep.43 “Longshot” GOLDENROD Rev 9/12/2006 SCRIPT REVISION HISTORY COLOR DATE PAGES WHITE 9/1/06 (1-61) BLUE 9/6/06 (1-61) PINK 9/7/06 (1-60) YELLOW 9/8/06 (1,2,3,4,5,6,7,14, 15,21,28,29,35,37, 40,47,48-49,49A,51, 53,54,56,57,57A,58) GREEN 9/11/06 (2,2A,6,7,13,14,14A,15, 16,21,23,23A,24,26,27, 35,36,36A,38,39,43,45, 48-49,49A,50,51,52,53, 54,55,55A,56,56A,57, 57A,58,59-60) GOLDENROD 9/12/06 (6,6A,7,10,13,27,27A, 36A,57,57A,57B) #306/Ep.43 “Longshot” GOLDENROD Rev 9/12/2006 CAST LIST DON EPPES CHARLIE EPPES ALAN EPPES LARRY FLEINHARDT MEGAN REEVES COLBY GRANGER TELLER IVAN TABAKIAN Pronounced (Tah-BOK-ee-un) DANNY ROBERTS SPECIAL AGENT LIZ WARNER LANDLADY MAURICE CONNORS SHARRLYN SMITH REBECCA JAMES SIDNEY BOYD “LONGSHOT” TEASER BLACK BOX: 6 - Furlongs 6 - Winners 6 - Bodies Pick - 6 PRELAP: HOOVES POUNDING THROUGH THE DIRT..
    [Show full text]
  • The Numbers Behind Numb3rs: Solving Crime with Mathematics Free
    FREE THE NUMBERS BEHIND NUMB3RS: SOLVING CRIME WITH MATHEMATICS PDF Professor Keith Devlin,Gary Lorden | 243 pages | 27 Apr 2009 | Penguin Putnam Inc | 9780452288577 | English | New York, NY, India Numbers (TV series) - Wikipedia The show focuses equally on the relationships among Don Eppes, his brother Charlie Eppes, and their father, Alan Eppes Judd Hirschand on the brothers' efforts to fight crime, usually in Los Angeles. The insights provided by Charlie's mathematics were The Numbers Behind Numb3rs: Solving Crime with Mathematics in some way crucial to solving the crime. Temporary characters on the show were often named after famous mathematicians. Opening: Voice-over by David Krumholtz We all use math The Numbers Behind Numb3rs: Solving Crime with Mathematics day. To predict weather…to tell time…to handle money. Math is more than formulas and equations. It's logic; it's rationality. It's using your The Numbers Behind Numb3rs: Solving Crime with Mathematics to solve the biggest mysteries we know. Don and Charlie's father, Alan Eppes, provides emotional support for the pair, while Professor Larry Fleinhardt and doctoral student Amita Ramanujan provide mathematical support and insights to Charlie. Season one was a half-season, producing only 13 episodes. Charlie is challenged on one of his long-standing pieces of mathematical work and also starts work on a new theory, cognitive emergence theory. Larry sells his home and assumes a nomadic lifestyle, while he becomes romantically involved with Megan. Amita receives an offer for an assistant professor position at Harvard Universitybut is plagued by doubt as her relationship with Charlie is challenged and her career is in upheaval.
    [Show full text]
  • Download Full Episodes of Numb3rs Online Free Numb3rs (TV Series) on May 18, 2010, CBS Announced That Numbers Had Been Cancelled After Six Seasons
    download full episodes of numb3rs online free Numb3rs (TV series) On May 18, 2010, CBS announced that Numbers had been cancelled after six seasons. Contents. Summary [ edit | edit source ] The show focuses equally on the relationships among Don Eppes, his brother Charlie Eppes, and their father, Alan Eppes (Judd Hirsch), and on the brothers' efforts to fight crime, usually in Los Angeles. A typical episode begins with a crime, which is subsequently investigated by a team of FBI agents led by Don and mathematically modeled by Charlie, with the help of Larry Fleinhardt (Peter MacNicol) and Amita Ramanujan (Navi Rawat). The insights provided by Charlie's mathematics were always in some way crucial to solving the crime. Cast and characters [ edit | edit source ] as Don Eppes as Charlie Eppes as Alan Eppes as David Sinclair as Terry Lake (Season 1) as Colby Granger as Megan Reeves (Season 2–4) as Amita Ramanujan (Season 2–6, recurring Season 1) as Nikki Betancourt (Season 5–6) as Liz Warner (Season 5–6, recurring Season 3–4) as Larry Fleinhardt. Episodes [ edit | edit source ] Main article: Episode Guide Season Episodes Originally aired Season premiere Season finale 1 13 January 23, 2005 May 13, 2005 2 24 September 23, 2005 May 19, 2006 3 24 September 22, 2006 May 18, 2007 4 18 September 28, 2007 May 16, 2008 5 23 October 3, 2008 May 15, 2009 6 16 September 25, 2009 March 12, 2010. Production [ edit | edit source ] The idea for Numbers was generated in the late 1990s when Nick Falacci and Cheryl Heuton, the show's creators, attended a lecture given by Bill Nye, a popular science educator.
    [Show full text]
  • “Structural Corruption (#005)” – Charlie Uses Math to Help
    CHARLIE ATTEMPTS TO SOLVE A CASE INVOLVING A UNIVERSITY STUDENT “Structural Corruption (#005)” – Charlie uses math to help solve his most personal case, an engineering student from his university is murdered, on NUMB3RS, Friday, February 11, 2005 (10:00-11:00 PM, ET/PT) on CBS. Tim Matheson directed the episode written by Liz Friedman. After engineering student Finn Montgomery (James Immekus) is found dead from an apparent suicide, Charlie uses math to conclude that Finn met with foul play. Charlie convinces his brother Don to launch an investigation after he reads Finn’s thesis that labeled the architecturally stunning Cole Center in downtown Los Angeles as structurally unstable. Don and his FBI agents uncover a deadly conspiracy and cover- up, leading to a shocking culprit. Meanwhile, Don brings his FBI partner Terry, whom he formerly dated, to a dinner party that his father, Alan, nervously prepares for his own date. CAST GUEST STARRING Rob Morrow....................................DON EPPES David Hunt ..............................................COLE David Krumholtz .....................CHARLIE EPPES Gibby Brand ............... DR. MICHAEL SABELLO Judd Hirsch ................................. ALAN EPPES Alyson Reed................................EVA SALTON Alimi Ballard ............................DAVID SINCLAIR James Immekus........................................ FINN Sabrina Lloyd................................TERRY LAKE Micahel Bryan French .................... FINN’S DAD Peter MacNicol ................. LARRY FLEINHARDT Margot
    [Show full text]