The Italian Academy for Advanced Studies in America Annual Report 2011–2012
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Official Journal C108 of the European Union
ISSN 1725-2423 Official Journal C108 of the European Union Volume 47 English edition Information and Notices 30 April 2004 Notice No Contents Page I Information ...... II Preparatory Acts European Economic and Social Committee 405th plenary session, 28 and 29 January 2004 2004/C 108/01 Opinion of the European Economic and Social Committee on the ‘Green Paper on the conversion of the Rome Convention of 1980 on the law applicable to contractual obligations into a Community instrument and its modernisation’ (COM(2002) 654 final) ......................................................... 1 2004/C 108/02 Opinion of the European Economic and Social Committee on the ‘communication from the Commis- sion to the Council, the European Parliament, the European Economic and Social Committee and the Committee of the Regions - Adapting e-Business policies in a changing environment: The lessons of the Go Digital initiative and the challenges ahead’ (COM(2003) 148 final) ..................................... 23 2004/C 108/03 Opinion of the European Economic and Social Committee on the ‘proposal for a Directive of the European Parliament and of the Council on the approval of motor vehicles and their trailers, and of systems, components and separate technical units intended for such vehicles (recast version)’ (COM(2003) 418 final – 2003/0153 (COD)) ........................................................................... 29 2004/C 108/04 Opinion of the European Economic and Social Committee on the ‘proposal for a Directive of the European Parliament and of the Council on the approximation of the laws of the Member States relating to the measures to be taken against the emission of gaseous and particulate pollutants from compression-ignition engines for use in vehicles, and the emission of gaseous pollutants from positive- ignition engines fuelled with natural gas or liquefied petroleum gas for use in vehicles’ (COM(2003) 522 final - 2003/0205 (COD)) ........................................................................................... -
New, Old, & Unexpected Ii Robert Simon Fine
NEW, OLD, & UNEXPECTED II ROBERT SIMON FINE ART NEW, OLD, & UNEXPECTED II CATALOGUE BY Dominic Ferrante and Robert B. Simon ROBERT SIMON FINE ART Front cover: CONTENTS Gaspar Antoine de Bois-Clair, Double Portrait of King Frederik IV and Queen Louise of Mecklenburg-Güstrow of Denmark, oil on wood strips, laid on panel, 15 ½ x 12 ¾ inches (39.4 x 32.4 cm) Back cover: William Cave Thomas,The Argument, pencil and watercolor on paper, 23 ½ x 18 ½ inches (59.6 x 47 cm) INTRODUCTION 6 High-resolution digital photographs and WORKS 8 condition reports of the works included in this catalogue are available upon request. INSTALLATION 52 All prices are accurate as of October 2020 and are inclusive of the costs of packing, shipping, and ENTRIES 62 insurance to domestic destinations. ENDNOTES 120 © 2020 Robert Simon Fine Art, Inc. Photography by Glenn Castellano ROBERT SIMON FINE ART 22 EAST 80TH STREET · NEW YORK · NY · 10075 TEL: 212·288·9712 FAX: 212·202·4786 BY APPOINTMENT AT: SATIS HOUSE 53 TOWER HILL ROAD EAST · TUXEDO PARK · NY · 10987 TEL: 845·351·2339 FAX: 845·351·4332 ROBERT B. SIMON DOMINIC FERRANTE JR. [email protected] [email protected] INTRODUCTION The second edition ofNew, Old, & Unexpected expands each category. The newest of the “New” is a 2020 work by the New York artist Brendan H. Johnston—a trompe l’oeil triptych that wittily explores issues of material, craft, and illusion. The oldest of the “Old” is a predella by Miguel Alcañiz, the Valencian painter who was a key figure in the transmission of trecento Tuscan style into Spain. -
La Politica Estera Dell'italia. Testi E Documenti
AVVERTENZA La dottoressa Giorgetta Troiano, Capo della Sezione Biblioteca e Documentazione dell’Unità per la Documentazione Storico-Diplomatica e gli Archivi ha selezionato il materiale, redatto il testo e preparato gli indici del presente volume con la collaborazione della dott.ssa Manuela Taliento, del dott. Fabrizio Federici e del dott. Michele Abbate. MINISTERO DEGLI AFFARI ESTERI UNITÀ PER LA DOCUMENTAZIONE STORICO-DIPLOMATICA E GLI ARCHIVI 2005 LA POLITICA ESTERA DELL’ITALIA TESTI E DOCUMENTI ROMA Roma, 2009 - Stilgrafica srl - Via Ignazio Pettinengo, 31/33 - 00159 Roma - Tel. 0643588200 INDICE - SOMMARIO III–COMPOSIZIONE DEI GOVERNI . Pag. 3 –AMMINISTRAZIONE CENTRALE DEL MINISTERO DEGLI AFFARI ESTERI . »11 –CRONOLOGIA DEI PRINCIPALI AVVENIMENTI CONCERNENTI L’ITALIA . »13 III – DISCORSI DI POLITICA ESTERA . » 207 – Comunicazioni del Ministro degli Esteri on. Fini alla Com- missione Affari Esteri del Senato sulla riforma dell’ONU (26 gennaio) . » 209 – Intervento del Ministro degli Esteri Gianfranco Fini alla Ca- mera dei Deputati sulla liberazione della giornalista Giulia- na Sgrena (8 marzo) . » 223 – Intervento del Ministro degli Esteri on. Fini al Senato per l’approvazione definitiva del Trattato costituzionale euro- peo (6 aprile) . » 232 – Intervento del Presidente del Consiglio, on. Silvio Berlusco- ni alla Camera dei Deputati (26 aprile) . » 235 – Intervento del Presidente del Consiglio on. Silvio Berlusco- ni al Senato (5 maggio) . » 240 – Messaggio del Presidente della Repubblica Ciampi ai Paesi Fondatori dell’Unione Europea (Roma, 11 maggio) . » 245 – Dichiarazione del Ministro degli Esteri Fini sulla lettera del Presidente Ciampi ai Capi di Stato dei Paesi fondatori del- l’UE (Roma, 11 maggio) . » 247 – Discorso del Ministro degli Esteri Fini in occasione del Cin- quantesimo anniversario della Conferenza di Messina (Messina, 7 giugno) . -
Sino-Italian Cooperation Program Environmental Training Community 中-意合作计划 环境培训园地 Newsletter 工作通讯
Sino-Italian Cooperation Program Environmental Training Community 中-意合作计划 环境培训园地 newsletter 工作通讯 03 Environmental Training Community Newsletter 03 Italian Ministry for the Environment and Territory Venice International University Editorial board 编委 < TEN Center, Thematic Environmental Networks Corrado Clini Corrado Clini ı< >< ı i < > 威尼斯国际大学 Ignazio Musu Ignazio Musu Isola di San Servolo Maria Lodovica Gullino Maria Lodovica Gullino 30100 Venice Italy Tel. 电话 +39 041 2719525-524 Edited by 编者 Fax 传真 +39 041 2719510 Venice International University 威尼斯国际大学- TEN中心, [email protected] TEN Center, Thematic Environmental Networks 意大利环境与领土部- 中意环保项目办公室, 北京 Ministry for the Environment, Land and Sea of Italy- Ministry for the Environment, Land and Sea SICP PMO, Beijing 美术设计 of Italy peppe clemente, studio cheste venezia 境、国土和海洋部 Graphic design Via Cristoforo Colombo, 44 peppe clemente, studio cheste venezia 2006年9月, 意大利, 威尼斯市, 00147 Rome Italy Grafi che Veneziane有限公司出版 printed in September 2006 Sino-Italian Cooperation Program in Venice, Italy for Environmental Protection by Grafi che Veneziane srl Program Management Offi ce 中国-意大利环境保护合作项目管理办公室 Oriental Kenzo-Offi ce Building Room 25 a-d 48 Dongzhimen Waidajie, 100027 Beijing, P.R.China 中国北京市东直门外大街48 号东方银座写字楼25 a-d 房间 邮编: 100027 Tel. 电话 0086-10-51600666, 84476610 Fax 传真 0086-10-84476455 [email protected] PMO Shanghai Room 1901-1906, The Center 989, Changle Rd. Shanghai, 200031 P.R. China 上海市长乐路989号世纪商贸广场1901-1906室 中意环保项目上海办公室 Tel. 电话 021 61104860 The Italian Ministry for the Environment Fax 传真 021 61104861 and Territory (IMET) has recently been renamed as Ministry for the Environment, Land and Sea of Italy (IMELS). 意大利环境与领土部(IMET)将更名为意大利环 In this Newsletter issue, 境、国土和海洋部(IMELS). -
Md. Jury Awards $18M to Former Business Partner in Pharma Lawsuit – Maryland Daily Record
11/26/2018 Md. jury awards $18M to former business partner in pharma lawsuit – Maryland Daily Record Md. jury awards $18M to former business partner in pharma lawsuit By: Anamika Roy Daily Record Legal Affairs Writer November 26, 2018 A jury in a federal lawsuit awarded a Rockville scientist $18 million in a lawsuit against his former business partners. In a lawsuit filed in U.S. District Court in Greenbelt, Claudio De Simone and ExeGi Pharma LLC alleged VSL Pharmaceuticals Inc., Leadiant Biosciences Inc. and Alfasigma USA Inc. tried to make a copy of a drug De Simone created without having access to the proprietary formula and sold a “knock-off” version of the drug. De Simone also alleged the copy product had never been clinically tested, unlike his product, which underwent extensive clinical research, the lawsuit states. After a three-week trial and about 12 hours of deliberations, a jury of seven women and two men found last week that the pharmaceutical companies owe De Simone more than $18 million in damages, including $15 million for false advertising, nearly $1.9 million for unjust enrichment and nearly $1 million for breach of contract, according to online court records. An attorney for De Simone said Monday that the jury was likely swayed in favor of his client because of “the degree of willful misconduct” on the other side. “We proved that they were marketing to the general public, that includes some very sick patients who rely on the product my client invented to manage severe symptoms of gastrointestinal diseases,” said Jeremy W. -
Italy Aims to Introduce Asia to the Mediterranean Diet Italian a Exports
8 THE JAPAN TIMES MONDAY, MARCH 2, 2009 Special Economic Reports (3) 第3種郵便物認可 Italy at Foodex Italy at Foodex Milan Food Village: all the fl avors of the Earth In April 2008, the city of Mi- 140,000 sq. meters, along- upon the region’s dense © Buonitalia S.p.A Italian agro-industry lan was chosen to host the side Sogemi’s existing build- road, rail and air transport 2015 Universal Exposition ings, which total 700,000 sq. network. Foodex 2009 under a project titled “Feed- meters. The new infrastruc- Predolin adds that Milan exports ing the planet, energy for ture will host a “technopole”, Food Village “will dedicate life.” Centered around the and a service center entirely more than 5,000 sq. me- Italy aims to introduce Asia question of how to feed hu- dedicated to the agro-food ters to exotic food products. A success for the chambers of commerce manity, the northern Italian sector. “It will include a cut- We’re confi dent that the new city’s bid was chosen by the ting-edge laboratory with the installation will draw a vast to the Mediterranean diet United States, Canada and jury for its broad scope and most advanced equipment in public, keen to discover for- Roberto Predolin Russia. The fi nancial crisis its vital importance at a time product traceability, a key eign gastronomy and new President, he largest profession- pleasant to come here. Also, uinely original, and healthy issaries from Japan to Italy might have an impact on the when the planet is struggling part of food products’ qual- fl avors. -
Roberto Longhi E Giulio Carlo Argan. Un Confronto Intellettuale Luiz Marques Universidade Estadual De Campinas - UNICAMP
NUMERO EDITORIALE ARCHIVIO REDAZIONE CONTATTI HOME ATTUALE Roberto Longhi e Giulio Carlo Argan. Un confronto intellettuale Luiz Marques Universidade Estadual de Campinas - UNICAMP 1. Nel marzo del 2012 ha avuto luogo a Roma, all’Accademia dei Lincei e a Villa Medici, un Convegno sul tema: “Lo storico dell’arte intellettuale e politico. Il ruolo degli storici dell’arte nelle politiche culturali francesi e italiane”[1]. L’iniziativa celebrava il centenario della nascita di Giulio Carlo Argan (1909) e di André Chastel (1912), sottolineando l’importanza di queste due grandi figure della storiografia artistica italiana e francese del XX secolo. La celebrazione fornisce l’occasione per proporsi di fare, in modo molto modesto, un confronto intellettuale tra Roberto Longhi (1890-1970)[2] e Giulio Carlo Argan (1909-1992)[3], confronto che, a quanto ne so, non ha finora tentato gli studiosi. Solo Claudio Gamba allude, di passaggio, nel suo profilo biografico di Argan, al fatto che questo è “uno dei classici della critica del Novecento, per le sue indubitabili doti di scrittore, così lucidamente razionale e consapevolmente contrapposto alla seduttrice prosa di Roberto Longhi”[4]. Un contrappunto, per quello che si dice, poco più che di “stile”, e nient’altro. E ciò non sorprende. Di fatto, se ogni contrappunto pressuppone logicamente un denominatore comune, un avvicinamento tra i due grandi storici dell’arte pare – almeno a prima vista – scoraggiante, tale è la diversità di generazioni, di linguaggi, di metodi e, soprattutto, delle scelte e delle predilezioni che li hanno mossi. Inoltre, Argan è stato notoriamente il grande discepolo e successore all’Università di Roma ‘La Sapienza’ di Lionello Venturi (1885-1961), il cui percorso fu contrassegnato da conflitti con quello di Longhi[5]. -
Inventing an Italian Landscape @ Columbia University's
Inventing an Italian Landscape @ Columbia University’s Italian Academy for Advanced Studies Distinguished Visiting Professorship Published on iItaly.org (http://www.iitaly.org) Inventing an Italian Landscape @ Columbia University’s Italian Academy for Advanced Studies Distinguished Visiting Professorship Iwona Adamczyk (April 02, 2012) Italian Academy Distinguished Visiting Professorship in art history, archaeology, and Italian studies at Columbia University’s Italian Academy for Advanced Studies is made possible by the Compagnia di San Paolo. Lurking with its serene and ethereal postcard images, Venice continuously becomes part of itineraries of travelers to the Bel Paese. Not many people who had the opportunity to travel to Italy have skipped the city built on water. It is hard to believe such was not the case in the eighteenth century. “At the end of the eighteenth century, Venice is not on the maps of travelers as they follow in the classicism and antiquity and therefore end up visiting Rome, Naples and Sicily” – stated Professor Anna Ottani Cavina [2] at the inaugural lecture of the Compagnia di San Paolo [3] Italian Academy Distinguished Visiting Professorship, held on March 21st, at Columbia University’s Italian Academy for Advanced Studies. [4] CU’s Italian Academy CU’s Italian Academy Professor Ottani Cavina is the first to hold this prestigious position established at Columbia University [5] by a generous multi-year funding from the Compagnia di San Paolo. “The Visiting Professorship in art history, archeology and Italian studies although in its first year, is already attracting a wide student audience” - pointed out Abigail Asher, Page 1 of 3 Inventing an Italian Landscape @ Columbia University’s Italian Academy for Advanced Studies Distinguished Visiting Professorship Published on iItaly.org (http://www.iitaly.org) the Director of Development and Publications at the CU Italian Academy. -
Enzon Announces Agreement to Sell Specialty Pharmaceutical Business Sigma-Tau to Acquire Business for Approximately $327 Million in Cash Plus Royalties
Enzon Announces Agreement to Sell Specialty Pharmaceutical Business sigma-tau to acquire business for approximately $327 million in cash plus royalties BRIDGEWATER, N.J., Nov 09, 2009 (BUSINESS WIRE) -- Enzon Pharmaceuticals, Inc. (Nasdaq: ENZN) today announced that it has entered into a definitive agreement to sell its specialty pharmaceutical business to the sigma-tau Group for $300 million plus an additional amount of up to $27 million based on success milestones. Enzon will also receive royalties of 5 to 10 percent on incremental net sales above a 2009 baseline amount from Enzon's four marketed specialty pharmaceutical products through 2014. Enzon's specialty pharmaceutical business includes four marketed products: Oncaspar(R), Adagen(R), DepoCyt(R), and Abelcet(R), as well as the manufacturing facility in Indianapolis, Indiana which will be purchased by a US subsidiary of Sigma- Tau Pharmaceuticals, Inc. (Maryland). Sigma-Tau Pharmaceuticals will distribute the products in the US market. After the sale of these assets, Enzon's businesses will consist of its royalties, Peg SN38 and our LNA and PEG technology platforms. "Enzon's Board of Directors is evaluating options to return most of the value of this sale to shareholders" stated Alex Denner, Chairman. "We will refocus the company on our royalty business, pipeline, and technology platforms." "sigma-tau is a great strategic fit for this business, as they have the presence and expertise to effectively market these products in all geographic areas," said Jeffrey H. Buchalter, Enzon's president and CEO. sigma-tau is a global R&D driven, Italian-owned pharmaceutical company dedicated, among other areas, to developing and commercializing medicines for rare diseases. -
The Guido Riccio Controversy and Resistance to Critical Thinking
Syracuse Scholar (1979-1991) Volume 11 Issue 1 Syracuse Scholar Spring 1991 Article 5 3-21-1991 The Guido Riccio controversy and resistance to critical thinking Gordon Moran Michael Mallory Follow this and additional works at: https://surface.syr.edu/suscholar Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Moran, Gordon and Mallory, Michael (1991) "The Guido Riccio controversy and resistance to critical thinking," Syracuse Scholar (1979-1991): Vol. 11 : Iss. 1 , Article 5. Available at: https://surface.syr.edu/suscholar/vol11/iss1/5 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Syracuse Scholar (1979-1991) by an authorized editor of SURFACE. For more information, please contact [email protected]. Moran and Mallory: The Guido Riccio controversy THE GUIDO RICCIO CONTROVERSY AND RESISTANCE TO CRITICAL THINKING GORDON MORAN and MICHAEL MALLORY HE PALAZZO PUBBLICO IN SIENA, ITALY, is decorated Twith some of Italian art's most famous murals, or frescoes. The undisputed favorite of many art lovers and of the Sienese them selves is the Guido Riccio da Fogliano at the Siege ofMontemassi (fig. 1, upper fresco), a work traditionally believed to have been painted in 1330 by Siena's most renowned master, Simone Martini. Supposedly painted at the height of the golden age of Sienese painting, the Guido Riccio fresco has come to be seen as the quintessential example of late medieval taste and the em bodiment of all that is Sienese in the art of the early decades of the four teenth century. -
The Crucifixion C
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Thirteenth and Fourteenth Century Paintings Paolo Veneziano Venetian, active 1333 - 1358 The Crucifixion c. 1340/1345 tempera on panel painted surface: 31 x 38 cm (12 3/16 x 14 15/16 in.) overall: 33.85 x 41.1 cm (13 5/16 x 16 3/16 in.) framed: 37.2 x 45.4 x 5.7 cm (14 5/8 x 17 7/8 x 2 1/4 in.) Inscription: upper center: I.N.R.I. (Jesus of Nazareth, King of the Jews) Samuel H. Kress Collection 1939.1.143 ENTRY The Crucifixion is enacted in front of the crenellated wall of the city of Jerusalem. The cross is flanked above by four fluttering angels, three of whom collect the blood that flows from the wounds in Christ’s hands and side. To the left of the Cross, the Holy Women, a compact group, support the swooning Mary, mother of Jesus. Mary Magdalene kneels at the foot of the Cross, caressing Christ’s feet with her hands. To the right of the Cross stand Saint John the Evangelist, in profile, and a group of soldiers with the centurion in the middle, distinguished by a halo, who recognizes the Son of God in Jesus.[1] The painting’s small size, arched shape, and composition suggest that it originally belonged to a portable altarpiece, of which it formed the central panel’s upper tier [fig. 1].[2] The hypothesis was first advanced by Evelyn Sandberg-Vavalà (originally drafted 1939, published 1969), who based it on stylistic, compositional, and iconographic affinities between a small triptych now in the Galleria Nazionale of Parma [fig. -
Orchestra Del Teatro Petruzzelli Pinchas Steinberg Emanuele Arciuli
ORCHESTRA DEL TEATRO PETRUZZELLI PINCHAS STEINBERG direttore EMANUELE ARCIULI pianoforte Pizzetti | Beethoven FONDATORI PARTNERS CONSIGLIO DI INDIRIZZO Presidente Sovrintendente Antonio Decaro Direttore artistico Massimo Biscardi Vice Presidente Corrado Petrocelli Consiglieri Direttore stabile Sara Allegretta Giampaolo Bisanti Michele Bollettieri Vito Mormando Maestro del coro Matteo Pertosa Fabrizio Cassi COLLEGIO REVISORI DEI CONTI Presidente Anna Luisa Carra 2 3 Membri effettivi Sergio Lafortezza Rosa Valicenti SPONSOR TECNICO FONDATORI Ministero per i Beni e le Attività Culturali e per il Turismo Regione Puglia Comune di Bari Città Metropolitana di Bari PER UN TEATRO DA TUTELARE. Costruzioni Barozzi Altamura [ Bari ] - Italy ORCHESTRA PROGRAMMA DEL TEATRO PETRUZZELLI Ildebrando Pizzetti [1880 - 1968] Canti della stagione alta, concerto per pianoforte e orchestra I. Mosso e fervente, ma largamente spaziato PINCHAS STEINBERG II. Adagio direttore III. Rondò: Allegro EMANUELE ARCIULI pianoforte Ludwig van Beethoven [1770 - 1827] Sinfonia n. 5, in do minore, op. 67 I. Allegro con brio 10 II. Andante con moto 11 III. Allegro IV. Allegro - Presto TEATRO PETRUZZELLI trasmissione in streaming giovedì 3 dicembre 2020 ore 20.30 LA MUSICA DEL DESTINO E L’ «ALTA » STAGIONE DEL CUORE di Livio Costarella Ildebrando Pizzetti, Canti della stagione alta, Concerto per pianoforte e orchestra (1930) Tensione creativa, vigore intellettuale, coerenza musicale. E un’invenzione melodica di grande freschezza e spontaneità. Con queste caratteristiche che hanno sempre permeato la sua produzione, ad Ildebrando Pizzetti (1880-1968) si deve una stagione felice della musica italiana che ha abbracciato quasi un secolo di vita, nel delicato passaggio dal diciannovesimo al ventesimo secolo. Come accaduto a compositori del calibro di Nino Rota, anche dell’autore emiliano si è troppo spesso parlato di «caso isolato», allorché non aveva abbracciato la dodecafonia, né le avanguardie più estreme, per non parlare della «musique concrète» o elettronica.