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Colonial Frontier Massacres in Australia 1788-1930: Sources
Colonial Frontier Massacres in Australia 1788-1930: Sources © Ryan, Lyndall; Pascoe, William; Debenham, Jennifer; Gilbert, Stephanie; Richards, Jonathan; Smith, Robyn; Owen, Chris; Anders, Robert J; Brown, Mark; Price, Daniel; Newley, Jack; Usher, Kaine, 2019. The information and data on this site may only be re-used in accordance with the Terms Of Use. This research was funded by the Australian Government through the Australian Research Council, PROJECT ID: DP140100399. http://hdl.handle.net/1959.13/1340762 Colonial Frontier Massacres in Australia 1788-1930: Sources 0 Abbreviations 1 Unpublished Archival Sources 2 Battye Library, Perth, Western Australia 2 State Records of NSW (SRNSW) 2 Mitchell Library - State Library of New South Wales (MLSLNSW) 3 National Library of Australia (NLA) 3 Northern Territory Archives Service (NTAS) 4 Oxley Memorial Library, State Library Of Queensland 4 National Archives, London (PRO) 4 Queensland State Archives (QSA) 4 State Libary Of Victoria (SLV) - La Trobe Library, Melbourne 5 State Records Of Western Australia (SROWA) 5 Tasmanian Archives And Heritage Office (TAHO), Hobart 7 Colonial Secretary’s Office (CSO) 1/321, 16 June, 1829; 1/316, 24 August, 1831. 7 Victorian Public Records Series (VPRS), Melbourne 7 Manuscripts, Theses and Typescripts 8 Newspapers 9 Films and Artworks 12 Printed and Electronic Sources 13 Colonial Frontier Massacres In Australia, 1788-1930: Sources 1 Abbreviations AJCP Australian Joint Copying Project ANU Australian National University AOT Archives of Office of Tasmania -
Aboriginal Agency, Institutionalisation and Survival
2q' t '9à ABORIGINAL AGENCY, INSTITUTIONALISATION AND PEGGY BROCK B. A. (Hons) Universit¡r of Adelaide Thesis submitted for the degree of Doctor of Philosophy in History/Geography, University of Adelaide March f99f ll TAT}LE OF CONTENTS ii LIST OF TAE}LES AND MAPS iii SUMMARY iv ACKNOWLEDGEMENTS . vii ABBREVIATIONS ix C}IAPTER ONE. INTRODUCTION I CFIAPTER TWO. TI{E HISTORICAL CONTEXT IN SOUTH AUSTRALIA 32 CHAPTER THREE. POONINDIE: HOME AWAY FROM COUNTRY 46 POONINDIE: AN trSTä,TILISHED COMMUNITY AND ITS DESTRUCTION 83 KOONIBBA: REFUGE FOR TI{E PEOPLE OF THE VI/EST COAST r22 CFIAPTER SIX. KOONIBBA: INSTITUTIONAL UPHtrAVAL AND ADJUSTMENT t70 C}IAPTER SEVEN. DISPERSAL OF KOONIBBA PEOPLE AND THE END OF TI{E MISSION ERA T98 CTIAPTER EIGHT. SURVTVAL WITHOUT INSTITUTIONALISATION236 C}IAPTER NINtr. NEPABUNNA: THtr MISSION FACTOR 268 CFIAPTER TEN. AE}ORIGINAL AGENCY, INSTITUTIONALISATION AND SURVTVAL 299 BIBLIOGRAPI{Y 320 ltt TABLES AND MAPS Table I L7 Table 2 128 Poonindie location map opposite 54 Poonindie land tenure map f 876 opposite 114 Poonindie land tenure map f 896 opposite r14 Koonibba location map opposite L27 Location of Adnyamathanha campsites in relation to pastoral station homesteads opposite 252 Map of North Flinders Ranges I93O opposite 269 lv SUMMARY The institutionalisation of Aborigines on missions and government stations has dominated Aboriginal-non-Aboriginal relations. Institutionalisation of Aborigines, under the guise of assimilation and protection policies, was only abandoned in.the lg7Os. It is therefore important to understand the implications of these policies for Aborigines and Australian society in general. I investigate the affect of institutionalisation on Aborigines, questioning the assumption tl.at they were passive victims forced onto missions and government stations and kept there as virtual prisoners. -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
Colonial Frontier Massacres in Central and Eastern Australia 1788-1930: Bibliography
Colonial Frontier Massacres in Central and Eastern Australia 1788-1930: Bibliography Colonial Frontier Massacres in Central and Eastern Australia 1788-1930: Bibliography © Ryan, Lyndall; Pascoe, William; Debenham, Jennifer; Brown, Mark; Smith, Robyn; Richards, Jonathan; Anders, Robert J;. Price, Daniel; Newley, Jack, 2018. The information and data on this site may only be re-used in accordance with the Terms Of Use. This research was funded by the Australian Government through the Australian Research Council, PROJECT ID: DP140100399. http://hdl.handle.net/1959.13/1340762 Colonial Frontier Massacres in Central and Eastern Australia 1788-1930 1 Sources 2 Abbreviations 2 UNPUBLISHED SOURCES 2 STATE RECORDS OF NSW (SRNSW) 3 MITCHELL LIBRARY – STATE LIBRARY OF NEW SOUTH WALES, SYDNEY (ML) 3 COURT REPORTS 3 PUBLIC RECORD OFFICE, LONDON (PRO) 3 OXLEY MEMORIAL LIBRARY STATE LIBRARY OF QUEENSLAND 3 QUEENSLAND STATE ARCHIVES (QSA) 4 TASMANIAN ARCHIVE AND HERITAGE OFFICE, TASMANIA (TAHO) 4 VICTORIAN PUBLIC RECORDS SERIES (VPRS), Melbourne 4 STATE LIBRARY OF VICTORIA - LA TROBE LIBRARY, Melbourne 4 MANUSCRIPTS 5 THESES AND TYPESCRIPTS 5 NEWSPAPERS 5 PRINTED SOURCES 7 1 Colonial Frontier Massacres in Central and Eastern Australia 1788-1930: Bibliography Sources Abbreviations AJCP Australian Joint Copying Project AOT Archives of Office of Tasmania BC Brisbane Courier BCHAR Barrow Creek Heritage Assessment Report, (NT) BPP British Parliamentary Papers CCCL Chief Commissioner of Crown Lands CSIL Colonial Secretary In Letters CSO Colonial Secretary’s Office -
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture Benjamin Miller A thesis submitted to the School of English, Media and Performing Arts at the University of New South Wales in fulfilment of the requirements for the award of Doctor of Philosophy 2009 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname: MILLER First name: BENJAMIN Other name/s: IAN Degree: PhD School: ENGLISH, MEDIA AND PERFORMING ARTS Faculty: ARTS AND SOCIAL SCIENCES Title: MR ABSTRACT This dissertation argues that a fantasy of white authority was articulated and disseminated through the representations of blackness and Aboriginality in nineteenth-century American and Australian theatre, and that this fantasy influenced the representation of Aboriginality in twentieth- century Australian culture. The fantasy of whiteness refers to the habitually enacted and environmentally entrenched assumption that white people can and should superintend the cultural representation of Otherness. This argument is presented in three parts. Part One examines the complex ways in which white anxieties and concerns were expressed through discourses of blackness in nineteenth-century American blackface entertainment. Part Two examines the various transnational discursive connections enabled by American and Australian blackface entertainments in Australia during the nineteenth century. Part Three examines the legacy of nineteenth-century blackface entertainment in twentieth-century Australian culture. Overall, this dissertation investigates some of the fragmentary histories and stories about Otherness that coalesce within Australian culture. This examination suggests that representations of Aboriginality in Australian culture are influenced and manipulated by whiteness in ways that seek to entrench and protect white cultural authority. Even today, a phantasmal whiteness is often present within cultural representations of Aboriginality. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Learning to Inhabit the Chair Knowledge transfer in contemporary Australian director training Christopher David Hay A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Performance Studies Faculty of Arts and Social Sciences The University of Sydney May 2014 Labour is blossoming or dancing where The body is not bruised to pleasure soul, Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. -
Elizabethan Trust ·· News 300Eng8 Sepg8mber'74 No 12 Contentr Editor: Margaret Leask
elizabethan trust ·· news 300enG8 sepG8mber'74 no 12 contentr Editor: Margaret Leask The Stuttgart Ballet 3 Interview - Stella Adler and Ron Burrows 4 Fringe Engl ish in Brisbane - Albert Hunt and Richard Fotheringham 6 Puppetry News - The Marionette Theatre of Australia 8 London Scene - Gordon Beattie 9 Theatre in Canberra, Then and Now - Anne Godfrey-Smith 10 Dance Footnotes - Leonard Linden 12 Three Rooms, Harbour View - the ITI at the A.E.T.T: 13 Australian National Playwrights Conference 13 The Poets of Pleasure at N.I.D.A. - Maxlffland 14 Lucette Aldous 16 Melbourne Scene - BarryBalmer 18 Books 19 Australian Elizabethan Theatre Trust Conference 19 The Facts about the Elizabethen Trust Orchestras - Ken Mackenzie·Forbes20 Music - The War Requiem Twelve Years Later 21 Committees' Diary 21 Elizabeth Sweeting talks about Theatre Administration 22 New Opera South Austral ia - Stuart Thompson 24 Stageworld 25 R~o~s W Showguide 27 lHE N~TIONAL 1N5TITUrE IIIIID OF [)R,Al\MTIC ART at the University of New South Wales forme Sydney, Australia offers: Three year full-time training courses NEW for the Professional Theatre in ACTING BLOOD TECHNICAL PRODUCTION Blood is urgently required by the Red Cross Blood Transfusion Service. Help DESIGN save a life - giving blood is simple and harmless. A few minutes of your time Ther~ is a one year post-graduate could mean a lifetime to somebody student director's course for people else. ENROL NOW! already experienced in professional, university or amateur theatre. Sydney - 153 Clarence Street. (telephone 290 2555); Enquiries should be addressed to: Melbourne - 114 Flinders Street. -
Comin, Antonio, & Barwick, Linda. (2012). Re-Presenting Italy In
Comin, Antonio, & Barwick, Linda. (2012). Re-presenting Italy in Australia through Theatre and Music, 1972-2002. In L. Barwick & M. Sorce Keller (Eds.), Italy in Australia's musical landscape (pp. 41–64). Melbourne: Lyrebird Press. This is a post-print version, with page numbers adjusted to match those of the publication. 1 THREE Re-presenting Italy in Australia through Theatre and Music, 1972–2007 Antonio Comin with Linda Barwick This chapter is based on a conversation with Antonio Comin1 at his home in Norwood, South Australia, on 2 March 2009, edited and annotated by Linda Barwick.2 Antonio Comin (born Cornuda, Italy, in 1933) migrated with his family to Australia in 1936. A graduate of the University of Sydney and the Università degli Studi di Firenze, he taught at the universities of Sydney, Melbourne and British Columbia (Vancouver, Canada) before joining Flinders University in 1970 as foundation Professor of Italian. Until his retirement in 1996, his main teaching and research areas were Italian language, dialectology and traditional culture. [Insert Figure 3.1. Antonio Comin, 2004. Photograph by Deborah Baldassi, from Antonio Comin private collection.] Comin’s mission to establish and promote in South Australia the understanding of Italian language and culture was undertaken in large part through various theatrical productions he devised and mounted from 1976–2007, which increasingly incorporated his own writing as well as musical components including Italian traditional song (Appendix 1). The Italian Folk Ensemble, a musical group formed as a result of Comin’s activities, has been active in community music performances as well as theatre productions since 1978 (Appendix 2),3 and after a hiatus of some years various members including Comin reformed in 2003 under the name “Gruppo La Questua” (Appendix 3). -
A Not So Innocent Vision : Re
A NOT SO INNOCENT VISION: RE-VISITING THE LITERARY WORKS OF ELLEN LISTON, JANE SARAH DOUDY AND MYRTLE ROSE WHITE (1838 – 1961) JANETTE HELEN HANCOCK Thesis submitted for the degree of Doctor of Philosophy in the Discipline of Gender, Work & Social Inquiry School of Social Science University of Adelaide February 2007 A Not So Innocent Vision CONTENTS Abstract ……………………………………………………………………….ii Declaration……………………………………………………………………iv Acknowledgments……………………………………………………………..v Chapter One ‘Three Corner Jacks’: Where it all began…...……….1 SECTION ONE Chapter Two ‘An Innocent Presence’……...……………………..29 Chapter Three ‘Occupying an Unsettled Position’…………...…...57 Chapter Four ‘Powerful Contributors’……………………..…….76 Chapter Five ‘Decolonising the Neutral Identity’………………103 SECTION TWO ELLEN LISTON (1838 – 1885) Chapter Six ‘There is Always a Note of Striving’…………….128 Chapter Seven ‘An Apostle of Labour’…….………...…………..164 Chapter Eight ‘Those Infernal Wretches’……………………….191 SECTION THREE JANE SARAH DOUDY (1846 – 1932) Chapter Nine ‘Sweetening the World’…………...……………..220 Chapter Ten ‘Laying the Foundations of Our State’…..….……257 Chapter Eleven ‘Jolly Good Fellows’…………………..………...287 SECTION FOUR MYRTLE ROSE WHITE (1888 – 1961) Chapter Twelve ‘More than a Raconteur’…………..……………..323 Chapter Thirteen ‘Footprints in the Sand’…………..……………...358 Chapter Fourteen ‘Faith Henchmen and Devil’s Imps’......…………379 SECTION FIVE Chapter Fifteen ‘Relocating the Voice which speaks’….………...410 Chapter Sixteen ‘Looking Forward in Reverse’………………..….415 Janette Hancock i A Not So Innocent Vision Bibliography ………………………………………….……..…423 Abstract Foundational narratives constitute intricate and ideologically driven political works that offer new information about the colonial moment. They present divergent and alternate readings of history by providing insight into the construction of ‘national fantasies’ and the nationalist practice of exclusion and inclusion. White middle class women wrote a substantial body of foundational histories. -
Subject Index to Research Notes, A
GPO Box 464 Adelaide SA 5001 Tel (+61 8) 8204 8791 Fax (+61 8) 8260 6133 DX:336 [email protected] www.archives.sa.gov.au GRG 56/79 Research Notes – Subject Index Series This series covers a wide range of subjects relating to Description South Australian and Northern Territory history. It includes articles, letters, brochures, chronologies, biographies, newspaper cuttings, etc. The bulk of the notes were compiled by the first archivist of the South Australian Archives, George Pitt, to assist researchers interested in South Australian or Northern Territory history. Additional material has been added by staff or submitted by researchers from time to time. Series date range 1929 – current day Agency State Records of South Australia responsible Access Open Determination Contents A – Z 7 September 2016 SUBJECT DESCRIPTION NO. ABORIGINAL NAMES Aboriginal names and their 725 meanings. Extracted from GRG 24/6/1899/888 ABORIGINES Article re Spencer and Gillen’s 905 anthropological collaboration ABORIGINES History of Poonindie Mission 857 By Gertrude M. Farr ABORIGINES Report of the Waterloo Bay Massacre 135 court trial held 24 September 1849. ‘South Australian Register’ 26 September 1849 p4c. Comment on J.D. Sommerville’s exceptional research I trying to establish what in actual fact happened. ‘The Advertiser’ 15 October 1932. ABORIGINES Resolution passed by the South 814 Australian Bush Club concerning recent Aboriginal outrages and the best methods of fostering amicable relations with natives. 1839. ABORIGINES Report on a visit to Ooldea. By 851 Professor J.B. Cleland. 6pp. 1939. ABORIGINES Notes on steps taken to capture the 174 native concerned in the attack on Barrow Creek Telegraph Station. -
Special List Index for GRG52/90
Special List GRG52/90 Newspaper cuttings relating to aboriginal matters This series contains seven volumes of newspaper clippings, predominantly from metropolitan and regional South Australian newspapers although some interstate and national newspapers are also included, especially in later years. Articles relate to individuals as well as a wide range of issues affecting Aboriginals including citizenship, achievement, sport, art, culture, education, assimilation, living conditions, pay equality, discrimination, crime, and Aboriginal rights. Language used within articles reflects attitudes of the time. Please note that the newspaper clippings contain names and images of deceased persons which some readers may find distressing. Series date range 1918 to 1970 Index date range 1918 to 1970 Series contents Newspaper cuttings, arranged chronologically Index contents Arranged chronologically Special List | GRG52/90 | 12 April 2021 | Page 1 How to view the records Use the index to locate an article that you are interested in reading. At this stage you may like to check whether a digitised copy of the article is available to view through Trove. Articles post-1954 are unlikely to be found online via Trove. If you would like to view the record(s) in our Research Centre, please visit our Research Centre web page to book an appointment and order the records. You may also request a digital copy (fees may apply) through our Online Enquiry Form. Agency responsible: Aboriginal Affairs and Reconciliation Access Determination: Open Note: While every effort has been made to ensure the accuracy of special lists, some errors may have occurred during the transcription and conversion processes. It is best to both search and browse the lists as surnames and first names may also have been recorded in the registers using a range of spellings. -
Warraparna Kaurna! Reclaiming an Australian Language
Welcome to the electronic edition of Warraparna Kaurna! Reclaiming an Australian language. The book opens with the bookmark panel and you will see the contents page. Click on this anytime to return to the contents. You can also add your own bookmarks. Each chapter heading in the contents table is clickable and will take you direct to the chapter. Return using the contents link in the bookmarks. Please use the ‘Rotate View’ feature of your PDF reader when needed. Colour coding has been added to the eBook version: - blue font indicates historical spelling - red font indicates revised spelling. The revised spelling system was adopted in 2010. The whole document is fully searchable. Enjoy. Warraparna Kaurna! Reclaiming an Australian language The high-quality paperback edition of this book is available for purchase online: https://shop.adelaide.edu.au/ Published in Adelaide by University of Adelaide Press The University of Adelaide Level 14, 115 Grenfell Street South Australia 5005 [email protected] www.adelaide.edu.au/press The University of Adelaide Press publishes externally refereed scholarly books by staff of the University of Adelaide. It aims to maximise access to the University’s best research by publishing works through the internet as free downloads and for sale as high quality printed volumes. © 2016 Rob Amery This work is licenced under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License. To view a copy of this licence, visit http://creativecommons. org/licenses/by-nc-nd/4.0 or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA.