Cyborgs, Robots, Artificial Intelligence and the Futures of Gender: a Case Study
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Envisioning Cyborg Hybridity Through Performance Art: a Case Study of Stelarc and His Exploration of Humanity in the Digital Age Cara Hunt
Vassar College Digital Window @ Vassar Senior Capstone Projects 2015 Envisioning Cyborg Hybridity Through Performance Art: A Case Study of Stelarc and His Exploration of Humanity in the Digital Age Cara Hunt Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Hunt, Cara, "Envisioning Cyborg Hybridity Through Performance Art: A Case Study of Stelarc and His Exploration of Humanity in the Digital Age" (2015). Senior Capstone Projects. Paper 400. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Envisioning Cyborg Hybridity Through Performance Art: A Case Study of Stelarc and His Exploration of Humanity in the Digital Age Cara Hunt Advisors: Janet Gray & Ken Livingston Spring 2015 Thesis submitted in partial fulfillment of the requirements for a major in the program in Science, Technology, and Society (STS) ABSTRACT In this paper I argue that artistic representation has historically been and continues to be a valuable medium for envisioning new bodily forms and for raising important questions regarding changes in what it means to be human in an era of rapid technological advancement. I make this claim using Stelarc, an eccentric Australian performance artist, as a case study. Stelarc’s artistic exploration of the modern-day cyborg enacts and represents philosophical and ontological concepts such as identity, hybridity, and embodiment that are subject to change in the digital age. In order to arrive at this claim, Chapter 1 will trace the cyborg back to its use in 20th century Dada art. -
1 GOV 1029 Feminist Political Thought Tuesdays 1:30-2:45 EST
GOV 1029 Feminist Political Thought Tuesdays 1:30-2:45 EST, Thursdays 6:30-7:45 EST Fall Semester 2020 Professor Katrina Forrester Office Hours: Wednesdays 11-12, 2-3 E-mail: [email protected] Teaching Fellows: Kierstan Carter and Soren Dudley Course Description: What is feminism? What is patriarchy? What and who is a woman? How does gender relate to sexuality, and to class and race? Should housework be waged, should sex be for sale, and should feminists trust the state? This course is an introduction to feminist political thought since the mid-twentieth century. It introduces students to classic texts of late twentieth-century feminism, explores the key arguments that have preoccupied radical, socialist, liberal, Black, postcolonial and queer feminists, examines how these arguments have changed over time, and asks how debates about equality, work, and identity matter today. We will proceed chronologically, reading texts mostly written during feminism’s so-called ‘second wave’, by a range of influential thinkers including Simone de Beauvoir, Shulamith Firestone, bell hooks and Catharine MacKinnon. We will examine how feminists theorized patriarchy, capitalism, labor, property and the state; the relationship of claims of sex, gender, race, and class; the development of contemporary ideas about sexuality, identity, and gender; and how and whether these ideas change how fundamental problems in political theory are understood. 1 Course Requirements: Undergraduate students: 1. Participation (25%): a. Class Participation (15%) Class Participation is an essential part of making a section work. Participation means more than just attendance. You are expected to come to each class ready to discuss the assigned material. -
Humanism After All? Daft Punk's Existentialist
PARRHESIA NUMBER 8 • 2009 • 76–88 HUMANISM AFTER ALL? DAFT PUNK’S EXISTENTIALIST CRITIQUE OF TRANSHUMANISM Chad Parkhill INTRODUCTION The French dance music production duo Daft Punk have, since the pre-release publicity for their second album, Discovery (2001), used their music (and the accompanying paratexts of video clips, publicity photos, liner notes, and the costume and stage design of their tours) as an occasion to meditate on the relationship between technology and the human. Although their early efforts at exploring this relationship seem at best naïve—they initially claimed that an accident in their recording studio in September 1999 had transformed them into robots1—their later texts, such as the video clips that accompany their third album, Human After All (2005), display an increasing level of sophistication, not only in artistic but also in philosophical terms. Despite the fact that their music and its commercial success rely extensively on technologies of sound manipulation, digital reproduction, and new forms of online media, Daft Punk’s recent examinations of the relationship between technology and the human are, to say the least, ambivalent. On the one hand, songs such as “Technologic” can be read as paeans to the possibilities that technology opens up to human existence, and the fact that the song was swiftly seized upon by advertising executives to sell Apple’s iPod music player would support such a reading. On the other hand, the visual codes and semiotics of the song’s video clip suggest that Daft Punk’s vision of the technological is a much darker one than Apple might like to embrace.2 Nowhere else in the duo’s oeuvre is their take on technology and the human more developed in its details and more ambivalent in its message than in their debut feature-length film, Electroma (2007). -
A Cyborg Manifesto: Science, Technology, and Socialist
Donna Haraway, "A Cyborg Manifesto: Science, Technology, and Socialist- Feminism in the Late Twentieth Century," in Simians, Cyborgs and Women: The Reinvention of Nature (New York; Routledge, 1991), pp.149-181. AN IRONIC DREAM OF A COMMON LANGUAGE FOR WOMEN IN THE INTEGRATED CIRCUIT This chapter is an effort to build an ironic political myth faithful to feminism, socialism, and materialism. Perhaps more faithful as blasphemy is faithful, than as reverent worship and identification. Blasphemy has always seemed to require taking things very seriously. I know no better stance to adopt from within the secular-religious, evangelical traditions of United States politics, including the politics of socialist feminism. Blasphemy protects one from the moral majority within, while still insisting on the need for community. Blasphemy is not apostasy. Irony is about contradictions that do not resolve into larger wholes, even dialectically, about the tension of holding incompatible things together because both or all are necessary and true. Irony is about humour and serious play. It is also a rhetorical strategy and a political method, one I would like to see more honoured within socialist-feminism. At the centre of my ironic faith, my blasphemy, is the image of the cyborg. A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction. The international women's movements have constructed 'women's experience', as well as uncovered or discovered this crucial collective object. This experience is a fiction and fact of the most crucial, political kind. -
A Cyborg Manifesto
A Cyborg Manifesto Donna Haraway Science, Technology, and Socialist-Feminism in the Late Twentieth Century," in Simians, Cyborgs and Women: The Reinvention of Nature (New York; Routledge, 1991), pp.149-181. An ironic dream of a common language for women in the integrated circuit This chapter is an effort to build an ironic political myth faithful to feminism, socialism, and materialism. Perhaps more faithful as blasphemy is faithful, than as reverent worship and identification. Blasphemy has always seemed to require taking things very seriously. I know no better stance to adopt from within the secular-religious, evangelical traditions of United States politics, including the politics of socialist feminism. Blasphemy protects one from the moral majority within, while still insisting on the need for community. Blasphemy is not apostasy. Irony is about contradictions that do not resolve into larger wholes, even dialectically, about the tension of holding incompatible things together because both or all are necessary and true. Irony is about humour and serious play. It is also a rhetorical strategy and a political method, one I would like to see more honoured within socialist-feminism. At the centre of my ironic faith, my blasphemy, is the image of the cyborg. A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction. The international women's movements have constructed 'women's experience', as well as uncovered or discovered this crucial collective object. This experience is a fiction and fact of the most crucial, political kind. -
Cyberfeminist Theories and the Benefits of Teaching Cyberfeminist Literature
12 Cyberfeminist Theories and the Benefits of Teaching Cyberfeminist Literature Maya Zalbidea Paniagua Camilo José Cela University of Madrid Spain 1. Introduction In 2010 I had the opportunity to interview Julianne Pierce, writer and artist who took part of the first cyberfeminist group called VNS Matrix, at the conference "Riot Girls Techno Queen: the Rise of Laptop Generation Women" at the Reina Sofía Museum in Madrid. When I asked her what she thought about present day cyberfeminism she answered melancholically: "Cyberfeminist movements are not as visible as they used to be during the 90s" ("Personal Interview with Julianne Pierce by Maya Zalbidea Paniagua" n/p) It is certainly true that the 80s and 90s supposed the golden age of cybercultures. Cybernetics arrived in the 1960s (Wiener 1968) but the glorious age of the Internet started in the 80s. In 1984 William Gibson coined the term cyberspace and anticipated the Internet revolution in his novel Neuromancer (1984). Other cyberpunk novels also illustrated a post-apocalyptic future such as: Do Androids Dream of Electric Sheep? (1968) by Philip K. Dick. Cyberpunk films such as Blade Runner (1982) and The Terminator (1984) received enormous impact. And some years later the Web was invented by British scientist Tim Berners-Lee in 1989, CERN publicized the new World Wide Web project in 1991, and during the 90s cyberfeminist theories and movements spread internationally. Unfortunately a climax of disillusion and a crisis of moral values has influenced negatively cyberfeminist thought, promoted by the idea that women in the third world cannot have access to the Internet, the battle between ecofeminists and cyberfeminists, and the ecological awareness of the difficulty to eliminate electronic garbage. -
Cambridge Papers GENUL: CE MAI URMEAZĂ?
Seria de studii creştine Areopagus 39 Cambridge Papers GENUL: CE MAI URMEAZĂ? Experienţe personale, agende radicale şi dileme năucitoare Christopher Townsend Timişoara 2019 GENUL: CE MAI URMEAZĂ? Experiențe personale, agende radicale și dileme năucitoare Christopher Townsend Articol publicat în seria Cambridge Papers Decembrie 2016 Traducător: Elena Neagoe Centrul de Educație Creștină și Cultură Contemporană Areopagus Timișoara 2019 Originally published in Cambridge Papers series, by The Jubilee Centre (Cambridge, U.K.) under the title Gender: where next? Personal journeys, radical agendas and perplexing dilemmas Volume 25, Number 4, December 2016. © Christopher Townsend 2016 All rights reserved. Published with permission of The Jubilee Centre, St Andrews House, 59 St Andrews Street, Cambridge CB2 3BZ, UK www.jubilee-centre.org Charity Registration Number 288783. Ediția în limba română, publicată cu permisiune, sub titlul GENUL: CE MAI URMEAZĂ? Experiențe personale, agende radicale și dileme năucitoare de Christopher Townsend, apărută sub egida Centrului Areopagus din Timișoara Calea Martirilor nr. 104 www.areopagus.ro în cooperare cu SALLUX Începând cu anul 2011, activitățile desfășurate de Sallux sunt susținute financiar de către Parlamentul European. Responsabilitatea pentru orice comunicare sau publicație redactată de Sallux, sub orice formă sau prin orice mijloc, revine organizației Sallux. Parlamentul European nu este responsabil pentru modurile în care va fi folosită informația conținută aici. Coordonator proiect: Dr. Alexandru Neagoe Toate drepturile rezervate asupra prezentei ediții în limba română. Prima ediție în limba română. Traducător: Elena Neagoe Editor coordonator: Dr. Alexandru Neagoe Cu excepția unor situații când se specifică altfel, pentru citatele biblice s-a folosit traducerea D. Cornilescu. Orice reproducere sau selecție de texte din această carte este permisă doar cu aprobarea în scris a Centrului Areopagus din Timișoara. -
Cyborg Fictions: the Cultural Logic of Posthumanism
CYBORG FICTIONS: THE CULTURAL LOGIC OF POSTHUMANISM Scott McCracken the fin-de-si2cle crisis in socialism has coincided with the reappearance of the cyborg. Cyborgs are everywhere, in films, fiction, politics and theory. Three strands of cyborg discourse can be identified. First, there is the use of the cyborg to represent the increasingly complex relationship between humanity and technology. Implants, transplants, prostheses, hormonal treatment, cosmetic surgery and genetic engineering all blur the boundary between body and machine. Second, there are cyborg fictions: the narra- tives that explore the imaginative possibilities inspired by new technology. These include the cyberpunk fiction of William Gibson and films like Terminator and Terminator II. Thirdly, there are the theoretical extrapola- tions of these fictions which map the relationship between the inhuman, global systems of the new world (dis)order and the kinds of hybrid identities that are one of its characteristics. Here the most influential writer is Donna Haraway, who sparked many of the critical debates with her article, 'A Manifesto for Cyborgs: Science, Technology and Socialist Feminism in the 80s', first published in Socialist Review.' Haraway is a historian of science who has devoted most of her work to interrogating that concept of the human which acts as an unquestioned assumption in most scientific research. Her cyborg project contains three central elements. Firstly, she wants to problematise identities rather than reinforcing them. In her 'Cyborg Manifesto', she describes herself as 'Once upon a time, in the 1970s . a proper, US socialist-feminist, white, female, hominid biologist, who became a historian of science to write about modern Western accounts of monkeys, apes, and women'. -
Beyond the Binary: Gender Identity and Mental Health Among Transgender and Gender Non-Conforming Adults
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Beyond the Binary: Gender Identity and Mental Health Among Transgender and Gender Non-Conforming Adults Chassitty N. Fiani The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2815 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BEYOND THE BINARY: GENDER IDENTITY AND MENTAL HEALTH AMONG TRANSGENDER AND GENDER NON-CONFORMING ADULTS by CHASSITTY N. FIANI A dissertation submitted to the Graduate Faculty in Psychology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 CHASSITTY N. FIANI All Rights Reserved ii Beyond the Binary: Gender Identity and Mental Health among Transgender and Gender Non- Conforming Adults by Chassitty N. Fiani This manuscript has been read and accepted for the Graduate Faculty in Psychology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ __________________________________ Date Kevin L. Nadal Chair of Examining Committee __________________ __________________________________ Date Richard Bodnar Executive Officer Supervisory Committee: Dr. Chitra Raghavan Dr. Brett Stoudt Dr. Michelle Fine Dr. David Rivera THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Beyond the Binary: Gender Identity and Mental Health among Transgender and Gender Non- Conforming Adults by Chassitty N. Fiani Advisor: Kevin L. -
The Rise of the Dream-State
The Rise of the Dream-State Trans Agendas, Gender Confusion, Identity & Desire Jasun Horsley 2017 Part One: Psychic Cuckoo-Land “In this fascinating exploration of the cultural models of manhood, When Men Are Women examines the unique world of the nomadic Gabra people, a camel-herding society in northern Kenya. Gabra men denigrate women and feminine things, yet regard their most prestigious men as women. As they grow older, all Gabra men become d’abella, or ritual experts, who have feminine identities. Wood’s study draws from structuralism, psychoanalytic theory, and anthropology to probe the meaning of opposition and ambivalence in Gabra society. When Men Are Women provides a multifaceted view of gender as a cultural construction independent of sex, but nevertheless fundamentally related to it. By turning men into women, the Gabra confront the dilemmas and ambiguities of social life. Wood demonstrates that the Gabra can provide illuminating insight into our own culture’s understanding of gender and its function in society.” –Publisher’s description The transgender question spans the whole spectrum of human interest, from psychological to biological, social to cultural, religious to technological, political to spiritual. It would be hard to conceive of a hotter topic–or button–than the question of when–or if –a man becomes a woman, and vice versa. Wrapped up inside this question is a still deeper one of what makes a human being a human being, what constitutes personal identity, and how much identity is or can be made subject to our desire, and vice versa. Among the countless lesser questions which the subject raises, here are a sample few, some (though probably not all) of which I will address in the following exploration. -
Transhumanism, Posthumanism, and the “Cyborg Identity”
Yayınlayan: Ankara Üniversitesi KASAUM Adres: Kadın Sorunları Araştırma ve Uygulama Merkezi, Cebeci 06590 Ankara Fe Dergi: Feminist Eleştiri 13, Sayı 1 Erişim bilgileri, makale sunumu ve ayrıntılar için: http://cins.ankara.edu.tr/ Transhumanism, Posthumanism, And The “Cyborg Identity” Cennet Ceren Çavuş Çevrimiçi yayına başlama tarihi: 10 Haziran 2021 Yazı Gönderim Tarihi: 18.01.2021 Yazı Kabul Tarihi: 12.05.2021 Bu makaleyi alıntılamak için: Cennet Ceren Çavuş, “Transhumanism, Posthumanism, And The “Cyborg Identity”” Fe Dergi 13, no. 1 (2021), 177-187. URL: http://cins.ankara.edu.tr/25_14.pdf Bu eser akademik faaliyetlerde ve referans verilerek kullanılabilir. Hiçbir şekilde izin alınmaksızın çoğaltılamaz. 177 Çavuş Transhumanism, Posthumanism, And The “Cyborg Identity” Cennet Ceren Çavuş* The purpose of this paper is to provide a brief analysis of two confusable philosophical positions, Transhumanism and Posthumanism, and compare their approaches in terms of their social and ecological concerns through an examination of Donna Haraway’s “cyborg identity.” Haraway introduces a ground-breaking approach in A Cyborg Manifesto and her later works, which blurs the formerly defined, distinct categories and identities that underlie the oppression of animals, humans, men, women, machines etc. By using postmodernist deconstruction, she wants to challenge Western dualisms and all kinds of oppression it causes. While Transhumanists, who inherit anthropocentrism from Humanism, support technological advancement to enhance the human condition, Posthumanists draw attention to the harms of the anthropocentric approach in terms of social and ecological justice and offer a more comprehensive and compassionate approach to other species inhabiting the planet. Since both Transhumanists and Posthumanists promote enhancement, Transhumanists need Posthumanist insights to really enhance the human condition concerning her environment. -
The Cyborg Is the Message: a Monstrous Perspective for Communication Theory Katherine Anna Merrick Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2007 The cyborg is the message: a monstrous perspective for communication theory Katherine Anna Merrick Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Other Communication Commons, and the Rhetoric and Composition Commons Recommended Citation Merrick, Katherine Anna, "The cyborg is the message: a monstrous perspective for communication theory" (2007). Retrospective Theses and Dissertations. 13953. https://lib.dr.iastate.edu/rtd/13953 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The cyborg is the message: A monstrous perspective for communication theory by Katherine Anna Merrick A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: Rhetoric, Composition, and Professional Communication Program of Study Committee: Don Payne, Major Professor Jean Goodwin Donna Niday Iowa State University Ames, Iowa 2007 Copyright © Katherine Anna Merrick, 2007. All rights reserved. UMI Number: 1443141 UMI Microform 1443141 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform