CYBORG MIND What Brain–Computer And
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Citizen Cyborg.” Citizen a Groundbreaking Work of Social Commentary, Citizen Cyborg Artificial Intelligence, Nanotechnology, and Genetic Engineering —DR
hughes (continued from front flap) $26.95 US ADVANCE PRAISE FOR ARTIFICIAL INTELLIGENCE NANOTECHNOLOGY GENETIC ENGINEERING MEDICAL ETHICS INVITRO FERTILIZATION STEM-CELL RESEARCH $37.95 CAN citizen LIFE EXTENSION GENETIC PATENTS HUMAN GENETIC ENGINEERING CLONING SEX SELECTION ASSISTED SUICIDE UNIVERSAL HEALTHCARE human genetic engineering, sex selection, drugs, and assisted In the next fifty years, life spans will extend well beyond a century. suicide—and concludes with a concrete political agenda for pro- cyborg Our senses and cognition will be enhanced. We will have greater technology progressives, including expanding and deepening control over our emotions and memory. Our bodies and brains “A challenging and provocative look at the intersection of human self-modification and human rights, reforming genetic patent laws, and providing SOCIETIES MUST RESPOND TO THE REDESIGNED HUMAN OF FUTURE WHY DEMOCRATIC will be surrounded by and merged with computer power. The limits political governance. Everyone wondering how society will be able to handle the coming citizen everyone with healthcare and a basic guaranteed income. of the human body will be transcended, as technologies such as possibilities of A.I. and genomics should read Citizen Cyborg.” citizen A groundbreaking work of social commentary, Citizen Cyborg artificial intelligence, nanotechnology, and genetic engineering —DR. GREGORY STOCK, author of Redesigning Humans illuminates the technologies that are pushing the boundaries of converge and accelerate. With them, we will redesign ourselves and humanness—and the debate that may determine the future of the our children into varieties of posthumanity. “A powerful indictment of the anti-rationalist attitudes that are dominating our national human race itself. -
Envisioning Cyborg Hybridity Through Performance Art: a Case Study of Stelarc and His Exploration of Humanity in the Digital Age Cara Hunt
Vassar College Digital Window @ Vassar Senior Capstone Projects 2015 Envisioning Cyborg Hybridity Through Performance Art: A Case Study of Stelarc and His Exploration of Humanity in the Digital Age Cara Hunt Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Hunt, Cara, "Envisioning Cyborg Hybridity Through Performance Art: A Case Study of Stelarc and His Exploration of Humanity in the Digital Age" (2015). Senior Capstone Projects. Paper 400. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Envisioning Cyborg Hybridity Through Performance Art: A Case Study of Stelarc and His Exploration of Humanity in the Digital Age Cara Hunt Advisors: Janet Gray & Ken Livingston Spring 2015 Thesis submitted in partial fulfillment of the requirements for a major in the program in Science, Technology, and Society (STS) ABSTRACT In this paper I argue that artistic representation has historically been and continues to be a valuable medium for envisioning new bodily forms and for raising important questions regarding changes in what it means to be human in an era of rapid technological advancement. I make this claim using Stelarc, an eccentric Australian performance artist, as a case study. Stelarc’s artistic exploration of the modern-day cyborg enacts and represents philosophical and ontological concepts such as identity, hybridity, and embodiment that are subject to change in the digital age. In order to arrive at this claim, Chapter 1 will trace the cyborg back to its use in 20th century Dada art. -
Neural Lace" Company
5 Neuroscience Experts Weigh in on Elon Musk's Mysterious "Neural Lace" Company By Eliza Strickland (/author/strickland-eliza) Posted 12 Apr 2017 | 21:15 GMT Elon Musk has a reputation as the world’s greatest doer. He can propose crazy ambitious technological projects—like reusable rockets for Mars exploration and hyperloop tunnels for transcontinental rapid transit—and people just assume he’ll pull it off. So his latest venture, a new company called Neuralink that will reportedly build brain implants both for medical use and to give healthy people superpowers, has gotten the public excited about a coming era of consumerfriendly neurotech. Even neuroscientists who work in the field, who know full well how difficult it is to build working brain gear that passes muster with medical regulators, feel a sense of potential. “Elon Musk is a person who’s going to take risks and inject a lot of money, so it will be exciting to see what he gets up to,” says Thomas Oxley, a neural engineer who has been developing a medical brain implant since 2010 (he hopes to start its first clinical trial in 2018). Neuralink is still mysterious. An article in The Wall Street Journal (https://www.wsj.com/articles/elonmusklaunches neuralinktoconnectbrainswithcomputers1490642652) announced the company’s formation and first hires, while also spouting vague verbiage about “cranial computers” that would Image: iStockphoto serve as “a layer of artificial intelligence inside the brain.” So IEEE Spectrum asked the experts about what’s feasible in this field, and what Musk might be planning. -
Affective Timelines Towards the Primary-Process Emotions Of
AFFECTIVE TIMELINES TOWARDS THE PRIMARY-PROCESS EMOTIONS OF MOVIE WATCHERS: MEASUREMENTS BASED ON SELF- EXPERIENCE AND INTERACTION ANNOTATION AND AFFECTIVE NEUROSCIENCE Marko Radeta, Zhabiz Shafieyoun and Marco Maiocchi SIP Lab | Studies on Interaction and Perception | Desi!n Department, Politecnico di Milano marko@ siplab.or!, zhabiz@ siplab.or!, marco@ siplab.or! ABSTRACT The economic success of a movie depends on audience satisfaction and on how much they are emotionally en!a!ed while watchin! it. Our research is related to the identification of such kinds of emotions felt by movie watchers durin! screenin! movie screenin!. We endorse the model of 7 Primary-process emotions from A#ective Neuroscience (SEEKING, PLAY, CARE, FEAR, GRIEF, RAGE and LUST) and ask subjects to watch 14 movies and match them with these 7 emotions. We provide a self-annotatin! application and reveal “A#ective Timelines” of clicks with arousal scenes. We verify that it is possible to discriminate movie watchers’ emo- tions accordin! to their self-annotation by obtainin! 0.51 - 0.81 ran!e of accordance in an- notatin! 14 movies and comparin! them with the authors of this study. These timelines will be matched with physiolo!ical sensors in future research. KEYWORDS: A ect Annotation, Primary-process Emotions, Movie Watchers, Movie Analysis, A ective Computing. INTRODUCTION arousal scale by using the FEELTRACE (Cowie, 2000) emo- tion annotation tool. Participants viewed the films and, in Influencing the emotions is a key factor in satisfying a movie real-time, annotated their emotional responses by moving audience and for the overall success of the movie. Movies the mouse pointer on a square two-dimensional area rep- are art-forms that involve affective, perceptual and intellec- resenting the valence-arousal emotional space. -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates a Disse
Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Richard Block, Chair Sabine Wilke Ellwood Wiggins Program Authorized to Offer Degree: Germanics ©Copyright 2018 Nathan Jensen Bates University of Washington Abstract Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates Chair of the Supervisory Committee: Professor Richard Block Germanics This dissertation explores the question of how German modernist novels anticipate and critique the transhumanist theory of mind-uploading in an attempt to avert binary thinking. German modernist novels simulate the mind and expose the indistinct limits of that simulation. Simulation is understood in this study as defined by Jean Baudrillard in Simulacra and Simulation. The novels discussed in this work include Thomas Mann’s Der Zauberberg; Hermann Broch’s Die Schlafwandler; Alfred Döblin’s Berlin Alexanderplatz: Die Geschichte von Franz Biberkopf; and, in the conclusion, Irmgard Keun’s Das Kunstseidene Mädchen is offered as a field of future inquiry. These primary sources disclose at least three aspects of the mind that are resistant to discrete articulation; that is, the uploading or extraction of the mind into a foreign context. A fourth is proposed, but only provisionally, in the conclusion of this work. The aspects resistant to uploading are defined and discussed as situatedness, plurality, and adaptability to ambiguity. Each of these aspects relates to one of the three steps of mind- uploading summarized in Nick Bostrom’s treatment of the subject. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
THESIS ANXIETIES and ARTIFICIAL WOMEN: DISASSEMBLING the POP CULTURE GYNOID Submitted by Carly Fabian Department of Communicati
THESIS ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID Submitted by Carly Fabian Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2018 Master’s Committee: Advisor: Katie L. Gibson Kit Hughes Kristina Quynn Copyright by Carly Leilani Fabian 2018 All Rights Reserved ABSTRACT ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID This thesis analyzes the cultural meanings of the feminine-presenting robot, or gynoid, in three popular sci-fi texts: The Stepford Wives (1975), Ex Machina (2013), and Westworld (2017). Centralizing a critical feminist rhetorical approach, this thesis outlines the symbolic meaning of gynoids as representing cultural anxieties about women and technology historically and in each case study. This thesis draws from rhetorical analyses of media, sci-fi studies, and previously articulated meanings of the gynoid in order to discern how each text interacts with the gendered and technological concerns it presents. The author assesses how the text equips—or fails to equip—the public audience with motives for addressing those concerns. Prior to analysis, each chapter synthesizes popular and scholarly criticisms of the film or series and interacts with their temporal contexts. Each chapter unearths a unique interaction with the meanings of gynoid: The Stepford Wives performs necrophilic fetishism to alleviate anxieties about the Women’s Liberation Movement; Ex Machina redirects technological anxieties towards the surveilling practices of tech industries, simultaneously punishing exploitive masculine fantasies; Westworld utilizes fantasies and anxieties cyclically in order to maximize its serial potential and appeal to impulses of its viewership, ultimately prescribing a rhetorical placebo. -
Superhuman Enhancements Via Implants: Beyond the Human Mind
philosophies Article Superhuman Enhancements via Implants: Beyond the Human Mind Kevin Warwick Office of the Vice Chancellor, Coventry University, Priory Street, Coventry CV1 5FB, UK; [email protected] Received: 16 June 2020; Accepted: 7 August 2020; Published: 10 August 2020 Abstract: In this article, a practical look is taken at some of the possible enhancements for humans through the use of implants, particularly into the brain or nervous system. Some cognitive enhancements may not turn out to be practically useful, whereas others may turn out to be mere steps on the way to the construction of superhumans. The emphasis here is the focus on enhancements that take such recipients beyond the human norm rather than any implantations employed merely for therapy. This is divided into what we know has already been tried and tested and what remains at this time as more speculative. Five examples from the author’s own experimentation are described. Each case is looked at in detail, from the inside, to give a unique personal experience. The premise is that humans are essentially their brains and that bodies serve as interfaces between brains and the environment. The possibility of building an Interplanetary Creature, having an intelligence and possibly a consciousness of its own, is also considered. Keywords: human–machine interaction; implants; upgrading humans; superhumans; brain–computer interface 1. Introduction The future life of superhumans with fantastic abilities has been extensively investigated in philosophy, literature and film. Despite this, the concept of human enhancement can often be merely directed towards the individual, particularly someone who is deemed to have a disability, the idea being that the enhancement brings that individual back to some sort of human norm. -
Sustainable Development, Technological Singularity and Ethics
European Research Studies Journal Volume XXI, Issue 4, 2018 pp. 714- 725 Sustainable Development, Technological Singularity and Ethics Vyacheslav Mantatov1, Vitaly Tutubalin2 Abstract: The development of modern convergent technologies opens the prospect of a new technological order. Its image as a “technological singularity”, i.e. such “transhuman” stage of scientific and technical progress, on which the superintelligence will be practically implemented, seems to be quite realistic. The determination of the basic philosophical coordinates of this future reality in the movement along the path of sustainable development of mankind is the most important task of modern science. The article is devoted to the study of the basic ontological, epistemological and moral aspects in the reception of the coming technological singularity. The method of this study is integrating dialectical and system approach. The authors come to the conclusion: the technological singularity in the form of a “computronium” (superintelligence) opens up broad prospects for the sustainable development of mankind in the cosmic dimension. This superintelligence will become an ally of man in the process of cosmic evolution. Keywords: Technological Singularity, Superintelligence, Convergent Technologies, Cosmocentrism, Human and Universe JEL code: Q01, Q56. 1East Siberia State University of Technology and Management, Ulan-Ude, Russia [email protected] 2East Siberia State University of Technology and Management, Ulan-Ude, Russia, [email protected] V. Mantatov, V. Tutubalin 715 1. Introduction Intelligence organizes the world by organizing itself. J. Piaget Technological singularity is defined as a certain moment or stage in the development of mankind, when scientific and technological progress will become so fast and complex that it will be unpredictable. -
The Search for Extraterrestrial Intelligence
THE SEARCH FOR EXTRATERRESTRIAL INTELLIGENCE Are we alone in the universe? Is the search for extraterrestrial intelligence a waste of resources or a genuine contribution to scientific research? And how should we communicate with other life-forms if we make contact? The search for extraterrestrial intelligence (SETI) has been given fresh impetus in recent years following developments in space science which go beyond speculation. The evidence that many stars are accompanied by planets; the detection of organic material in the circumstellar disks of which planets are created; and claims regarding microfossils on Martian meteorites have all led to many new empirical searches. Against the background of these dramatic new developments in science, The Search for Extraterrestrial Intelligence: a philosophical inquiry critically evaluates claims concerning the status of SETI as a genuine scientific research programme and examines the attempts to establish contact with other intelligent life-forms of the past thirty years. David Lamb also assesses competing theories on the origin of life on Earth, discoveries of ex-solar planets and proposals for space colonies as well as the technical and ethical issues bound up with them. Most importantly, he considers the benefits and drawbacks of communication with new life-forms: how we should communicate and whether we could. The Search for Extraterrestrial Intelligence is an important contribution to a field which until now has not been critically examined by philosophers. David Lamb argues that current searches should continue and that space exploration and SETI are essential aspects of the transformative nature of science. David Lamb is honorary Reader in Philosophy and Bioethics at the University of Birmingham. -
Nicholas Georgescu-Roegen Whose Contribution Was Directed Toward the Integration of Economic Theory with the Principles of Thermo- Dynamics
The Complex History of Sustainability An index of Trends, Authors, Projects and Fiction Amir Djalali with Piet Vollaard Made for Volume magazine as a follow-up of issue 18, After Zero. See the timeline here: archis.org/history-of-sustainability Made with LATEX Contents Introduction 7 Bibliography on the history of sustainability 9 I Projects 11 II Trends 25 III Fiction 39 IV People, Events and Organizations 57 3 4 Table of Contents Introduction Speaking about the environment today apparently means speaking about Sustainability. Theoretically, no one can take a stand against Sustain- ability because there is no definition of it. Neither is there a history of Sustainability. The S-word seems to point to a universal idea, valid any- where, at any time. Although the notion of Sustainability appeared for the first time in Germany in the 18th century (as Nachhaltigkeit), in fact Sustainability (and the creative oxymoron ’Sustainable Development’) isa young con- cept. Developed in the early seventies, it was formalized and officially adopted by the international community in 1987 in the UN report ’Our Common Future’. Looking back, we see that Western society has always been obsessed by its relationship with the environment, with what is meant to be outside ourselves, or, as some call it, nature. Many ideas preceded the notion of Sustainability and even today there are various trends and original ideas following old ideological traditions. Some of these directly oppose Sustainability. This timeline is a subjective attempt to historically map the different ideas around the relationship between humans and their environment. 5 6 Introduction Some earlier attempts to put the notion of sustainability in a historical perspective Ulrich Grober, Deep roots.